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Click here to subscribeA group of assorted prints including an equestrian subject, signed in pencil by Lester Piggott, a lithograph entitled 'Welsh Fashions', four prints of L'Armee Imperiale, and a group of hand coloured steel engravings including views of Stirling Castle, Windsor, Chichester, Clifton suspension bridge, Luton Hoo and others. (qty)
Roy Godfrey Botting 1909-1999- "Night on the River, Chelsea"; mono-type, signed, titled in pen and dated 1958, 21x28cm: together with nine other lithograph and print studies depicting mostly landscapes, most signed and dated, Note: Painter, printmaker and teacher, born in London, studied at the Royal College of Art. Taught at several London art schools, later holding a lectureship in printmaking at Harrow College of Arts and Technology. (a lot) (unframed)
Mid-Late 20th Century School- Torso and birds; black ink, signed with initials 'SC' and 'NW', 65x47.5cm: European School Mid-Late 20th century- Dancing figures; lithograph on grey paper, signed and numbered 68/99 in pencil: together with four other mid 20th century lithographs and mixed technique prints by and after various hands, (6) (unframed)
George Moulard Woodward 1760-1809- "Sketches of Fairy Land or a Comparison between England & Lilliput", published by Thomas Clegg, mid 19th century, hand-coloured engraving, 24.2x33cm: British Provincial School 19th century- Figures by a stream in a wood; watercolour, 15x20.3cm: After J Wagner, European School mid 19th century- Portrait of a young man seated three quarter-length holding a book; lithograph, signed and dated 1850 within the plate, 24.5x18cm: British School early 19th century- Composite studies of a gate and foliage; pencil, signed and dated 1824, 25.7x36cm., (4)
Frances Walker (Scottish, 20th Century) Beach with Stones signed lower right "F Walker" and with blindstamp and the initials "BAT" lithograph 54 x 62cm born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and then took up a post as visiting teacher of art for the Hebrides . This experience engendered in her a life-long love of wild and desolate places and since then she has chosen to depict the most remote landscapes, her compositions usually based on coastal reaches, craggy rocks and deserted beaches. Moving to Aberdeen , Walker took up a post at Gray's School of Art where she taught for many years. After retirement she has since divided her time between Aberdeen and the Western Isles, especially Tiree, where she owns a thatched cottage, but more recently has also travelled further afield - her latest inspiration being the even wilder and more desolate landscape of Iceland
Enid Marx (1902-1998), A basket of roses, linocut, signed lower right, 22 x 14 cm (8 1/2 x 5 1/2 in) together with a lithograph 'B is for Bears on the Beach' by Janet Parr, 1975, an aquatint of an owl, 1971, an etching of a king and queen embossed 'CR' and 'Landscape with Balloons' by George Tute, 1981 (5)
Robert Pollard (1735-1838) and Francis Jukes (1745-1812), after Robert Dodd, 'A West View of Highbury Place', etching and aquatint, published 1787, 37 x 52 cm (14 1/2 x 20 1/2 in) together with 'The North View of Highbury & Cannonbury Places', by the same hands, and a lithograph of Greenwich Hospital and Park after James Fagan (3)
James Redaway, after William Evans of Eton, 'Eton from the Locks', coloured engraving, 19 x 28 cm (7 1/2 x 11 in) together with a coloured lithograph of Eton after C. Radclyffe, 'Windsor and Eaton' after Farington, 'Infancy' and 'Fidelity' after Cosway and Gardner, 'Children feeding chickens' after Hamilton and an engraving by George Vertue (7)
Joseph Mallord William Turner, RA (British, 1775-1851) The Ruins of Hatfield Castle, watercolour, 23 x 33cm. Provenance: From the collection of Barnet Lewis, Esq Thos Agnew and Sons Ltd, 43 Old Bond Street, London, W1, January 1957. Willett House, Somerset. Engraved: W G Rawlinson, The Engraved Work of J M W Turner, RA, Vol. II, London, 1913, No.840. Previously only known from a photograph at the Tate of a lithograph of 1852, the present watercolour is a view of Hatfield Castle near Doncaster and is dateable to 1797-1798 when Turner was in Yorkshire. Turner is known to have taken a route around Doncaster on his first tour of the north of England in 1797. The tour resulted in many pencil sketches and some important finished watercolours
Eduardo Paolozzi-(1924-2005 )-Untitled-A double image lithograph depicting a figure with a crash test dummy and bus crash below, pencil signed and dated 1971, A/P, 25 cm by 17 cm, unframed, together with a smaller study of an anotomical cross section, also signed, 10 cm by 14 cm, unframed. ILLUSTRATED
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