Joan Miro (1893-1983)Beats II (Mourlot 569)Lithograph printed in colours, 1968, signed and numbered from the edition of 75 in pencil, on BFK Rives wove paper, printed by Arte Adrien Maeght, Paris, published by Maeght, Paris, with full margins, sheet 656 x 635mm (22 7/8 x 25in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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Joan Miro (1896-1986)Affiche pour Exhibition Miro L'Å’vre Graphique (Mourlot 947)Lithograph printed in colours, 1974, signed and numbered from the deluxe edition of 100 without text, on wove paper, printed by Maeght, published by the Musée d'Art Moderne de la Ville de Paris, the full sheet printed to the edges, 780 x 570mm (30 ¾ x 16 ½ in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Joan Miro (1893-1983)Affiche de l'exposition 'Constellations' (Mourlot 191)Lithograph printed in colours, 1959, signed, dated and numbered from the edition of 150 in pencil, on Arches wove paper, printed by Mourlot, Paris, the full sheet, 651 x 502mm (25 5/8 x 19 3/4in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Salvador Dali (1904-1989)Lancelot and Guinevere (Field 79-7B; M&L 1565g)Lithograph printed in colours, 1979, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Les Amoureux', published by Levine and Levine, the full sheet, 748 x 545mm (29 1/2 x 21 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Claude Monet (1840-1926) & George-William Thornley (1875-1935)La Plage et la Falaise d'AmontThe rare lithograph printed in sepia, circa 1890, signed by both Monet and Thornley in pencil, from the edition of 25, on chine appliqué supported on wove paper, published by Belfond et Cie, Paris, with their blindstamp, with full margins, sheet 567 x 398mm (22 1/4 x 15 3/4in) (unframed)
Pablo Picasso (1881-1973)Exposition de Ceramiques (Bloch 1280; Mourlot 313; Rau 678)Lithograph printed in colours, 1958, signed in red crayon, on wove paper, the full sheet, 662 x 487mm (23 3/4 x 26in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Frank Stella (b.1936)Sidi Ifni (Axsom 91)Offset lithograph, 1973, signed and dated in pencil, numbered from the edition of 120, on Copperplate Deluxe paper, printed by Bill Law, London, published by Propyläen Verlag, Berlin and Pantheon Pressse, S.A., Agno, Switzerland, with full margins, sheet 558 x 762mm (22 x 30in) (framed)
David Hockney (b.1937) (after)A poster for Olympische Spiele München, 1972Lithograph printed in colours, 1972, on thick wove paper, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, with full margins, sheet 1150 x 640mm (40 x25 1/5in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Roy Lichtenstein (1923-1997)Modern Print (Corlett 103)Lithograph with screenprint in colours, 1971, signed, dated and numbered from the edition of 200 in pencil, on wove paper, printed by Gemini G.E.L., Los Angeles, with their blindstamp, co-published by the artist and Gemini G.E.L. for the Museum of Modern Art, New York, the full sheet, 609 x 609mm (24x 24in) (unframed)
Lyonel Feininger (1871-1956)Off the Coast (Prasse L14II)Lithograph, 1951, signed in pencil, from the unnumbered (as issued) edition of 250, on Rives wove paper, published by The Print Club of Cleveland, with their inkstamp verso, with full margins, image 225 x 372mm (8 7/8 x 14 5/8in) (framed)
Gilbert and George (b.1943 & 1942)Death after LifeOffset lithograph printed in colours, 2008, signed in black ball-point pen, numbered from the edition of 100 in pencil, on Hahnemühle and Mohawk Superfine wove paper, published by Oak Tree Fine Press, Fyfield, with full margins, sheet 250 x 460mm (9 ¾ x 18in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Carolyn Sergeant, nee Cann (1937-2018) - Study of a rose branch with rose hips, watercolour, signed Cann and dated 65, 21 x 16cm, together with further pictures including an abstract oil on paper, study of a stretching figures in the manner of Keith Vaughan, inscribed KV, dated 64, 20 x 13cm approx, a black and white artists proof etching of a still life with fruit bowl by Gillian Waite, a lithograph after Andre Masson - Artemis and Zeus, etc
France Hilon (20th century) - A moonlit landscape with horses, coloured etching, signed, edition number 1/15, 41 x 50cm visible sheet size, together with Meyrick (20th century) - Greek landscape with ewer, coloured lithograph, signed, edition number 2/50, 48 x 60cm approx sheet size, also together with after William Blake (18th century) - The Progress of Poesy, coloured print, 41 x 31cm, all framed
EL LISSITZKY (RUSSIAN 1890-1941), BEAT THE WHITES WITH THE RED WEDGE!, 1919-1920, PRINTED CIRCA 1960S EL LISSITZKY (RUSSIAN 1890-1941), Klinom krasnym bey belykh! (Beat the Whites with the Red Wedge!), after the original lithograph ([Moscow]: Politupravleniye Zapfronta, UNOVIS, 1919-1920), printed circa 1960s; full sheet measuring 41.5 x 50.7 cm (16 3/8 x 20 in.)
J W Giles after H Strafford, A Shorthorned Prize Ox, bred and fed by the Right Hon. The Earl Spencer, Winner of the 1st Prize of 30 Sovereigns in Class II and the Gold Medal as the Best Beast in any of the Cattle Classes at the Smithfield Show, December, 1840, dead weight 234 stone, coloured lithograph, in a maple frame, 48 x 61cm A little dirt and foxing under the glass.

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70555 item(s)/page