δ Salvador Dali (1904-1989)A plate, from The Twelve Apostles | The Knights of the Round Table (Field 72-14-B; M&L 1510)Lithograph printed in colours, 1977/1978, signed and numbered from the edition of 250 in pencil, on Arches wove paper, published by Wajntrob, Moore, Lancel & Carpentier, with full margins, sheet 650 x 480mm (25 5/8 x 18 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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δ Salvador Dali (1904-1989)A plate, from The Twelve Apostles | The Knights of the Round Table (Field 72-14-H; M&L 1515)Lithograph printed in colours, 1977/1978, signed and numbered from the edition of 250 in pencil, on Arches wove paper, published by Wajntrob, Moore, Lancel & Carpentier, with full margins, sheet 650 x 480mm (25 5/8 x 18 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Graham Sutherland (1903-1980)Forme de roche dressée (Tassi 115)Lithograph printed in colours, 1971, signed and numbered from the edition of 200 in pencil, on wove paper, published by Cercle Graphique Européen, the full sheet, 770 x 525mm (30 1/4 x 20 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Andre Masson (1896-1987)Don GiovanniLithograph printed in colours, 1977, signed, titled and numbered from the edition of 250 in pencil, on Arches wove paper, co-published by Circle Gallery and t x Metropolitan Opera, New York, with their respective inkstamp and blindstamp, with full margins, sheet 760 x 555mm (30 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ César Domela (1900-1992)Composition Screenprint with lithograph printed in colours, 1973, signed, dated 1936 and 1973, and numbered from the edition of 50 in roman numerals in pencil, from the artists' and collaborators' edition of 50 aside from the edition of 150, on wove paper, as included in 'Abstraction-Création: Art Non-Figuratif 1932-1936', published by Abstraction-Création, Paris, the full sheet, 832 x 658mm (32 3/4 x 25 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ John Piper (1903-1992)Llangloffan (not in Levinson)Lithograph printed in colours, 1980, signed in pencil, from the edition of 750, on wove paper, published by the Cavendish Collection, with the FATG blindstamp, with margins, image 390mm x 580mm (15 1/4in x 22 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Valério Adami (b.1935)Omaggio a Juan GrisLithograph printed in colours, 1967, signed, dated and numbered in roman numerals from the artist's proof edition of 25, aside from the edition of 100, on japan paper, image 480 x 360mm (19 x 14in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ John Piper (1903-1992)Easton, Portland, Dorset: St George Reforne, and 18th-century church among the quarries (Levinson 137)Lithograph, 1964, signed in pencil, from the edition of 70, on Crisbrook Waterleaf wove paper, as included in 'A Retrospect of Churches, printed by the Curwen Studio, London, published by Marlborough Graphics, London, with full margins, sheet 592 x 812mm (23 1/4 x 32in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Max Bill (1908-1994)Olympische Spiele MünchenLithograph printed in colours, 1972, from the edition of circa 4000, presumably a proof before the text, printed by Matthieu, Zurich, on wove paper, published by Edition Olympia 1972 GmbH, Munich, with full margins, sheet 877x 640mm (34 1/2 x 25 1/5in) (unframed)
‡JOSEPH BINDER (1898-1972)Monochromes 1965, No1 Indigo Lightpastel25 x 22 inProvenance: Mrs Cynthia Pearce, 1965 Philip and Susan Richardson Thence by descent Joseph Binder studied at the Vienna School of Arts and Crafts, before moving to the USA. There he worked as a poster designer. In his work he was particularly interested in the reduction of geometric forms, colour contrast and the psychological impact of colours.In the 1960's Binder turned away from his commercial graphic work renewing his exploration of abstract style.For another abstract painting by the artist titled 7A (dating from 1968) cf. Christie's New York, July 22nd 2010, lot 87Sold with a colour lithograph titled 'The Balcony' by Andre Bicat (exhibited at The Leicester Galleries, London); two (2)
Walt Disney Studios, A collection of four limited edition sericels from 1990s feature films, including The Lion King, The Hunchback of Notre Dame, Pocahontas, and Hercules, each matted, mounted and framed, image size approximately 175mm x 175mm; together with a commemorative lithograph of Disney's Fantasia, with Disney gilt seal, image size 175mm x 240mm, mounted and framed. (Qty: 5)
THE EMPIRE STRIKES BACK (1980) - Complete Ralph McQuarrie artwork portfolio of 24 x prints - First Edition 1980 - Each lithograph features a separate production painting or scene from this Star Wars sequel + the information sheet with background of the artist and written detailed descriptions about each print - 20.75" x 9.75" (53 x 25 cm) - Flat/Unfolded - Prints Very Fine plus / Folder Fine minus
* WWII RAF ‘Target for Tonight’. An original half sheet film poster for US release, c. 1941, depicting Boulton-Paul Defiant fighter-bomber imagery for propaganda film using authentic footage during Battle of Britain, directed by Harry Watt in conjunction with the RAF, colour lithograph on paper for US release by Warner Bros Inc, with wet-stamp verso inscribed ‘Pacific Poster Corp Oregon’ , 51 x 76 cm (Qty: 1)

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