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Lot 1

Illustrations, History and Directory and Gazetteer of the County Palatine of Lancaster, map of Liverpool and Lancaster dated 1824-5; Lithograph signatures of the members of The British Association for the Advancement of Science, published Cambridge, circa 1833 and Archaeologia or Miscellaneous Tracks relating to Antiquity, circa 1850, (29 volumes total)

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Barbara Hepworth (1903-1975), Linear abstract with orange ground, limited edition lithograph, signed in pencil within the margin lower right, numbered 23/60 lower left, 58 x 80.5 cm

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James Malton (1761-1803), Leinster House, Dublin; Custom House, Dublin; The Parliament House, Dublin; Royal Exchange, Dublin, each hand coloured aquatints, each p. 31.5 x 43 cm, and orison after A.G.Jones, Dublin Exhibition Palace & Winter Garden: International Exhibition of Arts & Manufactures, 1865, hand coloured lithograph, s. 35 x 50.5 cm

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James Abbot McNeill Whistler (1843-1903), The Feathered Hat, lithograph, signed with monogram within the plate centre left, s 17.5 x 14.5 cm

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Charles Johnson Payne 'Snaffles' (1884-1967), If there is Paradise on Earth, It is this!, It is this!, It is this!, lithograph, signed in pencil within the margin lower right, lithograph remarque lower left, s. 49 x 65.5 cm

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Charles Johnson Payne 'Snaffles' (1884-1967), Sandown - Asking 'em the question, lithograph, signed in pencil lower left, impressed snaffle bit lower left, lithographic remarque 'The Empty Plate' lower right, s. 50 x 64 cm

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English School (19th century), The Hampshire hunt, hand coloured lithograph, s. 39 x 77.5 cm with monogram lower centre HCC below the Prince of Wales feathers

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Charles Johnson Payne 'Snaffles' (1884-1967), Peshwar Vale, lithograph, signed in pencil lower left, impressed with snaffle bit lower left, lithographic remarques upper left and lower right, s. 46.5 x 68.5 cm

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Charlie Johnson Payne 'Snaffles' (1884-1967), The Panee, lithograph, signed in pencil within the margin lower right, inscribed the P V H lower right The Jumping Pardu upper right, lithographic remarques upper right and lower left, s. 48 x 74 cm

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J.W. Giles, The making of the Newbury Coat, lithograph, s. 58.5 x 81.5 cm, and C. Smith, A new map of Hampshire, hand coloured engraving, p. 54 x 48 cm, unframed

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Cecil Charles Windsor Aldin (1870-1935), To Brighton, lithograph, signed within the plate lower left, 42 x 52 cm

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William Russell Flint (1880-1969), The Pendant, lithograph, signed in pencil within the margin lower right, s. 53.5 x 71 cm, bears paper label verso for John Magee Limited, 4 Donegall Square West, Belfast

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William Russell Flint (1880-1969), Two ladies dressed in white, lithograph, signed in pencil within the margin lower right, s. 43 x 58.5 cm

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William Russell Flint (1880-1969), Victorian Divertion (sic), lithograph, signed in pencil within the margin lower right, s. 58.5 x 44 cm bears paper label verso for John Magee Limited, 4 Donegall Square West, Belfast, 82/1149

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William Russell Flint (1880-1969), Spanish village square, lithograph, signed in pencil within the margin lower right, s. 45.5 x 59 cm, bears paper label verso for A.E.Dutton & Son., 55 Fordsham St., Chester

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L** Haghe after David Roberts (1796-1864), Title page to the Holy Land, Vol. 3, hand coloured lithograph, s. 47 x 31.5 cm

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After David Roberts (1796-1864), Arab encampment, hand coloured lithograph, s. 32 x 49.5 cm

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David Roberts (1796-1864), Jericho, hand coloured lithograph, signed within the plate lower right, inscribed indistinctly and dated 1839 lower left, s. 36 x 51.5 cm

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After David Roberts (1796-1864), Arabs beside a mosque, hand coloured lithograph, s. 32 x 49.5 cm

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John George Murray after C. Landseer, Pillage and destruction of Basing House, Hants., October 14th 1645, lithograph, p. 64.5 x 78.5 cm

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Cecil Charles Windsor Aldin (1870-1935), The King's Head, Malmesbury, lithograph, signed in pencil lower left, s. 44.5 x 34 cm, bears paper label verso detailing title

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Cecil Charles Windsor Aldin (1870-1935), The King's Head, Chigwell, lithograph, signed in pencil lower left, s. 44.5 x 34 cm, bears paper label verso detailing title

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Cecil Charles Windsor Aldin (1870-1935), The Bell, Stilton, lithograph, signed in pencil lower left, s. 45 x 36.5 cm, bears paper label verso detailing title

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Brehm, A. E. & H. M. Labouchere & W. Jesse (translated from the German), Bird-Life Being A History of the Bird, Its Structure and Habits, London, John Van Voorst, 1874, 4o (255 x 155mm.), half title, colour lithograph frontispiece, and 10 plates, advertisement leaf inserted at end, original green cloth gilt. With a number of other related works including, Rev. C. A. Johns 'Flowers of the Field' (London, 1908), Harold Stuart Thompson's 'Alpine Plants of Europe' (London, 1911), and a five volume set of Witherby, Jourdain, Ticehurst, & Tucker's 'The Handbook of British Birds' (London, 1943-1944).

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J*** Rosetti, LA RAPHAILLE, LIQUEUR BONAL, poster, colour lithograph, 160 by 121cm.; 63 by 47.5in.; together with another poster advertising Bonal by Ch.Lemmel, Raleigh poster and Blumes Petrol Proof Enamel advertisement

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A lithograph After David Roberts of The Dead Sea looking towards Moab, 24cm x 34cm, three coloured lithographs After Carl Werner of holy places and a further Victorian colour lithograph of a sunset scene. (5)

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A Late 19th Century Swiss Cylinder Musical Box, the 28cm cylinder playing eight popular airs as listed on the colour lithograph tune sheet, in a rosewood and partly ebonised case, the hinged lid centred by marquetry inlaid scene of a horse race, (54.5cm wide)

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Album of 26 Erotic Prints, the majority by Achille Deveria, mostly couples, a few groups, some outdoors, 16 lithographs and 1 pen lithograph, this by Henri Monnier, with fresh, original hand-colouring, various sizes, 9 further lithographs, uncoloured, all trimmed to the image or border lines, otherwise in good condition, most mounted at corners or edges only, on single sides of album leaves, contemporary gilt-stamped and embossed morocco, rubbed at edges, oblong 4to, mid 19th century

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Beaumont (Edouard de) [L'Automne, Les Fruits; L'Hiver, Le Bal], 2 lithographs in original hand-colouring, each c.155 x 180mm., rounded corners (as issued), trimmed with loss of titles, [Weiermair, Erotic Art, plates 60 & 61], [Paris, c.1850]; and a hand-coloured lithograph attributed to Deveria, c.1850 (3)

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Erotic Ballroom Scene, depicting guests in elegant attire, with 2 vertically lifting flaps, with concealed tabs, revealing the naked lower bodies of 7 figures, original hand-coloured lithograph, 205 x 265mm., mounted on card support, with gilt and black border, two short splits at ends of cut-away sections, with original, gilt-ornamented, white envelope, with repaired tears, slight wear and surface dirt, [?Paris], c.1840

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Flint (William Russell, RA, PPRWS) Primavera, colour-printed offset lithograph, 235 x 290mm., signed within the image, in pencil, lower left, blind-stamp of the Fine Art Trade Guild, lower left, slight uneven sun fading from over-mount, Adam Collection Ltd, 1969; with a small group of 9 late 19th century erotic (and 1 non-erotic) postcards and 10 later copy prints (21)

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Louis le Brocquy HRHA (b.1916). PROCESSION WITH LILLIES I, 1991, signed and numbered lower right. lithograph on handmade Japanese paper. 56 by 76cm., 22 by 30in. 1,800-2,200 Euros (IR £1,400-£1,700 approx.)

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Louis le Brocquy HRHA (b.1916). Samuel Beckett, Poems 1930-1989, Calder Publications, London, 2002. Bound with an ORIGINAL SIGNED LITHOGRAPH BY LE BROCQUY, titled 'Images of Samuel Beckett'. No. 10 in a limited edition of 100. Bound in quarter goatskin, with raised bands at spine, hand-tooled. Top edge gilt, marbled boards with matching slipcase. Mint. 800-1,000 Euros (IR £600-£800 approx.)

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DERBYSHIRE: BIGSBY, R. Historical and Topographical Description of Repton, lithographed title, frontispiece & 10 plates, illustrations, original cloth, slightly rubbed at head of joints, 4to, 1854; CROSTON, J. Chantrey's Peak Scenery or Views in Derbyshire, 29 engraved plates, original cloth, 4to, 1886; USSHER, R. An Historical Sketch of the Parish of Croxall, no. 1 of 100 copies, PRESENTATION COPY with letter from author, 38 plates, some coloured, original cloth, 4to, 1881; Domesday Book... Derbyshire, lithograph facsimile, original cloth, folio, 1862; JEWITT, L., editor. Domesday Book of Derbyshire, some spotting, cloth-backed boards, 4to, 1871; HISTORICAL MANUSCRIPTS COMMISSION. The Manuscripts of the Earl Cowper at Melbourne Hall, 3 vol., half calf, folio, 1888 (8)

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SHANNON, C. HAZELWOOD. & J.W. WHITE. The Pageant, 2 volumes (all published), lithograph by Whistler, coloured woodcut by L. Pisarro, plates, original pictorial cloth (one designed by Charles Ricketts), a trifle marked, 4to, 1896-97

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Moggridge (J.Traherne) Contributions to the Flora of Mentone and to a Winter Flora of the Riviera, 99 hand-coloured lithograph plates, modern cloth-backed marbled boards, 8vo, 1871.

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[Rosenberg (Mary Elizabeth)] The Museum of Flowers, 48 hand-coloured lithograph plates (?of 55), lacking list of subscribers, contemporary green half morocco, gilt, spine gilt, slightly rubbed, 8vo, 1845.

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Warner (Robert) The Orchid Album, vol.1-3 only (of 11), 138 fine hand-coloured lithograph plates on 137 leaves only (of 144), many detached, a couple slightly frayed at edges but generally clean and free of spotting or soiling, ex-library copies but plates unstamped, original cloth, worn, gutta percha perished, 4to, 1882-84.

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Holbrook (John Edwards) Ichthyology of South Carolina, vol.1 (all published), first edition, 28 fine hand-coloured lithograph plates, light water-stain to upper margin towards end, contemporary brown half morocco, slightly rubbed, 4to, Charleston, 1860.

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Trade Catalogue.- Deny (Charles) Album de Serrurerie de Luxe, Cuivrerie & Bronzes pour batiment, title and 49 double-page lithograph plates on a sepia tinted background, each numbered as 2 to 100 (nos 49 and 54 omitted and apparently not called for), light spotting to a few, original cloth, gilt title on upper cover, rubbed, backstrip worn, hinges weak, 4to, Paris, c.1895. *** Locks, handles, knockers, doorbells, shutter catches and finials for staircases and balconies.

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Lane (C., publisher) Lane's Telescopic View of the Interior of the Exhibition, hand-coloured lithographed peep-show, top sheet and base marked, original card case, coloured lithograph on front cover, worn and marked, 175 x 160 mm., 1851.

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Chagall (Marc) Chagall Lithographe, vol.IV only, dust-jacket illustrations and frontispiece original lithographs, original buckram, Paris, 1974 ~ San Lazzaro (G. di, editor) Chagall Monumental, one double-page original lithograph, original cloth, dust-jacket, small tear to upper edge, Paris, 1973, folio (2).

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Ashbee (C.R.) Modern English Silverwork, number 170 of 200 copies, signed by the author, 100 lithograph plates, many hand-coloured, margins browned, original cloth, faded and little rubbed, folio, Broad Campden, Essex House Press, 1909.

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Hockney (David) Paper Pools, number 238 of 1000 copies signed by the artist, with original six-colour lithograph in folder, many illustrations, most colour, original decorated cloth, card case, little marked, 4to, 1980.

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Netto (C.) Papier-Schmetterlinge aus Japan, Delux Limited edition, 22 plates, 2 chromolithographed, illustrations, silk endpaper, lithograph title, full leather Jugendstil binding designed by Paul Bender executed by Hotzhausen, recessed, hand-coloured circular plate, detailed gilt and raised illustrations and raised gilt metal crowns, a.e.g., parchment dust-jacket, chipped at corners, folio, Leipzig, 1888.

Lot 1

The following four lots belonged to Miss A.L. Bruce, David Livingstone's granddaughter. Baker (Sir Samuel White) The Albert N'Yanza, Great Basin of the Nile, 2 vol., first edition, folding map, frontispieces (one tinted lithograph), wood-engraved plates and illustrations, hinges weak, original pictorial cloth, gilt, slightly cockled, 8vo, 1867.

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Livingstone (David) Missionary Travels and Researches in South Africa, first edition, second issue with folding tinted lithograph frontispiece and plate 8, wood-engraved plates and illustrations, 2 folding maps, one in pocket at end, hinges weak, original cloth, a little rubbed and bumped, 8vo, 1857.

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Mollhausen (Baldwin) Diary of a Journey from the Mississippi to the Coasts of the Pacific, 2 vol., first English edition, translated by Mrs.Percy Sinnett, half-titles, folding map, 7 chromolithograph, 4 tinted lithograph and 8 wood-engraved plates, advertisement leaf at end of vol.2, occasional foxing and light water-staining, lacking 3 preliminary leaves from vol.2 and ?blank preliminary from vol.1, modern half calf, [Sabin 49915; Howes M713], 8vo, 1858.

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Bell (James Stanislaus) Journal of a Residence in Circassia, 2 vol., first edition, folding engraved map with partial hand-colouring, 12 lithograph plates, 3 hand-coloured, all but one of the rest tinted, some foxing, contemporary half calf, spines gilt, slightly rubbed, 8vo, 1840.

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Wilbraham (Capt. Richard) Travels in the Trans-Caucasian Provinces of Russia, first edition, half-title, wood-engraved frontispiece, 4 tinted lithograph plates, folding map, errata slip, 12pp. advertisements at end, hinges broken, original cloth, worn and shaken, 8vo, 1839.

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Lear (Edward) Journals of a Landscape Painter in Southern Calabria, &c., first edition, half-title, 2 maps, 20 tinted lithograph plates, 4pp. advertisements at end, hinges weak, original cloth, upper cover slightly sunned, 8vo, 1852.

Lot 1

Otterloo (A. van) Japan, beschreven naar de nieuwste bronnen, engraved title, folding map, 17 steel engravings, 6 lithograph plates, 1 colour double page, original embossed cloth, gilt, faded, corners bruised, extremities slightly frayed, 8vo, Amsterdam, 1860.

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J.H.Lynch after Hopper, New Palace Yard, coloured lithograph printed by J.Graf, within a green and gilt moulded frame, 44 x 70cm overall

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Grieve after R.B.Harraden, Dinner Given to 15,000 Persons on Parker's Piece Cambridge... 1838, lithograph, 30 x 48.5cm

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-. A Group of 5 Exhibition Posters, including Salon d'Automne 1960, by Jean Picart le Doux, Edouard Dermit for his own show, 1963, and Les Peintres Temoins de leur Temps by Lucien Fontanarosa, 1971, 620 x 475mm. to 755 x 520mm., two with surface dirt, one with a marginal tear, occasional minor handling creases, Paris, Mourlot, 1938 to 1971; with a Bernard Buffet exhibition poster, 1978, and another for Ouzani, l'Art et la Paix, 1987, the latter an original lithograph (7).

Lot 1

Egger-Lienz (Albin) "1915", a sinister image of advancing troops, original colour lithograph, signed in pencil, 600 x 780mm. (image), light damp-stain at bottom right corner, creases in margins, Vienna, Gesellschaft fur Vervielfaltigende Kunst, [1915]; and a lithograph by Forain (2).

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A chromium plated novelty condiment set in the form of a liner, a novelty ashtray and lighter in the form of a speedboat, a papier mache crumb tray and brush, together with a framed circular lithograph.

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Arthur J Elsley- Winters Day, Black and white lithograph, signed in pencil.

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Carrier (Michel) Notice Biographique sur Jacques Balmat dit Mont-Blanc, lithograph portrait, (Meckly 44), Geneva, 1854; bound between several other works on Switzerland/Mountaineering from c.1860-69, contemporary calf-backed boards, 8vo. *** First mentioned is extremely rare.

Lot 1

Chabrand (A.) Congres du Club-Alpin Francais: Fíte Alpine de la Societe des Touristes du Dauphine a la Berarde, number 3 of 5 copies on Japon with an original signed pen and ink drawing by Guigues, lithograph plates, illustrations, original pictorial wrappers, 8vo, Grenoble, 1887.

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