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Lot 116
Vintage reproduction poster featuring French artist Henri de Toulouse-Lautrec's (1864-1901) 1892 lithograph poster titled Ambassadeurs - The design features Toulouse-Lautrec's friend and cabaret singer Aristide Bruant. Published by Athena Reproductions London. Good condition, creasing, tears. Country of issue: UK, designer: Henri de Toulouse-Lautrec, size (cm): 91x61, year of printing: 1970s.
Lot 115
Vintage reproduction poster featuring French artist Henri de Toulouse-Lautrec's (1864-1901) 1893 lithograph poster originally made for Jane Avril (1868-1943) to advertise her cabaret show at the Jardin de Paris in 1893. Toulouse-Lautrec depicted Avril doing the cancan with the silhouettes of musical instruments in the foreground. Published by Athena Reproductions London. Fair condition, paper losses, tears, creasing, staining, pinholes, tape marks. Country of issue: UK, designer: Henri de Toulouse-Lautrec, size (cm): 82x62, year of printing: 1970s.
Lot 1831
BARGHEER, EDUARD (1901-1979), 3 Landschaftskompositionen, 1.) Aquatintaradierung/Bütten, in der Platte signiert, darunter mit Bleistift von Hand signiert, datiert (19)72 und num. 95/100, HxB: Platte ca. 31x42,5 cm, Blatt ca. 43x65,5 cm; 2.) Aquatintaradierung/Bütten, in der Platte signiert und undeutl. dat., darunter mit Bleistift von Hand signiert und num. 103/175, HxB: Platte ca. 20x15 cm, Blatt ca. 26x20,5 cm; 3.) Farblithographie/Papier, in der Platte signiert und datiert (19)66, darunter mit Bleistift von Hand signiert und num. 3/120, HxB:Platte ca. 35x50 cm, Je Altersspuren, part. leichte Knickspuren und gebräunt. Die Blätter 2 und 3 mit verglastem Rahmen (Außenmaße bis 50x67,5 cm).| BARGHEER, EDUARD (1901-1979), 3 landscape compositions, 1.) aquatint etching/handmade paper, signed in the plate, below signed in pencil by hand, dated (19)72 and numbered 95/100, HxW: plate approx. 31x42.5 cm, sheet approx. 43x65.5 cm; 2.) aquatint etching/handmade paper, signed and indistinctly dated in the plate, signed and numbered 103/175 in pencil below, HxW: plate approx. 20x15 cm, sheet approx. 26x20.5 cm; 3.) colour lithograph/paper, signed and dated (19)66 in the plate, signed and numbered 3/120 in pencil below, HxW: plate approx. 35x50 cm, each with traces of age, some slight creases and browning. The sheets 2 and 3 with glazed frame (outer dimensions up to 50x67.5 cm).
Lot 1834
GENKINGER, FRITZ (1934-2017), "Profilbildnis", Farblithographie/Papier, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift bezeichnet 'e. a.' (Epreuve d'Artiste), HxB: Platte ca. 41,5x35 cm, Blatt ca. 60x42 cm. Leichte Altersspuren und minim. Flecken.| GENKINGER, FRITZ (1934-2017), ‘Profilbildnis’, colour lithograph/paper, signed by hand in pencil lower right, inscribed ‘e. a.’ (Epreuve d'Artiste) in pencil lower left, HxW: plate approx. 41.5x35 cm, sheet approx. 60x42 cm. Slight traces of age and minim. Stains.BEI EINEM ZUSCHLAG ÜBER € 400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.
Lot 1815
KÜSTNER, G. (XIX) "Der Schlossplatz zu Stuttgart mit seinen neuen Anlagen. Seiner Majestät dem König Wilhelm I. von Württemberg" Getönte Lithographie von G. Küstner nach F.F. Wagner, erschienen im Verlag Christian Abele in Stuttgart, entstanden im Jahre 1863, HxB: ca, 45/55 cm. Rahmen, 53/60 cm. Literatur: Schefold, Max; „Alte Ansichten aus Württemberg" Stuttgart, 1957 dort verzeichnet unter Nr. 8202. Wais, Gustav; „Alt-Stuttgarts Bauten im Bild" Stuttgart 1951 dort verzeichnet und abgebildet.Provinienz: Andreas Henn-Kunsthandel-Galerie| KÜSTNER, G. (XIX) “The Palace Square in Stuttgart with its new grounds. To His Majesty King Wilhelm I of Württemberg”Toned lithograph by G. Küstner after F.F. Wagner, published by Christian Abele in Stuttgart, created in 1863, HxW: 53/60 cm. (with frame)Literature: Schefold, Max; “Alte Ansichten aus Württemberg” Stuttgart, 1957 listed there under no. 8202. Wais, Gustav; “Alt-Stuttgarts Bauten im Bild” Stuttgart 1951 listed and illustrated there.Provenance: Andreas Henn-Kunsthandel-Galerie
Lot 1821
BRAQUE, GEORGES (1882-1963), "Oiseau dans le ciel" aus "Derrière le miroir", Farblithographie, in der Platte monogrammiert 'G. B.', HxB: Platte ca. 19x26 cm, Passeparoutausschnitt ca. 21,5x27 cm, Außenmaße Rahmen ca. 43x39 cm. Leichte Altersspuren. Im Passepartout hinter Glas gerahmt. VERSO Etikett Kunsthaus Schaller, Stuttgart mit Bezeichnung.| BRAQUE, GEORGES (1882-1963), ‘Oiseau dans le ciel’ from ‘Derrière le miroir’, colour lithograph, monogrammed ‘G. B.', HxW: plate approx. 19x26 cm, mat cut-out approx. 21.5x27 cm, outer frame dimensions approx. 43x39 cm. Slight traces of age. Framed behind glass in passepartout. VERSO label Kunsthaus Schaller, Stuttgart with inscription.
Lot 160
Offset lithograph poster entitled Symphony in Black by Art Deco artist Erte. It depicts a woman dressed in a gorgeous black evening dress and a fan-shaped headwear that matches the fur shawl wraps that fall from her bare arm as she holds a black whippet. Signed in plate on center right: Erte. Housed in a black lacquered frame. Sight size: 19.75"L x 26.50"H. Frame size: 23.75"L x 30.50"H x 1"W. Artist: Erte, Romain de Tirtoff (Russian/French 1892-1990)Issued: c. 1983Country of Origin: Russia/FranceCondition: Age related wear. Minor color loss on body.
Lot 3106
Mary Louise Coulouris (American-British, 1939-2011), six prints with Scottish and ecology themes: 1) Picasso Fish (1995), lithograph, signed, titled and numbered 1/1 in pencil to margin, image size 44 x 61cm ; 2) Tulips (1995), lithograph, signed, titled, dated and numbered 1/1 in pencil to margin, image size 49 x 69cm; 3) Fisher Lassie (1994), linocut, signed, titled, dated and numbered 5/75 in pencil to margin, image size 101 x 76.5cm; 4) Ecology Triptych 2 (1997), linocut, signed, titled, dated and numbered 3/6 in pencil to margin, image size 72 x 62cm; 5) Ecology Triptych I (1997), linocut, signed, titled, dated, and numbered 3/7 in pencil to margin, image size 67 x 47cm; 6) 'Charity' (1996), etching and mixed media, signed, titled, dated and numbered 4/7 in pencil to margin, framed, image size 10 x 11cm. (6), Some as found with minor tears and abrasions to the margins, particularly the 'Fisher Lassie'.Provenance: from a relative of the artist. Mary Louise Coulouris worked in a range of media during her prolific career, with studios in London (1962-1976), Scotland (1976-1999) and Hydra, Greece (2000-2011). Of partly Greek heritage, born in New York and growing up in Hampstead, she trained at Chelsea College of Art in the late 1950s and then Slade to 1960, specialising in printmaking under the tutorship of Anthony Gross and William Coldstream. Alongside her work in printmaking sit watercolour still lives and oil and acrylic works on canvas and board showing Scottish landscapes and cityscapes. Coulouris exhibited widely in her lifetime and examples of her work can be found in major public and private collections.
Lot 85
Cookery.- Soyer (Alexis Benoist, publisher) The Kitchen Department of the Reform Club, large lithograph vignette by John Tarring, with hand-colouring, detailed text description and plan of the kitchen below in the centre, sheet 500 x 930 mm (19 3/4 x 36 5/8 in), under glass, laid down onto support, browning, minor surface dirt, framed, 1842
Lot 198
India.- Davis (John Francis) Vizier Ali Khan; or, the Massacre of Benares, first edition, lithograph frontispiece, 16pp. publisher's catalogue at end, original pictorial cloth, gilt, a little soiled and mark to upper cover, 1844 § Gwynn (Stephen) Thomas Moore, ALs loosely inserted dated 1843 signed 'John Moore' mentioning the death of Thomas Moore's son, original cloth,1904; and 2 others, 8vo (4)
![Hungary.- Vahot (Imre) Magyarfold es Nepei eredeti kepekben [Hungary and its People], 13 lithograph and engraved plates, oneh](https://cdn.globalauctionplatform.com/256e96ca-1bf6-49b0-93bb-b26900dd00a8/69f04cff-d59d-4281-9ab0-b26900dee69c/468x382.jpg)
Lot 194
Hungary.- Vahot (Imre) Magyarfold es Nepei eredeti kepekben [Hungary and its People], 13 lithograph and engraved plates, onehand-coloured (and trimmed), some leaves frayed and repaired, ex-library copy with ink stamps including to title and some plate versos, title also with piece cut out and repaired to verso (no loss of text), soiled and foxed, original upper wrapper (repaired and stained) bound in, modern cloth, oblong 4to, Pest, Jozsef Betuivel, 1846.
Lot 82
Exposure (An) of the Spy System pursued in Glasgow, during the Years 1816-17-18-19 and 20, edited by 'A Ten-Pounder', lithograph portrait frontispiece and one full-page wood-engraved illustration, Glasgow, 1832; bound with The Trial of James Wilson, for High Treason, Glasgow, 1832; bound with Trial for Libel...Alexander B. Richmond, Plaintiff, versus Simpkin & Marshall, and others, Defendants, [Glasgow], c.1835; bound with Mackenzie (Peter) Reply to the Letter of Kirkman Finlay, Esq. on the Spy System, Glasgow, 1833, together 4 works in 1, contemporary cloth, recased, rubbed and faded, 8vo*** A good group of pamphlets on the Scottish 'Radical War' of 1820, in which Andrew Hardie, second-in-command of the Radical Forces who marched on Carron Ironworks at Bonnymuir near Falkirk, was sentenced to death and executed outside Stirling Tolbooth on 8 September 1820, along with John Baird.
Lot 130
Harold Riley (British 1934-2023) "A Longnor Dream" Signed, titled, dated 2009 and dedicated in ink in the margin, with a poem written in ink within the image, hand embellished lithograph.image size 36.5 x 30cm (framed 54.5 x 47.5cm)Aquired directly from the artist.Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor spots of foxing and other surface marks found in the margins of the paper. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 160
A late 19th Century German (or possibly Dutch) painted pine Noah's Ark with lithograph band of figures in clogs dancing, on a flat base, together with sixty-three pairs of animals and forty-two various singles and eight human figures inscribed to paper label at base "1239B/10", 55.5 cm long x 22 cm high CONDITION REPORTS The ark itself appears to be in original untouched condition, has some small splits and cracks and some flaking to the paintwork and scratches. Very dusty, in need of a good clean. The animals have all clearly been played with, some have minor losses, particularly the birds and smaller insects. There are some duplicates, some groups of three and some singular and some appear to be from different sets (some have square bodies and some have slightly more rounded bodies). General wear and tear conducive with age and use - see images for more details
Lot 85
* OSKAR KOLLER (GERMAN 1925 - 2004), UNKNOWN limited edition lithograph on paper, signed and numbered 15/270mounted, framed and under glassimage size 31cm x 44cm, overall size 62cm x 77cm Note: Oskar Koller was a German artist best known for his vivid, semi-abstracted watercolors of flowers and trees. Characterized by fluid fields of color, Koller used sprays and blots of paint to create colorful, expressive images of nature. “The joy of painting made me an artist,” he explained of his practice. “I sensed the air; saw the flowers, the people, the houses. I studied their forms.” Born on October 16, 1925 in Erlangen, Germany, he studied at the Academy of Fine Arts in Nuremberg where he was a student of the painter Hermann Wilheims. In 1957, he won a scholarship to study in Paris where he was introduced for the first time to abstract art, leading to his own experimentation with non-representational forms in his work. He was awarded the Culture Prize of the City of Erlangen in 1983, the first of several national accolades, including the Friedrich Baur Prize of the Bavarian Academy of Fine Arts in 1994. In 2002, he established a foundation to preserve his work for the public. He died May 17, 2004 in Fürth, Germany, and the municipal gallery of that city went on to hold a major retrospective of his work the following year.
Lot 226
Circa 1950sThe circular concave mirror plate within a lithograph transfer-printed lacquer wood panel of classical figures in profile. Height 19 inches, width 18 3/4 inches.Crazing to lacquer panel, small chips to edges, back with pencil inscription along the top 700 M161 8/2/56 1288 H 105000.Crazing to lacquer panel, small chips to edges, back with pencil inscription along the top 700 M161 8/2/56 1288 H 105000.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 113
λ RORY MCEWEN (BRITISH 1932-1982) ACER RUBUM Offset lithograph printed in colours, 1980, signed in pencil, numbered 2/20, on wove paper, with full margins 37 x 28.5cm (14½ x 11 in.) Condition Report: Unexamined out of glazed frame. Executed on white wove paper. Some light discoloration to the sheet, otherwise, appears to be in good original condition.Condition Report Disclaimer
Lot 123
λ ELISABETH FRINK (BRITISH 1930-1993) ODYSSEUS MEETS HIS SON (WISEMAN 102) Lithograph printed in colours, 1974, signed and inscribed AP in pencil, and artist's proof aside from the edition of 30, printed at Curwen Studio, published by Leslie Waddington Prints, Ltd., London, on wove paper, with full margins Sheet: 57.2 x 38.7cm (22½ x 15 in.)
Lot 18a
CZYNSKI, Jean. Histoire Et Tableau De La Russie. C1835, 2vol. Paris Pilout. 4to, Bound in the original quarter calf. With 24 stone lithograph plates to vol 1 and a further 24 to vol 2 [48 complete]. French text. Some chipping to the joints, some foxing to the plates. Pagination continuous. Scarce set. **Jan Kazimierz Czyński (1801–1867) was a Polish independence activist, lawyer by education, writer and publicist, fighter for the emancipation of the Jews, trade supporter, utopian socialist, and radical democrat. He went into exile after the Russian government issued a bounty for his capture. Rarely seen
Lot 714
EGGERS, Friedrich. Deutsches Kunstblatt. Volumes 1-9. 1850-1858. Leipzig and Stuttgart. Small folios, bound in period marbled boards. Title label to the spines. Illustrated with Steel, lithograph and colour plates. German language. **The magazine Deutsches Kunstblatt was founded in 1850 by Friedrich Eggers. It saw itself as a "newspaper for fine art and architecture" and a must of the German art associations. Scarce early run. Some staining and foxing.
Lot 820
A Guide to Pictorial Perspective by Benjamin R. Green 1851 FIRST EDITION. With all 11 plates 41pp, with tipped in errata slip. Bound with others; “A Guide to Landscape Drawing in Pencil and Chalk by George Harley.’ 4th edition 1853. With tinted stone lithograph frontispiece and five stone plates [numbered 2-6]. With “The Elements of Perspective illustrated by Numerous Examples and Diagrams’ by Aaron Penley, 3rd edition 1851. With two illustrated catalogues to the rear. 3 vol in 1 with 2 illustrated catalogues. **The first title A Guide to Pictorial Perspective, bound to the middle is exceedingly scarce, with just two auction results [1898 and 2001]. No other copies found in commerce.
Lot 357
Livingstone, David; Missionary Travels and Researches in South Africa; including a sketch of sixteen years residence in the interior of Africa. London, 1857. First edition, later state without the plates in lithograph. Complete with the 24 engraved plates, folding frontis, portrait, folding chart and two maps, one loosely inserted in the rear pocket. Original publisher's cloth neatly rebacked. Previous owner's name on title page, the frontis has one old tape repair and the map in the rear pocket is repaired with tape to the joints, with browning. A very good copy overall.
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70553 item(s)/page