We found 70553 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 70553 item(s)
    /page

Lot 162

FRANCIS BACON 'Portrait of Isabel Rawsthorne', lithograph, Derriere Le Miroir first edition 1966, from the open edition of 1000, 45cm x 35cm, framed and glazed.

Lot 171

HENRI MATISSE 'Acrobates', original lithograph from the 1954 edition after Matisse's cut outs, printed by Mourlot, 52cm x 42cm overall, framed and glazed.

Lot 172

HENRI MATISSE 'Vegetaux', original lithograph from the 1954 edition after Matisse's cut outs, printed by Mourlot, 52cm 43cm overall, framed and glazed.

Lot 173

ANDY WARHOL 'Mickey Mouse', lithograph, signed in the plate, pencil numbered 2558/5000, CMOA stamp on reverse, 41cm x 32cm, framed and glazed.

Lot 175

ANDY WARHOL 'Dollar Sign 1981', lithograph, signed in the plate and numbered 2108/3000 in pencil, CMOA stamp on reverse, 50cm x 40cm, framed and glazed.

Lot 181

MARC CHAGALL 'Paris Opera Ceiling', off set lithograph, 49cm x 49cm, framed and glazed. Subject to ARR - please see Buyers Conditions)

Lot 182

PABLO PICASSO 'Femmes du Monde Entier', lithograph on Arches paper, signed and dated 3.11.50 in the plate, pencil numbered ed. 682/1000, 66cm x 50cm, framed and glazed. Subject to ARR - please see Buyers Conditions)

Lot 183

BERNARD BUFFET 'Villa', original lithograph, printed by Sorlier 1987, 47cm x 65cm overall, framed and glazed.

Lot 192

ANDY WARHOL 'Brooklyn Bridge 290', 1983, lithograph, hand numbered limited edition 80/100, by Leo Castelli Gallery, edited by George Israel (blind embossed) on Arches paper, with gallery stamp verso, 58cm x 38cm, framed and glazed.

Lot 193

ANDY WARHOL 'Black Rhinoceros', 1983, lithograph, hand numbered limited edition 65/100, by Leo Castelli Gallery, edited by George Israel (blind embossed) on Arches paper, with gallery stamp verso, 58cm x 38cm, framed and glazed.

Lot 549

AFTER JAMES ABBOTT MCNEILL WHISTLER (1834-1903), BEAD STRINGERS, VENICE, lithograph. Image 26cm by 10cm

Lot 556

AFTER RENE MAGRITTE (1898-1967), THE TALKATIVE JEWELS, lithograph, framed. 23.5cm by 30cm

Lot 584

PETER MAX (AMERICAN, BORN 1937), GANESHA, signed in acrylic, acrylic and lithograph, framed. 31cm by 25.5cm

Lot 105

ARTHUR CHARLTON (1917-2007) colour lithograph - Swansea footballers playing against a team at the old Vetch Field ground circa 1950s (with referee in a blazer), unsigned, 28 x 38cms Auctioneer's Note: Arthur Charlton was born in the North-East of England but Swansea became his adopted home from 1952 onwards. A prisoner of war from 1942-45, he set out to record his experience through drawings and a diary; lack of materials forced him to improvise by utilising whatever materials were available, including bitumen paper, biscuit wrappers and the backs of labels from tins. On the 23 April 1945 he was released by the Russian army and flown back to England where he resumed his art education at the Royal College of Art. He then pursued a career as an artist and senior art lecturer, after taking an appointment at the Swansea School of Art. A close friend of the Swansea artists Glenys and Ron Cour, during sixty years of creative activity he created prints using wood engraving, etching, aquatint, lithography, linocut and silkscreen. His work is in the permanent collection of the Imperial war Museum and the Welsh Arts Council (print of Caswell Bay).

Lot 113

GRAHAM SUTHERLAND four colour offset limited edition (228/5000) lithograph - the letter 'S' for the 'L'Alfabeto di Bolaffiarte' series, signed with initials, 28 x 22.5cms (framed and glazed)

Lot 126

JOHN ELWYN artist proof colour lithograph - farmhouse with farm land and lane, signed, 42 x 58cms (framed and glazed)

Lot 127

JOHN ELWYN artist proof (18/20) colour lithograph - white washed farm and farm buildings, signed in pencil, 42 x 58cms (framed and glazed)

Lot 128

JOHN ELWYN artist proof (20/20) colour lithograph - farm with cows in the lane and hill in the distance, signed in pencil, 41 x 56cms (framed and glazed)

Lot 129

JOHN ELWYN limited edition (44/50) colour lithograph - study of a Welsh chapel, entitled 'Capel Hawen, Rhydlewis, Dyfed', signed in pencil, 42 x 59cms (framed and glazed)

Lot 130

JOHN ELWYN limited edition (262/300) colour lithograph - beach scene, entitled 'Laugharne Estuary from Dylan Thomas' Writing Shed', signed and dated 1988, 38 x 55cms (framed and glazed)

Lot 138

CERI RICHARDS blind stamped lithograph - entitled on Martin Tinney Gallery label verso 'Captain Cat and Polly Garter' (from Dylan Thomas' Under Milkwood), 24.5 x 15.5cms (framed and glazed)

Lot 141

JOHN ELWYN artist proof colour lithograph - farmyard scene with lady and cat and figure feeding geese, signed in pencil, 47 x 46cms (framed and glazed)

Lot 143

JOHN KNAPP-FISHER limited edition (360/850) colour lithograph - coastal village and figures on a beach, boat out at sea, signed, dated 2005, 47 x 52cms (framed and glazed)

Lot 168

CERI RICHARDS limited edition (54/100) lithograph - 'Costers Dancing', signed in full, dated October '52, 47 x 51cms (framed and glazed)

Lot 171

CERI RICHARDS limited edition (14/100) coloured lithograph - entitled 'Information Report XVI', signed posthumously by the artist's widow, 43 x 29cms (framed and glazed)

Lot 172

CERI RICHARDS limited edition (14/100) coloured lithograph - entitled 'Vacluse', signed posthumously by the artist's widow, 43 x 29cms (framed and glazed)

Lot 173

CERI RICHARDS limited edition (14/100) coloured lithograph - entitled 'Improvisation Number Nine Upon the Dawn', signed posthumously by the artist's widow, 43 x 29cms (framed and glazed)

Lot 174

CERI RICHARDS limited edition (14/100) coloured lithograph - entitled 'The Story Lost in the Snow', signed posthumously by the artist's widow, 43 x 29cms (framed and glazed)

Lot 181

PAUL PETER PIECH two-colour lithograph - heart and handshake image with quote from Martin Luther King 'Love is the only force capable of transforming an enemy to a friend', signed and dated 1990, 64 x 45cms (unframed)

Lot 4074

A Hogarth framed hand coloured lithograph "The White Hart Inn at Schoale - Norfolk" from a drawing dated 1825 - published 1842 (now called the Scole Inn, Diss) 27cm x 33cm

Lot 4083

After Harry Becker (1865-1928) A framed and glazed lithograph print 'Stalled Sheep'. Signed in the print. 26cm x 40.5cm

Lot 4084

After Harry Becker (1865-1928) A framed and glazed lithograph print, 'Work horses in winter field'. Signed in the print, plus bearing signature in pencil. 39cm x 56cm. (Foxed)

Lot 333

Marc Chagall (1887-1985) - Eiffel Tower, lithograph printed in colours, signed in pencil lower centre, 31.5 x 23cm

Lot 335

Karel Burrows - Barn Interior, lithograph printed in colours, signed, titled, dated '74, and numbered 50/150 in pencil to the lower margin, visible sheet dimensions 78 x 60cm

Lot 1170

•EDMUND BLAMPIED RBA, RE (BRITISH 1886-1966) HEAVY HORSES Conte and bodycolour, signed, 14 x 12cm (5 1/2 x 4 3/4") WINDING ROAD lithograph, signed, 20 x 13.25cm (8 x 5 1/4") (2) Condition Report: HEAVY HORSES;. There are three small foxing marks located at th e top edge of the paper at middle. . WINDING ROAD:. Slight variance in tone close to the top right edge of the paper. . .

Lot 1004

AFTER W.GOSSCOMBE JOHN. (1860-1940) ARR. MALE TORSO, A SIGNED LITHOGRAPH. 38 x 21cms.

Lot 1011

AFTER EDWARD ARDIZONNE. (1900-1979) ARR. THE FAIREST WOMAN IN THE WORLD, A COLOUR LITHOGRAPH. 53 x 80cms.

Lot 1027A

AFTER PABLO PICASSO. (1881-1973) A COLOUR LITHOGRAPH BUST DE FEMME MARINA PICASSSO SIGNED LIMITED EDITION 266/500, A PENCIL SIGNED AND NUMBERED WITH EMBOSSED BLINDSTAMP COMPLETE WITH CERTIFICATE OF AUTHENTICITY, UNFRAMED, SHEET SIZE. 76 x 55cms.

Lot 1080

AN INTERESTING GROUP OF 20th.C.WATERCOLOURS TOGETHER WITH A RUSSIAN LITHOGRAPH, MANY SIGNED OR INSCRIBED, VARIOUS SIZES, UNFRAMED.

Lot 140

London.- Wyld (James) Wyld's New Plan of London, showing from Dalston to Kennington, and Holland Park to the East India docks, with postal district divisions delineated in red ink with decorative border featuring vignette views of London, lithograph printed in red and black, sheet 560 x 950 mm. (22 x 37 in), folding in sections, with splitting to folds, map folding into blind stamped purple cloth boards, the map detached, spine spitting, worn, 8vo, 1857.

Lot 143

London.- Trench (Capt. the Hon. W. Le Poer) Hyde Park from Sheet VI.11.12.15.16 of the Ordnance Survey of London, showing the area from Bayswater Road in the north to Rutland Gate in the south, lithograph with hand-colouring, 665 x 760 mm. (26 1/4 x 29 7/8 in), dissected and mounted on linen, some surface dirt and light staining, foldling with marbled ends into brown cloth boards, upper cover missing, manuscript ink inscription to folded end section that reads: 'George Russell/ Feb: 1865', 8vo, 1865.

Lot 144

London.- Mogg (Edward) Mogg's London and Its Environs Drawn from the Latest Surveys, showing from Upper Holloway down to Camberwell, and Stratford across to Holland Park, lithograph with hand-colouring, 555 x 730 mm. (21 7/8 x 28 3/4 in), mounted on linen, some minor spotting and browning, folding without slipcase, 8vo, [circa 1866].

Lot 150

London.- Philip (George, & Son) Philip's Tape Indicator Map of London Divided into Quarter-Mile Squares for Reference and for Measuring Distances, showing from Kentish Town down to Clapham Common and West India Docks across to Wormwood Scrubs, lithograph printed in colours with indicator tape affixed to left margin, 620 x 900 mm. (24 1/2 x 35 1/2 in), folding into original green covered boards embossed and lettered in white, alphabetical street index affixed to upper cover, 8vo, [circa 1920].

Lot 151

London.- Emslie (J. & W.) Official Railway Map of London and its Environs, showing the extents from Barnet down to Sutton and Goodmayes across to Rickmansworth, lithograph with some outline hand-colouring, 1050 x 1295 mm. (41 1/4 x 51 in), dissected and mounted on linen, minor surface dirt and browning, folding into original black morocco boards, gilt lettered to spine and upper cover, spine with tear, rubbed, 8vo, The Railway Clearing House, 1927.

Lot 31

Australia.- Dept. of the Interior, Canberra (Property & Survey Branch) Australia, large-scale wall map with inset chart of Tasmania, lithograph printed in colours on wove paper, 760 x 1005 mm. (30 x 41 1/4 in). central and vertical folds, some locations underlined in coloured wax crayon, minor handling creases and surface dirt, unframed, 1937.

Lot 70

Malta.- Royal Engineers Map of the Island of Malta Prepared in the Royal Engineers Office, Malta, topographical map showing contours, trig points, roads, communications and principal buildings, with inset outline map showing Gozo and Malta in the upper right corner, lithograph printed in colours, 717 x 810 mm. (21 1/8 x 31 7/8 in), dissected and mounted on linen, minor surface dirt with small areas of rubbing and abrasion, folding into brown cloth covered boards, 8vo, [circa 1910].

Lot 71

Malta.- Brocktorff (Luigi) Map of Malta and its dependencies, detailed map including Comino and Gozo, surrouned by 13 vignettes showing regional sights of interest, British Royal coat of arms in the lower centre, lithograph printed in red and black ink, sheet 425 x 570 mm. (16 3/4 x 22 1/2 in), dissected and mounted on linen, some minor surface dirt and browning, stain and small repair to centre left, other small repaired nicks and tears unframed, 1847.⁂ Scarce.

Lot 77

Middle East.- Mecca.- Stanford (Edward, publisher) A Map of North Western Arabia and Negd by Charles M. Doughty, with inset map showing Doughty's route alongside the Dead Sea, Jordan, lithograph with some hand-colouring on wove paper, sheet 510 x 630 mm. (20 x 24 3/4 in), central vertical fold with small repaired tear, another small tear in the lower margin, unframed, published for the Royal Geographical Society, 1884.

Lot 79

Saudi Arabia.- Royal Geographic Society. Northern Arabia, [Captain Shakespear's Last Journey], from The Geographical Journal, lithograph printed in colour on wove paper, sheet 675 x 1000 mm. (26 1/2 x 39 3/8 in), central vertical fold, minor handling creases, some minor splitting and tears to extremities, unframed, published by the War Office, 1922.

Lot 80

Oman.- Royal Geographical Society (publishers) Musandam Peninsula, offset-lithograph printed in colours, sheet 620 x 645 mm. (24 3/8 x 25 1/2 in), unframed, [c. 1971-1972]; together with two hand-coloured wood-engraved views of the Elphinstone Inlet, Musandam, Oman, from London Illustrated News, unframed [19th century] (3).

Lot 141

§ Michael Ayrton (British, 1921-1975) Girl and Cat signed 'Michael Ayrton' in pencil (lower right); numbered 22/50 lithograph 44 x 34cm (17 x 13in)  Yellowing of the paper consistent with age and small scratches near bottom right corner.

Lot 64

§ Edwin La Dell, ARA (British, 1914-1970) Folkestone Harbour, 1939 signed and dated 'Edwin La Dell 39' in pencil (lower right); numbered 7/9 lithograph 34.50 x 47cm (13 x 18in) No areas of damage apparent.  

Lot 55

§ Robert Tavener (British, 1920-2004) At the Pond signed and dated 'Robert Tavener 54' in pencil (lower left) lithograph 49 x 36cm (19 x 14in) Slightest discolouration around the edges consistent with age.   

Lot 65

§ Edwin La Dell, ARA (British, 1914-1970) 'A Domestic Scene - Teatime' signed in pencil 'Edwin la Dell' (lower left); dated '47' (lower right) lithograph 22 x 37cm (8.5 x 14.5in); The Red Bathroom signed in pencil 'Edwin la Dell' (lower right) lithograph 49 x 34cm (19 x 13.5in)(2) No areas of damage apparent.Mother and Child - Some minor creases to the paper consistent with handling. Minor brown spattering to the bed, although this was most likely part of the original print. Otherwise, there is some slight discolouration from age

Lot 63

§ Bernard Cheese (British, 1925-2013) Ferry Boat signed and dated 'Cheese 52' in pencil (lower left); numbered 2/12 lithograph 47 x 34cm (18 x 13in) There is possibly slight discolouration consistent with age and a small white brushstroke towards the bottom right corner, which was possibly added at a later date.

Lot 73

§ Michael Rothenstein, RA (British, 1908-1993) Cockerel in a Landscape, 1948 lithograph 20 x 40cm (8 x 16in) No areas of damage apparent.  

Lot 71

§ Michael Rothenstein, RA (British, 1908-1993) Cockerel in a Landscape lithograph 44 x 69cm (17 x 27in) No areas of damage apparent.

Lot 314

•LAURENCE STEPHEN LOWRY (1887-1976) 'The Fever Van' signed in pen to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 478, limited edition offset lithograph from the edition of 700 printed in 1972 by Mainstone Publications, the image 41.5cm x 51.5cm The fever van was the colloquial term in the north of England for the ambulance that transported patients with infectious diseases, usually scarlet fever or diphtheria, to the local isolation or infectious diseases hospital. These vehicles were in existence throughout the country from around 1910 to the 1950s and had various nicknames    Condition Report: Work has an overall discolouration as evident by a lighter band to lower margin

Lot 315

•LAURENCE STEPHEN LOWRY (1887-1976) 'Peel Park, Salford' signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 177, limited edition offset lithograph from the edition of 850 printed in 197 by Venture Prints Limited of Bristol, the image 37.5cm x 75.5cm  Condition Report: Some mild discolouration evident to mounts

Lot 316

•LAURENCE STEPHEN LOWRY (1887-1976) 'The Pond' signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 640, limited edition offset lithograph from the edition of 850 printed in 1974 by the Beric Press, London, the image 43cm x 57cm   Condition Report: Work appears to be in good condition with no obvious signs of damage or restoration, margins clean

Loading...Loading...
  • 70553 item(s)
    /page

Recently Viewed Lots