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2 Henry Moore shelter sketch prints circa 1940, 1 Elisabeth Frink lithograph circa 1975, 2 Henri Matisse prints circa 1935, 1 Eric Gill engraving from 25 Nudes circa 1938, 2 Pablo Picasso lithographs (Mourlot) circa 1959 and 2 Georges Braque lithographs (Mourlot) circa 1959. (9 in total, all mounted and unframed).
Vintage Posters and Olympic Icons Interest Franz Wurbel (1896) Germany Berlin 1936 Olympic Games Poster Lithograph in colours. Backed on linen. Sponsored by German Railways, Published in 19 languages. Measuring 40 by 25 inches/102 by 64 cms. Footnote English Variant of the Official Poster designed by Franz Wurbel for the 1936 Berlin Summer Olympics. The poster portrays a golden classical athlete wearing a laurel crown with the Brandenberg gate in the foreground and Olympic rings at the top. The text reads 'Germany Berlin 1936 1st -16th August Olympic games.
Robert Delaunay (French, 1885-1941)La Fenêtre sur la Ville (Loyer & Perussaux 4) Lithograph printed in black, 1925, on wove, signed in pencil (according to L. & P. an edition of fifty was planned; it is uncertain whether the print run was completed), with margins, 540 x 415mm (21 1/2 x 16 3/4in)(I)
Massimo Campigli (Italian, 1895-1971)One Plate, from 'Marco Polo: Il Milione' Lithograph printed in black, 1942, on wove, signed in black ink, from the edition of 150, printed by Piero Fornasetti, Milan, published by Ulrico Hoepli, Milan, with margins, 285 x 200mm (11 1/4 x 7 7/8in)(I)This lot is subject to the following lot symbols: AR
Gino Severini (Italian, 1883-1966)Pas de Deux; Danseuse (Meloni 22; 32) Lithograph printed in colours, 1952, on wove, signed and numbered 90/200 in pencil, published by La Guilde de la Gravure, Paris; together with 'Danseuse', 1957, on BFK Rives, signed and numbered 31/175 in pencil, published by L'Å’uvre Gravée, Paris, each with margins, 560 x 390mm (22 x 15 3/8in)(I)(and smaller)(2)This lot is subject to the following lot symbols: AR
Pablo Picasso (Spanish, 1881-1973)Profil d'Homme Barbu Regardant à Gauche (Mourlot 397) Lithograph printed in black, 1963, on Arches, one of 10 artist's proofs, there was no edition, with full margins, 650 x 500mm (25 5/8 x 19 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Marc Chagall (1887-1985)Self-Portrait (Mourlot 697) Lithograph in colours, 1973, on Arches, signed and numbered 13/50 in pencil (there was also an edition of 12 on Japan paper), the full sheet, 750 x 530mm (29 1/2 x 20 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Marc Chagall (1887-1985)Nu au Petit Bouquet (Mourlot 1027) Lithograph in colours, 1984, on Arches, signed and numbered 14/50 in pencil (there were also 12 artist's proofs in black), the full sheet, 540 x 425mm (21 1/4 x 16 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Marc Chagall (1887-1985)Jérémie (Mourlot 970) Lithograph in colours, 1980, on Arches wove, signed and numbered 36/50 in pencil, printed by Mourlot, Paris, with the printer's blindstamp, the full sheet, 630 x 435mm (24 3/4 x 17 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Marc Chagall (Russian/French, 1887-1985)Bouquet aux Amoureux (Mourlot 842) Lithograph printed in colours, 1976, on Arches, inscribed 'H.C. Épreuve d'exposition' and 'Edition Maeght Paris' in ink, an hors commerce impression aside from the numbered edition of 50, published by Maeght, Paris, with margins, 835 x 585mm (32 7/8 x 23in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Marc Chagall (Russian/French, 1887-1985)Lithograph I-VI Six volumes, 1960-1974, comprising twenty-four lithographs printed in colours, in German, printed by Mourlot Frères, Paris, published by André Sauret, Paris, bound as issued in the original boards, overall 330 x 250mm (13 x 25 6/8in)(Vol)(4)This lot is subject to the following lot symbols: •
Marc Chagall (1887-1985)Rencontre de Ruth et de Booz , from 'Dessins pour la Bible' (Mourlot 247) Lithograph printed in colours, 1960, on Arches, signed and inscribed 'H.C.' in pencil, an hors commerce impression aside from the numbered edition of 50, printed by Mourlot Frères, Paris, published by Verve, Paris, the full sheet, 520 x 378mm (20 1/2 x 15in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Marc Chagall (1887-1985)Le Visage d'Israël, from 'Dessins Pour La Bible' (Mourlot 231) Lithograph printed in colours, 1960, on Arches, signed and inscribed 'H.C.' in pencil, an hors commerce impression aside from the numbered edition of 50, printed by Mourlot Frères, Paris, published by Verve, Paris, the full sheet, 523 x 380mm (20 5/8 x 15in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miro (Spanish, 1893-1983)Céramiques, from 'Céramiques de Miro et Artigas' (Mourlot 928) Lithograph printed in colours, 1974, on Arches, signed and numbered 16/50 in pencil, printed and published by Maeght, Paris, the full sheet, 545 x 762mm (21 1/2 x 30in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miró (1893-1983)Barcelona I (Un cami compartit) (Cramer 993; Maeght 993)) Lithograph in colours, 1975, on wove, signed, numbered H.C. XVIII/XXV and dedicated 'a l'amic Barbarà, afectuosament' in pencil, an hors-commerce impression aside from the standard edition of 75, printed by Damia Caus, published by Maeght, Barcelona, 490 x 645mm (19 1/4 x 25 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miro (Spanish, 1893-1983)One plate (#21), from 'Maravillas con variaciones acrósticas en el jardín de Miró' Lithograph printed in colours, 1975, on Arches, signed and numbered 33/75 in pencil, published by Ediciones Polígrafa, Barcelona, the full sheet, 747 x 527mm (29 3/8 x 20 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miro (Spanish, 1893-1983)Quiriquibú (Mourlot 1100) Lithograph printed in colours, 1976, on Guarro, signed and numbered 56/99 in pencil, published by La Poligrafa, Barcelona, the full sheet printed to the edges, 755 x 557mm (29 3/4 x 21 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miro (Spanish, 1893-1983)Le Chien Aboyant à la Lune, from 'Verve, Vol. VII' (Mourlot 189) Lithograph printed in colours, 1972, on wove, from the unsigned edition of an unknown size, printed by Mourlot, Paris, published by Tériade Éditeur, Paris, the full sheet with the central vertical fold as issued, 355 x 533mm (14 x 21in)(SH)This lot is subject to the following lot symbols: AR
Marino Marini (Italian, 1901-1980)Horses and Riders: The Consecration of Spring, No. 2 (Guastalla L115) Lithograph printed in colours, 1974, on Japon, signed and numbered 'III/X' in pencil, a proof aside from the numbered edition of 75, printed by Mourlot, Paris, co-published by XXe Siècle, Paris and Leon Amiel, Paris/New York; together with 'Two Horses', from 'Homage to Marino Marini', lithograph printed in colours, 1974, on wove, from the edition of an unknown size, published by XXe Siècle, Paris, with the central vertical fold as issued, 515 x 390mm (20 1/4 x 15 3/8in)(I)(and smaller)(2)This lot is subject to the following lot symbols: AR
Zao Wou-Ki (Chinese/French, 1921-2013)Nocturne (Agerup 93) Lithograph printed in colours, 1955, on wove, signed, dated and numbered 117/150 in pencil, printed by E. & J. Desjobert, Paris, published by L'Oeuvre Gravée, Zurich, with full margins, 375 x 488mm (14 3/4 X 19 1/4in)(I)This lot is subject to the following lot symbols: AR
Robert Rauschenberg (American, 1925-2008)Test Stone #6 (Blue Cloud), from 'Booster and 7 Studies' Lithograph printed in colours, 1967, on wove, signed, dated and numbered 18/44 in pencil, printed and published by Gemini, G.E.L., Los Angeles, with their blindstamp, the full sheet, 1195 x 895mm (43 1/9 x 35 1/4in)(SH)
Sam Francis (American, 1923-1994)Plate 7, from 'Pasadena Suite' (L63; SF-71) Lithograph in colours, 1963, on Rives BFK, signed in pencil and numbered 68/100, printed by Joseph Zirker, Los Angeles, published by the Pasadena Art Museum, Pasadena, California, with the printer and publisher's blindstamps, the full sheet, 380 x 565mm (15 x 22 1/4in)(SH)
David Hockney R.A. (British, born 1937)Prisoner Offset lithograph, 1975, on wove, signed and numbered 13/100 in pencil, published for Amnesty International, Prisoners of Conscience Year 1977, the full sheet printed to the edges, 735 x 600mm (29 x 23 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Alexander Calder (American, 1898-1976)Flight from Tyranny Offset lithograph, 1975, on wove, signed, inscribed 'HC' and numbered 9/XXII in pencil, an hors commerce impression aside from the edition published for Amnesty International, Prisoners of Conscience Year 1977, with full margins, 755 x 580 (29 3/4 x 22 3/4in)(unframed)This lot is subject to the following lot symbols: *
Joan Miró (Spanish, 1893-1983)Amnesty International (M. 991) Lithograph printed in colours, 1977, on Arches, signed and numbered 11/75 in pencil, published for Amnesty International, Prisoners of Conscience Year 1977, the full sheet, 890 x 610mm (35 x 24in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Edward Bawden R.A. (British, 1903-1989)Cattle Market, Braintree (Greenwood MG.25; Artmonsky p.44) Lithograph, after a linocut, printed in colours, 1937, on machine made lithographic cartridge paper, signed in pencil, from the proposed edition of approximately 400, printed by Curwen Press Ltd.,London, published by Contemporary Lithographs Ltd., London, 583 x 820mm (23 x 32 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Claes Oldenburg (Swedish/American, born 1929)Balloons, from 'The Landfall Press 30th Anniversary Portfolio' Lithograph printed in colours, 2000, on Rives, signed and inscribed 'L.P 4/5' in pencil, one of five proofs aside from the numbered edition of 30, printed and published by Landfall Press Inc., Chicago, with their copyright inkstamp verso, with full margins, 640 x 710mm (25 1/4 x 28in)(SH)(unframed)
James Rosenquist (American, born 1933)The Flame Still Dances on Leo's Book, from 'The Leo Castelli 90th Birthday Portfolio' Lithograph printed in colours, 1997, on heavy wove, signed, titled, dated and numbered 'XXIV/XC' in pencil, printed by Universal Limited Art Editions, New York, published by Jean-Christophe Castelli, New York, with the printer's blindstamp, the full sheet, 935 x 685mm (36 3/4 x 27in)(SH)(unframed)
Antony Gormley (British, born 1950)Untitled, from 'The King's College Portfolio' Lithograph printed in colours, 1999, on wove, signed and numbered 42/100 in pencil, published by King's College, Cambridge, with full margins, 374 x 374mm (14 3/4 x 14 3/4in)(SH)This lot is subject to the following lot symbols: AR

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70555 item(s)/page