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After Pablo Picasso (Spanish, 1881 - 1973), L'Atelier de Cannes (1958), colour lithograph, 43 x 30 cm, framed and glazed 85 x 74 cmClose mounted in a frame and glazed - the print has not been inspected out of the frame. Paper discoloured with age. Some additional staining to the far top left corner and right side,
Takashi Murakami (b.1962)Beyond the DimensionsOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
David Hockney (b.1937)David Hockney: A RetrospectiveOffset lithograph printed in colours, 1987, printed by Westerham Press Ltd., Kent, published by the Tate Gallery, London, on the occasion of the artist's exhibition, on wove paper, with full margins, sheet 758 x 509mm (29 7/8 x 20in) (framed)
STIK (b. 1979) and Thierry Noir (b. 1958)Imperial War Museum London PosterOffset lithograph printed in colours, 2019, signed in black felt-tip pen by both artists, created for WALL Thierry Noir and STIK at the Imperial War Museum, London from 5 November to 1 December 2019, on Fujifilm Fujicolor paper, sheet 845 x 595mm (33 1/4 x 23 3/8in)
John Currin (b. 1962)The Jackass. ClambakeLithograph printed in colours, 2006, signed and dated in pencil, numbered from the edition of 50, as included in the portfolio In The Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on wove paper, with full margins, sheet 420 x 297mm (16 1/2 x 11 3/4in)
JR (b.1983) 28mm - Women Are Heroes - Swimming Pool Intercontinental Lithograph printed in colours, 2016, with the artist's signature stamp, numbered from the edition of 180, published by Idem, Paris, with their blindstamp, on BFK Rives wove paper, with full margins, sheet 700 x 1050mm (27 1/2 x 39 1/2in)
Henry Moore (1898-1986)Reclining Figure with Sky Background (Cramer 238)Lithograph printed in colours, 1973, signed, dated and inscribed 'Studio' in pencil, and stamped 'Curwen Studio Proof' verso, aside from the edition of 80, from the second state of two, printed and published by Curwen Studio, London, on wove paper, with full margins, sheet 657 x 505mm (25 7/8 x 19 7/8in)Provenance: Curwen Studio, Archive Sale, 1988.
Jamie Hewlett (b.1968)Gorillaz Stained Glass WindowLithograph and screenprint in colours, 2005, numbered from the edition of 500, printed and published by Pictures on Walls, London, with their blindstamp, on the occasion of the Gorillaz second album 'Demon Days', on wove paper, with full margins, sheet 720 x 295mm (28 3/8 x 11 5/8in)
Andy Warhol (1928-1987)Marilyn, The Tate Gallery Poster, 1971Offset lithograph printed in colours, 1971, from the edition of unknown size, printed by The Curwen Press, published by The Tate Gallery Publications, London, on wove paper, the full sheet printed to near the edges, sheet 759 x 506mm (29 7/8 x 19 7/8in)
Takashi Murakami (b.1962)Flowerball: Colorful, Miracle, SparkleOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
David Shrigley (b. 1968) Gap In The Clouds, from Colour & Text Offset lithograph printed in colours, 2022, from the edition of 250, printed by Narayana Press, Denmark, published by Shrig Shop, Copenhagen, on wove paper, the full sheet printed to the edges, sheet 700 x 500mm (27 5/8 x 19 3/4in)
Andy Warhol (1928-1987) after.Marilyn Monroe Carnegie Museum of Art PosterOffset lithograph printed in colours, 1986, numbered from the edition of 2400, published by the Carnegie Museum of Art, Pittsburgh, with their blue rubber stamp verso, the full sheet printed to the edges, sheet 600 x 600mm (23 5/8 x 23 5/8in)
Takashi Murakami (b.1962)If only I could do this, if only I could do thatOffset lithograph printed in colours, 2002, signed in silver ink, numbered from the edition of 300, published by Kaikai Kiki co., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet 500 x 500mm (19 5/8 x 19 5/8in)
Allen Jones (b. 1937)One Lithograph, from Magician Suite (Lloyd 71c)Lithograph printed in colours, 1976, signed and dated in pencil, one of 15 artist's proofs aside from the edition of 60, printed by Jack Lemon, Landfall Press, Chicago, published by Waddington Graphics, London, on handmade paper, the full sheet, sheet 825 x 580mm (32 1/2 x 22 3/4in) (framed)
Allen Jones (b. 1937)Leg Splash, from Europäische Graphik VII (Lloyd 53)Offset lithograph printed in colours, 1970, signed and dated in pencil, numbered from the edition of 65, printed by Curwen Press, London, co-published by Galerie Wolfgang Ketterer, Munich and Felix Mann, London, on wove paper, the full sheet printed near to the edges, sheet 655 x 501mm (25 3/4 x 19 3/4in)
Derrick Adams (b.1970)Be The Table, 2023Offset lithograph in colours, 2023, signed and dated in black pen, published by Gagosian, Beverly Hills, in conjunction with the artist's exhibition 'Derrick Adams: Come As You Are', 14th September-28th October 2023, on wove paper, with full margins, sheet 760 x 610mm (29 7/8 x 24in)
Takashi Murakami (b.1962)FireballOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Jasper Johns (b.1930) Painting with Two Balls IOffset lithograph printed in colours, 1975, from the edition of unknown size, published by Universal Limited Art Editions, Inc., Islip, with their printed text verso, on Kochi Japan paper, with full margins, sheet 570 x 445mm (22 3/8 x 17 1/2in)
Takashi Murakami (b.1962)Time Bokan - Missing in the Eyes (Red)Offset lithograph printed in colours, 2006, signed in silver ink, numbered from the edition of 300, published by Kaikai Kiki co., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet 500 x 500mm (19 5/8 x 19 5/8in)
Andy Warhol (1928-1987)Ali, Neiman and Andy Warhol, Los Angeles Institute of Contemporary Art, 1981Offset lithograph printed in colours, 1981, from the edition of unknown size, published by the Los Angeles Institute of Contemporary Art, Los Angeles, accompanied by a letter from The Andy Warhol Foundation for the Visual Arts, on wove paper, the full sheet printed to near the edges, sheet 895 x 540mm (35 1/4 x 21 1/4in)
BINDING. – H. CHOLMONDELEY-PENNELL. The Sporting Fish of Great Britain with Notes on Ichthyology. London: Sampson Low, Marston, Searle, and Rivington, 1886. First edition, large 8vo (243 x 154mm.) 18 colour lithograph plates of fish. (Toning, light spotting to some plates, occasional browning.) Bound by Sotheran’s in green half morocco over marbled paper-covered boards, gilt lettering and fishing motifs in gilt to spine, t.e.g. (light rubbed extremities).
ED RUSCHA (AMERICAN B. 1937) VINE/MELROSE (FOR PARKETT 55) Lithograph printed in colours, 1999 Signed and dated 1999 in pencil, numbered 30/60,printed by Hamilton Press, Venice, California, published by Parkett Editions, Zurich and New York Sheet: 56 x 66cm (22 x 25 in.) Provenance: Parkett Editions, Zurich (from Venice Biennale), where purchased by Count Manfredi della Gherardesca, 5 July 1999 Condition Report: Appears to be in good original condition. Unexamined out of glazed frame. Condition Report Disclaimer
C MOZIN "Estuary scene, boats moored on a beach with figures and houses in the foreground" watercolour heightened in white, signed lower left, 30 cm x 45 cm together with another by the same hand 30 cm x 45 cm, AFTER F WINTERHALTER "Eugénie impératrice des Francais" colour lithograph, 82 cm x 56 cm, two further lithographs of Queen Victoria and Prince Albert each 78 cm x 58 cm (5)
AFTER GEORGE MORLAND "The farmer's visit to his married daughter in town" coloured engraving in verre eglomise frame together with "The visit returned in the country" size including frame 46.5 cm x 42 cm for both, AFTER F WHEATLEY "Blacksmith" study of rural blacksmith's scene with figures watching, colour lithograph, 47 cm x 67 cm, two further colour engravings and AFTER H WATLING "Cockfield Hall Suffolk - seat of Sir Charles Blois Bart" black and white print, 28 cm x 42 cm (6)

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70553 item(s)/page