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Click here to subscribeJane Webb Loudon 1807-1858-"Lilium Japonicum"; published by Day & Haghe circa 1841; original hand-coloured lithograph, from "The Ladies Flower Garden of Ornamental Bulbous Plants" plate 55, 27x20cm: together with three further botanical hand-coloured lithograph plates from the same edition, 27x20cm., each, in matching veneered burr walnut frames, (4)
After Henry Curtis 19/20th Century-"Hybrid perpetual"; published Lavars Lith, Bridge St, Bristol, hand-coloured lithograph, with two other examples from the same or similar suite, three in a common mount, 99x35cm: British School 19/20th Century- A set of five hand-coloured woodblock engravings depicting butterflies, in matching frames, (6)
After Sir William Nicholson 1872-1949- "University", published Nov 1905 at the Stafford Gallery, 34 Old Bond St W; colour reproduction print, signed and numbered 14 in brown pen, bears publisher's blind stamp, 27x35.2cm: together with one other print after the same hand, signed and numbered 125 in brown pen, 33.5x25cm: Sir Muirhead Bone NEA 1876-1953- "A Naval Panorama"; lithograph in colours, signed in pencil, 39.3x52.2cm., (sheet size): together with five other similar prints by the same hand titled: "Hospital Ship on the Seine", "Mounting a Great Gun", "A Line of Destroyers", "Off Havre- Taking the Pilot Aboard on Hospital Ship" and "On Board a Battleship- A Gun Turret"", all signed in pencil, 39.3x52.2cm., ea., (sheet size): Sir Frank Short RA RE RI 1857-1945- "Sussex Downs"; mezzotint, signed in pencil, 14x25.3cm: together with one other mezzotint by the same hand, signed in pencil, 12.3x32.5cm., (a lot), (unframed)
John Piper, C.H., 1903-1992 foliate heads I signed and inscribed Artist's Proof in pencil lithograph printed in colours 49.5x65cm.; 19.5x25.5in. Conceived in 1953, this work is an artist's proof outside the edition of 70 This work was printed by Mourlet Freres, Paris and published by Robert Erskine, on arched paper
Gillian Ayres ictis signed and numbered 35/52 in pencil silkscreen printed in colours (3) 60x60cm.; 23.5x23.5 To be sold together with Much is the Force of a Heaven-Bred Poesy another silkscreen printed in colours by Gillian Ayres, signed and numbered 42/50 in red crayon and Concerning Marriages a lithograph printed in colours by Allen Jones, signed and dated 64 and numbered 60/75 in pencil
After H.B. [John Doyle] - 'Design for a Wellington Testimonial' (Political Caricature of the naked Duke of Wellington holding the Rein of a Horse with the word 'opposition' across the Horse's Waist), monochrome lithograph published by T. McLean, July 1839, from H.B. Sketches No. 603 and with subscribers blindstamp, together with a large collection of similar satirical lithographs after H.B.
After Kate Greenaway - 'Watched Them go off with their Skates' (Study of Three Girls wearing Red Costumes in a Snow covered Landscape), late 19th/early 20th Century lithograph printed in colours, with facsimile signature, together with a large collection of prints after Greenaway and a miniature alphabet book after Greenaway.
English School, early 20th century, portraits of two Victorian ladies and two Victorian gentlemen, two pairs, pencil, signed with initials and variously dated 1901/1902/1917, each approx. 21cm x 17cm; together with a handcoloured engraving of a lady, and a lithograph of a lady and another of a Lt & Cpn Coldstream Guards.(7)
A portfolio of 18th and 19th century engravings, etchings and lithographs, including ten plates of classical busts engraved by William Skelton after H. Howard (plate size 33 x 24 cm (13 x 9 1/2 in) and smaller, three etchings by Bartolozzi after Cipriani forming a classical frieze, a hand-coloured lithograph of the interior of St. Mark's, Venice, various other prints, drawings and a map of Ancient Greece in pen and ink
An early 20th Century hand painted "Illuminated Testimonial" awarded to John Wills on his retirement from the South Eastern and Chatham Railway, script within foliate detailed borders and locomotive panel, 67.5cm x 49cm, unframed; a coloured lithograph depicting Blisworth Cutting and Weedon Viaduct, 44cm x 28cm, framed. (2).
* Shepherd (David, 1931-). Indian Rhino, colour reproduction print, signed in pencil to lower margin, Fine Art Trade Guild blindstamp to lower left corner, image size approx. 220 x 320 mm, gilt frame, glazed, together with other miscellaneous coloured prints, including a 19th c. hand-coloured lithograph entitled May Day, an original Indian miniature of a group of ladies being rescued in a flood by a man with an elephant, gouache on paper, approx. 265 x 180 mm, framed and glazed, two reproduction photographs of early polar scenes, two modern colour facsimiles of a 1928 & 1931 Russian propaganda poster, etc., all framed and glazed (10)
Coralie Kay mid 20th Century- ''Stencil 5''; mixed media on canvas, initialed and dated 1969 verso, 45x45cm: together with two other mixed media on canvas studies and a further two collages by the same hand each signed, various proportions: European school 20th century- Rural Landscape; oil on canvas: Pierre Jacquot b.1929- Untitled; lithograph printed in colours, signed and numbered 19/120 in pencil, (7) (may be subject to Droit de Suite)
After Emile Antonie Bayard 1837-1891- Couple by a stream; hand-coloured lithograph, design for a fan, 57x30cm: After Henry William Batley 19th Century- 'Ellen Terry'; published by E E Leggat 62 Cheapside, July 1st 1889, signed in pencil: together with two further 19th century designs for hand fans, depicting the 'Lady's Advisor, Physician & Moralist'; stipple engraving and woman by a fountain, (4) (unframed)
After Michael Carlo b.1945- 'Flatford Mill'; lithograph and mixed technique on paper, signed and titled, numbered 111/250 in pencil, bears blind stamp for Christie's Fine Art, 30x45cm: together with one other aquatint printed in colours of a coastal view, signed and numbered 178/350 in pencil, bears blind stamp for Christie's Fine Art by a different hand, (2)
After Ian Hamilton Finlay, Scottish 1925-2006 and Richard Demarco 1930- 'The Little Seamstress'; screenprint printed in colours, signed by both artists within the plate and titled within the plate, 45x59cm: After Raymond T Cowern RA 1913-1986- Children by rabbit hutches; lithograph, signed and numbered 80/125 in pencil, (2)
After Henri De Toulouse-Lautrec 1864-1901- 'Marcelle Lender', published by Veb Verlag Der Kunst, Dresden, circa 1950; lithograph printed in colours, initialed within the plate, 40x30cm: together with seven other lithographs printed in colours to include Yvette Guilbert, Madame Abdala and Aristide Braunt all loose and contained in a folio as issued, with introduction, German edition, 40x30cm each, (8), (folio unframed)
Chloe Cheese (b. 1952) ‘Use lemons for..'; ‘Grilled red peppers on a blue plate'. Each limited edition lithograph. Each signed lower right. The first inscribed 60/100 lower left. The second inscribed 88/100 lower left. The first s.22.5cm x 21cm. The second s. 23.5cm x 21cm (2) . Provenance: Fry Gallery, Saffron Walden . Chloe Cheese is an illustrator and printmaker, the daughter of Bernard Cheese and Sheila Robinson, who were part of the Bardfield group of artists. The most famous protagonists of this group were Edward Bawden (1903-1989) and John Arthur Malcolm Aldridge (1905-1983).. (see illustration on our website). Please note this lot may be subject to Droit de Suite
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