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Click here to subscribeRichard Smith (1931-2016)Espalier (diptych)Lithograph printed in colours, 1981,Signed and dated in pencil, Numbered from the edition No. 44 of 100, published by Bernard Jacobson Gallery, London, on two sheets of wove paper, the full sheets printed to the edges, overall 111.8cm x 154.9 cms***Artists resale rights may apply to this lot***
A collection of various works comprising John Hassall, "We were all square at the seventeenth" print (19.5cmx15cm), After Lawson Wood "Tongue-Tied" coloured lithograph (22.5cmx16.5cm), John Kay, "Cock of the Green" 1803 coloured engraving (11.5cmx8cm), Unknown Artist, Conishead Priory, watercolour, titled below (17cmx24cm), Unknown artist, A woman swinging a golf club, mixed media paper (15.5cmx11.5cm) and Unknown Artist, Portrait of two boys with clubs and dog with a moody seascape (19cmx24cm), all works framed. (6)
Cecil Collins (British, 1908-1989) Kneeling Fool, 1977 Lithograph on paper Signed and tilted by artist Artist's proof and dated 1977 in pencil by the artist Personal message written "For Eric and Anne, with warm best wishes from Cecil and Elisabeth Collins". Framed & glazed Measures approx. 20cm x 13cm (8" x 5") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden. In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Cecil Collins (British, 1908-1989) Kneeling Fool, 1977 Lithograph on paper Signed, tilted and numbered 15/50 in pencil by the artist Personal message written ' For Anne, for her birthday, many Happy Returns of the Day with Love from Elisabeth and Cecil June 15th 1980 ' Framed & glazed Measures approx. 20cm x 13cm (8" x 5") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden. In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Banksy (British, b 1993) Princess Diana Imitation Ten Pound Note Offset lithograph print on paper Comes with certificate of authenticity Note measures approx 7.6cm x 14.4cm In clear acrylic frame measures approx. 10cm x 15cm (4"x 6") If postage is required, any print within this sale will be posted rolled unless informed otherwise.
Cecil Collins (British, 1908-1989) Head, 1974 Lithograph on paper Signed and numbered 10/75 in pencil by the artist Framed & glazed Measures approx. 40cm x 32cm (16" x 12.5") Cecil Collins (1908-1989), a Plymouth born painter inclined towards the Neo-Romanticism movement, was unusual amongst the artists at Dartington between the wars in that he was local to the area. He was initially apprenticed to an engineering firm in Millbay Docks. He went on, however, to Plymouth School of Art in 1924 and thence to the Royal College of Art until 1931. There he met and married fellow student Elisabeth Ramsden. In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981 was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Attributed to John Sell Cotman (1814-1878), 'Granville', pencil sketch on paper, unsigned, 20x41.5cm, plus 'Granville Castle and Port of Granville' (after John Sell Cotman), sepia brown wash drawing, unsigned, titled in another hand on the painted sheet, 34x55cm, plus Vincent Brooks (London), after John Sell Cotman, 'Town and Port of Granville', lithograph, published 1873, framed and glazed. (3)Three versions of the same scene all labelled verso by Eastwood Lodge (formerly a hotel near Norwich). From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).Sworders, 2008.Conservation: Ellison, 2010.
Vincent Brooks after John Sell Cotman, 'Ferriers, near Domfront', lithograph, after Cotman's etching in his 'Architectural Antiquities of Normandy' (1822), 23x40cm, unframed, mounted in light fast, acid free board.From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).
Miles Edmund Cotman (British,1810-1858), after John Sell Cotman, 'Col. Harvey's Meadow, Thorpe, nr Norwich, lithograph, unsigned and undated, but known to have been issued in 1843 (Kitson, page 366), taken after a chalk sketch by J.S. Cotman dated 'Oct 2 1841: one of twelve lithographs, 28x42cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).Trumpington Gallery, 2001, stamped on backboard,
Vincent Brooks, after John Sell Cotman (1782-1842), 'Chapel of St Quinton of the Rock from South West', lithograph, 20x29cm, unframed, mounted in light fast, acid free board.Conservation: retained in board of trade mount. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).
Miles Edmund Cotman (British,1810-1858), after John Sell Cotman, 'Kimberley (a Falgate)', lithograph, unsigned, undated, but known to have been issued in 1843 (Kitson, page 366), taken after a chalk sketch by J.S.Cotman, 35x51cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife (nee Judy),Coservation: Ellison, 2005, 2008.
Henri de Toulouse-Lautrec (1864-1901), limited edition lithograph in five colours on watermarked paper, La Clownesse au Moulin Rouge, 39cm x 30.5cm, Ed. 328/5000, mounted, glazed and framed. From Elles, Toulouse-Lautrec’s controversial suite of lithographs of the life of prostitutes in a Paris brothel originally published in 1896. This edition of the suite was published by the Toulouse-Lautrec Circle of London in November 1969 and printed on watermarked paper specially made by Papeteries de Lana of Docelles, France and printed by the Westerham Press in Kent5
Byroniana.- Blaquiere (Edward) Narrative of a Second Visit to Greece, including Facts connected with the last days of Lord Byron, first edition, presentation copy inscribed by the author, lithograph frontispiece on india paper, folding facsimile, lacks half-title, small embossed library stamp to title, contemporary green calf, gilt, rebacked preserving original spine, new spine label, [Atabey 117; Blackmer 150], 8vo, 1825.*** "Blaquiere played a decisive role in the philhellenic movement in Britain; he and Bowring together set up the London Greek Committee. Blaquiere's connection with Byron is of particular interest; he saw Byron at Genoa in 1823 (on his way to Greece to collect information for the Committee) and was instrumental in persuading him to go to Greece." (Blackmer).The inscription is to Jane S. Tait and is dated April 1828.
Railways.- Descriptive Catalogue of the Padorama; of the Manchester and Liverpool Rail-Road...now exhibiting at Baker Street, 12 lithograph views on 11 plates (1 folding), 16pp. text, contemporary cloth, leather spine label rubbed, 8vo, 1834; and a Bradshaw's Guide for 1844, 8vo and 12mo (2)
Hieroglyphics.- Champollion (Jean Francois) Precis du Systeme Hieroglyphique des Anciens Egyptiens, 2 parts in 1, first edition, half-title, 48 lithograph plates, some folding, some foxing, specially bound for Pope Leo XII in contemporary red straight-grain morocco, the covers with his gilt arms in centre within elaborate gilt border and fillet, spine richly gilt with dark green morocco label, blue glazed endpapers, uncut and partly unopened, spine ends very slightly rubbed, preserved in modern velvet-lined morocco slip-case, 8vo, Paris, Strasburg & London, Chez Treuttel et Wurtz, 1824.*** A stunning copy of Champollion's landmark work on the deciphering of hieroglyphs from the Rosetta Stone, establishing him as the father of scientific Egyptology.In this remarkable work the author describes, step by step, with numerous examples and details, the method he followed to discover and document the three aspects of hieroglyphics: the phonogram images, the figurative representations, and the symbolic representations.Pope Leo XII was an active supporter of Champollion's endeavors to decipher hieroglyphs. Champollion (1790-1832) was an extraordinary philologist, who, by the age of sixteen, besides Greek and Latin, had mastered six ancient Middle Eastern languages, among these Coptic, the knowledge of which, unlike that of Egyptian, had never been lost. Champollion recognised the connection between the Coptic and the Egyptian language, and was able to identify many of the Egyptian words on the Rosetta Stone, as he could read them with their Coptic equivalents. He was the first to believe that both Demotic and hieroglyphs represented symbols, and not sounds as earlier presumed. After that he quickly realised that each single hieroglyph could represent a sign, and he began compiling a hieroglyphic alphabet.
Harold Riley (British 1934-2023) "Cokey Nolan" Signed and dated '79 in pencil, numbered 22/25, with publisher's blind stamp, limited edition lithograph.63 x 45.5cmArtists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There are some minor spots of foxing and creases across the sheet with some areas of cockling along the upper and lower edges of the paper. The sheet appears to be laid down in each corner. The print is unframed but in its original folder of issue.
Harold Riley (British 1934-2023) "Mr Hall's Dancing Dog Band" Signed and dated '79 in pencil, numbered 6/25, with publisher's blind stamp, limited edition lithograph.63 x 45cmArtists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There are some minor spots of foxing and creases across the sheet with some areas of cockling along the upper and lower edges of the paper. The sheet appears to be laid down in each corner. The print is unframed but in its original folder of issue.
Harold Riley (British 1934-2023) "Paulus P. P. VI" Signed by both the artist and Pope Paul VI and dated '77 in ink in the margin, lithograph.25 x 17.5cm (framed 47 x 38cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
A Collection of 5 Large Geo Ham Racing Lithographs - To include, Signed Maurice Trintignant showing him at the wheel of his Ferrari winning the 24 hour du Mans 1954, Signed Maurice Trintignant of Bugatti rear view, Alfa Romeo at Le Mans stopped at the pit for change of drivers for refuel, Alfa Romeo at Le Mans passing In front of a burning car and another large signed lithograph, rolled 70x100cm (5) (1 Tube). Please note this lot has the standard Ewbank's standard buyers premium payable on top of the hammer price and not the reduced rate for cars and motorbikes.
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