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Lot 476
DDS Peter Blake (b.1932), Tourist Attraction ‘Ostrich Beach’, offset lithograph printed in colours, 2001, signed in pencil, on wove paper, with full margins, 200 x 190mm (7.75 x 71/2in), with the book: Peter Blake: About Collage published by Tate, London, first edition, colour illustrations, 4to, 2000.
Lot 482
DDS Alexander de Cadenet (b.1974), Jake and Dinos Chapman 12.03.02, photo-lithograph printed in colours, 2002, signed in white ink, from the edition of 100, as included in the Pax Britannica Portfolio, published by the Aquarium Gallery, London, on wove paper, with full margins, 210 x 295mm (8.25 x 111/2in)
Lot 539
DDS David Hockney (b.1937), after, Untitled, offset lithograph printed in colours, signed in pencil, inscribed for mark, on wove paper, the full sheet printed to the edges, 400 x 300mm (15.75 x 113/4in) with four books, each first editions, one signed by Hockney on the front endpaper, colour illustrations, 4to, 1975-1988.
Lot 543
DDS David Hockney (b.1937), after, An etching and a lithograph for Alecto Ed., collotyope reproduction, 1973, signed and dated, inscribed rep. proof, published by Editions Alecto, London, printed by Cotswold Collotype in an edition of 2000, with the Addenbrooke’s Art for Hospitals blindstamp, on cartridge paper, with full margins, 760 x 492mm (2915/16 x 193/8in)
Lot 549
DDS Allen Jones (b.1937), Plate D, from A new perspective of floors, lithograph printed in colours, 1966, signed and dated in pencil, numbered 20/20, published by Editions Alecto, printed by Tamarind Lithography Workshop, Los Angeles with the printer and the workshop‘s blindstamp, on Arches paper, the full sheet printed to the edges, sheet 765 x 559mm (301/8 x 22in)
Lot 550
DDS Allen Jones (b.1937), Plate E, from A new perspective of floors, lithograph printed in colours, 1966, signed and dated in pencil, numbered 20/20, published by Editions Alecto, printed by Tamarind Lithography Workshop with the printer and the workshop’s blindstamp, on Arches paper, the full sheet, 765 x 559mm (301/8 x 22in)
Lot 557
DDS Anish Kapoor (b.1954), Shooting into the corner, offset-lithograph printed in colours, 2009, signed and dated in black ink verso, on wove paper, the full sheet printed to the edges, 535 x 445mm (21 x 171/2in), with the book: Anish Kapoor by Homi K Bhabha & Jean de Loisy, first edition, signed by Kapoor on the rear endpaper, colour illustrations, 4to, 2009.
Lot 580
DDS Antony Micallef (b.1975), Peacekeeper, lithograph printed in colours, 2007, signed and inscribed P.P. 02/04 in pencil, a rare printer’s proof aside from the edition of 400, printed at Curwen Studios, Cambridge, published by Lazarides Gallery, London, on wove paper, the full sheet, sheet 960 x 670mm
Lot 582
DDS Antony Micallef (b.1975), Improvised Minotaur, lithograph printed in colours, 2007, signed and inscribed P.P. 02/04 in pencil, a rare printer’s proof aside from the edition of 400, printed at Curwen Studios, Cambridge, published by Lazarides Gallery, London, on wove paper, the full sheet, sheet 960 x 670mm (37.75 x 261/2in)
Lot 607
Eduardo Paolozzi (1924-2005), Study for Turing III, lithograph with extensive handcolouring in watercolour, 2000, signed, dated in pencil, inscribed P.P. , a printer’s proof aside from the edition, there was no handcoloured edition, on wove paper, the full sheet, sheet 350 x 250mm (13.75 x 97/8in)
Lot 609
Eduardo Paolozzi (1924-2005), Study for Turing VI, lithograph with extensive handcolouring in watercolour, 2000, signed, dated in pencil, inscribed P.P., a printer’s proof aside from the edition, there was no handcoloured edition, on wove paper, the full sheet, sheet 250 x 350mm (9.75 x 133/4in)
![Booth (Charles). Descriptive Map of London Poverty 1889, pub. Stanfords, [1891], general key map titled ‘Map Shewing de](http://lot-images.atgmedia.com/SR/10729/2801034/767-2010920121724_468x382.jpg)
Lot 767
Booth (Charles). Descriptive Map of London Poverty 1889, pub. Stanfords, [1891], general key map titled ‘Map Shewing degrees of Poverty in London in Areas with about 30, 000 Inhabitants in each Compiled from Information Collection in 1889-1890’, lithograph printed in monotone, approx. 640 x 880mm, and four folding regional colour lithographic maps with colour key below each map, each approx. 570 x 615mm, very occ. short closed tears, contained in contemp. blue cloth gilt solander box. The map is based on Stanford’s ‘Library Map of London’, but its importance lies in the depiction and extent of poverty in London at the end of the 19th century. Booth’s survey was highly detailed almost to the point of pedantry. Every street is shown and classified by a colour code into ‘The Lowest Class. Viscious, semi-crimminal’, ‘Very Poor casual, Chronic want’, through severn different orders ending with ‘Upper-middle and Upper classes, Wealthy’. This map was published as part of ‘Labour and Life of the People’, which was Booth’s monumental polemic on poverty. In this work Booth argued that chronic pauperism inevitably led to depravity and that recognition of endemic poverty and the problems it caused must be given greater weight in both in political and social circles. Booth’s highly academic and unemotional approach provided the statistical ammunition needed by those pressing for social change. The map has been described as “Quite the most Important thematic map of the metropolis in the 19th century”. Hyde p.28. Shapero Gallery catalogue, ‘The World Refolded’, Item 16. (1)
![* Birds. Nozeman (Cornelius), Twelve plates from ‘Nederlandsche Vogelen’, Amsterdam, [1770-1829], twelve engraved](http://lot-images.atgmedia.com/SR/10729/2801034/866-201092012193_468x382.jpg)
Lot 866
* Birds. Nozeman (Cornelius), Twelve plates from ‘Nederlandsche Vogelen’, Amsterdam, [1770-1829], twelve engraved plates with original hand colouring, occ. spotting and water staining largely confined to margins, each plate approx. 370 x 260mm, together with, Gould (J & Richter H. C.), Yuchina Diademata, c.1870, lithograph with original hand colouring, 490 x 320mm. (13)
Lot 419
Haggard, H. Rider (signed presentation copy), She: A History of Adventure, first English edition, London, Longmans, Green and Co, 1887, dark blue cloth gold embossed, double page colour lithograph of the Sherd of Amenartas inserted before title leaf, inscribed `To my mother from her affectionate and dutiful son - H. Rider Haggard - Janry 1887`
Lot 392
Sadler (John) Narrative of a Ramble Among the Wild 3 copies 2 brown cloth one green Moffat 1858; The Wild Flowers and Ferns of Bridge of Earn 2 copies lithograph frontispiece plate of original specimens opposite p.46 2 or 3 similar illustrations at the end of one copy are probably authorial Edinburgh [1863] (12)
Lot 538
Lemaire (Charles) Le Jardin Fleuriste Journal GŽn 4 vol. 427 lithograph plates only of 430 printed in colour and finished by hand 16 folding tissue guards 1 plate with small tear to upper margin few with tissie adhesion little marked contemporary morocco-backed cloth spines gilt vol. 3 similar but not uniform little rubbed [Nissen 2338] 8vo Ghent F. & E. Gyselynck 1851-1851.
![Everard (Anne) Flowers from Nature wreath frontispiece 12 lithograph plates all coloured by hand booklabel of [George] Foster](http://lot-images.atgmedia.com/SR/1574/2800085/124-20109295556_468x382.jpg)
Lot 124
Everard (Anne) Flowers from Nature wreath frontispiece 12 lithograph plates all coloured by hand booklabel of [George] Foster [The] Whins Sabden [Lancs] a member of the Baptist Chapel there he died 1882 original figured cloth gilt title stamped on front cover g.e. spine a bit worn and repaired folio Dickinson 1835.
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70553 item(s)/page