A Mottahedeh porcelain dessert dish, from the Victoria & Albert collection, from Chinese export, made for the American market, circa 1810, with a lithograph of The Whitehouse, circa 1848, made expressly for Garfinckel's Washington DC, stamped Made in Portugal, 21cm wide, and a Wedgwood Clio pattern platter, decorated with a band of flowers, on a black ground, 34cm diameter. (2)
We found 70555 price guide item(s) matching your search
There are 70555 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
70555 item(s)/page
Gustav Likan (American, 1912-1998) Lithograph (2) total items including a 1974 lithograph, pencil signed lower right, #87/250, depicting a cafe scene, having a Merrill Chase COA, matted under glass in a gold-tone wood frame; together with a 20th century abstract oil on canvas, undated, illegibly signed lower right, depicting signs, in a wood frame Property from: an Estate, Milton, Wisconsin Height: 20 inches, Width: 23 inches (larger)Frame Size: 29 1/4 inches by 32 1/4 inches Condition: Likan having toning in margins, accretions, illegibly signed having minor areas of frame rubbing, frames having minor wear Disclaimers: not examined out of the frames Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:34 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Robert Kipniss (American, b.1931) Lithographs (2) items including an undated 'Fences', #82/90 color impression, retaining a Merrill Chase label with Merrill Chase COA and biographical page verso and an undated, untitled lithograph, #48/75 color impression, both signed lower right, both matted under glass in wood frames Property from: an Estate, Milton, Wisconsin Height: 21 inches, Width: 14 3/4 inches (larger, untitled)Frame Size: 27 inches by 21 inches Condition: Fences having toning around edges, mat having accretions and stains, untitled having slipped in frame, some toning to edges, frames having wear including chips, nicks and scuffs Disclaimers: not examined out of the frames Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:40 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Jaune Quick-To-See Smith (American / Salish and Kootenai, 1940-2025) 'A Map to Heaven' Lithograph 2002, signed and blind stamp lower right, title lower center and #15/20 lower left, a five-color lithograph on Sekishu and Somerset paper printed at Tamarind Institute, depicting symbolic cultural imagery, including maps and designs, float matted under acrylic in a wood frame Property from: a Private Collector, Flat Rock, North CarolinaFrame Size: 46 1/4 inches by 37 1/4 inches Condition: examined under UV lighting, no damage noted, frame having minor wear Disclaimers: not examined out of the frame Category: Fine Art > Prints & Multiples Estimated Sale Time: 10:06 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Walt Disney Sericel Assortment (6) total items including 'Cinderella's Golden Anniversary' from an edition of 1500, 'Hello Dahling!' from '101 Dalmatians', 'Pinocchio' and 'Official Conscience' from 'Pinocchio', each from editions of 5000, all matted behind acrylic in wood frames, all having Disney COAs; together with a 'Pinocchio' offset lithograph Collectors Society gift and a 'Woody's Triple Self Portrait' #192/200 signed by Walter Lantz, matted behind acrylic in wood frame having MCA Universal 1992 COA Property from: an Estate, Chicago (Edison Park), Illinois Height: 21 3/4 inches, Width: 15 7/8 inches (sight largest)Frame Size: 29 1/2 inches by 23 1/2 inches Condition: no damage to artwork noted, frames having overall light wear consistent with normal use Disclaimers: not examined out of frames Category: Collectibles > Disneyana Estimated Sale Time: 12:03 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9Photograph #10Photograph #11Photograph #12Photograph #13Photograph #14
Quantity of hand-coloured maps and prints, inlcuding:After Robert Morden, East Riding of Yorkshire, 42x48cm;After Robert Morden, Leicestershire, 36.5x42cm;George Vernon Stokes, Spaniel retrieving a duck, lithograph, 13x17cm;hunting and horse racing related prints, Vanity Fair Cricketer, rugby cigarette cards, etc.
A large quantity of 18th-19th century prints and maps (Local interest and international), to include: After Thomas Barker of Bath (1769-1847) - Young man in reclined pose, lithograph with sepia wash, monogram lower left, sheet dimensions:23 x 16.5 cm, mounted and unframed; hand-coloured lithograph 'Countess of Malmsbury', E. Masters - Steep Street, Bristol; Wales Illustrated series of views; Hand-coloured maps of Britain, Bath and Bristol, China, East Indies, Illyricum, Palestine, Egypt, the Grecian archipelago, France and others; A large quantity of landscape views and portraits after paintings of royalty
J. Baines Ltd. Trading Cards. An early 20th century circa 1910 Bradford All Saints Gold Medal Football Trade Card in shield shape. The card featuring inset photograph of a soldier, Smith, wearing hat, with lithograph colour illustration of two football players alongside. To verso, J. Baines Ltd. 15, North Parade Bradford. VG+ to EX.
J. Baines Ltd. Trading Cards. An early 20th century circa 1910 Hunslet Carr Gold Medal Football Trade Card in shield shape. The card featuring inset photograph of a young boy, Clegg, wearing wide rimmed hat, with lithograph colour illustration of a football player alongside. To verso, J. Baines Ltd. 15, North Parade Bradford. VG+.
J. Baines Ltd. Trading Cards. An early 20th century circa 1910 St. Helens Gold Medal Football Trade Card in shield shape. The card featuring inset photograph of rugby player Jimmy Mavitty with lithograph colour illustration two rugby players & ball alongside. To verso, J. Baines Ltd. 15, North Parade Bradford. VG+ to EX.
THEATRE: A Staffordshire Pottery Flatback Theatre Group, modelled as Catarina and Diavolino from “Catarina, ou la Fille Du Bandit”, by Dudson Factory, mid 19th century, she on point, standing in an arbour, beside a seated minstrel, with a bridge and swan below, 19cm high. Refer: “Dudson Staffordshire Figures c1815-1865 by Audrey Dudson & Alison Morgan” page 77 figure 120. “Catarina, ou la Fille Du Bandit” was a ballet by Perrot. This figure was dubbed the “Blue Parsley” figure by Audrey Dudson. The piece was modelled from a lithograph of the ‘Polka ‘ which shows Catarina and her lover Diavolino. Catarina, was the leader of a band of brigands, loved by both Diavolino and a slave, the artist Salvator Rosa. It was first performed at Her Majesty’s Theatre on 3rd March 1846. Third figure with loss to front, possibly a hookah pipe.
Victor Vasarely (1908 - 1997). Zebras. Aus einer Edition von 90 Exemlaren hier die Nummer 56. Signiert, nummeriert 56/90, Lithographie, mit Rahmen 72 x 69 cm / Victor Vasarely (1908 - 1997). Zebras. From an edition of 90 copies, here the number 56. Signed, numbered 56/90, Lithograph, with frame 72 x 69 cm
Lovis CORINTH (1858-1925), "Baumgarten erwürgt den Vogt". Handsigniert, Farblithographie, hinter Glas, 38,5 x 29 cm (Motivgröße 23,5 x 17,5 cm). Eine Szene aus Schillers "Wilhelm Tell", die Corinth im Jahr 1925 kurz vor seinem Tod anfertigte. / Lovis CORINTH (1858-1925), "Baumgarten erwürgt den Vogt". Hand-signed, color lithograph, behind glass, 38.5 x 29 cm (motif size 23.5 x 17.5 cm). A scene from Schiller's "William Tell", which Corinth painted in 1925 shortly before his death.
Victor Vasarely (1908 - 1997). Zebra Nr. 2, (1984). Aus einer Edition von 50 Exemlaren hier die Nummer 41. Farblithographie auf Rives Bütten. Hinter Glas. Signiert, nummeriert XLI/L , ca. 50 x 39 cm / Victor Vasarely (1908 - 1997). Zebra no. 2, (1984). From an edition of 50 copies, here the number 41. Color lithograph on Rives laid paper. Behind glass. Signed, numbered XLI/L , approx. 50 x 39 cm
Verschiedene Werke aus der Schiestl Familie: Matthäus SCHIESTL (1869-1939), Skizzen zum "Der Deutsche Spielmann" + Tod + 1925, drei Blätter mit diversen Skizzen, jeweils handsigniert, unterschiedliche Maße, rückseitig Nachlasstempel. Rudolf SCHIESTL (1878-1931), 2 Arbeiten: Bauernkrieg, Der lange Weg nach Hause, handsigniert und bezeichnet "anno 1525", Lithographie, 14,5 x 20 cm; Bauer mit Monster auf dem Rücken, handsigniert, Lithographie, 29 x 21 cm; "Die Anarchie", Aquarell, 36 x 23 cm. / Various works from the Schiestl family: Matthäus SCHIESTL (1869-1939), sketches for ‘Der Deutsche Spielmann’ + death + 1925, three sheets with various sketches, each signed by hand, different dimensions, estate stamp on the reverse. Rudolf SCHIESTL (1878-1931), 2 works: Peasants' War, The long way home, signed and inscribed “anno 1525”, lithograph, 14.5 x 20 cm; Peasant with monster on his back, signed, lithograph, 29 x 21 cm; "Die Anarchie", watercolour, 36 x 23 cm.
Christian Schad (1894-1982), Konvolut aus 8 Graphiken: "Andy", Radierung, e.a., IV/VII, signiert und dat. "1971", 21,5 x 20 cm; "Die Polin", Farblithographie in vier Farben (schwarz, grau, silber, rot), signiert, 44/50, dat. "71", je 25,5 x 19,5 cm; "Martina", Radierung, e.a., signiert, dat. "77", 30 x 24,5 cm; "Yette", Lithographie, 1921, 59/202, signiert und datiert, ca. 17 x 10 cm; "La Ginestra", signiert, datiert "21", numm. 59/156, ca. 14 x 10 cm. / Christian Schad (1894-1982), 8 graphic works: ‘Andy’, etching, e.a., IV/VII, signed and dat. ‘1971’, 21.5 x 20 cm; “Die Polin”, colour lithograph in four colours (black, grey, silver, red), signed, 44/50, dat. ‘71’, each 25.5 x 19.5 cm; “Martina”, etching, signed, dat. ‘77’, 30 x 24.5 cm; “Yette”, lithograph, 1921, 59/202, signed and dated, approx. 17 x 10 cm; “La Ginestra”, signed, dated “21”, numb. 59/156, ca. 14 x 10 cm.
Victor Vasarely (1908 - 1997). Zebras. Aus einer Edition von 90 Exemlaren hier die Nummer 49. Signiert, nummeriert 59/90, Lithographie, mit Rahmen 72 x 69 cm / Victor Vasarely (1908 - 1997). Zebras. From an edition of 90 copies, here the number 49. Signed, numbered 49/90, Lithograph, with frame 72 x 69 cm
HRDLICKA, ALFRED (1928-2009), 2 Figürliche Kompositionen, 1.) Figuren im Gehen und sich beugend, Lithographie/grüntoniges Bütten, mit Bleistift von Hand signiert und num. XXVII/XXX, Trockenstempel 'Edition Richard P. Hartmann', HxB: Blatt ca. 48,5x62 cm; 2.) Sitzende /r, Aquatinta/Papier, mit Bleistift von Hand signiert, HxB: Platte ca. 20x18 cm, Blatt ca. 29x20 cm. Leichte Alters- und Knickspuren, leicht gebräunt, 1x Lichtrand. | HRDLICKA, ALFRED (1928-2009), 2 figural compositions, 1.) Figuren im Gehen und sich beugend, lithograph/greenish laid paper, signed in pencil by hand and numb. XXVII/XXX, dry stamp ‘Edition Richard P. Hartmann’, HxW: sheet approx. 48.5x62 cm; 2.) Sitzende /r, aquatint/paper, signed in pencil by hand, HxW: plate approx. 20x18 cm, sheet approx. 29x20 cm. Slight signs of age and creasing, slightly browned, 1x lightstain.
KANDINSKY, WASSILY, nach (1866-1944), "Abstrakte Komposition", Farblithographie/Papier, in der Platte monogrammiert und datiert 'VK 32', HxB: Blatt ca. 57x33 cm. Alters- und Knickspuren, Reißnagellöchlein an den Ecken. | KANDINSKY, WASSILY, after (1866-1944), ‘Abstrakte Komposition’, colour lithograph/paper, monogrammed and dated ‘VK 32’ in the plate, HxW: sheet approx. 57x33 cm. Signs of age and creasing, small pinholes in the corners.
HAUSNER, RUDOLF (1914-1995), "Sibyllen", 1970, Lithographie/Bütten, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift bezeichnet 'E. A.', 'Orig. Litho' und datiert, HxB: Platte ca. 36x32 cm, Blatt ca. 64x48 cm. Leichte Altersspuren. | HAUSNER, RUDOLF (1914-1995), "Sibyllen", 1970, Lithograph/handmade paper, signed by hand in pencil lower right, inscribed ‘E. A.', “Orig. Litho” and dated, HxW: plate approx. 36x32 cm, sheet approx. 64x48 cm. Slight traces of age.
FUCHS, ERNST (1930-2015), Konvolut 3 Graphiken, 1.) "Zyklopische Landschaft", Farbaquatintaradierung/Papier, mit Bleistift num. 190/200 und von Hand signiert, HxB: Platte ca. 22,5x48,5 cm, Passepartoutausschnitt ca. 30x52 cm; 2.) "Samson und Delilah", Farblithographie/violettes Papier, mit Bleistift num. 103/200 und von Hand signiert, u.re. Trockenstempel, HxB: Platte ca. 49x38 cm, Blatt ca. 65x50 cm 3.) Plakat zur Ausstellung "Ernst Fuchs bei Wolfgang Ketterer...", Farblithographie/Papier, u.re. mit Bleistift von Hand signiert (teilw. vom Passepartout verdeckt), HxB: Passepartoutausschnitt ca. 75x52 cm, Außenmaße Rahmen ca. 94x69 cm. Je Altersspuren, part. Knickspuren, gebräunt. Die "Zyklopische Landschaft" im Passepartout und das Plakat im Passepartout hinter Glas gerahmt.| FUCHS, ERNST (1930-2015), mixed lot of 3 prints, 1.) ‘Zyklopische Landschaft’, colour aquatint etching/paper, numbered 190/200 in pencil and signed by hand, HxW: plate approx. 22.5x48.5 cm, mat cut-out approx. 30x52 cm; 2.) ‘Samson und Delilah’, colour lithograph/violet paper, numbered 103/200 in pencil and signed by hand, dry stamp on the lower right. 103/200 and signed by hand, dry stamp lower right, HxW: plate approx. 49x38 cm, sheet approx. 65x50 cm 3.) Poster for the exhibition ‘Ernst Fuchs bei Wolfgang Ketterer...’, colour lithograph/paper, signed by hand in pencil lower right (partly covered by passe-partout), HxW: passe-partout section approx. 75x52 cm, outer frame dimensions approx. 94x69 cm. Each with traces of age, part. Traces of creasing, browned. The ‘Cyclopean Landscape’ framed in passepartout and the poster framed in passepartout behind glass.
(ARR) Henry Moore O.M., C.H. (1898-1986) - 1967 Shelter Sketch Book. With 80 facsimile collotypes, and one original lithograph by the artist. English edition B, printed at Ganymed Press on handmade paper. Limited edition of 180, this being No. 157. Signed by Henry Moore to limitations page. Housed in green cloth portfolio. Measures approx. 40cm x 34cm.
After Frank Henry Mason (1876-1965)Berwick Upon Tweed LNER poster designLithograph, 67.5cm by 54cm; together with a reproduction of a Tate Gallery London Kandinsky poster; a "Gone with the Wind" film advertising poster; and two 20th century watercolours by Alan Stuttle, "Emmerdale Farm" and "Demdyke Row" (5)

-
70555 item(s)/page