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Lot 1220
Bernard Dunstan RA b.1920- Reclining female nude in a bedchamber; lithograph printed in colours, signed and numbered 72/195 in pencil, 38.3x35.2cm: Linda le Kinff b.1949- Female figure seated holding a flower; lithograph prionted in colours, signed and numbered 39/200 in pencil, 47.7x64.8cm: together with three hand-coloured etchings by David Suff b.1955 each signed, titled, numbered 95/150, bearing publisher's blind stamps and dated 1980, 15x10cm and 10x15cm., (5) (may be subject to Droit de Suite)
Lot 1340
Ru Van Rossem b.1924- Horse in a baron landscape; monoprint, signed and dated 73 in pencil, 56x38cm: Alfred Waldron early-mid 20th century- "Night"; lithograph, signed and numbered 22/40 in pencil: European School mid 20th century- Nude female; lithograph, initialed IOC in pencil: together with a collection of European school mid 20th century woodblock and print studies to include David Caplan, S H Chapman and others, (a lot), (unframed) (may be subject to Droit de Suite)
Lot 460
Ormerod (George). Parentalia. Genealogical Memoirs, Not Published, 1851, tinted lithograph frontispiece, lithograph plates, folding pedigrees, orig. red cloth, neatly rebacked, orig. gilt backstrip laid down, now faded, together with Miscellanea Palatina: consisting of Genealogical Essays illustrative of Cheshire and Lancashire Families, and of a Memoir on the Cheshire Domesday Roll, Not Published, 1851, [being a very limited impression of the later portions of "Parentalia"], tinted lithograph frontispiece, folding pedigrees, some foxing, orig. grey-brown cloth, spine gilt, and Genealogical Essays illustrative of Cheshire and Lancashire Families, and a Memoir on the Cheshire Domesday Roll, Not Published, 1851, [forming in turn a part of "Miscellanea Palatina"], folding pedigrees, orig. red cloth, spine gilt, and The Early Connexion of the Anglo-Norman Families of Stokeport, Fitz-Roger, Banastre, and Gernet, Not Published, 1851, [ii]+9 pages, including a full-page pedigree, contemp. calf, upper cover detached, with the ownership inscription and bookplate of David Garnett, 1892-1981, writer and publisher, all 8vo. Two of the volumes are inscribed by the author. (4)
Lot 484
Bartlett (W.H.). A Brief Account of the Picturesque Scenery on the Banks of the Wye between Ross and Chepstow, Gloucester, Printed and Sold by T. Jew, and to be had of C. Hough, Bookseller, Monmouth, 1839, additional lithographed title-page with vignette, and twelve lithograph plates by T. M. Baynes after W. H. Bartlett, a few plates lightly foxed, last three leaves with a short tear at the head, orig. buff printed wrappers, soiled, a little frayed, with the remains of a green roan backstrip, 4to. The front wrapper bears the title "Thirteen Views with a Brief Account of the Picturesque Scenery on the Banks of the Wye ..." The views comprise a vignette of Ross from Wilton Bridge, and plates of Goodrich Castle (two plates); Coldwell Rocks; New Weir; Monmouth; Landogo; Tintern Abbey (two plates); Wyndcliff; Bannagor Crags; and Chepstow Castle (two plates). Not in Abbey, Scenery, but the twelve plates, without title-page or text, are listed as 548. (1)
Lot 485
Bartlett (W.H.). A Brief Account of the Picturesque Scenery on the Banks of the Wye between Ross and Chepstow, Gloucester, Printed and Sold by T. Jew, and to be had of C. Hough, Bookseller, Monmouth, 1839, additional lithographed title-page with vignette, this copy illustrated with Jew's series of twelve lithograph plates of Wye scenery by T. M. Baynes after W. H. Bartlett, some foxing, orig. cloth-backed printed boards, a little soiled and rubbed, 8vo (1)
Lot 486
Bedford (T., publisher). Six Lithographic Views illustrative of the Scenery of Chepstow Castle, Tintern Abbey, and Raglan Castle, Situate on the Banks of the River Wye, Bristol, Printed and Published by T. Bedford, [c. 1825], six lithograph plates, two of them after S. C. Jones, the others unsigned, on stone by J. Horner and Davies, where signed, the first creased at the fore-edge, slightly dusty or spotted in the borders, no title-page or text, orig. buff wrappers, a trifle soiled, pink cloth backstrip, titled on the front wrapper, oblong folio. The plates show: Entrance of Tintern Abbey; North Window and Interior Arches, seen through the South Window, Tintern Abbey; The Castle and New Bridge of Chepstow; Part of Chepstow Castle as Seen from the Moat; Raglan Castle; and Interior of Raglan Castle. Not in Abbey, Scenery. (1)
Lot 487
Bedford (T., publisher). Six Lithographic Views Illustrative of the Scenery of Chepstow Castle and Tintern Abbey, Situate on the Banks of the River Wye, Bristol, Printed and Published by T. Bedford, [c. 1826], six lithograph plates, being proofs on India paper, three of them after S. C. Jones, and one after Stockdale, the other unsigned, foxed, and slighly frayed, no title-page or text, orig. buff wrappers, slightly soiled, frayed, titled on the front wrapper, back wrapper defective, oblong folio. The plates show: The Castle and New Bridge of Chepstow; Chepstow Castle; Part of Chepstow Castle as Seen from the Moat; South View Tintern Abbey; North Window and interior arches seen through the South Window, Tintern Abbey; and Interior View of West Window, Tintern Abbey. Not in Abbey, Scenery. (1)
Lot 496
Davies (Henry). The Stranger's Guide through Cheltenham; containing an Account of its Mineral Waters; with Descriptions of the Various Pump Rooms, Public Institutions, and Places of Fashionable Amusement. And an Account of the Principal Places in the Environs. Second Edition, Cheltenham, H. Davies, Montpellier Library, [1834], the half-title present, additional lithographed title-page, fourteen lithograph and two engraved plates, sixteen full-page wood-engravings, with a folding map, a folding plan (with two clean tears), and a folding coloured geological diagram, orig. green cloth, blocked in blind, the sides with floral decoration around a central panel, the panel on the upper cover lettered in gilt, and that on the lower cover with a design in blind representing a sacrifice to Amitie, spine lettered in gilt, and faded, covers a little rubbed, stitching weak in places, large 12mo. Hyett and Bazeley, Vol. II p. 94. Austin 6054. Many of the plates were drawn and lithographed by George Rowe. (1)
Lot 500
Hough (Charles). A Companion to Ragland Castle; or, a Familiar Description of that Beautiful and Interesting Ruin: with Biographical Notices, and Historical Particulars, relating to its Former Splendour and Renown, C. Hough, Monmouth, 1833, [viii]+[5]-47 pages, including a 3-page list of subscribers, three lithograph plates after W. H. Bartlett, engraved vignette, lightly soiled, orig. printed wrappers, soiled, chipped at edges, recent paper backstrip, small 4to. Not in Abbey, Scenery. (1)
Lot 501
Morgan (Octavius, and Thomas Wakeman). Notes on the Architecture and History of Caldicot Castle, Monmouthshire, Caerleon Antiquarian Association, 1854, engraved plan, twelve etched plates, half green morocco, green cloth sides, together with Notes on Wentwood, Castle Troggy, and Llanvair Castle, Monmouthshire & Caerleon Antiquarian Association, 1863, seven lithograph plates, some foxing, half green morocco, green cloth sides, and Mitchell (Elizabeth Harcourt), The Crosses of Monmouthshire, Caerleon and Monmouthshire Antiquarian Association, 1893, fourteen lithograph plates, half green morocco, green cloth sides, and Bagnall-Oakeley (M. E., and W.), An Account of some of the Rude Stone Monuments and Ancient Burial Mounds, in Monmouthshire, Monmouthshire & Caerleon Antiquarian Association, 1889, nine lithograph plates, slight foxing, half green morocco, green cloth sides, and nine others published by the Association, various bindings, large 8vo (13)
Lot 515
Scott (J. M.). The Ancient and Modern History of Newport, Monmouthshire: with a Guide and Directory, Printed by W. Christophers, at the Merlin Office, Newport, 1847, engraved frontispiece view, engraved plan, folding lithograph chart of the Bristol Channel, folding lithograph view of the cattle market, and two full-page lithograph plates, printed slip listing additional businesses tipped-in between pages 112/113, sixteen pages of adverts. at the end, a little pencil scoring, recent quarter buckram, unlettered, marbled board sides, 8vo. Norton 557. (1)
Lot 516
Smart (James Francis). The Steam Packet. A Poem. In Two Parts. With Other Detached Poetical Pieces, Moral, Sentimental, and Humourous, 1st ed., Albion Press: Printed by Wansbrough and Saunders, Bristol. Sold by the Author, at his Residence, Chepstow ..., 1823, folding lithograph frontispiece showing the steam packet at Hotwells, six-page list of subscribers, orig. boards, soiled, ink stained, spine rubbed, good internally, edges untrimmed, 12mo. "The Steam Packet", occupying pages 9-23, is an account of the first steamer which plied between Bristol and Chepstow. Named the "Duke of Beaufort", its namesake subscribed to twenty copies. Hyett and Bazeley, vol. III p. 119. (1)
Lot 521
Waudby (A. J.). Sketches on the Wye, Published by Thos. McLean, Printed at A. Ducote's Lithographic Establishment, 1839, lithographed title-page with a vignette of the Market House, Ross, and eight tinted lithograph plates, some very light browning in the borders, no text save a single-page lithographed list of plates, recent half black cloth, blue cloth sides, dark blue leather label on the upper cover, orig. wrappers bound in, folio. Abbey, Scenery, 549. (1)
Lot 523
Willett (Mark). The Stranger's Guide to the Banks of the Wye, including Chepstow, Piercefield, Wyndcliff, Tintern Abbey, Raglan Castle, and other parts of the Welsh Borders: with Historical, Topographical, and Antiquarian Remarks. Fourth Edition, Bristol, Printed and Published by T. Bedford, [c. 1845], lithographed frontispiece map of the Wye, three folding lithographed plans, two lithograph plates, orig. green diagonal-ribbed cloth, upper cover lettered in gilt, a few leaves rather roughly opened, an excellent copy, small 8vo (1)
Lot 301
After Dante Gabriel Rossetti (1828-1882) - Proserpine holding a pomegranate, partly eaten, lithograph, 18" x 8.75"; after Edward Burne-Jones (1833-1898) - three-quarter length portrait of a lady with a scarf around her head, wearing a black dress and holding a rosary, landscape in the background, lithograph, 20.25" x 7" (2)
Lot 17A
Vanity Fair Album containing various loose colour lithograph caricatures including: 'Men of the Day, no. 40', 4th series; 'Men of the Day no. 23', 1st series.; 'Sovereigns no. 5', 1st series; 'Men of the Day, no. 28', 1st series; 'Statesmen no. 84'; 'Statesmen no. 45'; 'Men of the Day no. 36', 1st series; 'Men of the Day, no. 38'; 'Statesmen no. 35'; 'Statesmen no. 109', 4th series; 'Statesmen no. 88'; 'Statesmen no. 116', 4th series; 'Statesmen no. 112'; 'Statesemen no. 113'; 'Statesmen no. 118'; 'Statesmen no. 37', 1st series; 'Sovereigns no. 1', 1st series, 1869; 'Sovereigns no. 2', 1st series, 1869; 'Sovereigns no. 4'; 'Sovereigns no. 3'; 'Sovereigns no. 5' 1st series; 'Sovereigns no. 8'; 'Sovereigns no. 7', 'Sovereigns no. 10'; 'Men of the Day no. 4'
Lot 61
MARC CHAGALL (1887-1985) DAVID SAVED BY MICHAEL, 1960 Lithograph in colour, signed and numbered 33/50 in pencil. Printed on Velin d'Arches paper.Plate size: 36cm x 26cm (14.1in x 10.2in) Provenance . O'Hana Gallery, London, Marc Chagall: Oils, Gouaches, Watercolours and Lithographs, June-August 1961. Literature. Chagall Lithographs: Catalogue Raisonne, Charles Sorlier and Fernand Mourlot, reference: Mourlot 250
Lot 143
UNSIGNED, PENCIL AND WATERCOLOUR, Still Life Study of Grapes and Oranges on a ledge, 12" x 21"; and INDISTINCTLY SIGNED, MIXED MEDIA, Flower Study, 14" x 21"; and WAKEFIELD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED LITHOGRAPH (48/80), "Southampton University", 17" x 13" plus two unframed OILS (5)
Lot 221
After E.F. Lambert - 'Mr Liston, as Moll Flaggon' in the 'Lord of the Manor' (Study of the Actor in Female Costume, holding a Pipe), lithograph printed in colours at R. Martin's lithographic establishment, together with three similar 19th Century prints after Richard Dighton and Samuel de Wilde and a collection of decorative prints.
Lot 481
Koons (Jeff, Artist). GOAT: A Tribute to Muhammad Ali, edited Howard L. Bingham, Art by Jeff Koons, 1st ed., Taschen, New York, 2004, photographically illustrated throughout, a.e.g., orig. pink leather-backed padded moire cloth with pink leather letters stitched to upper cover, contained in orig. pict. cloth bookbox, sl. rubbed and soiled, atlas 4to, 50 x 50 cm, weighing approx. 34 kilograms. One of 9000 copies of the Collector's Edition, with a signed photo lithograph 'Radial Champs' by Jeff Koons (50 x 40 cm), numbered 103, loosely inserted. A monumental work, surpassing in size and weight Taschen's Helmut Newton Sumo book of four years earlier - see below. (1)
Lot 512
Billiards prints. Braun & Schneider (pub.), 'Cine Partie Billard', late 19th century, humorous hand coloured wood engraving showing a beetle and a grasshopper playing billiards, 440 x 338 mm, together with Hursh (Hal), Three Edwardian colour prints of a lady being seduced over a game of billiards, each 270 x 400 mm, framed and glazed, plus other billiards related prints including a small 18th century engraving entitled 'Le Billard' (80 x 115 mm), an uncoloured lithograph entitled 'Les Plaisirs d'ete', a brightly coloured poster for Rocola shirts showing two gents playing a game, six modern reproduction prints after Thackeray, etc., mostly mounted (approx. 16)
Lot 1176
Earl Thollander (mid 20th century) 'Vineyards of the Napa Valley, California' Lithograph Printed signature and dated 74 lower right S. 36cm x 48.5cm printed by Christies Prints a lithograph depicting the Chateau Cos d'Estournel, probably by Charles Mozley (1914-1991), printed by Christies Prints, s. 33cm x 49.5cm, and a photographic print also of wine subject, Fete des Vins de Chablis, 22 and 23 November 97 etc., s. 42.5cm x 31cm (3) Provenance: Hugo Dunn-Meynell Earl Thollander was an American illustrator who was often featured in 'Gourmet' magazine. (see illustration on our website) Best Bid
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70553 item(s)/page