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Lot 259
Still life colored lithograph by Ira Moskowitz, it is hand signed int the lower right. It is titled "Flower Banquet" verso and numbered lower left 13 / 200. Ira Moskowitz was born in Galicia, Poland in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. Moskowitz received a Guggenheim fellowship (in 1943). While Moskowitz devoted much of his life to the production of Judaic art, his New Mexico period was especially productive of other work. His New Mexico art consists mostly of "Regionalist" subjects depicting both the New Mexico landscape and life within the state's three cultures. Sight size: 27 x 36 in. Overall size: 35 x 44 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 30
Lithograph printed in color ink on wove paper, Untitled. Alternate title: City as Alphabet, signed Oldenburg '68, 5/150, framed to museum standards Whimsical sculpture of pop culture objects is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. Overall size: 31 x 23 1/2 in. Sight size: 22 1/2 x 15 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 307
Lithograph of Le Judgement de Paris, 1971. Dalí's artistic repertoire included painting, graphic arts, film, sculpture, design and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. As is, signed in plate. Mat size: 28/3/4 x 21 1/2 in. Sight size: 23 3/4 x 17 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 361
Brightly colored lithograph entitled "Vendedora de Flores", 73/75, titled, signed and dated: Nan Cuz '73. Cuz's work presents us with many aspects of the everyday life of the Maya people, but also gives a strong sense of their spiritual life as well. Above all is the deep and eternal connection with the Earth, nature and all living beings. While the majority of the imagery resonates from the Mayan culture, others arise from Buddhist, Egyptian, Peruvian and other indigenous roots. Nan Cuz is truly a Guatemalan National Treasure. Overall size: 27 1/2 x 22 in Sight size: 19 1/2 x 14 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances. .
Lot 382
Unframed erotic lithograph of interracial nudes, numbered 9/15, signed and dated in pencil lower right: R. Colescott '89. Robert Colescott was known for his satirical, politicized paintings and his expressive style, often conveying comical, exuberant, or bitter reflections on being African American. From his beginnings as an abstract artist, Colescott eventually adopted a figurative style, which he used to explore race relations, often in domestic and sexual contexts. Throughout his long and prolific career, his works adhered to a distinctly political, multicultural agenda; his subject matter often distorted or destabilized the visual signifiers of gender and race. During his time in residence at Tamarind, Colescott created a series of figurative prints addressing interracial relationships and sexual or otherwise intimate encounters. 16 1/2 x 12 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 383
Unframed erotic lithograph of a female nude with stockings, numbered 9/15, signed and dated in pencil lower right: R. Colescott '89. Robert Colescott was known for his satirical, politicized paintings and his expressive style, often conveying comical, exuberant, or bitter reflections on being African American. From his beginnings as an abstract artist, Colescott eventually adopted a figurative style, which he used to explore race relations, often in domestic and sexual contexts. Throughout his long and prolific career, his works adhered to a distinctly political, multicultural agenda; his subject matter often distorted or destabilized the visual signifiers of gender and race. During his time in residence at Tamarind, Colescott created a series of figurative prints addressing interracial relationships and sexual or otherwise intimate encounters. 16 1/2 x 12 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 384
Unframed erotic lithograph of a female nude, numbered 9/15, signed and dated in pencil lower right: R. Colescott '89. Robert Colescott was known for his satirical, politicized paintings and his expressive style, often conveying comical, exuberant, or bitter reflections on being African American. From his beginnings as an abstract artist, Colescott eventually adopted a figurative style, which he used to explore race relations, often in domestic and sexual contexts. Throughout his long and prolific career, his works adhered to a distinctly political, multicultural agenda; his subject matter often distorted or destabilized the visual signifiers of gender and race. During his time in residence at Tamarind, Colescott created a series of figurative prints addressing interracial relationships and sexual or otherwise intimate encounters. 16 1/2 x 12 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 385
Unframed erotic lithograph of a male nude, numbered 9/15, signed and dated in pencil lower right: R. Colescott '89. Robert Colescott was known for his satirical, politicized paintings and his expressive style, often conveying comical, exuberant, or bitter reflections on being African American. From his beginnings as an abstract artist, Colescott eventually adopted a figurative style, which he used to explore race relations, often in domestic and sexual contexts. Throughout his long and prolific career, his works adhered to a distinctly political, multicultural agenda; his subject matter often distorted or destabilized the visual signifiers of gender and race. During his time in residence at Tamarind, Colescott created a series of figurative prints addressing interracial relationships and sexual or otherwise intimate encounters. 16 1/2 x 12 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 386
Unframed erotic lithograph of a female nude, numbered 9/15, signed and dated in pencil lower right: R. Colescott '89. Robert Colescott was known for his satirical, politicized paintings and his expressive style, often conveying comical, exuberant, or bitter reflections on being African American. From his beginnings as an abstract artist, Colescott eventually adopted a figurative style, which he used to explore race relations, often in domestic and sexual contexts. Throughout his long and prolific career, his works adhered to a distinctly political, multicultural agenda; his subject matter often distorted or destabilized the visual signifiers of gender and race. During his time in residence at Tamarind, Colescott created a series of figurative prints addressing interracial relationships and sexual or otherwise intimate encounters. 16 1/2 x 12 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 387
Unframed lithograph, entitled "Some thoughts on Inter-racial Sex---" numbered 9/15, signed and dated in pencil lower right: R. Colescott '89. Robert Colescott was known for his satirical, politicized paintings and his expressive style, often conveying comical, exuberant, or bitter reflections on being African American. From his beginnings as an abstract artist, Colescott eventually adopted a figurative style, which he used to explore race relations, often in domestic and sexual contexts. Throughout his long and prolific career, his works adhered to a distinctly political, multicultural agenda; his subject matter often distorted or destabilized the visual signifiers of gender and race. During his time in residence at Tamarind, Colescott created a series of figurative prints addressing interracial relationships and sexual or otherwise intimate encounters. 16 1/2 x 12 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 388
Unframed erotic lithograph of interracial nudes, numbered 9/15, signed and dated in pencil lower right: R. Colescott '89. Robert Colescott was known for his satirical, politicized paintings and his expressive style, often conveying comical, exuberant, or bitter reflections on being African American. From his beginnings as an abstract artist, Colescott eventually adopted a figurative style, which he used to explore race relations, often in domestic and sexual contexts. Throughout his long and prolific career, his works adhered to a distinctly political, multicultural agenda; his subject matter often distorted or destabilized the visual signifiers of gender and race. During his time in residence at Tamarind, Colescott created a series of figurative prints addressing interracial relationships and sexual or otherwise intimate encounters. 16 1/2 x 12 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 390
Unframed erotic lithograph of partially nude women, numbered 9/15, signed and dated in pencil lower right: R. Colescott '89. Robert Colescott was known for his satirical, politicized paintings and his expressive style, often conveying comical, exuberant, or bitter reflections on being African American. From his beginnings as an abstract artist, Colescott eventually adopted a figurative style, which he used to explore race relations, often in domestic and sexual contexts. Throughout his long and prolific career, his works adhered to a distinctly political, multicultural agenda; his subject matter often distorted or destabilized the visual signifiers of gender and race. During his time in residence at Tamarind, Colescott created a series of figurative prints addressing interracial relationships and sexual or otherwise intimate encounters. 16 1/2 x 12 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 393
Navajo lithograph by R.C. Gorman, signed in pencil in the lower left and numbered 210/224 in the lower right. Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Overall size: 39 1/4 x 46 3/4 in. Sight size: 29 x 36 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 416
Bright colored hand signed lithograph by Mayeu Passa. It is signed in pencil in the lower right and numbered 43/725. Bright yellow background with black outlined abstract figures. Passa was an artist born in France. He has worked in France with a work of the Post-War movement, he has had solo exhibitions in Germany. Overall size: 38 x 30 in. Sight size: 27 1/2 x 19 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 599
Pablo Picasso was noted world-wide for his skills as a painter, sculptor, and printmaker, among other things. Regarded as one of the most influential artists of the 20th century, he is known for his role in founding the Cubist movement. This is an original single- sided lithograph he did in black ink for a book about bullfighting (Toreros). The lithograph is titled “Jeu de la Cape “ and dated June 3, 1961 (6.3.61 III) in the margin on the lower left, and the drawings for the book were printed by the Mourlot Studios in Paris. The plate was professionally cleaned by Cristian Stakenborg of Stakenborg Galleries in Sarasota. The mat is 15 x 20 in. wide and the plate size is 9 5/8 x 12 1/2 in. wide. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 721
Lithograph 78/260 Signed lower right. John Elwyn was active and lived in United Kingdom. John Elwyn is known for Welsh countryside painting. He studied at the Carmarthen School of Art from 1933 to 1937 and also at the Royal College of Art, London. Later he taught at Portsmouth and Winchester Schools of Art. Sight: 18 x 18 in. Overall: 23 1/2 x 23 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances.
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70555 item(s)/page