![Artist: Andy Warhol (American, 1928 - 1987). Title: "Portrait of Andy Warhol [museum promotional card]". Medium: Offset litho](https://cdn.globalauctionplatform.com/8b247141-b41d-4179-bb4c-ac1d01539cbf/fad4b19b-2dad-4ae1-ad38-ac4e0143b426/468x382.jpg)
Artist: Andy Warhol (American, 1928 - 1987). Title: "Portrait of Andy Warhol [museum promotional card]". Medium: Offset lithograph. Date: Composed 1975. Printed 1979. Dimensions: Overall size: 4 1/4 x 6 in. (108 x 152 mm).Lot Note(s): Signed by Warhol in black marker. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Provenance: Borje Bengtsson, Sweden, thence to our consignor. Comment(s): Warhol in New York City, photographed by Pepe Diniz (Portuguese/American, b.1945). The card was a gift to Borje Bengtsson from a friend of his who had met Warhol in Germany so the text (in Swedish) is addressed to Bengtsson. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29247-1-400]
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Artist: Andy Warhol (American, 1928 - 1987). Title: "One Multicolored Marilyn #2". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 9 9/16 x 8 1/8 in. (243 x 206 mm).Lot Note(s): Signed in black felt tip pen, lower margin. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.3[a]. Comment(s): Rare. Issued to promote the 'Multicolored Marilyns Reversal Series' exhibition at the Akira Ikeda Gallery, Tokyo, Japan. The show consisted of 12 separate images of Marilyn. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The reception was held on December 5th, 1986 and the exhibition ran from December 6th to 25th. Printed by Takada Printing Co. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28813-1-600]
SIR FRANK WILLIAM BRANGWYN, RA, RWS (1867-1956) THREE PRINTS including `The Gate of the Farm` (Gaunt 90), etching, unsigned; `The Rialto, Venice` (Gaunt 72), etching, signed; and `Canadians entering Cambrai`, lithograph, signed, all unframed (3) ++ Some surface marks, foxing and time toning
•AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) INDUSTRIAL SCENE (1953) Offset lithograph, published by Venture Prints Ltd, 1974, with blindstamp, signed in pencil 34 x 24cm.; with `L. S. Lowry RA, 1887-1976`, the catalogue for the Royal Academy exhibition, 1976 (2) ++ Print with some fading
§ Dame Elisabeth Frink (British 1930-1993) Small horse and rider, 1970 (Wiseman 40) 37/60, signed and numbered in pencil (in the margin), lithograph(38cm x 58cm (15" x 23"))Footnote: This work comes from the first series of prints, man and horse, which Frink produced in the early 1970s. Having embraced lithography and printmaking in the 1960s, Frink explored the technique further in the 1970s and turned from using a stone plate to a zinc plate.
§ Edward Bawden C.B.E. R.A. (British 1903-1989) 'Sahara' Wallpaper, designed 1928 lithograph after linocut, printed by the Curwen Press(70.5cm x 53cm (27.75in x 21in))Footnote: Late in the 1920s Edward Bawden began designing wallpapers alongside the artist John Aldridge. Initially these were printed from lino blocks by the artist’s themselves, in a small studio attic room at Bawden’s home. At a later date the blocks were transferred to John Perry & Co., who produced wallpapers from them. The whole process of making the wallpaper, like an artist’s print, meant they were made in separate sheets rather than rolls.
David Roberts, RA (British, 1796-1864)Sidmouth inscribed and dated 'Sidmouth June 20th 1845' (lower right); bears inscription 'Sidmouth from Salcombe Hill/D Roberts' (on the reverse)pencil and watercolour heightened with bodycolour on two joined sheets27.7 x 58.1cm (10 7/8 x 22 7/8in).Footnotes:Provenance(possibly) Gifted by the artist to his daughter and son-in-law, Christine and Henry Sanford Bicknell.(possibly) Henry Sanford Bicknell sale, Christie's, London, 7 April 1881, lot 92 [no size], bought by Permain.The Fine Art Society, Ltd., London, September 1952.J. B. Priestley Collection, UK.Private collection, UK. LiteratureDiary of Christine Bicknell, 1842-55 (National Library of Scotland, Edinburgh, acc. 7663).Helen Guiterman and Briony Llewellyn, David Roberts, London and Oxford, 1986, p. 103.PublishedLithograph by Robert Carrick published by John Harvey, Sidmouth, c.1845, as Sidmouth. From Salcombe Hill. Edinburgh-born David Roberts lived in London from 1822 but travelled extensively in Britain and abroad throughout his life. Many of his sketches, notably those of Spain and the Near East, became well known through engraved or lithographed reproductions. Among the latter are three views of Sidmouth, lithographed by Robert Carrick after drawings by Roberts and first published by the local 'Printer, Bookbinder and Librarian' John Harvey of Sidmouth, then republished in London.Sidmouth, on the south-west coast of England in Devon, lies at the mouth of the River Sid between two commanding cliffs, Peak Hill and Salcombe Hill. It developed as a fashionable resort and 'sea bathing' health spa in the early 19th century. Although it never became as popular as Brighton (which was closer to London and connected by train thirty years earlier), Sidmouth has similar elegant Regency buildings, many of which were available to rent. Roberts visited Sidmouth in June 1845 to stay with his daughter and son-in-law, Christine and Henry Sanford Bicknell, who were on a six-week holiday with their young children. 'I have no doubt the Attic will do famously,' he wrote to Henry on 27 May, 'so tell Christen [sic] not to put herself out of the way.' Henry must have mentioned the publishing proposal for views of Sidmouth, as Roberts added: 'My respects to the worthy Publisher, and if the subject is a good one tell him if he is a good fellow – I will do it for love but not all the houses' (Letter from Roberts to Henry Sanford Bicknell, 27 May 1845, private collection).After arriving on 12 June, Roberts found himself 'quite fascinated with the place,' according to Christine's diary note. On the following day Roberts made a sketch of Sidmouth looking eastwards 'from the verandah of Beacon Place, Peak Hill' (Yale Center for British Art, New Haven). This is likely the house where they were staying, as on similar holiday in 1848, when Roberts again visited, the family rented Beacon Cottage (probably the house now known as The Beacon). Carrick made an almost exact lithographic copy of Roberts's drawing. A similar view looking westwards along the beachfront (whereabouts unknown) was lithographed by Carrick and published by Harvey as Sidmouth. Western View. To get a more extensive view westwards and encompass 'the houses' that publisher Harvey appears to have requested, Roberts climbed up Salcombe Hill a week later and made the present lot. Christine and Henry accompanied him, and Christine also drew or painted. 'My Father made a beautiful sk[etch],' she noted in her diary on 20 June, '& H[enr]y read to us.' Whereas the other two lithographed views were contained on a single sketchbook page, Roberts here used a double-page spread: the join at the sketchbook seam is clearly visible (off-centre, as the right-hand page has been trimmed). This view extends from the English Channel across the town and inland, taking in the beach and Esplanade, with Chit Rocks jutting into the sea. Peak Hill is in the centre distance; behind are the highland of Otterton, and the eroded cliff stacks Big Picket Rock and Little Picket Rock. Along the central Esplanade are 'comfortable lodging houses, with every accommodation for large and small families,' as described in a mid-19th-century guidebook published by Harvey. 'The amphitheatre of ocean and mountain scenery, presented from this long and beautiful walk, where the pure and fresh breezes sweeping over the sea are inhaled, is . . . a favourite promenade of fashionable parties.' Some of the Regency buildings have copper-roofed balconies. 'The York, Bedford and Marine Hotels, together with a Library, Billiard, Reading, and Concert Rooms,' were situated in this part of the town, as well as 'shops of almost every description' and the London Hotel, in which were the Assembly Rooms.On the far right of the drawing is the distinctive tower of St Giles and St Nicholas church, which would be almost all that remained of the building when it was much altered and extended in 1859-60. Peak Hill behind is dotted with some of the 'mansions, villas and cottages' that 'form an attractive part of Sidmouth', according to the Victorian guidebook. Many were 'let as lodging houses ready furnished, with coach-houses, stables, &c.,' forming 'delightful abodes for small and genteel families' like the Bicknells.Harvey sold, printed and published many prints of Sidmouth and books relating to the area. Henry Sanford Bicknell may have been a customer and Harvey would have leapt at the opportunity of inviting Roberts to make images that were certain to be popular souvenirs. In addition to their publication in Sidmouth, the lithographs by Carrick after Roberts's drawings were hand-tinted and published by Harvey in London, in partnership with D. Bogue of Fleet Street. Smaller uncoloured versions were also published by Day & Haghe.We are grateful to Krystyna Matyjaszkiewicz for compiling this catalogue entry.For further information on this lot please visit Bonhams.com
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); two tone lithograph, ‘Sunday Afternoon', signed and numbered 32/75, published by Ganymed Press, 47.5 x 61cm, unframed. (D)Additional InformationThe print is only stuck down to a backing board, the main image appears fine, general wear to the mount. Please note the piece is unframed, there looks to be pencil or printed pencil beside a figure's head on the bottom row. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JOHN LENNON (British, 1940-1980); a signed lithograph, an erotic sketch of Yoko Ono, signed in pencil lower right, 34/300, Malcolm Bishop Fine Art Dealer of Manchester label verso, 57.5 x 75cm, framed and glazed (D). Provenance: purchased from London Graphic Art Associates with original receipt present following the famous exhibition held at the London Arts Gallery in 1970 which provoked uproar and was raised by the police; two newspaper clippings relating to the exhibition are also included.Additional InformationSome wear and scuffs to frame, some speckles to paper. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
AFTER ANDY WARHOL; a limited edition lithograph, 'Superman', from the Leo Castelli Gallery, edited by George Israel, with 'Arches' watermark stamp verso, 65/100, printed signature lower right, 57 x 39cm, unframed and unmounted. Additional InformationImage is 36 x 36cm. Provenance: from a European collection. PLEASE NOTE the signature is printed, not original.
AFTER ANDY WARHOL (1928-1987); limited edition lithograph print, 'Marilyn Monroe' from the Leo Castelli Gallery, edited by George Israel, with 'Arches' watermark stamp verso, 80/100, printed signature lower right, 57 x 39cm, unframed and unmounted.Additional InformationProvenance: from a European collection. PLEASE NOTE the signature is printed, not original.
JEAN DUBUFFET (French, 1901-1985); a signed black and white lithograph, 'Surplomb', signed, dated 1958 and inscribed 'É Preuve d'artiste', image 52.5 x 41cm, unframed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
SALVADOR DALI (Spanish, 1904-1989); a signed coloured lithograph, 'Empress', signed lower right, inscribed 'E. A.' lower left, blind stamp to lower right and inscribed in pencil 'GALA' to bottom right, the image approx 44 x 31.5cm, unframed. (D)Additional InformationPicture has been rolled so the edges are slightly scuffed. The image itself is basically in good order. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
MIHAIL MIKHALLOVICH CHEMIAKIN (Russian, Born 1943); coloured lithograph 'Homage to Nijinsky II', signed and numbered 170/175, 75 x 49.5cm, unframed.Additional InformationIt has been half-rolled with a small crease, but the colours remain perfect. The lot was purchased from the Serge Sorokko Gallery Auction for $1,610 in 2008 and is sold with copy of original invoice when purchased from the online auction. The image does match the description. For postage of this lot we recommend Mailboxes Etc.
JOSE LUIS CUEVAS (Mexican, 1934-2007); a signed limited edition lithograph 'Mireya Was My First Private Model, 1962', signed in pencil lower right and numbered 76/100 lower left, bearing Apple blind stamp and second blind stamp lower left and lower right, the image approx 44 x 26cm, unframed.Additional InformationThe lithograph has been rolled and the edges are slightly torn and frayed with some light staining also. There is a 1cm crease beneath the image, but the image itself is in good order.
BANKSY (British, Born 1974); offset lithograph on shaped wooden board, 'Peckham Rock' (2018), open edition, with printed text, code PRB 17752,2-2,1 further 'Courtesy of Pest Control Office [...]' and British Museum barcode price label verso, 12 x 18cm. Additional InformationProof of purchase from British Museum available to see upon request, good condition. The provenance is printed on the back of the image from the British Museum. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
BANKSY (Born 1974); offset lithograph in colours on recycled paper 'Save or Delete' (2002), 42 x 59.5cm, sold with the original sticker sheet. (2)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
BANKSY (Born 1974); offset lithograph in colours 'Di-faced Tenner' a pair framed as one, each 7.5 x 14cm.Additional InformationFrom a private collection in Ireland. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
GEOFF W BIRKS (BRITISH, 1929-1993); offset lithograph on card, ‘Dr Basham’, signed with original pencil Remarque of three figures, no. 85/375, with artist’s blind stamp, 13.5 x 23cm, framed and glazed. (D) Additional InformationImage is in good condition, some very light wear to frame. Purchased Swinton Art Gallery circa 1992 where the artist executed the Remarque in person. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
TOM DODSON (British, 1910-1991); offset lithograph on card, ‘Back Street Bookie’, signed and no. 711/850, with FATG blind stamp and code JBA, image 24.5 x 34.5cm, framed and glazed. (D)Additional InformationLight fading to image, light general wear to frame This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PAUL HOGARTH OBE RA (1917-2001); a signed limited edition lithograph print ‘Sydney Harbour’, produced at Curwen Studio by Paul Hogarth and Stanley Jones, with blind stamp to lower right, edition 88/150, pencil signature, 51 x 41cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
RICHARD SHIRLEY SMITH; wood engraving, 'Putti', signed and dated 1985 and No.31/100, inscribed on Chris Beetles label verso, 7.5 x 10cm, and another by the same artist No 85/100 dated 1981 and bearing JS Maas & Son Ltd label verso, 8 x 10cm, Richard Borden; artist proof, 'Blackie & Stripe', signed and titled, 41.5 x 31cm, and a Lal Hitchcock; a signed limited edition lithograph, 'Lighthouse', No 22/60, 10 x 7cm, all four framed and glazed (4). (D)Additional InformationThe two Richard Smiths are in good condition, the other two have some rippling and some light staining to the mounts. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
LESLEY FOTHERBY; watercolour, 'Studies of Betty', signed and inscribed in Chris Beetles Ltd label verso with notes of exhibition in 1996 where it was No.56, 27.5 x 37.5cm, framed and glazed, G. Ashley Hunter, oil on card, study of a dog, 15.5 x 11cm, framed and glazed, also Lucy Willis limited edition lithograph 'Cats', signed No.23-150 and dated 1988, all framed and glazed (3). (D)Additional InformationBasically in good order with some scuffs to the frames. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PATRICK PROCKTOR RA (Irish, 1936-2003); a signed edition of ‘One Window’, a series of photo-lithographs depicting Venice, no. 48 of 200, and inscribed in pencil by owner ‘Christmas 1974’ to title page, pub. Cavallino Venezia, 1974, 34pp., 16 mo in marble boards, the book 15.2 x 10.5cm, a further signed lithograph depicting a grove with inscription 'For Miss Alice Lowe' (af), a Christmas card signed ‘Patrick’ with further inscription by a different hand, numerous photographs of Procktor with the majority taken by Miss Alice Lowe to whom this archive belonged and who personally knew the artist and a Redfern Gallery exhibition catalogue. Also included in this lot is correspondence between Miss Lowe and the parents of David Hockney and photographs of that couple and Francis Bacon in his home taken by Miss Lowe. (D) Provenance: Miss Lowe sadly passed away earlier this year and the contents of this lot have been consigned to auction by the executors of her estate; this is their first appearance on the open market. Additional InformationBoards of Procktor book mottled and faded in colour, interior contents good, photographs variously creased, scuffed and misshapen, some with tears; second lithograph of grove in poor condition with tears, stains, folds and general very heavy wear, is at fault. For postage of this lot we recommend Mailboxes Etc. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KOHL, Pierre Ernest(1897 Monaco - 1985 Les Brenets) Weiblicher Akt Öl auf Leinwand. Signiert. 73 x 50 cm. Gerahmt 92 x 69 cm. Rückseitig Pariser Stempel. Originaler Keilrahmen, neuwertiger Profilrahmen Kohl, Schweizer deutscher Herkunft. Maler, Aquarellist und Lithograph. Studierte an der Akademie in Lausanne. Seit 1920 in Paris tätig, dort im Salon des Indépendants, Salon d'Automne und im Salon des Tuilleries vertreten. Bereiste Europa, 1949 in Marokko. Regelmäßig auf internationalen Ausstellungen vertreten. * Partnerauktion Bergmann. Literatur: Benezit (2006).
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