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Lot 287
After David Roberts, British 1796-1864-Church of the Holy Sepulchre (Jerusalem): InteriorColoured lithograph by Louis Haghe, 63 x 75.5 cmUnexamined out of frame. Securely in a frame with mount and glaze. Mild undulation to the sides of the lithograph. One crease to the lower centre of the mount. One crease to the lower centre of the print. Possible light foxing/surface dirt to the print. General surface dirt to the outside of the glaze. Otherwise, in good condition overall.
Lot 234
‡Ceri Richards CBE (Welsh 1903-1971) Origin of a Rose; And I Am Dumb to Tell the Crooked Rose My Youth Is Bent by the Same Wintry Fever Two, the former signed, dated and inscribed Artists proof Ceri Richards 67 (in pencil to margin); the latter signed and inscribed A/P Ceri Richards (in pencil to margin) The former screenprint; the latter lithograph, from 'Twelve Lithographs for Six Poems by Dylan Thomas', 1965 576 x 77cm; 592 x 815cm Unframed (2)
Lot 10
δ Barbara Hepworth (1903-1975)Porthmeor (from Twelve Lithographs)Lithograph printed in colours, 1969, signed in pencil, numbered from the edition of 60, printed and published by Curwen Press, London, with their blindstamp, on Barcham Green handmade paper, watermarked with the artist's initials, the full sheet printed to near the edges, sheet 815 x 587mm (32 x 23 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 11
δ Barbara Hepworth (1903-1975)Mycenae (from Twelve Lithographs)Lithograph printed in colours with embossing, 1969, signed in pencil, numbered from the edition of 60, printed and published by Curwen Press, London, with their blindstamp, on Barcham Green handmade paper, watermarked with the artist's initials, the full sheet printed to near the edges, sheet 811 x 585mm (31 7/8 x 22 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 119
δ STIK (b.1979)Hip (Blue)Offset lithograph printed in colours, 2013, signed and dated in black ink, with Japanese Big Issue magazine, with full margins, sheet 568 x 224mmThis is one of a few prints signed in person by STIK for the Big Issue release in Japan, and is accompanied by a copy of the Big Issue magazine.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 12
δ Barbara Hepworth (1903-1975)Sea Forms (from Twelve Lithographs)Lithograph printed in colours with embossing, 1969, signed in pencil, numbered from the edition of 60, printed and published by Curwen Press, London, with their blindstamp, on Barcham Green handmade paper, watermarked with the artist's initials, the full sheet printed to the edges, sheet 590 x 817mm (23 1/4 x 32 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 40
δ HM King Charles III (b.1948)Alltnaguibhsaich Lodge, BalmoralLithograph printed in colours, 2016, signed, dated and numbered from the edition of 100 in pencil, on St Cuthbert's Mill wove paper, printed by the Curwen Studio, Cambridge, with accompanying certificate of authenticity, mounted and framed to artist's specifications and housed within the original leather clamshell presentation box, sheet 425 x 496mm (16 5/8 x 19 1/2 in); presentation box 610 x 690mm (24 x 27 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 43
δ Patrick Procktor (1936-2003)My GardeniaLithograph printed in colours, 1969, signed and titled in pencil, numbered from the edition of 100, printed by Editions Alecto, Cambridge, the full sheet printed to near the edges, sheet 585 x 785mm (23 x 30 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 6
δ Barnett Freedman (1901-1958)15 Inch Gun Turret, HMS Repulse, August, 1941Lithograph printed in colours, 1942, from the edition of unknown size, printed by Baynard Press, London, published by the National Gallery, London, on wove paper, with full margins, sheet 745 x 1010mm (28 3/8 x 39 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 62
δ David Hockney (b. 1937)California SceneOffset lithograph printed in colours, 1966, published by Petersburg Press, New York, on wove paper, the full sheet, sheet 506 x 402mm (19 7/8 x 15 3/4in)Provenance:John Kasmin, London."This colorful California landscape by David Hockney depicts a red, tree-lined house in the background. Palm trees shoot up in the foreground, and two clouds are sketched in light blue. The ground is marked by bold stripes of black and jungle green.We published many David Hockney limited edition etchings, lithographs and books from the early 1960's through the early 1980's. We know of only 4 copies of this print which were probably proofs, never editioned." - Petersburg Pressδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 63
δ David Hockney (b. 1937)1st British International Print Biennale Poster (Baggott 14)Offset lithograph printed in colours, 1969, signed in pencil, from the edition of unknown but presumably small size, printed by Curwen Studio, Cambridge, published by Bradford City Art Gallery, on TH Saunders wove paper, the full sheet printed to the edges, sheet 780 x 587mm (30 1/2 x 22 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 64
δ David Hockney (b. 1937)Richard, Jim and Felix, for the Oz Obscenity FundOffset lithograph, 1971, a proof aside from the edition of 30, on wove paper, the full sheet, sheet 588 x 915mm (23 1/4 x 36in)This work was produced for the Oz obscenity Fund, after the sitters were trialled under the obscenity law, the sitters are Jim Anderson, Felix Dennis and Richard Neville.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 65
δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on thin wove paper, with full margins, sheet 1010 x 640mm (39 7/8 x 25 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 7
δ Laurence Stephen Lowry (1887-1976)Station ApproachOffset lithograph printed in colours, circa 1962, signed in pencil, numbered from the edition of 850, with Fine Art Trade Guild blindstamp, printed by Max Jaffé, Vienna, published by Adam Collected Ltd, on wove paper, with full margins, sheet 525 x 610mm (20 3/4 x 24in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 71
δ Bridget Riley (b.1931) (after)Untitled (Cover for Art International)Lithograph, 1965, signed, titled and inscribed c.1967 in pencil verso, a rare impression printed before text, there is no known edition, published by Richard Feigen Gallery, New York, on wove paper, with full margins, sheet 410 x 485mm (16 1/8 x 19 1/8in)This rare work was conceived as the poster and folded invitation for Bridget Riley's first New York show at Richard Feigen Gallery, New York, 1965. Very few impressions of the poster were printed before text and this is amongst a handful of impressions that she signed. This particular work was signed, titled and dated by the artist at Gallery Hans Mayer, Düsseldorf, on the occasion of her first museum exhibition at Kunsthalle, Düsseldorf, 1971. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 9
δ Barbara Hepworth (1903-1975)Sun and Moon (from Twelve Lithographs)Lithograph printed in colours, 1969, signed in pencil, numbered from the edition of 60, printed and published by Curwen Press, London, with their blindstamp, on Barcham Green handmade paper, watermarked with the artist's initials, the full sheet printed to near the edges, sheet 810 x 581 mm (31 7/8 x 22 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 58
Roy Lichtenstein (1923-1997)Fish and Sky, from Ten from Leo Castelli (Corlett 50) Screenprint on silver gelatin photographic print mounted on three-dimensional lenticular offset lithograph, 1967, on white composition board with window mount (as issued), signed and numbered 49/200 in pencil (there were also 25 lettered proofs A-Y), published by Tanglewood Press, Inc., New York, with their ink stamp on the reverse, the full sheet, framedImage 282 x 357mm. (11 x 14in.); Sheet 604 x 508mm. (23 3/4 x 20in.)For further information on this lot please visit Bonhams.com
Lot 63
Christo (1935-2020)Wrapped Statues (Sleeping Faun) (Schellman 183) Offset lithograph, screenprint, polyethylene, twine and crayon, 2000, on chipboard, signed and numbered 2/100 in pencil, published by Edition Schellmann, Munich, the full sheetSheet 813 x 585mm. (32 x 23in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 66
Gerhard Richter (born 1932)Kerze II (Butin 66) Offset lithograph with black oil paint, 1989, on paper mounted to white plastic (as issued), signed, dated and numbered 32/50 in pencil, published by Achenbach Art edition, Düsseldorf, the full sheet, framedSheet 883 x 889mm. (35 x 35in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 7
Christopher Richard Wynne Nevinson A.R.A (1889-1946)Swooping Down on a Taube (Black 21; Leicester Galleries 28) Lithograph, 1917, on Holbein wove paper, signed in pencil, from the edition of 200, published by the Stationery Office, London, as part of the series Britain's Efforts and Ideals: Making Aircraft, with wide margins, framed Image 402 x 300mm. (15 3/4 x 11 3/4in.); Sheet 478 x 390mm. (18 3/4 x 15 3/8in.)Footnotes:Christopher Richard Wynne Nevinson was one of the great printmakers of the early twentieth century, most celebrated as a chronicler of modern warfare and a master of multiple print techniques. He was held in high esteem by contemporaries such as Walter Sickert and Paul Nash for his acute eye for detail, feeling for composition and technical skill. His experiences as an ambulance driver and medical orderly at the Front imbued his work with a strong emotional intensity and his depictions are regarded as some of the most powerful images of World War I.His first major exhibition held at Leicester Galleries in Autumn 1916 was a critical and commercial success and would lead to his commission as an official war artist in 1917. The Ministry of Information commissioned him to create six lithographs on the theme of Building Aircraft to be included in the propaganda series The Great War: Britain's Efforts and Ideals. These works were taken on tour around the country to boost morale and were sold to raise funds for the war effort.The Building Aircraft lithographs detail the process from manufacture, to assembly and finally to flight. Nevinson was particularly interested in aerial combat, which would play an important new role during the First World War and he produced three images of aircraft in flight. In preparation for the series, Nevinson was taken on his first flight in June 1917 and commented 'the whole newness of vision and the excitement of it infected my work and gave it an enthusiasm which can be felt'.In Banking at 4,000 feet he uses variations in tone and steep diagonals to convey the drama and exhilaration of flight, which is literally a white-knuckle ride as indicated by the hand gripping the side of the aircraft. He invites the viewer to share the experience of being in the air by placing them in the cockpit.Swooping down on a Taube depicts a British Sopwith Camel attacking a German Taube. Taube means dove and the plane was named for its bird-like profile. Nevinson conveys a sense of movement and tension using the sweeping arc of the plane's trajectory set against the strong diagonals, representing rays of light, emanating from the searchlights below. He added scratch marks through the crayon to create highlights which intensify the drama.The immediacy of these images and the unusual viewpoints proved popular with visitors to the Fine Art Society exhibition, with one critic commenting that the artist 'contrives to make the visitor almost giddy' and another that he had 'the power of expressing sensations rather than visual facts'.For further information on this lot please visit Bonhams.com
Lot 70
David Hockney (born 1937)Joe with David Harte (Tyler Graphics 262) Lithograph in colours, 1980, on wove paper, signed, dated and numbered 27/39 in pencil (there were also 12 artist's proofs), published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, framedImage 1105 x 803mm. (43 1/2 x 31 5/8 in.); Sheet 1200 x 803mm. (47 1/4 x 31 5/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 71
David Hockney (born 1937)Pool Made with Paper and Blue Ink for Book (M.C.A. Tokyo 234) Lithograph in colours, 1980, on Arches wove paper, signed, dated and numbered 146/1000 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp; together with the accompanying book titled Paper Pools, signed in red ink and stamp-numbered on the justification, within the original card slipcaseSheet 265 x 230mm. (10 1/2 x 9in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 8
Christopher Richard Wynne Nevinson A.R.A (1889-1946)Banking at 4,000 Feet (Black 20; Leicester Galleries 23) Lithograph, 1917, on Holbein wove paper, signed and dated in pencil, from the edition of 200, published by the Stationary Office as part of the series Britain's Efforts and Ideals: Making Aircraft, with wide margins, framedImage 402 x 315mm. (15 7/8 x 13 3/8in.); Sheet 509 x 396mm. (20 x 15 1/2in.)For further information on this lot please visit Bonhams.com
Lot 9
Pierre-Auguste Renoir (1841-1919)Le chapeau épinglé, (1ere planche) (Delteil 30) Lithograph, 1897, on MBM laid paper, from the edition of 100 printed in black (there was also an edition of 50 in sanguine and 50 in bistre), the full sheet with deckle edges on all sides, framedImage 600 x 494mm. (23 5/8 x 19 1/2in.); Sheet 884 x 616mm. (34 3/4 x 24 1/4in.)For further information on this lot please visit Bonhams.com
Lot 10
Henri de Toulouse-Lautrec (1864-1901)Femme Couchée - Réveil, from Elles (Delteil 182; Adriani 174; Wittrock 158) Lithograph printed in olive green, 1896, on wove paper watermarked 'G. Pellet: T. Lautrec', from the edition of 100, published by Gustave Pellet, Paris, with his monogram stamp (L. 1190), the full sheet with deckle edges on all sidesSheet 401 x 530mm. (15 3/4 x 20 7/8in.)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 11
Maurits Cornelis Escher (1898-1972)Up and Down (Bool 352) Lithograph printed in brown, 1947, on wove paper, titled, signed and numbered No 2/36 in pencil (there was also a numbered edition of 17 in black and an unnumbered edition of 400), with margins, the upper margins missing, the top of the image with paper and ink losses and repairs, with further areas of repairs in places, the sheet stuck down onto the board, framedImage 505 x 205mm. (19 7/8 x 8 1/8in.); Sheet 605 x 330mm. (23 3/4 x 13in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 19
Pablo Picasso (1881-1973)Buste au Fond étoilé (Bloch 594; Mourlot 163) Lithograph, 1949, on cream Arches paper, one of only two known proofs printed in blue ink aside from the edition of 50, the full sheet with deckle edges above and below, framedSheet 661 x 495mm. (26 x 19 5/8in.)Footnotes:Provenance Mourlot Collection (their ink stamp verso).William Weston gallery, London (with their label).Private Collection, London.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 22
Joan Miró (1893-1983)One plate from Joan Miró Lithographe II (Mourlot 1039; Cramer books 198) Lithograph in colours, 1975, on Arches wove paper, signed and inscribed H.C. in pencil, a hors commerce impression aside from the numbered edition of 80 in Roman numerals, published by Maeght, Paris, the full sheetSheet 445 x 618mm. (17 1/2 x 24 1/4in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 23
Joan Miró (1893-1983)One plate from Joan Miró Lithographe II (Mourlot 1046; Cramer books 198) Lithograph in colours, 1975, on Arches wove paper, signed and inscribed H.C. in pencil, a hors commerce impression aside from the numbered edition of 80 in Roman numerals, published by Maeght, Paris, the full sheetSheet 445 x 618mm. (17 1/2 x 24 3/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 3501
RAVILIOUS, Eric (illustrator) and J.M. RICHARDS. High Street. London: the Curwen Press for Country Life Ltd., 1938. First edition, 8vo (229 x 146mm.) Wood-engraved vignette to the title-page, 24 lithograph plates by Eric Ravilious. (Mild toning.) Original pictorial boards (some wear to top of spine and spine seam, rubbing to extremities).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1179
Pictures and Prints. British Modernist School - Terrace House, lithograph, n.d., 29 x 59cm, Gilbert, 20th c - Arbor Low at Sunset, Derbyshire, signed and numbered 10 in pencil screen print, 36 x 45cm, oil on board of winter landscape, indistinctly signed in pencil, three Raymond Lowry pen and ink cartoons, etc., (8).
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70555 item(s)/page