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Lot 72
John Frederick Lewis, RA, POWS (British, 1804-1876)Patio de los Arrayanes, Alhambra inscribed and dated 'Alhambra Oct 26' (lower right); inscribed 'Patio de los/Arrayanes.' (lower left); indistinctly inscribed 'The house in front a blaze/of white. The reflection/perfect. Darken this for objects reflected' (upper right)pencil and wash heightened with white, unframed28 x 21cm (11 x 8 1/4in).Footnotes:ProvenanceCharles Baring Wall (1795-1853) Collection, UK.Thomas Baring (1799-1873) Collection, UK (acquired from the above, his cousin).Thence by descent.John Frederick Lewis made a sequence of works of the Patio de los Arrayanes in the Alhambra, Granada. The present lot - dated October 26 - seems to be the first one, probably drawn on the spot, which he later worked in to a more complete version, intended for a lithograph (sold Christie's, London, 2 July 2013, lot 85). Lewis also depicted the courtyard from different viewpoints. Details in the present lot, such as the flower pots, have been altered and in some instances removed for the lithograph. These changes are typical of Lewis and serve to highlight the spontaneity and immediacy of this version. Lewis completed two sets of lithographs after his trip to Spain, printed in 1835 and 1836 respectively: Lewis's Sketches and Drawings, of the Alhambra, made during a Residence in Granada, in the Years 1833-4 and Lewis's Sketches of Spain & Spanish Character, made during his Tour in that Country, in the years 1833-4.We are grateful to Briony Llewellyn for her assistance in cataloguing this lot.This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
Lot 217
South America.- Hadfield (William) Brazil, the River Plate, and the Falkland Islands, first edition, lithograph portrait frontispiece, 3 folding maps, one hand-coloured, wood-engraved plates and illustrations, original cloth, splitting to upper joint, spine ends a little chipped, [Sabin 29486], 8vo, 1854.
Lot 361
OWEN BAXTER MORGAN (BRITISH ACTIVE 1905-1932) "Shepherd at Rest with his Sheep", oil on board, signed lower left, J DANCK 20TH CENTURY CONTINENTAL SCHOOL "Canal Scene with Boat in Foreground", oil on canvas, signed lower right, together with 20TH CENTURY ENGLISH SCHOOL "Interior of a Room with Table and Chair", oil on canvas, unframed and unsigned, Unicorn Folio - a Canadian Folio series 3 No. 1 containing various poems to include "Common Places" by Daryl Hine, "The Great Tree" Michael Ondaatje, handwritten in pencil 218/300 and Margaret Attwood "What was in the Garden" with lithograph print, etc and a portfolio containing various needlework and textile panels
Lot 126
Jonas Wood (American, 1977), A Poster for Interiors and Landscapes, 2017, offset lithograph, unframed, H.40.9cm W.61cm Executed in 2017, this from the edition of an unknown size published by David Kordansky Gallery, Los Angeles, together with Jonas Wood (American, 1977), Tennis Court Drawings, 2018, offset lithograph, unframed, H.91.5cm W.61cm Executed in 2018 for Shane Campbell Gallery, Chicago
Lot 153
λTerence Cuneo. (1907-1996) British Railways coloured lithograph print ‘An Engine is Wheeled’ Derby Locomotive Works, Circa 1949. Print by Waterlow and Sons Ltd. London and Dunstable. 1016mm x 1270mm. Framed and glazed. Unexamined out of frame.* Provenance: Purchased Christie’s London. λ indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Lot 154
λTerence Cuneo. (1907-1996) British Railways coloured lithograph print ‘On Early Shift’ Greenwood Signal Box, New Barnet. Circa 1948. Print by Waterlow and Sons Ltd. London and Dunstable. 104cm x 130cm. Framed and glazed. Unexamined out of frame.* Provenance: Purchased Christie’s London. λ indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Lot 135
Toko Shinoda (b.1913) NOH PLAY Lithograph, 1999, signed l.l., numbered 9/50 in pencil, printed by K Kimura embossed l.l. image 35.5 x 25cm approximately, framed and glazed 'A conservative renegade; a liberal traditionalist...'; this is how Toko was described in a 1983 TIME magazine article and this is borne out in her work, which manages to effortlessly marry the tradition of ancient calligraphy with the abstract of modern art. She held her first exhibition at the age of twenty, and her works can now be seen in numerous permanent collections, such as those in the British Museum, New York’s Museum of Modern Art and the Rijks Museum in Amsterdam, and other leading institutions around the world.
Lot 136
Toko Shinoda (b.1913) FAINT Lithograph, signed l.l., dated and numbered 24/35 in pencil, embossed stamp printed by K Kimura image 26.5 x 35.5 approximately, framed and glazed 'A conservative renegade; a liberal traditionalist...'; this is how Toko was described in a 1983 TIME magazine article and this is borne out in her work, which manages to effortlessly marry the tradition of ancient calligraphy with the abstract of modern art. She held her first exhibition at the age of twenty, and her works can now be seen in numerous permanent collections, such as those in the British Museum, New York’s Museum of Modern Art and the Rijks Museum in Amsterdam, and other leading institutions around the world.
Lot 137
Toko Shinoda (b.1913) VELOCITY Lithograph, signed l.l., dated and numbered 93/95 in pencil, embossed stamp printed by K Kimura image 25.5cm x 34.2 approximately, framed and glazed 'A conservative renegade; a liberal traditionalist...'; this is how Toko was described in a 1983 TIME magazine article and this is borne out in her work, which manages to effortlessly marry the tradition of ancient calligraphy with the abstract of modern art. She held her first exhibition at the age of twenty, and her works can now be seen in numerous permanent collections, such as those in the British Museum, New York’s Museum of Modern Art and the Rijks Museum in Amsterdam, and other leading institutions around the world.
Lot 138
Toko Shinoda (b.1913) PROFOUND Lithograph, signed l.r., dated and numbered 47/50 in pencil, embossed stamp printed by K Kimura image 35.2 x 25.3cm approximately, framed and glazed 'A conservative renegade; a liberal traditionalist...'; this is how Toko was described in a 1983 TIME magazine article and this is borne out in her work, which manages to effortlessly marry the tradition of ancient calligraphy with the abstract of modern art. She held her first exhibition at the age of twenty, and her works can now be seen in numerous permanent collections, such as those in the British Museum, New York’s Museum of Modern Art and the Rijks Museum in Amsterdam, and other leading institutions around the world.
Lot 114
A coloured print “The Heroes of Ladysmith: meeting of Generals Buller and White”, details in margin, lacquered (chipped) frame with gilt inner margin, 26” x 34½”, printed details on back; and “The Relief of Ladysmith” sepia lithograph after original by John Bacon, 1909, wide margins, framed in oak with gilt inner edge, 32” x 42”. GC (2)
Lot 318
Isle of Scilly Interest - Postal & Social History - two large comprehensive post card albums including mainly early 20th century comprising of motor-boat examples,street views, railway tourim cards, real photograph cards of members of the public c.1910; harbour scenes, Atlantic Hotel, daffodil farming, flower houses, flower carts, scarce The Flower Express London Penzance service bus for Great Pester'em Railway showing advertisement on bus and early policemen on their motot cycles and side carts c.1920, sea planes, various R.M.S '' Scillonian '' postcards including one of an over crowded journey and many others; boarding R.M.S Lyonnesse; various; postal marks and envelopes for St. Marys and Scilly Isles including postbox photographs; another album of postcards mainly holding coloured lithograph examples of tourist destinations;various books on The Scilly Isles including The Isles of Scilly, Their Story, Their Folk & Their Flowers, Jessie Mothersol, 1911, The Religious Tract Company, presented to Capt.S. J. Polkinhorn by the Officers, NCO's & boys of the 1st Truro Company B.B., QTY
Lot 341
Postcards - Railway - two albums of mainly early 20th century and some later including original photographs of railway stations, lithograph examples including miniature train, Marine Lake, Glyn Valley Train with operatives and passengers, steam rail cars; locomotives on the rails, destinations,others; (2) 100+
Lot 382
Postcards - York & Railway Interest - early 20th century and later, a comprehensive album of York related postcards including coloured lithograph street scenes, original street scenes, church views,etc; another album comprising of railway stations throughout Great Britain comprising of early 20th century photocards and coloured lithographs including Midland Station,Derby, Oban, Stretford, Skipton, Birmingham,etc (2 large albums)
Lot 185
Cussans (John Edwin). History of Hertfordshire, Containing an Account of the Descents of the Various Manors; Pedigrees of Families Connected with the County; Antiquities, Local Customs..., 3 volumes, 1st edition, Hertford: Stephen Austin, 1870-81, volume one with engraved portrait frontispiece, general title to each volume (without separate titles to hundreds), 22 plates, including chromolithograph and tinted, double-page hand-coloured lithograph map, scattered spotting and slight toning, marbled endpapers with removed label to upper pastedowns, top edges gilt, contemporary gilt decorated green morocco by Sotheran & Co., volume 1 rebacked preserving original spine, volume 3 with upper board & lower joint splitting at foot, lower panel of spines with faint manuscript library classification in white, extremities rubbed and a little worn, folio in 4s (Qty: 3)
Lot 188
Manship (Henry). The History of Great Yarmouth, edited by Charles John Palmer, Great Yarmouth: Louis Alfred Meall and London: J. Russell Smith, 1854, chromolithograph frontispiece, numerous plates (one folding) including some chromolithograph, occasional dampstains, bookplate of Robert Harry Inglis Palgrave to upper pastedown, together with : Palmer (Charles John), The History of Great Yarmouth, Designed as a Continuation of Manship’s History of that Town, Great Yarmouth: Louis Alfred Meall, and London: J. Russell Smith, 1856, albumen print frontispiece, few lithograph plates, initial leaves spotted, bookplate of Robert Harry Inglis Palgrave to upper pastedown, uniform green half morocco, rubbed and some wear, 4to, [Great Yarmouth], Repertory of Deeds and Documents relating to the Borough of Great Yarmouth, in the County of Norfolk, Printed by Order of the Town Council, Great Yarmouth: Louis A Meall, 1855, albumen print frontispiece, book label of T. & H.S. Brightwen to upper pastedown, contemporary half vellum, lacking spine label, slim 4to (limited edition of 100 copies printed), Palmer (Frederick Danby), The Tolhouse Restored, Great Yarmouth: Printed by J. Buckle, 1887, title in red & black, few lithograph plates, original cloth-backed printed boards, toned and slightly rubbed, slim 4to, Ninham (John), Views of the Gates of Norwich, with an Historical Introduction ... contributed to the Transactions of the Norfolk and Norwich Archaeological Society by Robert Fitch, Norwich: Printed by Cundall, Miller & Leavins, 1861, title in red & black, numerous facsimile etched plates, original cloth gilt, slim 4to, and others including The Gates of Norwich, Drawn by J. Kirkpatrick, 1720, and Engraved by H. Ninham, 1864, Norwich & London: Jarrold & Sons, [1864], numerous engraved plates, original boards, spine torn, adhesive tape residue to spine and boards, slim folio and The Norwich School of Painting by William Frederick Dickes, London & Norwich, [1906], numerous monochrome plates, top edge gilt, remainder untrimmed, original cloth gilt, large 4to (limited edition 113/400) (Qty: 12)
Lot 189
Pernot (François Alexandre). Vues Pittoresques de l'Ecosse ... avec un texte explicatif extrait en grande partie des ouvrages de Sir Walter Scott par A. Pichot, Brussels: Aug. Wahlen et A. Deswasme, 1827, half-title, lithograph vignette to title, 59 lithograph plates (of 60) and numerous vignettes, a few with tissue guards, some foxing and browning, Neatham Mill Library embossed stamp to rear free endpaper, original boards, recornered in sheep, soiled and spotted, upper joint cracking, tear across spine, some wear to extremities, 4to (Qty: 1)
Lot 212
Montes de Oca (Rafael). Ensayo Ornitologico de los Troquili de os o Colibries de Mexico, 1st edition, Mexico, Ignacio Escalante, 1875, tinted lithograph portrait of the author (some light spotting and stained to lower portion, with paper restoration to lower outer corner), 12 fine hand-coloured lithographs of hummingbirds by Hesiquio Iriarte after careful watercolour drawings from nature by the author as well as the Mexican landscape painter Josè Marìa Velasco (1840-1912), some light browning throughout, title, 3 colour plates and 5 final leaves of text with some paper restoration to outer edges, modern black crushed full morocco, retaining original green printed upper wrapper (chipped with a little loss to edges and now relined), folio (29.3 x 19.8 cm), contained in modern green cloth drop-over bookbox, with black morocco gilt label to spine (Qty: 1)NOTESFine Bird Books p. 95; Nissen IVB 643; Palau 178890; Wood p. 470. Only three copies in the UK (BM, Cambridge University, and Natural History Museum). Montes de Oca describes 48 species of hummingbird, of which 46 are here illustrated. The author worked as a naturalist for the Mexican Guatemalan Boundary Commission, and his collection of plant specimens now form part of the herbarium at the National Autonomous University of Mexico.The work is dedicated to the Mexican Society of Natural History (founded only 8 years earlier in 1868). Montes de Oca published several important papers in that society's scientific journal Naturaleza. The illustrations clearly owe much to the scientifically precise and highly accurate illustrations published by the famous British ornithologist John Gould (1804-1881) in his remarkable Monograph of the Trochilidae or Family of Humming-Birds, published in 25 parts between 1849 and 1861 (a copy of which was sold in these rooms in November 2019).
Lot 297
* Edwards (Lionel, 1878-1966). The Devon and Somerset Staghounds coming out of The Danesbrook, 1963, colour photo-lithograph, signed by artist in pencil to lower right, blindstamp to lower left, 450 x 620 mm, mounted, framed and glazed, together with The Old Surrey and Burstow, The Warwickshire, The Bicester (2 copies) & The York and Ainsty, circa 1928, together five colour photo-lithographs from the 'Hunting Countries' series, each signed in pencil by artist below image, each approximately 370 x 500 mm, mounted, framed and glazed, with one other untitled hunting print by Edwards, signed in pencil, 275 x 375 mm, mounted, framed and glazed (Qty: 7)
Lot 310
* Payne (Charles Johnson, 'Snaffles'). The Gunner, 'Good Hunting old Sportsman', circa 1916, colour lithograph finished by hand with body colour, two remarques of a bi-plane and a team of guns, snaffle bit blind-stamp, slight toning to backing paper, overall size 430 x 340 mm, framed and glazed (Qty: 1)
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70555 item(s)/page