We found 70553 price guide item(s) matching your search
There are 70553 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
70553 item(s)/page
Lot 230
Laurence Stephen Lowry (1887-1976)Two BrothersOffset lithograph printed in colours, 1972, signed in pencil, from the edition of 850, printed by Max Jaffe, Vienna, published by The Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, on wove paper, with margins, image 605 x 302mm (23 3/4 x 11 7/8in)
Lot 265
Pablo Picasso (1881-1973) after.Chouette dans un Intérieur (Czwiklitzer 69) Lithograph printed in colours, 1949, presumably a proof before letters, signed in dark brown ink, from the edition of unknown size, printed by Mourlot, Paris, on wove paper, with margins, sheet 551 x 560mm (21 5/8 x 22in)
Lot 165
Mel Ramos (1935-2018)Señorita Rio, from One Cent Life (Hilger 40)Lithograph printed in colours, 1963, signed and dated in pencil, from the edition of 100, printed by Mourlot, Paris, published by Korfeld, Berne, on wove paper, with central-fold as published, the full sheet printed to the edges, sheet 410 x 580mm (16 1/8 x 22 7/8in)
Lot 79
David Hockney (b.1937)Grey Art Gallery, New York, 1980 (Baggott 66)Offset lithograph printed in colours, 1980, signed in pencil, published for the exhibition David Hockney at Grey Art Gallery and Study Center, New York from 3 April - 3 May 1980, on wove paper, the full sheet printed to the edges, sheet 705 x 505mm (27 3/4 x 19 7/8in)
Lot 239
Salvador Dalí (1904-1989)Marianne and the Chevalier, from Three Plays by the Marquis de Sade (Field 69-1D; M&L 1232a)Lithograph printed in colours, 1969, signed and in pencil, numbered from the edition of 160, printed by Wolfensberger, Zurich, published by Shorewood, New York, on Arches paper, with full margins, sheet 645 x 496mm (25 3/8 x 19 1/2in)With the Dali Trade authentication and signature in pencil verso (dated 11/13/22)
Lot 262
Joan Miró (1893-1983) Quelques Fleurs Pour Des Amis (Mourlot 340; Cramer 92) Lithograph, 1964, signed in pencil, numbered from the edition of 75, printed by Mourlot, published by XXe Siècle Éditeur, Paris, on Japan nacré, the full sheet printed to the edges, sheet 407 x 324mm (16 x 12 1/2in)
Lot 5
Takashi Murakami (b.1962)Flower (Kaikai Kiki 27)Offset lithograph printed in colours, 2004, signed and dated in black ink, numbered from the edition of 300, published by the artist and Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edges, sheet 683 x 683mm (26 7/8 x 26 7/8in)
Lot 147
Takashi Murakami (b.1962)Purple Flowers in a BouquetOffset lithograph printed in colours, 2010, signed in silver felt-tip pen, numbered from the edition of 300, co-published by the artist and Kaikai Kiki Co., Ltd., Tokyo and New York, on wove paper, the full sheet printed to the edges, diameter 710mm (28in)
Lot 268
Man Ray (1890-1976)Untitled, from Les Six Masques Voyants (see Anselmino 72)Lithograph, 1970, signed in pencil, numbered from the edition of 80, printed by Multirevol, published by Studio Marconi, Milan, with the publisher's blindstamp, on wove paper, with full margins, sheet 705 x 506mm (27 3/4 x 19 7/8in)
Lot 92
Harland Miller (b.1964)Win (Paris Olympic Games 2024) Offset lithograph printed in colours, 2024, from the edition of unknown size, published by King and McGaw, Newhaven, to commemorate the Paris Olympic Games 2024, on Coala wove paper, the full sheet printed to the edges, sheet 800 x 530mm (31 1/2 x 20 7/8in)
Lot 65
Dan Flavin (1933-1996)For Circular Fluorescent Light of One WallLithograph, 1974, signed, titled and dated in pencil, inscribed 'an artist's proof' in pencil, printed by Styria Studio, with their blindstamp, published by Multiples, Inc., New York, on BFK Rives wove paper, with full margins, sheet 555 x 760mm (21 7/8 x 29 7/8in)
Lot 263
Pablo Picasso (1881-1973)Le Picador II, from À los toros avec Picasso (Bloch 1017; Cramer 113)Lithograph printed in colours, 1961, presumably from the book edition, printed by Mourlot, Paris, published by Andre Sauret, Monte-Carlo, on wove paper, with margins, sheet 244 x 308mm (9 1/2 x 12 1/8in)
Lot 235
John Piper (1903-1992)Willington Dovecote, Bedfordshire (Levinson 286)Lithograph printed in colours, 1978, signed in pencil, numbered from the edition of 120, printed by the Curwen Studio, co-published by Christie's Contemporary Art and The National Trust, London, and with the accompanying certificate of authenticity on TH Saunders paper, with full margins, sheet 560 x 760mm (22 x 29 7/8in)
Lot 149
Takashi Murakami (b.1962)We Are the Jocular Clan #4Offset lithograph printed in colours, 2018, signed in black ballpoint pen, numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet 495 x 495mm (19 1/2 x 19 1/2in)
Lot 164
Mel Ramos (1935-2018)Velasquez Version (Hilger 91)Lithograph printed in colours, 1981, signed and inscribed 'A/P', numbered from the edition of 35 artist's proofs, aside from the standard edition of 250, printed by Atelier Dumas, published by Jackie Fine Arts, New York, with the printer's blindstamp, on wove paper, with full margins, sheet 502 x 690mm (19 3/4 x 27 1/8in)
Lot 24
John Bellany (1942-2013)Untitled, from Six Artists: The Royal College of Art Portfolio 1992Offset lithograph printed in colours, 1992, signed, inscribed 'AP IX/X' and dated in pencil, an artist's proof aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, the full sheet printed to near the edges, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Lot 72
Wilde (W. R.). Narrative of a Voyage to Madeira, Teneriffe, and Along the Shores of the Mediterranean, including a visit to Algiers, Egypt, Palestine, Tyre, Rhodes, Telmessus, Cyprus, and Greece...Dublin: William Curry, Jun. and Company, 1840, first edition, two octavo volumes, each with tinted frontis, four plates (including two plans with outline colouring), illustrations within text, ownership insciriptions to title pages, scattered spotting and dust staining, two leaves loose in vol. 2, contemporary blind-stamped cloth gilt, spines sunned, extremeties bumped, ex-library copies;Wilkinson (Sir J. Gardner). Dalmatia and Montenegro: with a Journey to Mostar in Herzegovina, and remarks on Slavonic nations; the history of Dalmatia and Ragusa; the Uscocs; &c. &c.London: John Murray, 1848, first edition, two octavo volumes, vol. 2. lacking half-title, seven tinted lithograph plates (two folding), seven wood engraved plates, two folding charts, folding map, illustrations within text, foxing, particularly to preliminaries and some of the plates, bookplates, contemporary leather gilt, rubbed, marbled boards and edges, top edges dusty, ex-library; Eleven others. (15)
Lot 76
Carne (John).Syria, The Holy Land, Asia Minor, &c. Illustrated. In a series of views drawn from nature by W. H. Bartlett, William Purser, &c.London: Fisher, Son, & Co., 1836-1838, three volumes in one, quarto, 120 plates including three engraved vignette titles, two maps, foxing throughout, particulalry to margins and final few leaves, pencil ownership inscription and library shelfmark to front free endpaper, half calf gilt, rubbed, library bookplate and shelfmark label to front pastedown; Robinson (George). Travels in Palestine and Syria. Paris: printed for the author, London: Henry Colburn, 1837, two octavo volumes, two tinted lithograph frontispieces, eight tinted lithograph plates (one double page), seven folding maps/plans, foxing throughout, particularly to plates, ink ownership inscription to flyleaf of vol.1, library bookplate and pencil shelfmarks to both volumes, quarter calf, shelfmark label on spines, scuff to upper board of vol. 2, together with:Ten others. (13)
![Dresser (Christopher). Studies in Design.London: Cassell, Petter and Galpin, no date [1874-76], folio, lithograph title, sixt](https://cdn.globalauctionplatform.com/9de50aca-4a8b-42cf-aa6c-b1a0010c9102/f7274df4-0c84-4170-8a58-b2270101de57/468x382.jpg)
Lot 17
Dresser (Christopher). Studies in Design.London: Cassell, Petter and Galpin, no date [1874-76], folio, lithograph title, sixty plates, captioned tissue guards, spotting to first few leaves including title, plates generally clean with light spotting to margins and verso of leaves, as well as some finger-soiling to page edges, library shelfmark label and pencil shelfmarks to preliminaries, original cloth gilt, all edges gilt, worn and dusty, upper joint split, many leaves loose.
Lot 78
China.Forbes (Lieut. F. E.). Five Years in China; from 1842 to 1847. With an account of the occupation of the islands of Labuan and Borneo by Her Majesty's Forces. London: Richard Bentley, 1848, colour lithograph frontis (foxed), blind stamped cloth, together with:Marshall (T. W. M.). Christianity in China: A Fragment. London: Longman, Brown, Green, Longmans, & Roberts, 1858, blind stamped cloth, together with:Two others, all ex-library. (4)
Lot 5389
Pian, Antonio de -- Eingang zum Friedhof vor einer gotischen Kirche. Lithographie. 45,1 x 33 cm (Darstellung), 49,5 x 36 cm (Blattgröße). (1820). Schwarz (Die Anfänge der Lithographie in Österreich), 155, 5.2.Der Architektur- und Dekorationsmaler und Lithograph Antonio de Pian erhielt seine künstlerische Ausbildung in Venedig und Wien und zeigt sich in seinem Frühwerk von den Architekturcapriccios Canalettos beeinflusst. 1821 wurde er in der österreichischen Hauptstadt zum Hoftheatermaler ernannt. Das druckgraphische Werk, das insgesamt fünfzehn Lithographien zählt, entstand vorwiegend in den Jahren 1820-21. Ganz im Einklang mit dem herrschenden Zeitgeschmack spielt das Stilprinzip des "Pittoresken" eine eminente Rolle in de Pians Ikonographie und veranschaulicht die romantische Sehnsucht nach vergangenen Epochen. Die mit einer Kombination aus Kreide- und Federlithographie geschaffene Darstellung ist selten und gehört zu einer Folge von fünf Blättern nach eigener Erfindung de Pians, deren Veröffentlichung 1820 in Schorn's Kunst-Blatt (Morgenblatt für gebildete Stände) verzeichnet wurde. Unverkennbar ist der Einfluss der druckgraphischen Arbeiten von de Pians Zeitgenossen Karl Friedrich Schinkel und Karl Blechen. - Ausgezeichneter, gegensatzreicher Druck mit der Signatur und schmalem Rand. Geringfügig fleckig, sonst sehr schön erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 303
Sideshow Weta The Lord of the Rings signed Rivendell Lithograph and Film Strip Collectable, LE 450/1000, signed by Peter Jackson, Richard Taylor, and Alan Lee. With filmstrip cut from a reel donated by Peter Jackson from his personal collection, features a lighting mechanism to allow the filmstrip to be illuminated. includes Certificate of Authenticity. See photo.
Loading...-
70553 item(s)/page