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Lot 1
Walter H Nessler 1912-2001- 'Save For Victory'; gouache, signed, Circa 1944, 23x15cm: Manner of Henry Moore 1898-1986- Figures in an industrial landscape; lithograph printed in black, 30x22cm: Francis H Dodd 1874-1949- 'Sir Muirhead Bone'; drypoint etching, signed in pencil, (3) (part unframed)
Lot 1
After David Hockney RA b.1937- Exhibition poster 'David Hockney, Zeichnungen und Duckgraphik, Staatliche Graphische Sammlung Munchen Meiserstr. 10 Aussetellung 25. Februar- 17. April 1977'; lithograph, 84x59cm: Chris Orr b.1943- 'Arthur's Kitchen'; lithograph, signed, titled numbered 32/100 and dated 1978, bears publisher's blind stamp, 37x52cm: together with an colour aquatint by a different hand, signed indistinctly in pencil and dated 1974, tondo, 24cm., dia., (3)
Lot 1
John Keen b.1924- 'A Town in the Evening'; lithograph printed in colours, signed, titled and numbered 5/50 in pencil, 29.7x37cm: together with one other colour lithograph titled 'The Harbour' by the same hand, signed, titled and numbered 15/50 in pencil, 29.7x37cm. Provenance: with The New Art Centre, London, according to labels attached to the reverse of both frames, (2). Note: An example of this artist's work is held by the British Council.
Lot 1
Barry Evans b.1923- 'Morning in Languedoc'; watercolour, signed and dated 1976, 24.5x36.5cm. Provenance: with Joceyln Feilding Fine Art Limited, exhibited Barry Evans Exhibition May to June 1976, No.36 according to label attached to the reverse: Albany Wiseman 20th century- 'The Phoenician'; lithograph printed in colours, signed, titled and numbered 188/200 in pencil, 69x59cm., (2)
Lot 1
After Henri Matisse 1869-1954- Still life by a window, publ. by Musee Matisse, Nice; colour reproduction, exhibition poster, 79x59cm: Terence Warren late 20th century- 'A Snip in Time'; lithograph in colours, signed, titled numbered 94/100 and dated 79 in pencil: together with three other various framed exhibition posters, (5)
Lot 1
* Kennedy (John Fitzgerald & Jacqueline). Signed colour print presented as a Christmas gift, Christmas 1963,. the colour reproduction print from a lithograph of 'Mill's Clossal Equestrian Statue of General Jackson' with the White House behind, 4.5" x 6" (11.5 x 15 cm), window mounted with signed presentation inscription on mount beneath, 'For Miss Shaw with our deepest appreciation and affection, Jacqueline Kennedy, Christmas 1963' and also signed in blue ballpoint pen by John Kennedy beneath Jacqueline's signature, framed and glazed A very rare 'posthumous' President Kennedy autograph item. It is now known that President John F. Kennedy and his wife Jacqueline co signed fifteen Christmas and fifteen New Year cards before President Kennedy was assassinated in Dallas on 22nd November 1963. See Mary Evans Seeley, op. cit., pp. 96 7. (1)
Lot 1
London. Hollar (Wenceslaus), 'London', pub. Robert Martin, 1832,. uncoloured lithograph copy of Hollar's 1647 engraved view, comprising several sections laid down onto modern stiff paper, fraying to extrems. with loss into image at right hand side and top left corner, approx. 490 x 2310 mm, contained in modern cloth bound folder (1)
Lot 1
After Snaffles "The Grand National - The Canal Turn", signed and inscribed, colour printAfter "Snaffles", Charles Johnson Payne (1884-1967), "The Grand National - The Canal Turn", signed and inscribed in pencil in the margin, with Snaffles' bits blindstamp, with hand coloured remarque, colour lithograph, image size 32 x 63cm.; 12.5 x 24.75in.
Lot 1
Rene Georges Hermann-Paul (1874-1940), herding the bulls and matador, woodcuts (2)Rene Georges Hermann-Paul (1874-1940), 'Herding the bulls' and 'matador' signed and numbered 22/30 and 17/30 in pencil in the margin produced in 1921 from the series Gardians et taureaux woodcuts 18 x 24cm.; 7 x 9.5in (2). * Hermann-Paul was a student at the Academie Julian. He began his career with illustrations in L'Escarmouche Le Courrier Français and Le Cri de Paris. Only after 1890 did he start focusing his attention on black and white and colour lithography with the input of people like Vuillard Bonnard and Toulouse-Lautrec. Much of his work especially his satirical depictions of bourgeois domestic life relates in content and style to that of Vallotton. From his earliest colour lithograph to his later work with the medium and finally his political and social illustrations one can see the development of the artist. In 1895 he concentrated on the design of two monochromatic lithographic series titled La Vie de Monsieur Quelconque and La Vie de Madame Quelconque (The Life of Mr. and Mrs. Anybody). These series were intended as moral critique which remained his métier through the rest of his life. In 1897 he produced his first political cartoons for Le Cri de Paris. This interest made him design such work for anarchist publications until after the end of World War I though he was also active as an illustrator for La Victoire. In this publication he was one of the illustrators trying to keep up the spirits of troops engaged in combat. After 1915 his style became more allusive and barer. Both his woodcuts and his book illustrations after 1915 started reflecting a more crude view on life. In 1931 he executed a series of seven lithographs depicting the Camargue in just a few lines for each design. From Phillip Cate: The Circle of Toulouse-Lautrec and Janine Bailly-Herzberg: Dictionnaire de l'Estampe en France 1830-1950.
Lot 1
Frederick Hollyer 1837-1933- Study for the 'Masque of Cupid'- Disiderium, after Sir Edward Coley Burne-Jones BT ARA; platinotype, 21x19cm: European school circa 1900- Portrait of a gentleman seated full-length; lithograph, bears stamped monogram on the reverse, 32x20cm: Paul Drury, American 1903-1987- Portrait of a young woman, head and shoulders turned to the left; etching, signed in pencil and inscribed '3rd state, final proof', 16x12cm., (3), (unframed) Note:This platinotype is the only record of the drawing before the right side was cut off, presumably by a member of the artist's family, before it was gifted to the Tate Gallery by the artist son in 1910., source: Victorian etching, p.18, Maas Gallery 1999
Lot 1
Christopher Richard Wynne Nevinson A.R.A. 1889-1946 reliefs at dawn signed and dated 1918 in pencil lithograph 30.5x38cm.; 12x15in. This work is from an unknown edition. Another example of this rare print sold in these rooms on 19th April 1990 lot 239. Literature Exhibition Catalogue The Leicester Galleries Ernest Brown & Phillips Ltd Nash and Nevinson in War and Peace The Graphic Work 1914-1920 1977 no. 30 (illustration of another example)
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70555 item(s)/page