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Lot 553
Antiquarian Books - Education and Teaching in Early-Mid 20th Century Greater London - R. Harold Morris, a master at Upper Hornsey Road L.C.C. Senior Boys' School and later deputy headmaster of Archway County Secondary School for Boys, Hornsey Rise, comprising the Programmes and Guides of the Second, Third and Fourth Annual Upper Hornsey Road School Journeys, Isle of Wight (Ryde) June & July 1929 & 1930, then Hastings July 1931, each account lithograph-printed and illustrated with b/w and sepia snapshots of the schoolboys and their masters, activities, and British topography, original cloth, 8vo, (3); Binding, The Archway County Secondary School Boys, Presented to R. H. Morris, Deputy Headmaster on his Retirement, Dec. 1956, the 'book bound in leather by Mr. K. Kenmare (of the Archway staff), and bearing the school badge and title. The book contained copies of the school magazine and the signatures of all the boys and staff of the school’, taken from a clipping of the Hornsey Journal (4.1.57) tipped-in the presentation volume with some further ephemera, inscribed in manuscript ink throughout, contemporary citron morocco, the covers blocked in gilt with the school arms, gilt-lettered onlays, blue-stained edges, 8vo, (1), [4]
Lot 213
PHOTOGRAPHY: Victorian Colour Lithograph decorated Photograph Album with over 60 photos, Full leather & clasps; VG; Plus a smaller one; The Kensington scrapbook, with photographs of building & interior, some by Herbert Felton, Bloomsbury Mansions & some of furniture by Lawrence Champeau, 30 East 57th. Street, New York. Some 60 photos in all, mostly pasted in; Photograph Album of: Girls Nautical Cup (Wisbech) visit to Holland; Sweeting, W: Notes on history & architecture of Peterborough cathedral. Peterborough (1868), With six actual photographs. (5)Provenance: The Peter and Pat Crofts Collection
Lot 246
WRIGHT, John: The Fruit Grower’s guide, in six divisions/volumes. Virtue, no date, c1860. With ONLY 41 colour lithograph plates Plus 4 extra illustrated title pages with colour lithographs. Original cloth with embossed decoration and all edges gilt. Covers a little rubbed (6) Provenance: The Peter and Pat Crofts Collection.
Lot 301
CHRISTMAS CARDS: 3 small albums of Christmas cards, Almanacs, etc. Including a pop-up colour lithograph Christmas card; a Bognar colour card with a concertina of views; colour lithographic card with a rotating head, Raphael Tuck, 1905: “Uncle Tom so black and bonny, turns when greeting thee honey"; Rimmel’s Almanac for 1887 & Rimmel’s comical pocket book Almanack for 1882; Etc.Provenance: The Peter and Pat Crofts CollectionCondition ReportThere are approximately 64 in total of which less than 10 are Christmas cards, none of which have been stuck down. General condition good, commensurate with age.
Lot 33
SIGNED LIMITED EDN. LITHOGRAPHS: 1- Gordon Grant (1875 - 1962): The Upper Bay- New York. NY, Associated American artists; 2- OTTO WACKERNAGEL (1885-1969): Fighting Moose. NY, Associated American artists. Both rolled. (2)Provenance: The Peter and Pat Crofts CollectionCondition ReportThe date of the grant lithograph is first half of the 20th century, we cannot be more accurate.
Lot 744
Ten prints to include: After William Woodhouse, 'Feeding Cattle', lithograph, 52 x 34 cm; Darton's Children's Pictures: Elephant, Pointers and Cattle, 35 x 25 cm; 'Lord Nelson' lithograph in colours, 18 x 26 cm; J. Rogers, 'Death of Lord Nelson', print on paper, 17 x 22 cm; Edward Finden, 'Darlington, Durham', engraving, 16 x 11 cm; 'Dutch Rabbits, Old and New Styles', print in colours, 19 x 15 cm; 'The Nightflyers', lithograph in colours, 18 x 27 cm; H M Bateman, 'The Drive', 17 x 11 cm, all framed and glazed (10)
Lot 749
Five framed prints to include: John Knapp Fisher - 'Aberfiddy Evening', signed and numbered 379/1000 in pencil below, 61 x 19 cm; Helen Bradley, lithograph on paper, signed in pencil below and blindstamped, 39 x 30 cm; Webb - giclee on paper, signed and numbered 096/200 in pencil below, 23 x 34 cm; K. W. Burton - 'Arlington Row, Bibury, Gloucestershire', numbered, signed and titled in pencil below 26 x 37 cm; Kathy Lewis - Gloucester Cathedral, signed, titled and numbered 11/200 in pencil below, 25 x 35 cm, all framed and glazed
Lot 761
Eight framed works to include: Frederick Tatham (1805-1878) 'Almost certainly a portrait of Charles Wyatt Estcourt' 1851, indistinctly signed and dated bottom left, with annotations on provenance verso., 37 x 47 cm; Thomas Grimston Bucknall Estcourt, by George Zobel, printed by Thomas Brooker, after Henry William Pickersgill, 54 x 68 cm; two engravings of James Bucknall Estcourt, by Francis Holl, after George Richmond, 46 x 33 cm and 50 x 65 cm; watercolour on paper of manor house gardens, unsigned, dated 1868, 27 x 37.5 cm; and Lionel Edwards (1878-1966), lithograph print of fox-hunters, pencil signed, 52 x 35 cm; David Shepherd O.B.E., 'Last Leaves of Autumn', signed and numbered 740/850 in pencil below, 54 x 35 cm; together with Rosalind Oesterle, 'Floral 2', signed in print, 38 x 29 cm, all framed and glazed (8)
Lot 767
Eight hunting themed works to include: Gillan Harris - 'Foxed', limited edition lithograph (119/850), signed in pencil lower right, annotations verso, 55 x 43 cm, framed and glazed; C. May - Huntsmen and hounds, oil on canvas; Harry Warner - horse leaping, acrylic on paper; 'Dyffryn House - Mountain Ash', print numbered 373/500 and signed in pencil below; Patrick A. Oxenham - Foxes, limited edition lithograph on paper, signed and numbered 6/500 in pencil below; Roger Hunt - 'Llangibby Hunt' print on paper; 52 x 78 cm; After Basil James Nightingale - huntsman thrown from horse, lithograph on paper, and 'Hunting Made Easy' lithograph on paper (8)
Lot 1334
° ° European Travel - Baxter, William Henry - Impressions of Central and Southern Europe, 8vo, calf, ink presentation inscription to front fly leaf, early and final leaves spotted, Longman, Brown, Green and Longmans, London, 1850; Curzon, Robert - Armenia, 3rd edition, 8vo, half calf, with engraved frontis, map and four plates, John Murray, London, 1854 and Moor, Henry - Visit to Russia in the Autumn of 1862, 8vo, original red cloth, with 8 lithograph illustrations, 32 page catalogue at end, ink presentation inscription to front inner board and ownership inscription to title, Chapman and Hall, London, 1863 (3)
Lot 141
‡ PAUL PETER PIECH (American-British, 1920-1996) three colour lithograph - anti-war poster with quote from Christian peace activists Jean and Hidegard Goss-Mayr, signed and dated 1987, 76 x 51cms Provenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty International
Lot 142
‡ PAUL PETER PIECH (American-British, 1920-1996) three colour lithograph - stark image of figure with neck in noose and Christian cross suspended, with words from Australian Aboriginal Jack Davis' poem 'Aboriginal Australia', signed and dated 1988, 51 x 75cms Provenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty International
Lot 152
‡ PAUL PETER PIECH (American-British, 1920-1996) two colour lithograph - anti-war image with quote from Herman Melville's 'Moby Dick', 'There is no folly of the beasts of the earth which is not infinitely outdone by the madness of men', signed and dated 1988, 44.5 x 64cms Provenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty International
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70555 item(s)/page