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Lot 184

Andy Warhol (American 1928-1987), 'Ace Gallery, The American Indian Series', 1977, exhibition poster, offset lithograph in colours on paper, signed by Andy Warhol and Russel Means recto; sheet: 126 x 87cm (Framed)

Lot 21

Damien Hirst (British 1965-), Postcard from.... Damien Hirst , Nuchleohistone , 2008-2011', 2012, offset lithograph in colours on glossy wove paper, from an edition of 500, published by Fondazione Pastificio Cerere and Gagosian Gallery, bearing label verso; sheet: 69 x 96cm ARR

Lot 237

Roy Lichtenstein (American 1923-1997), 'Next Wave Festival', 1983, offset lithograph in colours on paper, show poster, signed in black in; sheet: 91.5 x 61cm (Framed)

Lot 243

Banksy (British 1974-), ‘Monkey Parliament', 2009, offset lithograph in colours on smooth wove paper; sheet: 53 x 84cm (Framed) ARR

Lot 26

David Hockney (British 1937-), 'Little Boodge ', 1993, offset lithograph on wove paper, signed in black pen, published by Salts Mill; sheet: 28 x 42cm (Framed) ARR

Lot 28

David Shrigley (British 1968-), 'Vibes', 2018, offset lithograph wrapping paper, signed in pen, from an un-numbered edition of 250; sheet: 70 x 50cm ARR

Lot 300

Stik (British 1979-) ‘Standing Figure (Book) (Red, Blue, Yellow, Orange, Teal & Grey)’, 2015, a complete set of 6 offset lithograph in colours on wove paper, all signed in black marker; sheet: 73 x 24cm each (6) ARR

Lot 36

Ella Kruglyanskaya (Latvian b.1978), 'Fruit Picnic', 2016, offset lithograph in colours on 118gsm Mohawk Superfine Ultra-white Eggshell paper, signed and numbered from an edition of 100 in pencil; sheet: 70 x 50cm ARR

Lot 41

Harland Miller (British 1964-), 'York So Good They Named It Once', 2020, offset lithograph in colours on paper, York Art Gallery exhibition poster; sheet: 84 x 55.5cm ARR

Lot 43

Jasper Johns (American 1930-), 'False Start 1', 1962, offset lithograph on BFK Rives paper, unsigned facsimile copy, published by ULAE, bearing publishing details to the sheet verso; sheet: 57.5 x 44.5cm

Lot 48

John Stezaker (British 1949-), 'Father Sky', 2018, four colour photo-lithograph on 300gsm Somerset Satin paper, signed, dated and numbered from an edition of 100 in pencil verso; sheet: 51 x 40.5cm ARR

Lot 49

Jonas Wood (American b.1977), ‘Large Shelf Still Life Poster’, 2017, offset lithograph in colours on wove paper; published by Voorlinden Museum; sheet: 59.5 x 59.5cm

Lot 75

Salvador Dali (Spanish 1904-1989), 'Ship And Fruits', 1986, lithograph in colours on Arches, numbered from an edition of 2500 verso, published by SPADEM; sheet: 76.5 x 51.3cm (Framed) ARR

Lot 8

Christopher Wool (After), 'The Show Is Over’, show poster, offset lithograph on paper; sheet: 119 x 79.5cm

Lot 85

Yoshitomo Nara (Japanese b.1959), 'Marching On A Butterbur Leaf', 2019, offset lithograph in colours on archival paper, from an edition of 1000, published by Dallas Contemporary; sheet: 61 x 45.5cm

Lot 9

Christopher Wool (After), 'The Show Is Over’,show poster, offset lithograph in colours on paper, show poster; sheet: 142 x 94cm

Lot 90

Banksy (British 1974-), ' 'Visit Historic Palestine', 2018, offset lithograph in colours on paper; sheet: 70 x 50cm ARR

Lot 91

Banksy (British 1974-), ‘Forgive Us Our Trespassing’, 2010, offset lithograph in colours, two sided promotional poster for the 2010 documentary Exit Through The Gift Shop; sheet: 59.5 x 42cm ARR

Lot 92

Banksy (British 1974-), ‘Save Or Delete’, 2002, offset lithograph in colours on recycled paper; sheet: 42 x 59.5cm ARR

Lot 97

Banksy (British 1974-), 'Walled Off Hotel Box Set', 2017, mixed media, lithograph in colours on paper with a chunk of concrete; 25.5 x 25.5cm inc frame ARR

Lot 99

Banksy (British 1974-), ‘Di-Faced Tenner’, 2004, offset lithograph in colours on paper, framed leaving both side of the sheet visible; sheet: 7.6 x 14.3cm (Framed) ARR

Lot 11

JOAN MIRO - a 3 page original colour lithograph, for the Art Review, published by XXe Siecle, Paris 1962, 31cm x 69cm, unframed Good original condition, corners are lightly bent and folds in pages are extremely lightly worn, untouched with no damage, unframed.

Lot 15

BRIAN HARLAND REES (Born 1930), Mid-Century original colour lithograph, Jazz Band, circa 1960s, unsigned, image 38cm x 26cm, framed Good overall condition, bottom-left and top-right hand corners have both been lightly folded at some point but now flattened and stuck onto mount, no major damage, paper just very lightly abraded along edges, in modern glazed frame.

Lot 31

MARC CHAGALL - original colour lithograph, David Saved by Michal from The Bible, published by Verve 1960, 35cm x 26cm, unframed Very good original condition, no tears, holes or restoration, one long edge of the paper is very slightly worn.

Lot 32

MARC CHAGALL - original colour lithograph, Naomi and her Daughters-in-Law, published by Verve 1960, 35cm x 26cm, unframed Very good original condition, no tears, holes or restoration, one long edge has a couple of very minor abrasions.

Lot 33

MARC CHAGALL - original colour lithograph, Job Praying, published by Verve 1960, 35cm x 26cm, unframed Very good original condition, no tears, holes or restoration, one long edge has a few very minor abrasions.

Lot 518

19TH C SCHOOL, PORTRAIT OF OSKAR II KING OF SWEDEN, LITHOGRAPH, 49 X 36CM, IN REPRODUCTION 'TRAMP ART' FRAME

Lot 126

Daiya Tin Lithograph Mechanical Turn Over Stunt Car 1960's Made In Japan By Daiya For The US And European Market This Mainly Tinplate Clockwork Model Has A Gloss Red Lithograph-Printed Body Which Includes Racing Numbers, The Driver Through The Windows And Headlights. With Shiny Tin Bumpers And Black Rubber Tyres. The Car Measures About 7 Inches In Length. The Key Is Inserted In A Hole On The Rear Left Side. On The Base, A Metal Strip Flips Out, Causing The Car To Turn Over

Lot 128

LemezHungary Tin Toy Race Car Torpeauto 1980Vintage Old Torpeauto Tin Lithograph Wind Up Toy Car In Original Box

Lot 131

Bandai (Japan) Sight Seeing Bus # 4133 Tin Friction Lithograph Model

Lot 132

Alps (Japan) Tin Lithograph Musical Merry Go Round Key Present windup by Alps is everything you would expect in a mid-century Japanese windup litho. The toy has bright colors, added bonuses like balloons, exacting detail, then nice undulating movement as the gondolas rotate.

Lot 137

Mattel Monkey Ola Tin Lithograph 1953 Monkeyola Windup Music Box

Lot 138

Wells Brimtoy Mr Porter And His Truck Tin Lithograph Toy 30cm 12 Long, 5 1/2 Tall, and 4 Wide#660 Mr Porter and His Truck, circa 1950s tinplate Mechanical Railway Porters Trolley. Flat Truck with British Rail Porter driver, with working clockwork motorExcellent, 30cm long which still retains a Fair illustrated box

Lot 585

Karl Bub (KBN) Clockwork 0-Gauge Locomotive Vintage Large Passenger Train Set Tin Lithograph Large Heavy Duty 0-4-0 Karl Bub (Kbn) Clockwork Locomotive With 6-Wheeled Tender, Nicely Detailed Passenger Coaches And A Baggage Car With Sliding Door, Circa Late 1920s Early 1930s.

Lot 63

Gescha (German) #750 Imperator Vintage Rare Battery Operated 1950's Tin Battery Operated Tractor With Transparent Engine Germany Tin Lithograph Battery Operated Tractor In Very Good Condition With Great Transparent Acrylic Engine Case With Nice Colourful Original Box

Lot 85

Lincoln Intl Tin Lithograph Spitfire 1960's Friction England Vintage With Original Box The Supermarine Spitfire's good looks, power, and agility ensured it would remain famous long after its World War II victories. A wide variety of toys and display models has been produced over the years, continuing to the present, including some that were made from lithographed tinplate.

Lot 94

China Toys Mf 779 Tin Lithograph Friction Tank no box

Lot 215

Cordelois. Leçons d'Armes ... Du duel et de l'assaut. Théorie complète sur l'art de l'escrime, 2nd edition, Paris: Librairie Militaire de J. Dumaine, 1872, author's signature of authority to verso of title, engraved portrait of author and 28 plates of fencing positions, ink mark to upper margin of title and few other initial leaves, title also with rubbed through ink stamp & price with consequent paper thinning, occasional short closed tears to margins, 20th century brown half sheep, large 8vo, together with: Bazancourt (César Lecat baron de) , Les Secrets de l'épée, Paris: Amyot, 1862, half-title, original printed wrapper bound-in at front, both with ink stamp, light scattered spotting, bookplate of Bibliotheque du Chateau de Salency M. Albert de Devise to upper pastedown, near contemporary sheep backed marbled boards, maroon roan title label to spine, extremities rubbed, 8vo, Prevost (Camille) , Théorie Pratique de l'Escrime ... Avec préface et notice par Ernest Legouvé, et la biographie de Prévost père par Adolphe Tavernier, Paris: M. de Brunhoff, 1886, half-title, tite in red & black, photogravure plates and vignettes, top edge gilt, modern dark blue buckram, black morocco title label to spine, 8vo, Bazancourt (César Lecat baron de) , Secrets of the Sword, Translated from the original French of Baron de Bazancourt by C.F.Clay, London: George Bell & Sons, 1900, monochrome illustrations, modern brown half sheep, 8vo, Grisier (Augustin). Les Armes et le Duel ... Ouvrage agréé par S.M. l'empereur de Russie. Préface anecdotique par Alexandre Dumas. Notice sur l'auteur par Roger de Beauvoir. Dessins par E. de Beaumont, 1st edition, Paris: Garnier Freres, 1847, half-title, engraved portrait and 10 lithograph plates, some scattered spotting, contemporary morocco-backed marbled boards, gilt decorated spine, board corners worn and showing, 8vo (Qty: 5)NOTESProvenance: The Leon Paul Library of Fencing. Thimm p.66, p.26 & p.231 (first three titles respectively) and Grisier - Thimm p.122; Gelli p.372. Augustin Grisier (1791-1865) was a highly regarded fencing master who established a school of swordsmanship in Paris. He taught sabre fencing, with pupils including the son of the Russian Tsar in St. Petersburg. He was a friend and acquaintance of Alexander Dumas.

Lot 250

Roland (George). A Treatise on the Theory and Practice of the Art of Fencing ... and Continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements, 1st edition , Edinburgh: Archd. Constable & Co., 1823, half-title, 12 lithograph plates with some offsetting from text, extensive manuscript notes in pencil throughout and to three plates and also blank flyleaves at front & rear, light toning, occasional spotting, slight dampstaining at rear, edges untrimmed, hinges repaired, original boards, reback cloth spine with printed paper title label, boards marked and slightly worn to edges, 8vo, together with: Ibid. , An Introductory Course of Fencing, 2nd edition, Edinburgh: Published by the Author, [1830?], 5 lithograph plates, light toning and scattered spotting, bookplate to upper pastedown, scuffing to endpapers, original cloth gilt, rebacked, slim 8vo (Qty: 2)NOTESProvenance: The Leon Paul Library of Fencing. Thimm p.243; Pardoel 2217. The first edition of this treatise by George Roland (fl.1809-1862), fencing master at the Royal Academy of Edinburgh and son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. A reissue, printed from the same setting of type, was published in 1824.

Lot 251

Roland (George). A Treatise on the Theory and Practice of the Art of Fencing ... and Continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements, [2nd edition] , London: William Sams & Edinburgh: Archibald Constable & Co., 1824, 12 lithograph plates, lacking half-title, title loose, occasional spotting, original cloth, spine worn with loss, joints cracked, 8vo, together with: Ibid. , An Introductory Course of Fencing, Edinburgh: Published by the Author, 1837, 5 lithograph plates, title & front free endpaper detached, some light dampstaining and spotting, original printed stiff wrappers (browned and stained), lacking spine, covers detached, worn, slim 8vo, with loosely inserted 4 page advertisement 'Fencing and Single-Stick. Terms of Mr. Roland, (Late of the Royal Military Academy, Woolwich) One Guinea for Six Lessons of Fencing', small 8vo (Qty: 3)NOTESProvenance: The Leon Paul Library of Fencing. Thimm p.243. George Roland (fl.1809-1862), fencing master at the Royal Academy of Edinburgh was the son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. The first edition of the A Treatise on the Theory and Practice of the Art of Fencing was published in 1823 (Refer Thimm p.243; Pardoel 2217).

Lot 313

Keats (John). Lines supposed to have been addressed to Fanny Brawne (La Cabellera, Coleccion de Poesia, Volumen V), Buenos Ayres, Armando Tocarello for Francisco A. Colombo, 1958, 6 leaves including front and rear blank, text of the poem printed in English and Spanish, original lithograph frontispiece and vignette to colophon by the artist Raul Veroni, original printed wrappers with glassine overwrapper, slim 8vo, VG (Qty: 1)NOTESLimited edition of 75 copies, this being one of 10 copies printed on japan paper.

Lot 389

* Cook (Beryl (1926-2008). My Fur Coat, the Lady Flasher, circa 1988, colour lithograph, limited edition 87/200, signed by artist in pencil to lower right, 570 x 560, mounted, framed and glazed (Qty: 1)NOTESOne of the scarcer Cook prints in fine bright condition.

Lot 452

Marx (Enid). Nelson the Kite of the Navy, London: Chatto & Windus, [1942], 16 full page lithograph illustrations in blue and black, small ink inscription 'k/b' above price on front flap, original pictorial wrapper stapled to spine (slight rust show-through), 4to, signed to title by the author, together with: Moss (Graham). Bookplates of Enid Marx, Incline Press, 1997, 10 tipped-in illustrations, original wrappers, 8vo, limited signed edition 82/150 (Qty: 2)

Lot 73

* Gould (John, 1804-1881). Calyptorhynchus Leachii (Leach's Cockatoo) [from Birds of Australia], 1848, fine hand-coloured lithograph by J. Gould and H.C. Richter on wove paper, printed by Hullmandel and Walton, heightened with gum arabic, light toning to sheet edges, and a few very short closed tears, lower right corner minimally shaved (generally in very good condition), sheet size 56 x 38.5 cm (22 x 15.1 ins) (Qty: 1)

Lot 74

* Lear (Edward, 1812-1888). Ramphastos Toco (Toco Toucan), [from A Monograph of the Ramphastidae: or Family of Toucans, by John Gould], 1834, fine hand-coloured lithograph on wove paper, printed by Hullmandel, heightened with gum arabic, minimal toning to sheet edges, extreme outer corners very slightly rounded off (generally in very good condition), sheet size 56 x 38.5 cm (22 x 15.1 ins) (Qty: 1)NOTESOne of the most attractive works from Gould's first monograph of a bird family, and one of his 'most lovely works' (Sitwell & Buchanan, Fine Bird Books).

Lot 75

* Gould (John). Selenidera Piperivora (Guyana Toucanet), [from A Monograph of the Ramphastidae, or Family of Toucans, 1834], fine hand-coloured lithograph on wove paper, by H.C. Richter after John Gould, printed by Hullmandel & Walton, heightened with gum arabic, pale toning to extreme sheet edges, generally in very good condition, sheet size 56 x 38 cm (22 x 15 ins) (Qty: 1)NOTESNissen 378; Zimmer, I, 256; Anker 170; Sitwell & Buchanan, Fine Bird Books, 77.

Lot 76

* Lear (Edward, 1812-1888). Ramphastos Vitellinus ( Sulphur-and-white-breasted Toucan), from A Monograph of the Ramphastidae, or Family of Toucans, 1834, fine hand-coloured lithograph on wove paper, by Elizabeth Gould after John Gould, printed by Hullmandel, heightened with gum arabic, generally in very good condition, sheet size 55.5 x 38 cm (21.8 x 15 ins) (Qty: 1)NOTESNissen 378; Zimmer, I, 256; Anker 170; Sitwell & Buchanan, Fine Bird Books, 77.

Lot 77

* Lear (Edward, 1812-1888). Lanner Falcon (Falco lanarius), from The Birds of Europe, by John Gould, 1832-37, fine hand-coloured lithograph, on wove paper, printed by Hullmandel, heightened with gum arabic, original stitching marks to extreme edge of right margin, generally in very good condition, sheet size 54 x 36 cm (21.25 x 14.1 ins) (Qty: 1)

Lot 78

* Gould (John). Lepidogrammus Cumingi (Scale-Feathered Cuckoo), from The Birds of Asia, 1850-83, fine hand-coloured lithograph on wove paper, by W. Hart after John Gould, printed by Walter, heightened with gum arabic, sheet size 56 x 38.5 cm (22 x 15.1 ins) (Qty: 1)

Lot 79

* Gould (John, 1804-1881). Otus Bengalensis (Bengal Owl), from A Century of Birds from the Himalaya Mountains, 1831, fine hand-coloured lithograph on wove paper, by Elizabeth Gould, printed by Hullmandel, heightened with gum arabic, in very good condition, sheet size 53.5 x 36.25 cm (21 x 14.25 ins) (Qty: 1)

Lot 80

* Gould (John, 1804-1881). Aula Coramphus Wagleri ( Wagler's Groove-Bill), from A Monograph of the Ramphastidae, or Family of Toucans, by John Gould, 1852-55, fine hand-coloured lithograph by H.C. Richter after John Gould, printed by Hullmandel and Walton, heightened with gum arabic, generally in very good condition (Qty: 1)

Lot 83

* Gould (John, 1804-1881). Pteroglossus Poecilosternus, from A Monograph of the Ramphastidae, or Family of Toucans, by John Gould, 1833-34 [or the 2nd edition of 1852-54], fine hand-coloured lithograph by H.C. Richter after John Gould, printed by Hullmandel and Walton, heightened with gum arabic, minor light toning to extreme edges of the sheet (generally in very good condition), sheet size 56 x 38 (22 x 15 ins) (Qty: 1)

Lot 84

* Lear (Edward, 1812-1888). Kite ( Milvus vulgaris ), from The Birds of Europe, by John Gould, [1832-37], fine hand-coloured lithograph on wove paper, printed by Hullmandel, heightened with gum arabic, some light toning to sheet edges, a few very short closed tears, and extreme outer corners bumped, generally in very good condition, sheet size 55.5 x 38 cm (21.8 x 15 ins) (Qty: 1)

Lot 85

* Lear (Edward, 1812-1888). Pteroglossus Prasinus (Golden-Green Aracari), from A Monograph of the Ramphastidae, or Family of Toucans, by John Gould, 1834, fine hand-coloured lithograph on wove paper, printed by Hullmandel, heightened with gum arabic, very light toning to extreme sheet edges, sheet size 55.5 x 38 cm (21.8 x 15 ins) (Qty: 1)

Lot 86

* Gould (J & Richter H. C.). Nyctale Tengmalmi , (Tengmalm's Owl), originally published in 'The Birds of Great Britain'. [1862-73], lithograph with contemporary hand colouring, 465 x 300 mm, mounted, framed and glazed (Qty: 1)

Lot 130

* Maps and prints. A collection of six engraved maps and prints, mostly 19th century, including Brion de la Tour (Louis). L'Angleterre divisée en 5 grandes parties subdivisées en 52 Comtés..., Paris, 1766, hand coloured engraved map with an elaborate floriate border, slight dust soiling, 265 x 310 mm, mounted, framed and glazed, together with Ramble (Reuben). Middlesex [and] Lancashire [1845], two hand coloured engraved maps with the margins decorated with coloured lithographic topographical vignettes, each approximately 205 x 160 mm, uniformly mounted, framed and glazed, with Knight (C. & Merke H.). Outside a Cottage in Buckinghamshire, published Edward Orme,1807, aquatint with contemporary hand colouring, 245 x 320 mm, mounted, framed and glazed plus De Loutherbourg (P.). Peaks Hole Derbyshire, R. Bowyer, 1805, aquatint with contemporary hand colouring, 270 x 325 mm, mounted, framed and glazed, and Pratt (Henry). To the Revd. J. H. Gwyther A. M. Vicar. This print of Madeley Vicarage, Church and School is most respectfully dedicated..., Henry Pratt, Madeley, 1848, lithograph with contemporary hand colouring, trimmed to image with 'dropped mount' to show title, image size 260 x 375 mm, mounted, framed and glazed (Qty: 6)

Lot 567

Local Interest. A framed limited edition 31/225 lithograph 'Low Tide at Dusk' (Leigh on Sea) pencil signed artist George Munton, framed size 62 x 53cm.

Lot 619

Aoldua (Inuit) - 'Colourful bird and fish',  numbered lithograph 26/50, Dorset 1981, signed in pencil and with monograph, 71.5 x 55 cm

Lot 272

19th Century coloured architectural lithograph, 'Turkish No. 3', 32cm x 20cm, gilt frame and glazed

Lot 177

*Edward Bawden (1903-1989) 'Dunkirk' Colour lithograph, signed and titled in pencil image 36.5 x 58cm *Artist's Resale Right may apply to this lot.

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