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BRIAN HARLAND REES (Born 1930), Mid-Century original colour lithograph, Jazz Band, circa 1960s, unsigned, image 38cm x 26cm, framed Good overall condition, bottom-left and top-right hand corners have both been lightly folded at some point but now flattened and stuck onto mount, no major damage, paper just very lightly abraded along edges, in modern glazed frame.
Daiya Tin Lithograph Mechanical Turn Over Stunt Car 1960's Made In Japan By Daiya For The US And European Market This Mainly Tinplate Clockwork Model Has A Gloss Red Lithograph-Printed Body Which Includes Racing Numbers, The Driver Through The Windows And Headlights. With Shiny Tin Bumpers And Black Rubber Tyres. The Car Measures About 7 Inches In Length. The Key Is Inserted In A Hole On The Rear Left Side. On The Base, A Metal Strip Flips Out, Causing The Car To Turn Over
Wells Brimtoy Mr Porter And His Truck Tin Lithograph Toy 30cm 12 Long, 5 1/2 Tall, and 4 Wide#660 Mr Porter and His Truck, circa 1950s tinplate Mechanical Railway Porters Trolley. Flat Truck with British Rail Porter driver, with working clockwork motorExcellent, 30cm long which still retains a Fair illustrated box
Lincoln Intl Tin Lithograph Spitfire 1960's Friction England Vintage With Original Box The Supermarine Spitfire's good looks, power, and agility ensured it would remain famous long after its World War II victories. A wide variety of toys and display models has been produced over the years, continuing to the present, including some that were made from lithographed tinplate.
Cordelois. Leçons d'Armes ... Du duel et de l'assaut. Théorie complète sur l'art de l'escrime, 2nd edition, Paris: Librairie Militaire de J. Dumaine, 1872, author's signature of authority to verso of title, engraved portrait of author and 28 plates of fencing positions, ink mark to upper margin of title and few other initial leaves, title also with rubbed through ink stamp & price with consequent paper thinning, occasional short closed tears to margins, 20th century brown half sheep, large 8vo, together with: Bazancourt (César Lecat baron de) , Les Secrets de l'épée, Paris: Amyot, 1862, half-title, original printed wrapper bound-in at front, both with ink stamp, light scattered spotting, bookplate of Bibliotheque du Chateau de Salency M. Albert de Devise to upper pastedown, near contemporary sheep backed marbled boards, maroon roan title label to spine, extremities rubbed, 8vo, Prevost (Camille) , Théorie Pratique de l'Escrime ... Avec préface et notice par Ernest Legouvé, et la biographie de Prévost père par Adolphe Tavernier, Paris: M. de Brunhoff, 1886, half-title, tite in red & black, photogravure plates and vignettes, top edge gilt, modern dark blue buckram, black morocco title label to spine, 8vo, Bazancourt (César Lecat baron de) , Secrets of the Sword, Translated from the original French of Baron de Bazancourt by C.F.Clay, London: George Bell & Sons, 1900, monochrome illustrations, modern brown half sheep, 8vo, Grisier (Augustin). Les Armes et le Duel ... Ouvrage agréé par S.M. l'empereur de Russie. Préface anecdotique par Alexandre Dumas. Notice sur l'auteur par Roger de Beauvoir. Dessins par E. de Beaumont, 1st edition, Paris: Garnier Freres, 1847, half-title, engraved portrait and 10 lithograph plates, some scattered spotting, contemporary morocco-backed marbled boards, gilt decorated spine, board corners worn and showing, 8vo (Qty: 5)NOTESProvenance: The Leon Paul Library of Fencing. Thimm p.66, p.26 & p.231 (first three titles respectively) and Grisier - Thimm p.122; Gelli p.372. Augustin Grisier (1791-1865) was a highly regarded fencing master who established a school of swordsmanship in Paris. He taught sabre fencing, with pupils including the son of the Russian Tsar in St. Petersburg. He was a friend and acquaintance of Alexander Dumas.
Roland (George). A Treatise on the Theory and Practice of the Art of Fencing ... and Continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements, 1st edition , Edinburgh: Archd. Constable & Co., 1823, half-title, 12 lithograph plates with some offsetting from text, extensive manuscript notes in pencil throughout and to three plates and also blank flyleaves at front & rear, light toning, occasional spotting, slight dampstaining at rear, edges untrimmed, hinges repaired, original boards, reback cloth spine with printed paper title label, boards marked and slightly worn to edges, 8vo, together with: Ibid. , An Introductory Course of Fencing, 2nd edition, Edinburgh: Published by the Author, [1830?], 5 lithograph plates, light toning and scattered spotting, bookplate to upper pastedown, scuffing to endpapers, original cloth gilt, rebacked, slim 8vo (Qty: 2)NOTESProvenance: The Leon Paul Library of Fencing. Thimm p.243; Pardoel 2217. The first edition of this treatise by George Roland (fl.1809-1862), fencing master at the Royal Academy of Edinburgh and son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. A reissue, printed from the same setting of type, was published in 1824.
Roland (George). A Treatise on the Theory and Practice of the Art of Fencing ... and Continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements, [2nd edition] , London: William Sams & Edinburgh: Archibald Constable & Co., 1824, 12 lithograph plates, lacking half-title, title loose, occasional spotting, original cloth, spine worn with loss, joints cracked, 8vo, together with: Ibid. , An Introductory Course of Fencing, Edinburgh: Published by the Author, 1837, 5 lithograph plates, title & front free endpaper detached, some light dampstaining and spotting, original printed stiff wrappers (browned and stained), lacking spine, covers detached, worn, slim 8vo, with loosely inserted 4 page advertisement 'Fencing and Single-Stick. Terms of Mr. Roland, (Late of the Royal Military Academy, Woolwich) One Guinea for Six Lessons of Fencing', small 8vo (Qty: 3)NOTESProvenance: The Leon Paul Library of Fencing. Thimm p.243. George Roland (fl.1809-1862), fencing master at the Royal Academy of Edinburgh was the son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. The first edition of the A Treatise on the Theory and Practice of the Art of Fencing was published in 1823 (Refer Thimm p.243; Pardoel 2217).
Keats (John). Lines supposed to have been addressed to Fanny Brawne (La Cabellera, Coleccion de Poesia, Volumen V), Buenos Ayres, Armando Tocarello for Francisco A. Colombo, 1958, 6 leaves including front and rear blank, text of the poem printed in English and Spanish, original lithograph frontispiece and vignette to colophon by the artist Raul Veroni, original printed wrappers with glassine overwrapper, slim 8vo, VG (Qty: 1)NOTESLimited edition of 75 copies, this being one of 10 copies printed on japan paper.
Marx (Enid). Nelson the Kite of the Navy, London: Chatto & Windus, [1942], 16 full page lithograph illustrations in blue and black, small ink inscription 'k/b' above price on front flap, original pictorial wrapper stapled to spine (slight rust show-through), 4to, signed to title by the author, together with: Moss (Graham). Bookplates of Enid Marx, Incline Press, 1997, 10 tipped-in illustrations, original wrappers, 8vo, limited signed edition 82/150 (Qty: 2)
* Gould (John, 1804-1881). Calyptorhynchus Leachii (Leach's Cockatoo) [from Birds of Australia], 1848, fine hand-coloured lithograph by J. Gould and H.C. Richter on wove paper, printed by Hullmandel and Walton, heightened with gum arabic, light toning to sheet edges, and a few very short closed tears, lower right corner minimally shaved (generally in very good condition), sheet size 56 x 38.5 cm (22 x 15.1 ins) (Qty: 1)
* Lear (Edward, 1812-1888). Ramphastos Toco (Toco Toucan), [from A Monograph of the Ramphastidae: or Family of Toucans, by John Gould], 1834, fine hand-coloured lithograph on wove paper, printed by Hullmandel, heightened with gum arabic, minimal toning to sheet edges, extreme outer corners very slightly rounded off (generally in very good condition), sheet size 56 x 38.5 cm (22 x 15.1 ins) (Qty: 1)NOTESOne of the most attractive works from Gould's first monograph of a bird family, and one of his 'most lovely works' (Sitwell & Buchanan, Fine Bird Books).
* Gould (John). Selenidera Piperivora (Guyana Toucanet), [from A Monograph of the Ramphastidae, or Family of Toucans, 1834], fine hand-coloured lithograph on wove paper, by H.C. Richter after John Gould, printed by Hullmandel & Walton, heightened with gum arabic, pale toning to extreme sheet edges, generally in very good condition, sheet size 56 x 38 cm (22 x 15 ins) (Qty: 1)NOTESNissen 378; Zimmer, I, 256; Anker 170; Sitwell & Buchanan, Fine Bird Books, 77.
* Lear (Edward, 1812-1888). Ramphastos Vitellinus ( Sulphur-and-white-breasted Toucan), from A Monograph of the Ramphastidae, or Family of Toucans, 1834, fine hand-coloured lithograph on wove paper, by Elizabeth Gould after John Gould, printed by Hullmandel, heightened with gum arabic, generally in very good condition, sheet size 55.5 x 38 cm (21.8 x 15 ins) (Qty: 1)NOTESNissen 378; Zimmer, I, 256; Anker 170; Sitwell & Buchanan, Fine Bird Books, 77.
* Lear (Edward, 1812-1888). Lanner Falcon (Falco lanarius), from The Birds of Europe, by John Gould, 1832-37, fine hand-coloured lithograph, on wove paper, printed by Hullmandel, heightened with gum arabic, original stitching marks to extreme edge of right margin, generally in very good condition, sheet size 54 x 36 cm (21.25 x 14.1 ins) (Qty: 1)
* Gould (John, 1804-1881). Otus Bengalensis (Bengal Owl), from A Century of Birds from the Himalaya Mountains, 1831, fine hand-coloured lithograph on wove paper, by Elizabeth Gould, printed by Hullmandel, heightened with gum arabic, in very good condition, sheet size 53.5 x 36.25 cm (21 x 14.25 ins) (Qty: 1)
* Gould (John, 1804-1881). Aula Coramphus Wagleri ( Wagler's Groove-Bill), from A Monograph of the Ramphastidae, or Family of Toucans, by John Gould, 1852-55, fine hand-coloured lithograph by H.C. Richter after John Gould, printed by Hullmandel and Walton, heightened with gum arabic, generally in very good condition (Qty: 1)
* Gould (John, 1804-1881). Pteroglossus Poecilosternus, from A Monograph of the Ramphastidae, or Family of Toucans, by John Gould, 1833-34 [or the 2nd edition of 1852-54], fine hand-coloured lithograph by H.C. Richter after John Gould, printed by Hullmandel and Walton, heightened with gum arabic, minor light toning to extreme edges of the sheet (generally in very good condition), sheet size 56 x 38 (22 x 15 ins) (Qty: 1)
* Lear (Edward, 1812-1888). Kite ( Milvus vulgaris ), from The Birds of Europe, by John Gould, [1832-37], fine hand-coloured lithograph on wove paper, printed by Hullmandel, heightened with gum arabic, some light toning to sheet edges, a few very short closed tears, and extreme outer corners bumped, generally in very good condition, sheet size 55.5 x 38 cm (21.8 x 15 ins) (Qty: 1)
* Lear (Edward, 1812-1888). Pteroglossus Prasinus (Golden-Green Aracari), from A Monograph of the Ramphastidae, or Family of Toucans, by John Gould, 1834, fine hand-coloured lithograph on wove paper, printed by Hullmandel, heightened with gum arabic, very light toning to extreme sheet edges, sheet size 55.5 x 38 cm (21.8 x 15 ins) (Qty: 1)
* Maps and prints. A collection of six engraved maps and prints, mostly 19th century, including Brion de la Tour (Louis). L'Angleterre divisée en 5 grandes parties subdivisées en 52 Comtés..., Paris, 1766, hand coloured engraved map with an elaborate floriate border, slight dust soiling, 265 x 310 mm, mounted, framed and glazed, together with Ramble (Reuben). Middlesex [and] Lancashire [1845], two hand coloured engraved maps with the margins decorated with coloured lithographic topographical vignettes, each approximately 205 x 160 mm, uniformly mounted, framed and glazed, with Knight (C. & Merke H.). Outside a Cottage in Buckinghamshire, published Edward Orme,1807, aquatint with contemporary hand colouring, 245 x 320 mm, mounted, framed and glazed plus De Loutherbourg (P.). Peaks Hole Derbyshire, R. Bowyer, 1805, aquatint with contemporary hand colouring, 270 x 325 mm, mounted, framed and glazed, and Pratt (Henry). To the Revd. J. H. Gwyther A. M. Vicar. This print of Madeley Vicarage, Church and School is most respectfully dedicated..., Henry Pratt, Madeley, 1848, lithograph with contemporary hand colouring, trimmed to image with 'dropped mount' to show title, image size 260 x 375 mm, mounted, framed and glazed (Qty: 6)

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70555 item(s)/page