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A late 19th century German softwood model of a two-storey doll's house by Moritz Gottschalk, the exterior covered in lithograph printed paper, 85cm high and a small quantity of early 20th century dolls house accessories.

*** Roger Hilton (1911-1975) - Lithograph in colour - "March 1960 Grey and White with Ochre", 18.5ins x 28ins, framed and glazed Note:  Label to verso: Roger Hilton's original oil on canvas of this work was selected by an International Jury at the XXXIInd Biennale of Venice, 1964. Unesco Art Popularization Series. Published by New York Graphic Society by arrangement with Unesco. This picture has not been viewed out of its frame. There are no obvious signs of damage/loss/restoration. 

A color lithograph on paper after John Edwards engraving of his original drawing titled Persian Ranunculus from 1787. Printed text on lower edge of print: Rose Selavy Ltd. London, England, By Courtesy of the Natural History Museum, Printed in Italy. Housed in a gilded frame, with a white mat with a gilded and floral border. Sight size: 9.75"L x 13"H. Frame dimensions: 17.5"L x 0.75"W x 20.75"H. Artwork can be unframed and rolled for shipment. Artist: After John Edwards (English, 1742-1815)Dimensions: See DescriptionCondition: Age related wear. Small stain spots on print.

A color lithograph on paper after John Edwards engraving of his original drawing titled White and Striped Roses from 1787. Printed text on lower edge of print: Rose Selavy Ltd. London, England, By Courtesy of the Natural History Museum, Printed in Italy. Housed in a gilded frame, with a white mat with a gilded and floral border. Sight size: 10"L x 13"H. Frame dimensions: 18"L x 1"W x 21"H. Artist: After John Edwards (English, 1742-1815)Dimensions: See DescriptionCondition: Age related wear.

Original color lithograph after English Royal Academician Francis Wheatley series' Cries of London, entitled Old Chairs to Mend (Rempailleur de Chaises.)Artist: Francis Wheatley (British 1747-1801)Issued: 19th centuryDimensions: 12"L x 15"HCountry of Origin: EnglandCondition: Age related wear.

Hand signed color lithograph on paper by artist Ferdie Pacheco (The Fight Doctor), also known as physician and cornerman to heavyweight boxing champion Muhammad Ali. Lithograph signed and numbered in pencil bottom right. Certificate of Authenticity included. Frame size 22"W x 26"H. Artwork can be unframed and rolled for shipment - unframed measures 16"W x 20"H. Artist: Fernando Pacheco Jimenez (Cuban/American 1927-2017)Issued: c. 1978Dimensions: See description. Country of Origin: United StatesCondition: Age related wear.

A color lithograph on paper after a watercolor painting by artist Karyn Frances Gray, depicting a watermelon slice. Artists signature in plate on lower right side. Title in plate on lower left side. Printed by Summit Editions, Palo Alto, California. Housed in a wooden frame. Sight size: 11.75"L x 7.5"H. Frame dimensions: 14.5"L x 1"W x 10"H. Artist: Karyn Frances (American, 20th century)Issued: 1993Dimensions: See DescriptionCondition: Age related wear. Slight markings on frame.

Continental School (Contemporary): 'Everybody is Talking', lithograph with hand-colouring indistinctly signed and dated '72, 53cm x 35cm

A 19th Century hand coloured lithograph portrait of David Roberts 22 x 17cm, along with five reproduction views after Roberts, and some antique maps.

George Vertue (1684-1756) Engraving for The Oxford Almanack of the Year, 1734 Backed onto card,35cm x 44.5cm; together with after C Stanfield RA, monochrome lithograph, 'Castle of Ischia', engraved by E Goodall, Approx 45cm X 63cm; 'Napoleon's Return from the Island of Elba', monochrome lithograph, 47cm x 56cm; Carl Ernst Christoph Hess (1755-1828) after a painting by Peter Paul Rubens (1577-1640), 'Rubens et sa Premiere Femme = Rubens and his First Wife', engraving with stipple, c.1800, 61.5cm x 40cm (4)

(The Great Exhibition) Great Exhibition of the Works of Industry of all Nations. Official Descriptive and Illustrated Catalogue First edition, four volumes in original uniform gilt decorated cloth, Spicer Brothers & W. Clowes, London, 1851. (4)Volume I; Sun bleached spine, small nibbles and tears to the rear hinge, bright gilt decoration to front board, gilt edge, graphite notes to verso of ffep, advertisement, engraved title page by John Tenniel loosening from text block, large tear to fold out map, cxcii, steel engravings, plates, double page colour lithograph depicting 'View of the Great Suspension Bridge at Kieff....', pp.476 runs true, pp.76 of advertisements to rear, some light sporadic spotting, generally a very good text block.Volume II; Sun bleached spine, small nibbles and soling, bright gilt decoration to front board, gilt edge, spotting to title page and contents, pp.479-1002. watermarks to the head of colour lithographs not affecting illustrations, vg text block.Volume III; Sun bleached spine, small tears to ends of back strip, light soiling to front board, pp.1005-1469, gilt edge, plates, a small amount of finger soiling, a vg text block.Volume IV (Supplement); Large tear to head of back strip, gilt edge, xxvii, pp.1471-1532, liv, pp.211, pp.76, advertisement to rear, vg text block profuse with plates.

H. C. Elphinstone & Harry D. Jones, W. Edmund M. Reilly Siege of Sebastopol, 1854-5, Journal of the Operations Conducted by the Corps of Royal Engineers Parts I & II, with 'An Account of the Artillery Operations Conducted by the Royal Artillery and Royal Naval Brigade Before Sebastopol In 1854 and 1855,' first edition, three volumes, quarto, original uniform embossed red coth sun faded to spines with gilt titles, ex libris Courtney Library with customary shelf label to spine and label to front pastedown, presentation slip from the Lord Commissioners of Her Majesty's Treasury tipped in, vg to fine, George Edward Eyre and William Spottiswode, London, 1859. (3)Vol I- vi, pp.299, some sporadic spotting and toning, fold out frontis lithograph and title page, five large fold out lithograph maps and charts to rear.Vol II- Lithographed titled page, pp.593, Appendix pp.595-638.vol III- vii, pp.273.

Eighteenth Century Maps Eleven Thomas Kitchen. 'A Map of the Western Part of the Roman Empire,' uncoloured copper engraved, folds, spotting, 1815; 'Carte De La Coste D'Angola,' uncoloured; 'Carte Du Cours des Rivieres de Faleme et Sanaga....,' uncoloured; 'Liverpool' by B. R. Davis, folded, nibbles to edges, R. Weller Lithograph; 'L'Empire Russe en Europe et en Asie,' surrounding letterpress explanatory text (in French) includes information about geography, history, genealogy, religion, etc, centre fold, vg, P. Didot, 1806; 'Great Britain and Ireland with Judges Circuits,' uncoloured, centre fold, vg, John Stockdale, London, 1805; Fricx Henri 'Carte Particular D'Une Partie D'Angleterre,' partially coloured, centre fold, spotting, thought to be published by Covens & Mortier, circa 1720; Guillemo Delisle. 'Graeciae Pars Septen Septentrionalis,' uncoloured, wormholes to head centre fold in the margin, 1708; D'Anville. 'Graeciae Antiquae Specimen Geographicum,' uncoloured, centre fold, spotting to margins, , Complete Body of Ancient Geography, Laurie and Whittle, London, [c.1795]; 'Part of the Bay of Cadiz,' uncolloured, fold lines, engraved for Harrisons edition of Rapin, [c.1785]; Plus one other. (11)

(Cornwall) Thirteen loose leaves 'Penryn (from the Old Helston Road),' lithograph, toning and nibbles to margins, leaf measures 30cm x 40.5cm, J. Gill & Son, Penryn, n.d; 'Mounts Bay Taken from near the Village of Gulval,' artist and engraver unknown, a loose fold out measuring 29.5cm x 96cm; T. Barnard after J. Bennett. 'A View of Falmouth from Pendennis Castle.' copper engraving, folded, soiled, fair to good, 26.5cm x 42cm, J. Bennett, Plymouth, 1825; With ten other leaves, mostly engravings depicting scenes of Cornwall. (13)

Frederick ROBERTS JOHNSON (1900-1986) 'Yuletide Decoration causes Consternation at The Club' and a further work Pen on colour lithograph, inscribed to foot, one signed Essex, 29cm x 22cm and 29cm x 21cm (2)Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.

(Cornwall) Fourteen good works C. E. Byles. 'The Life snd Letters of R. S. Hawker,' original embossed cloth, frontis lithograph, plates, some spotting to edge of text block, vg, John Lane: The Bodley Head, New York, 1906; Wendy Mink (ed). 'The Journals of Caroline Fox 1835-1871,' original cloth, tear to unclipped dj, vg, Elek London, 1972; R. L. Brett (ed). 'Barclay Fox's Journal,' first edition, original cloth, unclipped dj, plates, vg, Bell & Hyman, London, 1979; Maria Tuke Sainsbury. 'Henry Scott Tuke. A Memoir,' first edition, original cloth, some finger soil, good to vg, Martin Secker, London, 1933; With ten other works including from ;Life in Cornwall' series. (14)

John Brunsdon ARCA (British, 1933-2014) Tangled Grassessigned in pencil lower rightlithograph - artist proof 12/1578.5 x 56.5cmFrame size: 81.5cm x 59.5cm

Gernot Kissel (German, 1939-2008) Headsigned lower right in pencillithograph - numbered edition 211/350 27 x 24cm

§ § Pol Bury (Belgian 1922-2005) Zoomsigned 'Pol Bury' (lower right); numbered 65/75 (lower left)lithograph, unframed44 x 61.5cm

After F.C. Turner (19th Century) Leamington Grand Steeple Chase - 1837lithographengraved by Charles Hunt, published by Thomas Mclean44cm x 63cm;With a further lithograph of the same subject matter published by Thomas Mclean, 44.5cm x 63cm (2)Frame size: 69cm x 86cm

A Group of Three Pictures To include a lithograph printed in colours after Raoul Dufy (1877-1953) linocut, 'Foret Vierge d'Herbes et de Simples', from an edition of 300, 27 x 36.5cm; a stone lithograph by George Mackie RSW (1920-2020) of Wothorp Manor House, artist's proof, signed in pencil; A Peter Wickham (1934-2009) wood block engraving of Shipley Mill Sussex, artist proof, signed in pencil, 9 x 11.5cm (3)Provenance: After Dufy - Goldmark Gallery, Uppingham (stock no. 13623)Wickham engraving - From the artist's studioLargest frame size: 62 x 44cm

A Bernard Leach lithograph 'Tree Jar' signed in pencil and numbered 36/100 - unframed

A Bernard Leach lithograph 'Black Jar' signed in pencil and numbered 22/100 - unframed

Dynamic Forces Inc Danger Girl Lithograph Poster Print, J Scott Campbell / Andy Hartnell / Alex Garner, Near Mint, 18" x 26". 

Dynamic Forces Inc Top Cow Witchblade Lithograph Poster Prints x four, includes The Witchblade Power by Michael Turner and others by Joe Jusko, Near Mint to Mint, 18" x 24"; (4).

Marvel Dynamic Forces Inc The Elektra Lithograph Poster Print, by Greg Horn, Limited Edition, with COA, Near Mint, 18" x 24". 

Top Cow Dynamic Forces Inc Aphrodite IX Lithograph Poster Print, by Finch / Weems, Near Mint to Mint, 18" x 25". 

John Butler : A Sketch of Assam: with some account of the Hill Tribes, By an Officer in the Hon. East India Company's Bengal Native Infantry in civil employ, with illustrations from sketches by the author, lithograph plates, London: Smith, Elder and Co., 1847, tan leather and gilt boards.

Chromolithograph of the Hawaiian flower "Wiliwili," Plate 19, after the illustrations from Isabella Sinclair's groundbreaking publication The Indigenous Flowers of the Hawaiian Islands (1885-1889). This rare print references Sinclair's original watercolor plates from one of only 500 books ever produced, featuring 44 hand-colored illustrations of Hawaiian flora. Sinclair, residing on Kauai at the time, illustrated and wrote the text for the book, making it the first publication exclusively dedicated to Hawaiian plants and flowers. This lithograph is an authentic representation of 19th-century Hawaiian history and artistry, offering a connection to the island's natural beauty and cultural legacy. Measures 15.25"L x 18"H (framed). Dimensions: See DescriptionCondition: Age related wear.

ST. GILES-IN-THE-FIELDS (WAY 129; LEVY 183; SPINK 167; CHICAGO 167)Transfer lithograph, 1896, on cream laid paper, signed with the butterfly in pencil, with good margins, framed.Image 8 1/2 x 5 1/2 inches; 216 x 140 mm.Sheet 11 13/16 x 7 1/16 inches; 300 x 179 mm.Frame 16 3/8 x 12 5/8 inches; 416 x 321 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

WAKEBY NIGHT (TRIPTYCH) (HANSEN 246)Color lithograph, wood relief and monotype with chine colle, 1984, on three sheets, signed, titled and numbered A.P. #6 in pencil, an artist's proof aside from the edition of 35, printed by Solo Press Inc., New York, co-published by Solo Press Inc., New York, and Joe Fawbush Editions, New York, the full sheet, framed.Each sheet 30 x 20 1/2 inchesFrame 37 1/4 x 68 5/8 inches; 946 x 1743 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

ANGELS OVER VENICEThree-dimensional color screenprint and lithograph multiple with collage and glitter, 1995, signed, titled and numbered 38/50PR in pencil, the full sheet, framed.Image 16 3/4 x 27 3/8 inches; 425 x 695 mm.Frame 31 x 40 5/8 inches; 787 x 1032 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

MAIN STREETColor lithograph, 1972-73, on Arches paper, signed, dated and numbered AP 4/4 in pencil, an artist's proof aside from the edition of 40, printed and published by Universal Limited Art Editions (ULAE), West Islip, New York, and with their blindstamp, with full margins, framed.Image 15 5/8 x 21 3/4 inches; 397 x 552 mm.Sheet 22 3/8 x 29 7/8 inches; 568 x 759 mm.Frame 26 1/2 x 33 3/4 inches; 673 x 857 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

STILL LIFE WITH COFFEE POT, CUP AND SAUCERColor lithograph, circa 1970, on Arches paper, signed and inscribed EA in pencil, an artist proof aside from the edition of 175, with full margins, framed.Image 24 7/8 x 18 7/8 inches; 632 x 479 mm.Sheet 29 3/4 x 21 1/4 inches; 756 x 540 mm.Frame 32 1/4 x 25 3/4 inches; 819 x 654 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

LE HAVREColor lithograph, on Arches paper, with ink stamped signature and numbered 8/200 in pencil, with full(?) margins, framed.Image 18 7/8 x 26 7/8 inches; 479 x 683 mm.Sheet 21 7/8 x 29 5/8 inches; 556 x 752 mm.Frame 31 1/4 x 39 1/8 inches; 794 x 994 mm.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

ROY LICHTENSTEIN (AMERICAN 1923 - 1997), BRATATAT! colour plate lithograph on papermounted, framed and under glassNote: Certificate of authenticity from St Petersburg Collection versoimage size 23cm x 17cm, overall size 55cm x 49cm

†Mary Fedden: a limited edition signed lithograph, 73/150, "Whitby Harbour", in white painted frame  †ARR - Artist's Resale Right: This lot may be subject to additional fees

A late 19th century hand-coloured lithograph, portrait of W F Inge, Master of Atherstone Fox-Hounds, signed by live sitter, in oak frame

David Hockney (British, b. 1937) Grey Art Gallery and Study Center Posteroffset lithograph poster printed in colours, on wove paper, 1980, framed and glazed, the poster is from an exhibition for Hockney's work by Grey Art Galley and Study Center held from April 3rd to May 3rd 1980 in New York. The central image features Hockney's 1977 work 'Still Life, Taj Hotel, Bombay.'within frame 95 x 67.5cm., overall 101 x 73.5cm.Condition: Good condition, commensurate with age, potentially slight marks on poster, not examined out of the frame Provenance: published by Grey Art Galley, New York

L. S. Lowry RBA RA (British, 1887-1976) 'Berwick upon Tweed 1938'an offset lithograph in colours, from and edition of 650 signed in pencil by artist bottom right, Fine Art Trade Guild blind stamp, framed, glazed and mounted within mount 55 x 43cm., overall 71.5 x 58.5cm.Condition: Good condition, unexamined out of frame

David Hockney (British, b.1937) 'My Mother (Bridlington)' 1988 Tate Gallery Exhibition Posteroffset lithograph poster on T.H Saunders Waterford paper, limited edition print, one of 250 editions, signed by artist in pen bottom right, framed and glazed Hockney created this work for his retrospective at the Tate Gallery, London on October 22. 1988. within frame 76 x 49.5cm., overall 80 x 54cm.Condition: Poor condition, severe staining and rips to poster found along right hand side, unexamined out of the frameProvenance: David Hockney b.1937, 'My Mother (Bridlington) 1988', 1988 copyright the artist, Designed by David Hockney, Published by Tate Gallery Publications Millbank London SW1P ABG, Printed in Great Britain by Westerham Press Ltd Westerham Kent

L. S. Lowry RBA RA (British, 1887-1976) 'Huddersfield, 1965'an offset lithograph in colours, from an edition of 850, signed in pencil by artist bottom right, Fine Art Trade Guild blind stamp bottom left, framed, glazed and mounted within mount 47 x 58cm., overall 68.5 x 79cm.Condition: Good condition, unexamined out of frame

Andy Warhol (American, 1928-1987), Marilyn Monroe, 1971 Tate Gallery Exhibition Poster offset lithograph of Marilyn Monroe on wove paper, Tate Gallery Poster for Warhol's 1971 exhibition, signed by artist in pen bottom right, framed and glazed within frame 67.5 x 49.5cm., overall 71 x 53.5cm.Condition: Good condition, commensurate with age, unexamined out of frame, cropped at the top of the poster, would have read: The Tate Gallery 17 February - 28 March 1971... poster is loosely framedProvenance: Warhol's Exhibition Poster for his exhibition at the Tate Gallery in 1971. Andy Warhol: Marilyn Monroe 1964 Published by the Tate Gallery Publications Department Millbank London sw1 England and printed in Great Britain at The Curwen Press Limited London 

After Charles Gir (French, 1883-1941) 'Le Dessinateur' An early 20th Century Vintage French Ballet Poster charcoal and pastel lithograph print on paper, for 'le dessinateur', advertising 'pastels inspires de la musique', framed and glazed overall 125 x 84cm.Condition: Good condition, unexamined out of frame Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

L. S. Lowry RBA RA (British, 1887-1976) 'The Family, 1961'an offset lithograph in colours, from an edition of 850, signed in pen by artist bottom right, Fine Art Trade Guild blind stamp bottom left, framed, glazed and mountedwithin mount 29 x 22cm., overall 57.5 x 42.5cm.Condition: Good condition, unexamined out of frame

Marcel Mouly (French, 1918-2008) 'Mon Amant'lithograph on paper, signed bottom right, print edition 179/225, framed, glazed and mounted within mount 61 x 47.5cm., overall 86.5 x 71.5cm. Condition: Good condition, unexamined out of frame

Marcel Mouly (French, 1918-2008) 'La Bouteille Bleue'lithograph on paper, signed bottom right, print edition 291/300, framed, glazed and mounted within mount 26 x 18cm., overall 54.5 x 44.5cm.Condition: Good condition, unexamined out of frame

L. S. Lowry RBA RA (British, 1887-1976) 'The Fever Van, 1935'an offset lithograph in colours, from an edition of 700, signed in pencil by artist bottom right, Fine Art Trade Guild blind stamp bottom left, framed, glazed and mounted within mount 45 x 52cm., overall 62 x 69.5cm.Condition: Good condition, unexamined out of frame

Selection of Lord of the Rings collectables including Danbury Mint collection of 6 fine English Bone China beakers created exclusively for Danbury Mint, officially authorised and approved by Tolkien Enterprises circa 1999, Near Mint, within outer packaging, includes numbered certificate. Franklin Mint Lord of the Nazgul Collector Knife, Near Mint, with case, includes paperwork, Franklin Mint Aragorn Collector Knife, Near Mint, with case, includes paperwork, Franklin Mint Frodo Collector Knife, Near Mint, with case, includes paperwork. Ring of the Elf Queen Ltd Edition Lithograph Poster, numbered 2449/5000 and signed by the Artist Greg Hildebrandt, 25" x 38 3/4", Excellent with certificate. The Tolkien Years Siege 2 Lithograph Poster Ltd Edition 1208/10000 signed by the Artists Greg Hildebrandt & Tim Hildebrandt, 61cm x 46cm, Near Mint with certificate from Dynamic Forces, The Tolkien Years Return of Gandalf Lithograph Poster Ltd Edition 474/10000 signed by the Artists Greg Hildebrandt & Tim Hildebrandt, 61cm x 46cm, Near Mint with certificate from Dynamic Forces. The Fellowship Lithograph Poster Ltd Edition 181/1977 signed by the Artists Greg Hildebrandt & Tim Hildebrandt, 61cm x 46cm, Near Mint with certificate from Dynamic Forces

After Pablo Picasso, 'Goat Dance', lithograph, with signature and date 17.11.59 in the plate, from a limited edition of 2000, numbered 1371/2000, 65.5cm x 50cm

ARR David Gentleman (b.1930) Bath Abbey Precinct, 1974, signed lower right, numbered 58/100 and blind stamped lower left, lithograph, 51 x 63.5 cm (SH), together with 'The Great Roman Bath' numbered 9/100 and 'Dundas Aquaduct' numbered 97/100 by the same hand (3)From The Bath Suite series 1974

Hunter (William). The Anatomy of the Human Gravid Uterus, London: Sydenham Society facsimile edition, 1851, 34 engraved plates, some double-page, text in Latin and English, some water stains, spotting and frayed fore margins, contents loose, original limp cloth, some wear, folio (first published in 1774), together with [Ellis, George Viner & G. H. Ford]. [Illustrations of Dissections in a Series of Original Coloured Plates the Size of Life... Atlas only, 1867], 53 colour lithograph plates only (of 58), a few with closed tears, some spotting and small repairs, lacking title, contents loose, contemporary cloth-backed boards, lacking spine, some wear, folio, plus Sibson (Francis). Medical Anatomy: or, illustrations of the Relative Position and Movements of the Internal Organs, 1st edition, London: John Churchill & Sons, 1869, 20 colour lithograph plates only (lacking plate 19),plate10 with long closed tear, long closed tear to one text leaf, some small tears and light spotting, original cloth, lacking spine, some wear, folio, plus a few other plates from another Medical Anatomy by Francis SibsonQTY: (approximately 100)NOTE:Sold as a collection of plates not subject to return.

* Blank Paper. A bound volume of approximately 100 leaves of blank laid paper, early 19th-century, 'C. E.' watermark to leaves, some leaves with recto of one leaf with mounted engraved illustration, small residual marks to some leaves, contemporary mottled calf gilt, scuffed and rubbed, folio (43.5 x 28 cm), together with:Jones (Owen). The Grammar of Ornament, 1st edition, London: Day and Son, 1856, lacking additional title, 77 lithograph plates only (of 100), title torn in two, most gatherings loose, original maroon half morocco gilt, upper cover loose, worn, folio, plus W. Digby Wyatt's Metal Work and its Artistic Design (1852)QTY: (3)NOTE:Sold not subject to return.

* Manchester & Leeds Railway. Plan of the Rochdale Canal and intended Railway from Sowerby Bridge to Manchester..., [1830?], lithograph plan with longitudinal section (appears to be the earliest proposed survey by George Stevenson, as a continuation of the Liverpool and Manchester Railway), several vertical creases where previously folded, a few minor marginal tears, not affecting image, 45 x 165 cm, together with: Rochdale Canal. Plan of the Rochdale Canal and intended Railway from Sowerby Bridge to Manchester, circa 1830s, lithograph plan printed by C. Hullmandel with contemporary hand-colouring, some spotting and light dust-soiling, 24.5 x 46 cm, plus Stephenson (Robert, Engineer). Britannia Bridge, Platform and Construction of Tubes, September 1848; Britannia Bridge, Carnarvon Tower, September 1848; Conway Tubular Bridge, with the Preparations for raising the Second Tube, London: John Weale, [1849], together 3 hand-coloured and tinted lithographs by Day and Son after G. Hawkins, 42 x 55 cm, 53 x 37 cm and 54.5 x 37 cm respectively, plus 3 etched plates by E. W. Cooke relating to and depicting the demolition of Old London Bridge, London: J. Brown, 1832, each hand-coloured, 34 x 48 cmQTY: (8)

* Sumner (Heywood, 1853-1940). Work (The Fitzroy Pictures series), circa 1895, colour lithograph, printed by James Akerman Photo-Lith. London and published by George Bell & Sons, some overall toning, 61 x 90 cm (24 x 35 1/2 ins), mount aperture, period black painted frame, glazedQTY: (1)NOTE:Heywood Sumner was instrumental in establishing the Fitzroy Picture Society in the 1890s, along with other Arts and Crafts artists and designers, including Arthur Mackmurdo, Louis Davis, Christopher Whall, and Charles March Gere, with the chief aim of providing affordable art for display in schools and hospitals.

* London. Martin (Robert after Cornelius Dankers). London, Robert Martin, 1832, large hand-coloured lithograph, printed on four sheets and conjoined, one long repaired closed tear, occasional marginal repairs, slight dust soiling, laid on later card, 480 x 2365 mm, framed and glazed (with perspex)QTY: (1)NOTE:This large panorama was originally produced by Wenceslaus Holler in 1647.

Craxton (John, illustrator). Visionary Poems and Passages or the Poet's Eye, 1st edition, London: Frederick Muller, 1944, 16 full-page colour lithographs, black and white illustrations throughout, minor spotting mainly to title-page, original pictorial grey and yellow cloth, dust jacket, remnants of spine, 8vo, together with Carzou (Jean, 1907-2000). Portrait of a Woman, lithograph, depicting a young woman holding long stemmed flowers, mount staining, 26 x 21 cm, mounted (36 x 29 cm)QTY: (2)

Kentfield (Edwin). The Game of Billiards: Scientifically explained, and practically set forth in a series of novel and extraordinary strokes; and illustrated by numerous appropriate diagrams. To which is added the rules and regulations which govern the numerous games as they are played at the present day in all the countries of Europe, 1st edition, London: Smith, Elder & Co., 1839, folding lithograph frontispiece, 'Instructions for Building a Billiards-Room' leaf, 93 lithograph plates, errata leaf, 2 advertisement leaves at end, some spotting, endpapers renewed, original cloth gilt, rebacked with original spine relaid, some fading and light spotting, folio QTY: (1)

Ovid.: L'art d'aimer. Paris, Centre culturel de Paris (1979). 57 x 39 cm. Mit 15 sign. Orig.-Graphiken (1 Lithographie, 1 Radierung und 13 Holzschnitten) von S. Dalí. Rotbrauner Orig.-Lederband mit Rückenvergoldung und farbig abgesetztem breiten blindgepr. Lederstreifen auf den Deckeln, Seidenmoirée-Innenspiegeln sowie Goldschnitt, mit Orig.-Schuber. Michler/Löpsinger 1525-1538d und 933d. - Field 79-2. - Eines von 44 arab. num. Exemplaren auf "Grand Vélin d'Arches", im Druckvermerk von Dalí signiert. - Breitrandiger, aufwendig gebundener Pressendruck in ausdrucksvollen Farben. - Radierung mit leichtem Abklatsch und an einer Ecke mont. Seidenpapier, Titellithographie in der unt. rechten Ecke mit kl. Bereibung, Schuber an den Kanten berieben und etw. eingerissen, sonst sauberes Exemplar. - One of 44 copies in Arabic numbers. With 15 signed orig. prints in various techniques by S. Dalí, all in color. Orig. calf with gilt edges, in orig. slipcase. - The etching slightly offsetting and with protective tissue attached to one corner, the double-page title lithograph with small paper defect in lower white corner. Edges of slipcase rubbed and partly torn. Otherwise very clean copy.

Mann,J.G.: Deutschlands wildwachsende Arzney-Pflanzen und deren gewöhnlichste Verwechslungen. Stuttgart, zu haben bei dem Herausgeber 1828. Folio. Mit 186 kolorierten Lithographien und einem lithographierten Titelblatt. Halblederband um 1850. Nissen 1272. Erste Ausgabe. - Das Tafelwerk erschien in den Jahren 1823-29 in 31 Lieferungen. - Die schönen Tafeln im Originalkolorit, jede mit einem Blatt Erläuterungen zu Verbreitung, Blühzeit und Nutzung sowie dem Verweis auf Graumüllers "Handbuch der pharmaceutisch-medicinischen Botanik". - Tafel 153 doppelblattgroß, hier paginiert als a und b. Textblätter, 187 Lithographien. - Etwas bestoßen. Gelenke brüchig. - Leicht fleckig, alle Blätter und das Inhaltsverzeichnis handschriftlich paginiert.- With lithograph title, 1 lithograph frontispiece and 186 colour lithograph plates.