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JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983)."La Nuit Tentaculaire, 1969.Lithograph on paper, copy 38/75.Signed and justified in pencil.Work published in the catalogue "Mourlot / Maeght #639". Figure 639.Size: 65 x 63 cm; 99 x 97 cm (frame).Joan Miró trained in Barcelona, between the Escuela de la Lonja and the Galí Academy. In early 1918 he held his first exhibition at the Galerías Dalmau in Barcelona. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of the surrealist poets and painters, he gradually matured his style; he tried to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. From this point onwards his style began to evolve, leading him to more ethereal works in which organic forms and figures were reduced to abstract dots, lines and patches of colour. In 1924 he signed the first Surrealist manifesto, although the evolution of his work, which is too complex, makes it impossible to ascribe him to any particular orthodoxy. His third exhibition in Paris in 1928 was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum devoted a retrospective to him which was to be his definitive international consecration. During the 1950s he experimented with other artistic media, such as engraving, lithography and ceramics. From 1956 until his death in 1983, he lived in Palma de Mallorca in a sort of internal exile, while his international fame grew. Throughout his life he received numerous awards, such as the Grand Prizes at the Venice Biennale in 1954 and the Guggenheim Foundation in 1959, the Carnegie Prize for Painting in 1966, the Gold Medals of the Generalitat de Catalunya (1978) and of the Fine Arts (1980), and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, inaugurated in 1975, as well as in major contemporary art museums around the world, such as the Thyssen-Bornemisza, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983)."Parc de Montjuïc", 1976.Lithograph on Guarro paper, copy 73/99.Signed and justified in pencil.Piece made for the inauguration of the Parc de Montjuïc, 1976.Catalogued by the Fundació Joan Miró, Barcelona.Size: 70 x 50 cm; 101 x 81 cm (frame).Joan Miró trained in Barcelona, between the Escola de la Lonja and the Galí Academy. Already in the early years of 1918 he held his first exhibition, in the Galerías Dalmau in Barcelona. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of the surrealist poets and painters, he gradually matured his style; he tried to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. From this point onwards his style began to evolve, leading him to more ethereal works in which organic forms and figures were reduced to abstract dots, lines and patches of colour. In 1924 he signed the first Surrealist manifesto, although the evolution of his work, which is too complex, makes it impossible to ascribe him to any particular orthodoxy. His third exhibition in Paris in 1928 was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum devoted a retrospective to him which was to be his definitive international consecration. During the 1950s he experimented with other artistic media, such as engraving, lithography and ceramics. From 1956 until his death in 1983, he lived in Palma de Mallorca in a sort of internal exile, while his international fame grew. Throughout his life he received numerous awards, such as the Grand Prizes at the Venice Biennale in 1954 and the Guggenheim Foundation in 1959, the Carnegie Prize for Painting in 1966, the Gold Medals of the Generalitat de Catalunya (1978) and of the Fine Arts (1980), and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, inaugurated in 1975, as well as in major contemporary art museums around the world, such as the Thyssen-Bornemisza, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Maqbool Fida Husain (Indian, 1913-2011)Four works: Vyasa & Ganesha; Homage to Raja Ravi Verma; Thirty Six AQ 75; Arrival of Monsoon Vyasa & Ganesha: signed lower right; Homage to Raja Ravi Verma: signed lower right and edition 78/600 lower left; Thirty Six AQ 75: signed to the left of the lower leg; Arrival of Monsoon: signed lower right and edition 78/600 lower leftlithographsthe largest 60.4 x 44 cm (Ganesh & Man); 47 x 23.4 cm (Homage to Raja Ravi Verma); 45.8 x 35.5 cm (Thirty Six AQ 75); 45 x 29.1 cm (Arrival of Monsoon)Footnotes:ProvenanceTwo acquired from the Estate sale of Davida and Chester Herwitz in 2012: Vyasa & Ganesha and Thirty Six AQTwo acquired from Grosvenor/Vadehra in 2014: Arrival of Monsoon & Homage to Raja Ravi VermaPublishedThe Vyasa & Ganesha lithograph is published in K. Bikram Singh, Maqbool Fida Husain, 2008, p. 141, figure 116.For further information on this lot please visit Bonhams.com

THOMSON, H. C - The Chitral Campaign a narrative of events in Chitral, Swat, and Bajour : illustrated inc. 4 maps, org. cloth, 8vo, 1895. With - Bruce, Lieut.- Colonel C. E, Waziristan 1936-1937. The Problems of the North-West Frontiers ... (etc), maps, 8vo, 1938. With MacFetridge, C. & Warren, J.P, Tales of the Mountain Gunners, cloth in d/w, 4to, 1974. With- 24 Views of H. M. Indian Troop Ship Trip to India & Back, 24 photo-lithograph views folding in concertina format in worn glazed boards, small 4to, Wilkins, Portsea, n.d. With 10 others inc. the North-West Frontier.(box)

JOHN SPARROW & JOHN PIPER - Santa Maria Della Salute: by John Sparrow with associated John Piper lithograph, number 177 in an edition of 200 published by Rampant Lion Press, signed by Sparrow and Piper, 58 x 40cm.

OLIPHANT, Laurence - Narrative of the Lord Elgin's Mission To China and Japan in the years 1857, '58, '59:. 2 vols, large folding maps, 4 maps, 20 tinted lithograph plates, engravings on wood throughout, cont. green calf very worn on spines, 8vo, Blackwood, 1859.

OLIVER, George - Monasticon Diocesis Exoniensis, being a Collection of Records and Instruments : ... in the Counties of Cornwall and Devon, [with] Supplement with large folding map, 2 colour printed plates, 3 lithograph plates, foxing, elaborate crimson and gilt morocco, Hannaford, Exeter, 1846* Supplement dated 1854.

ROWE, Samuel - A Perambulation of the Antient and Royal Forest of Datrmoor, and the Venville Precincts:.. (etc), Folding map loose, 11 lithograph plates, half dark blue calf, tall 8vo, J. B. Rowe, Plymouth, 1848. * increasingly scarce first edition of this Dartmoor classic.

SPREAT, W - Picturesque Sketches of the Churches of Devon : Drawn From Nature and on Stone : Vignette lithograph title-page, 71 lithograph plates by Spreat, rebound in plain buckram, lettered in gilt on the spine, oblong folio, W. Spreat, 1842.With - Britton & E. W. Brayley, E.W, Devonshire & Cornwall Illustrated, 2 county maps with vignettes, 2 vignette engraved title pages, 138 views on 69 steel engraved plates, some light foxing mainly to margins, 19th cent, diced gilt calf, 4to, 1832.(2)

EXETER & EXMOUTH RAILWAY : " Bridge & Viaduct Over The Ship Canal & The River Exe." W. Dawson. Tinted lithograph, Size 600 x 265mm, tear to one margin, paper discolouration. c1840s.

GUILLOTINE BROADSIDE : " Massacre of the French King ! View of La Guillotine; or the Modern Beheading Machine, at Paris. By which the unfortunate Louis XVI (late king of France) suffered on the scaffold, January 21st, 1793. 505 x 360 mm, woodcut, printed at the Minerva Office, for William Lane, c1790s. With - a hand coloured lithograph, " Executes le 19 Fevrier 1836, pour L'Attentat du 28 Juillet 1835." published Thos. McLean, c1830s. Light soiling with several short tears. (2).

SIEGE OF LUCKNOW : 15 tinted lithograph prints on 12 sheets by Clifford Henry Mecham, single sheets size 360 x 240mm, in good order except for some light foxing on a couple of sheets.

Vanity Fair (Publisher) : Geordie, colour lithograph by Vincent, Brooks, Day & Son, Nov 29, 1879, 31 cm x 19 cm, together with three similar being "Newcastle-upon-Tyne", "A Sheriff" and "Under Sheriff, framed. (4)

After John Wilson Carmichael : Grey Street, Newcastle on Tyne, lithograph, 25 cm x 36 cm, framed.

Pablo Picasso Offset lithograph of the linocut print entitled 'Portrait of a Lady' approx. 42.5cm x 51cm (includes frame)

The Cricket Match Tonbridge School  published by Tattershall Dodd, printed by Hullmandel & Walton, coloured lithograph depicting a cricket match in the school's grounds with onlookers gathered, mounted glazed and framed, overall 80 by 110cm.All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.    

Victor Spahn, Golf Explosion, signed, limited edition lithograph, 120/200, 56 x 45cm; and a companion work (2).Qty: 2

Erté (1892-1990)/The Seasons Suite/colour lithograph, 31cm x 21cm and two other costume designs CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

William Strang (1859-1921)/Beauchamp, 1915/lithograph, 65cm x 52cm in a rosewood frame CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request, the absence of a condition report does not imply that a lot is without imperfection

William Ward  - A 18th century George IV lithograph engraving by William Ward to depict 'Cottagers' by George Morland. Also together with another George Morland mezzotint to depict 'A Tea Garden'. Both framed and glazed. Measures 49cm x 56cm. 

HENRI MATISSE (French, 1869 ? 1954) 'Reclining Woman in Chair', offset lithograph, 1946, signed in the plate, Editions du Chêne, 22cm x 27cm, in a vintage French frame.

ltd edition lithograph engraving, 'Remember Chernobyl' engraving and St Maryl's chapel

Tsuyoshi YOSHIDA alias Go MISHIMA (1924-1988)WakamonoLithograph signed at the bottom right30 x 42 cmJapanese artist, encouraged in his artistic career by the writer Yukio Mishima, he adopted the pen name of Go Mishima. His hypermasculin work is crossed by the figure of the Yakuza and the irezumi tattoos. This is a lithograph from the series Mishima G? gash? Wakamono published in 1972 by Daini Shobo

After Septimus Edwin Scott (British 1879-1965): 'Sailor Salmon Slice - Fine!' Tinned Fish held by Fisherman, original vintage advertising lithograph poster pub. England c.1930, 74cm x 100cm

Set of four lithograph limited edition prints Markus Pierson 'Village Idiot' 126/175. Picture size 40 x 40cms. Ebonised frames 73 x 73cms.Condition ReportVery good condition, minor scratching to frames.

An original french limited edition 113/250 lithograph 1992. Signed indistinctly lower right. 40 x 60cm.Condition ReportGood condition.

A lithograph print by C Hicks depicting the "Seaman" tug boat pulling "Parma in Hull" June 1933.Condition ReportFrame has break to left top corner. Discolouration to mount and print.

Studio framed signed lithograph portrait of a 1920s flapper girl

A Limited Edition (238/250) lithograph, signed in pencil by Stephen Whittle and titled 'Lakeland Flowers'.

A framed and mounted lithograph by J. Newman & Co depicting 'Shire Hall, Agincourt Square, Monmouth'. Published by R. Waugh, Church Street, Monmouth. 22 1/4" x 19 1/4".

Walter Hood Fitch (1817-92) and Vincent Brooks: hand coloured 19th c. botanical lithograph, titled in ink 'Iris Reticulata', framed and glazed.

Louis Burleigh Bruhl ( British, mid 19th-mid 20th century) Ranworth, Norfolk Broads, colour lithograph, signed, 13x19ins, framed and glazed.

John Gould (British,19th century) Barn Owl, from John Gould's Bird's of Great Britain, handcoloured lithograph,18x14ins, framed and glazed.

John Gould (British,19th century), Short Eared Owl, from John Gould's Birds of Great Britain, handcoloured lithograph,13x18ins, framed and glazed.

After Thomas Bush Hardy RA RBSA (British,19th century) Entrance to Calais Harbour and Pier, lithograph,10X21ins.

Chloe Cheese, 'Lino', signed, titled and dated '82, numbered 34/200, lithograph, 45 x 40cm. 

Félix Labisse ‘Surreal Woman with Black Cloth Over Her Head’ limited edition lithograph 105 of 150, signed in pencil twice at the bottom with inscription (ARR)

Félix Labisse ‘The Blue Dream’ limited edition lithograph 144 of 150, signed twice on the bottom with inscription and framed. Approx. 27cm x 34cm (ARR)

Patricia Langmead, b1945, Tow Path lithograph, 12/200, 38 x 45cm, together with another, signed indistinctly (2)

Mark Hearld, b1974, Pick Your Own, lithograph, 24/75, signed and dated 09, 36 x 48cm

Laurence Stephen Lowry RA (1887-1976)' Deal Beach - an original signed L S Lowry lithograph in colours depicting a beach scene in Deal. Signed in pencil LR Lowry to lower right corner with the Fine Art Trade Guild blindstamp and letters HKC. Printed notation to top reading ' Published in 1973 by Venture Prints Ltd Bristol England Copyright in all countries including the USA Printed In England. Framed & glazed. Measures approx; 52cm x 75cm frame) / 26cm x 51cm.

Laurence Stephen Lowry RA (1887-1976)' Deal Beach Sketch - an original signed L S Lowry lithograph print of the preliminary sketch depicting a beach scene in Deal. Signed in pencil LR Lowry to lower right corner with the Fine Art Trade Guild blindstamp and letters EKC. Venture Prints Ltd 1973 copyright to corner. Measures approx; 28cm x 36cm border) / 17cm x 25cm (print).

Chagall, Marc - - Cain, Julien. Chagall Lithograph. Bände 1-3 (von 6) Mit 26 (19 farbigen) Original-Lithographien (inklusive 3 Schutzumschlägen) von Marc Chagall und zahlreichen teils farbigen, teils ganzseitigen Abbildungen. Monte Carlo, Sauret, 1960-1969. 32,5 x 25 cm. Original-Leinwandbände mit (3 farblithographischen) Schutzumschlägen und Klarsichtumschlägen (Schutzumschlag von Band 1 mit nur minimalen Randläsuren, Klarsichtumschlag von Band 1 mit kleiner Fehlstelle am Kapital).Die ersten drei Bände der deutschen Ausgabe, mit allen dazugehörigen Originalen von Marc Chagall. - Innen tadellose Exemplare.

Chagall, Marc - - Cain, Julien. Chagall Lithograph III. 1962-68. Deutsch von O. Baumgartner. Mit zahlreichen, größtenteils farbigen Abbildungen und 2 Original-Lithographien (Umschlag und Frontispiz). Monte Carlo, Sauret, 1969. 179 S. 32,5 x 25 cm. Original-Leinwand mit farbig lithographiertem Original-Schutzumschlag mit Original-Klarsichtumschlag. Band 3 des maßgeblichen Werkverzeichnisses der Lithographien in deutscher Sprache. - Sehr gutes Exemplar. - Dabei: Sorlier, Charles. Die Keramiken und Skulpturen von Chagall. Vorwort von André Malraux. Mit 1 farbigen Original-Lithographie und zahlreichen meist farbigen Abbildungen. Monco, Sauret, 1972. 249 S., 1 Bl. 33 x 25 cm. Original-Leinwand im Original-Schutzumschlag. - Sehr gutes Exemplar.

Chagall, Marc - - Cain, Julien. Chagall Lithograph. Bände 1-4 (von 6) Mit 27 (20 farbigen) Original-Lithographien (inklusive 3 Umschlägen) von Marc Chagall und zahlreichen teils farbigen, teils ganzseitigen Abbildungen. Monte Carlo, Sauret, 1960-1974. 32,3 x 25,3 cm. Original-Leinwandbände mit (3 farblithographischen) Schutzumschlägen und Klarsichtumschlägen (Umschläge teils minimal angerändert).Mourlot/Sorlier 281-292. - Die ersten 4 Bände der deutschen Ausgabe, mit allen dazugehörigen Originalen von Marc Chagall. - Sehr gutes Exemplar.

NO RESERVE Blew (William C. A.) Brighton and its Coaches: a history of the London and Brighton Road, frontispiece, plates, tissue-guards, later half-morocco by Bayntun, gilt, 1894 § Birch Reynardson (C. T. S.) 'Down the Road' or Reminiscences of a Gentleman Coachman, frontispiece, additional vignette title, plates, previous owner's ink signature, original pictorial cloth, gilt, slight bumping to corners and extremities, 1897 § Harris (Stanley) Old Coaching Days, lithograph frontispiece and plates, scattered spotting, cracked hinges, original pictorial cloth, slight bumping to corners and extremities, 1882; and 2 others similar, 8vo & oblong folio (5)

NO RESERVE Ward (Adolphus William) The Electress Sophia and the Hanoverian Succession, one of 1000 copies, colour frontispiece, plates, captioned tissue-guards, illustrations, scattered faint spotting, later half-morocco by Sangorski & Sutcliffe, gilt, 1903 § Russell (W. H.) A Memorial of the Marriage of H.R.H. Albert Edward Prince of Wales and H.R.H. Alexandra Princess of Denmark, chromolithograph frontispiece, lithograph plates, marginal tears and creases to one or two, neatly repaired, tissue-guards, illustrations, marginal scattered spotting, original decorative cloth, expert repairs to corners and spine ends, a little rubbed, [1863], 4to & folio (2)

NO RESERVE British Isles.- Teall (J.J.H.) Geological Map of the British Islands, based on the work of the Geological Survey, 2nd edition, lithograph printed in colours, 815 x 320 mm (32 x 12 1/2 in), dissected and mounted on linen, collector's ink inscription in the upper left dated '1913', surface dirt, browning and handling creases, unframed, folding without slipcase, 8vo, 1912.

After Honore Daumier, 1808-1879. 'Vas te coucher Figaro, tu sens la fièvre', 1833, lithograph, 28x20cm

Linda le Kinff (French b.1949), lady holding flowers 8/20, signed and numbered in pencil lithograph 50x65cm

Linda le Kinff (French b.1949), lady with flowers, 7/20, signed and numbered in pencil lithograph 65x50cm

Linda le Kinff (French b.1949), lady holding rose 8/20, signed and numbered in pencil lithograph 50x65cm

Linda le Kinff (French b.1949), lady holding flowers 7/20, signed and numbered in pencil lithograph 65x50cm

Francois (Fanch) Ledan (French, b. 1949), 'Garden Square', colour lithograph, wove, signed in pencil lower right, numbered 2/5; 46 x 64cm

Picasso, 'La Bailarina', 1954, lithograph of a ballet dancer, 437/1500, on laid paper, published by D.D.C and dated 1986, 36.5x25cm

Prof. Hans Thoma, "Sämann"junger Bauer auf dem Feld, beim Ausbringen der Saat, Farblithographie, links unten ligiertes Monogramm und datiert "HTh 1901.", rechts unten bezeichnet "Hans Thoma: Saemann", leicht gebräunt, hinter Glas im mit Kerbschnitzerei verzierten Rahmen (dieser mit Altersspuren), Falzmaße ca. 43 x 34 cm. Künstlerinfo: dt. Maler und Graphiker (1839 Bernau bis 1924 Karlsruhe), zunächst zeitweise Lehre als Lithograph und Stubenmaler in Basel sowie Uhrenschildermacher in Furtwangen, parallel autodidaktische Mal- und Zeichenstudien, studierte 1859-66 an der Kunstschule Karlsruhe bei Ludwig Des Coudres und Johann Wilhelm Schirmer, anschließend kurzzeitig in Basel und Düsseldorf, 1868 Aufenthalt in Paris, hier beeinflusst von Gustave Courbet und der Schule von Barbizon, 1870-76 in München, 1874 erste Italienreise mit Aufenthalt in Rom, ab 1878 tätig in Frankfurt am Main, 1899-1901 in Kronberg und Mitglied der Kronberger Malerkolonie, freundschaftlich verbunden und angeregt durch Arnold Böcklin, Wilhelm Leibl, Wilhelm Steinhausen und Wilhelm Trübner, 1899 zum Professor ernannt, 1899-1920 Direktor der Kunsthalle Karlsruhe, Quelle: Thieme-Becker und Internet.

Prof. Maurice Vagh Weinmann, Stadt im WinterBlick vom erhöhten Standpunkt auf verschneite Straße mit Passantin, vor Stadtkulisse und Bergsilhouette, stimmungsvolle Malerei mit breitem Pinselduktus in kraftvoller Farbigkeit, partiell gespachtelt, Öl auf Leinwand, um 1960, rechts unten signiert "Maurice Vagh Weinmann", ca. 2 cm lange Fehlstelle in der Leinwand, Malschichtverluste, restaurierungsbedürftig, gerahmt, Falzmaße ca. 73,5 x 60,5 cm. Künstlerinfo: eigentlich Mihály Vagh Weinmann, nannte sich in Frankreich Maurice Vagh Weinmann, jüdischer ungarisch-frz. Maler, Kupferstecher, Lithograph und Illustrator (1899 Budapest bis 1986 Paris), mit 6 Jahren Hinwendung zur Kunst, ab 1914-18 Schüler der Kunstgewerbeschule Budapest, während des 1. Weltkriegs ein Jahr Atelierschüler von Tihamér Margitay (1859-1922) und Gyula Tornai (1861-1928), 1924 erste Personalausstellung, Zusammenarbeit mit seinen Brüdern Elemer Vagh Weinmann (1906-1994) und Nandor Vagh Weinmann (1897-1978), nach ersten Erfolgen als Künstler 1930-33 erster Aufenthalt mit seinem Bruder Nandor Vagh Weinmann in Paris, 1934 kurzzeitige Rückkehr nach Budapest, ab Herbst 1934 Übersiedlung mit seinen Brüdern nach Paris, 1936 Umzug nach Haute-Savoie und zeitweise in Annecy, Chamonix und dann in Grenoble tätig, 1939 Übersiedlung nach Cannes, wegen des Kriegsausbruchs ab 1939 in Toulouse ansässig, ab 1941 mit seinen Söhnen André und Tilhamer im Untergrund und Teilnahme am Widerstand gegen die dt. Besatzer, 1950 Übersiedlung nach Les Granettes/Aix-en-Provence, später in Ventabren tätig, hier Gründer und Direktor der Vagh-Weinmann-Malschule, Gründer des Verbandes bildender Künstler Ventabren und 1962 Mitgründer des Vagh-Weinmann-Museums, 1957 Annahme der frz. Staatsbürgerschaft, ab 1969 in Digne-les-Bains/Provence-Alpes-Côte d’Azur tätig und 1969-76 Professor und Direktor an der Kunstschule Digne, beschickte Ausstellungen in Paris, in München, Frankfurt am Main und Monaco, in der Provence, in Biarritz, Lyon, Straßburg, Le Havre, Marseille, Arles, Rouen, Nizza, in Montreal (Canada), Beverly-Hills (USA) und in Budapest, 1960 Ehrung als Chevalier de l´Ordre des Arts et des Lettres [Ritter des Ordens der Künste und der Literatur], Quelle: Saur "Bio-Bibliographisches Künstlerlexikon", frz. Wikipedia, Bénézit, Selbstzeugnis des Sohnes André Vagh Weinmann und Alauzen-Noet "Lexikon der Maler und Bildhauer der Provence-Alpes-Côte d'Azur".

Prof. Maurice Vagh Weinmann, Herbstliches Dorfbewegte, herbstliche Landschaft mit einzelnen Gehöften, expressive, pastose Landschaftsmalerei mit breitem Pinselduktus in kraftvoller Farbigkeit, partiell gespachtelt, Öl auf Leinwand, um 1960, rechts unten signiert "Maurice Vagh Weinmann", gerahmt, Falzmaße ca. 54 x 65 cm. Künstlerinfo: eigentlich Mihály Vagh Weinmann, nannte sich in Frankreich Maurice Vagh Weinmann, jüdischer ungarisch-frz. Maler, Kupferstecher, Lithograph und Illustrator (1899 Budapest bis 1986 Paris), mit 6 Jahren Hinwendung zur Kunst, ab 1914-18 Schüler der Kunstgewerbeschule Budapest, während des 1. Weltkriegs ein Jahr Atelierschüler von Tihamér Margitay (1859-1922) und Gyula Tornai (1861-1928), 1924 erste Personalausstellung, Zusammenarbeit mit seinen Brüdern Elemer Vagh Weinmann (1906-1994) und Nandor Vagh Weinmann (1897-1978), nach ersten Erfolgen als Künstler 1930-33 erster Aufenthalt mit seinem Bruder Nandor Vagh Weinmann in Paris, 1934 kurzzeitige Rückkehr nach Budapest, ab Herbst 1934 Übersiedlung mit seinen Brüdern nach Paris, 1936 Umzug nach Haute-Savoie und zeitweise in Annecy, Chamonix und dann in Grenoble tätig, 1939 Übersiedlung nach Cannes, wegen des Kriegsausbruchs ab 1939 in Toulouse ansässig, ab 1941 mit seinen Söhnen André und Tilhamer im Untergrund und Teilnahme am Widerstand gegen die dt. Besatzer, 1950 Übersiedlung nach Les Granettes/Aix-en-Provence, später in Ventabren tätig, hier Gründer und Direktor der Vagh-Weinmann-Malschule, Gründer des Verbandes bildender Künstler Ventabren und 1962 Mitgründer des Vagh-Weinmann-Museums, 1957 Annahme der frz. Staatsbürgerschaft, ab 1969 in Digne-les-Bains/Provence-Alpes-Côte d’Azur tätig und 1969-76 Professor und Direktor an der Kunstschule Digne, beschickte Ausstellungen in Paris, in München, Frankfurt am Main und Monaco, in der Provence, in Biarritz, Lyon, Straßburg, Le Havre, Marseille, Arles, Rouen, Nizza, in Montreal (Canada), Beverly-Hills (USA) und in Budapest, 1960 Ehrung als Chevalier de l´Ordre des Arts et des Lettres [Ritter des Ordens der Künste und der Literatur], Quelle: Saur "Bio-Bibliographisches Künstlerlexikon", frz. Wikipedia, Bénézit, Selbstzeugnis des Sohnes André Vagh Weinmann und Alauzen-Noet "Lexikon der Maler und Bildhauer der Provence-Alpes-Côte d'Azur".

Ernst Hasse, attr., Kircheninterieurvom Licht durchfluteter gotischer Kirchenraum mit Priester und einigen Gläubigen, Aquarell, Mitte 19. Jh., rechts unten signiert und bezeichnet "E. Hasse fec.", unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitt ca. 29,5 x 20,5 cm. Künstlerinfo: auch Haße, dt. Lithograph, Tier-, Landschafts- und Genremaler (1819 Erfurt bis 1860 Dresden), studierte ab 1837-41 an der Akademie in Dresden bei Ludwig Richter, ab 1848 ständig in Dresden ansässig, unternahm Studienreisen ins Rhonetal und nach Spanien, vertreten u. a. im Kupferstichkabinett Dresden und in der Sammlung von König Friedrich August II. von Sachsen, Quelle: Thieme-Becker, Friedrich „Ludwig Richter und seine Schüler“ und Internet.

Prof. Paul Müller-Kaempff, Sonnige WaldlichtungLaubbäume am sommerlichen Waldrand, im hellen Sonnenlicht, pastose, impressionistische "Paysage intime" Landschaftsmalerei, Öl auf Leinwand, um 1900, links unten signiert "P. Müller-Kaempff", fachgerecht restauriert, alt gerahmt, Maße ca. 40,5 x 45 cm. Künstlerinfo: auch Müller-Kämpf, dt. Landschaftsmaler, Zeichner, Lithograph, Entwerfer und Illustrator (1861 Oldenburg bis 1941 Berlin), studierte zunächst 1882 an der Akademie Düsseldorf, 1883-86 Studium bei Gustav Schönleber an der Akademie Karlsruhe und 1886-88 als Meisterschüler von Hans Fredrik Gude an der Akademie Berlin, 1889 erster Aufenthalt im Wustrow Fischland-Darß-Zingst, hierbei entdeckte er Ahrenshoop für sich, baute hier 1892 sein Haus "Villa St. Lucas" und betrieb 1892-1908 die Malschule "St. Lucas", Gründungsmitglied der Künstlerkolonie Ahrenshoop, 1904 Mitbegründer des Oldenburger Kunstvereins und 1907-11 dessen Vorsitzender, 1907 Mitbegründer der Vereinigung nordwestdeutscher Künstler, 1906 Ernennung zum Professor durch den Großherzog von Oldenburg, ab 1908 Zweitwohnsitz in Hamburg und Mitglied des Hamburger Kunstvereins, 1909 Bau des Ahrenshooper Kunstkatens, 1914 Rückkehr nach Berlin, Ankauf zahlreicher Werke durch den kaiserlichen Hof in Berlin und vertreten in Museen in Rostock, Oldenburg, Kiel und Hamburg, Mitglied der Allgemeinen Deutschen Kunstgenossenschaft, Quelle: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Bruckmann "Lexikon der Düsseldorfer Malerschule", Feddersen "Schleswig-Holsteinisches Künstlerlexikon", Rump, Mülfarth, Müller-Singer, Boetticher und Wikipedia.