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Lot 129

Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005, The Sculptor's Studio, 1997; photo-lithograph on wove, signed, dated, inscribed with title and numbered 1/30 in pencil, image: 29 x 36.4 cm,(framed)(ARR)

Lot 31

Henri Matisse,French 1869-1954-The Dancer, 1949;lithograph in colours on wove,signed in the plate,printed by W.S. Cowell Ltd.,published by School Prints Ltd.,sheet: 76 x 49.5 cm.(unframed)(ARR)Note: please see Tate Britain, accession no. P01713, for a similar example.

Lot 287

David Bowie,British 1947-2016,Iman, 1995; lithograph in colours on Somerset wove,signed in pencil by Bowie and Iman his wife, and numbered 244 on the reverse,sheet: 31 x 26 cm,(unframed)(ARR)Provenance: The Rokeby Gallery, London. 

Lot 305

Julian Opie,British b. 1958-Walking in Melbourne;offset lithograph in colours on wove,image: 23.5 x 27 cm,sheet: 34.8 x 35 cm, (unframed)(ARR) 

Lot 251

Jeffery Camp RA,British 1923-2020, Pigeons, 1994; lithograph in two blacks on 250gsm Velin Arches paper, signed and numbered 80/80 in pencil, printed at Paupers Press, published by the Byam Shaw School of Art, 1994, sheet: 30.3 x 40.7 cm, (unframed)(ARR)

Lot 469

Banksy, British b. 1974-Soup cans;offset lithograph printed in colours on thin wove paper, 84 x 59.5 cm,(unframed)(ARR)Note: together with postcard provided by Stella Dore and original tube bearing POW sticker 

Lot 146

Sir Howard Hodgkin CH CBE,British 1932-2017,Swimming (Olympic Games Poster), 2012;offset lithograph in colours on smooth wove,published by the London Organizing Committee for the Olympic Games,edition of 50000,image: 80 x 59.7 cm, (framed) (ARR)Note: this is one of twelve posters by contemporary leading artists commissioned for the London 2012 Olympic and Paralympic Games. Since 1912, each host city has commissioned posters to celebrate the Games, and over the last century the posters have become part of the Games' identity. The commissioned artists for London 2012 were Bridget Riley, Fiona Banner, Michael Craig-Martin, Martin Creed, Tracey Emin, Anthea Hamilton, Howard Hodgkin, Gary Hume, Sarah Hume, Sarah Morris, Chris Ofili, Bob and Roberta Smith and Rachel Whiteread.

Lot 500

Keith Haring,American b. 1958-1990,Montreux Jazz Festival, 1983;offset lithograph in colours,with printed signature,printed by Serigraphie Uldry, Berne, Switzerland100 x 70 cm,(unframed)

Lot 414

Titus Kaphar,American b.1976-Analogous colors;offset lithograph in colours,after a painting entitled 'Analogous colors' 2020,signed and dated '22' in black pen by the artist,91.5 x 61 cm(unframed) 

Lot 46

Henry de Montherlant,French 1895-1972, Untitled; lithograph on wove, signed in pencil, image: 53 x 30.4 cm,(framed)(ARR)

Lot 453

Takashi Murakami, Japanese b. 1962-Burying my face in the field of flowers;offset lithograph, cold stamp and high gloss varnishing,signed and numbered 132/700 in silver marker,71 cm diameter,(unframed)

Lot 221

Sir William MacTaggart FRSE RA PPRSA,Scottish 1903-1981,Roses Against the Night Sky, Drummond Place, 1957;lithograph in colours on wove, signed, numbered 24/50 and dated '57' in graphite, image: 69 x 44.5 cm, (framed)(ARR) 

Lot 56

Jacques Villon,French 1875-1963, Le Théâtre, 1962; lithograph in colours on Vélin D'Arches paper, signed and numbered 33/175 in pencil,published by Louis Carré, Paris,image: 29 x 35,5 cm, (framed)(ARR)

Lot 108

Ceri Richards CBE,Welsh 1903-1971,The force that through the green fuse drives the flower, 1945;a double-sided lithograph in colours on wove, signed and dated in the plate,from a set of twelve lithographs for 'Six Poems' by Dylan Thomas, image: 23.5 x 36 cm, (framed)(ARR)

Lot 20

Pablo Picasso,Spanish 1881-1973,La Pique (The Pike), 1961; Jeu de la Cape (III), 1961; Les Banderilles 1961; Le Picador II, 1961 (from 'A Los Toros avec Picasso', by Jaime Sabartés) and La Petite Corrida, 1957 (from the XXe Siecle No. 10 Portfolio);each lithograph on wove,(i), (ii), (iii) & (iv) dated in the plate, sheet: 32 x 24.6 cm,(v) dated and signed in the plate,printed by Mourlot in 1971, Paris, France,image: 30.9 x 24 cm,(unframed)(ARR)(5)

Lot 288

David Bowie,British 1947-2016,Jon, 1998; lithograph on Fabriano paper, signed and numbered 100/175 in pencil, “Jon” printed in relief to lower left corner,sheet: 59 x 45 cm, (unframed)(ARR)Provenance: Rokeby Gallery, London

Lot 411

Emil Orlik (1870-1932), portrait of Alexander Von Zemilsky, signed and inscribed with title in pencil, lithograph. 36 x 23 cm (SH).

Lot 699

Laurence Stephen LOWRY (1887-1976) Three Men and a Cat  Lithograph Signed in pen and with the Fine Art Guild blind stamp from an edition 850Image size 25 x 17cm There is light mount burn present on perimeter of the piece, this is particularly evident on the bottom edge (please see additional image). The print has not been examined out of the frame and appears to be in good condition.

Lot 665

John PIPER (1903-1992) Prometheus, 1954 Auto-lithograph from an edition of 500Image size 135 x 210mm

Lot 161

Paul MOUNT(1922-2009) Sculptural Forms Lithograph, signed and numbered 1/20, 57x72cm paper sizeThe artist's estate.Overall this piece is in good condition. There are a few minor creases to the margin of the piece. The work is unframed and rolled.

Lot 403

Fred YATES (1922-2008) Brighton Lithograph, Signed in ink by the artist, also inscribed and dated 1972, 23x61cm

Lot 11

(XX). Continental school, modernist figure study indistinctly signed in pencil lower right, limited edition, lithograph and etching on paper with embossed stamp, 19 / 145, framed. 49 x 36 cm

Lot 108

† JOHN HOYLAND (1934-2011); signed limited edition lithograph, numbered 38/40, 54.5 x 60 cm, unframed.

Lot 107

† JOHN HOYLAND (1934-2011); signed limited edition lithograph, numbered 36/44, 54.5 x 60cm, unframed.Condition Report: Some slight dirt marks on the edge of the print - see additional images

Lot 462

A brushed steel-framed colour lithograph of HENRI MATISSE 'Circus (le Cirque)' from Jazz 1947 (signed to the lower vertical, frame size 107.5cm x 149cm) . In the final decades of his life Matisse invented a new form of Art known as the 'cutout'. Working with scissors and sheets of gouache-painted paper he cut various shapes from the organic to the geometric and arranged them into lively compositions. Cutouts formed the prototypes for the printed images in the illustrated book 'Jazz' which Matisse insisted remained faithful to the original colours.

Lot 298

Alexandre Ivanov (Russian 1950-1998), coloured lithograph on paper, pencil signed and titled, unframed. H.59 W.55cm.

Lot 409

CORNEILLE (1922-2010) a lithographEpreuve D'Artiste, 15/251978. Dimensions:(W:49 x H:64 cm)

Lot 410

CORNEILLE (1922-2010) Lithograph, Epreuve D'Artiste, 1977. Dimensions:(W:29 x H:29 cm)

Lot 465

Pal HORVATH (1936) 'Abstract' a lithograph. 44/150Dimensions:(W:50 x H:70 cm)

Lot 49

LAURENCE STEPHEN LOWRY (BRITISH 1887-1976) CRIME LAKEoffset lithograph printed in colours, 1971, on wove, signed and numbered L.S. Lowry 134 lower margin, from the edition of 500, printed by Max Jaffe, Vienna, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp46 x 60.5cm; 18 x 23 3/4in (image)58 x 70.5cm; 23 x 27 3/4in (sheet)(unframed)Property from a LadyProvenance: Purchased by the father of the present owner in the late 1970sARR may apply ARR may apply

Lot 497

T.L SANGER AFTER H. BARRAUD (19TH CENTURY)Punchestown 1868Coloured Lithograph, 51 x 107cmPublished by Thomas Cranfield, Dublin 1870

Lot 435

Picasso: colour lithograph, "Le Petit Corrida", 12" x 8 3/4", unframed with associated pencil signed mount

Lot 430

Salvadore Dali: a signed E A  lithograph, "Galatea of the Spheres", 23 1/2" x 18 1/2", unframed (water staining)

Lot 591

Martin Stuart Moore (1946 - ) Late 20th Century signed Martin Stuart Moore framed limited edition lithograph of Bristol panoramic cityscape "Memories of Bristol." Print number 74 of 950. Including major landmarks in Bristol such as suspension bridge and Park Street. Framed and glazed. Measurements approx width 76cm x length 61cm.

Lot 622

A collection of vintage framed local Bristol street scenes / scenic lithograph prints (x3), Consisting of 'The Old Drawbridge Bristol, 1850', 'The Llandoger Trow, King Street',  The Theatre Royal and Coopers Hall, King Street - all signed S. Bird. Along with Bygone Bristol series prints (x3), to include 'The 'Shakespeare Inn & Temple Church' (No.6), 'Avon Gorge, Bristol' (No.10), 'Redcliffe Hill / St Mary Redcliffe Church' (No.11) and large Bristol Harbour / dockyard photograph. All framed and glazed. Largest measures 55cm (height) x 67cm (width).

Lot 2481

The Useful Knitting Book 1876 by Mademoiselle Riego De La Branchardiere, with colour centre pullout lithograph of hosiery, published by A Goater, Nottingham, of embroidery or needlework interest

Lot 23

Layard (Austen H). Discoveries in the Ruins of Nineveh and Babylon; with travels in Armenia, Kurdistan and the Desert, 1st edition, London: John Murray, 1853, folding frontispiece, 15 plates (many folding), further woodcut plates (some full-page), occasional spotting and damp-staining, publisher's advertisement leaf at rear, original brown pictorial cloth gilt, rubbed, 8vo, together with:Vaux (Frederic W). Rambles in the Pyrenees; and a visit to San Sebastian, 1st edition, London: Longman, Orme, Brown, Green, & Longmans, 1838, lithograph frontispiece (loose), folding map at rear, 16 pp. publisher's advertisements at rear, front hinge cracked, a few light marks, original green blindstamped cloth gilt, rubbed, 8vo, withLane-Poole (Stanley). Social Life in Egypt, a description of the country and its people, London: J.S. Virtue and Co, [1884], engraved frontispiece and title, 4 further full-page steel-engraved plates, smaller illustrations to text, title printed in red and black, scattered spotting, all edges gilt, original brown cloth gilt, lightly rubbed, 4to, with 25 others related to travel and topography, including Letters from Head-Quarters; or the realities of the war in the Crimea (1857, 2nd edition), Alexis Muston's The Israel of the Alps (2nd edition, 1853), and Heath's Picturesque Annual, Versailles QTY: (28)

Lot 307

MacKinnon (Colonel). Origin and of the Coldstream Guards, 2 volumes, 1st edition, London: Richard Bentley, 1833, monochrome plates, occasional minor spotting, original cloth gilt, some wear with portion to head of spine of first volume nearly detached, 8vo, together with:Ross-of-Bladensburg (Lieutenant Colonel). A History of the Coldstream Guards from 1815 to 1895, illustrated by Lieut. Nevile R. Wilkinson, 1st edition, London: A. D. Innes & Co., 1896, colour lithograph plates, maps etc., top edge gilt, remainder untrimmed, contemporary ownership signature to half-title of Eric Hanbury Tracy, Coldstream Guards 1896, bookplate of N Lawrence to front pastedown, original dark blue cloth gilt, a little rubbed and some minor marks, large 8vo, plusDavies (G.). The Early History of the Coldstream Guards, 1st edition, Oxford: Clarendon Press, 1924, monochrome plates and maps, original dark blue cloth gilt, large 8vo, and further histories of the Coldstream Guards including Lieutenant-Colonel Sir John Ross-of-Bladensburg, The Coldstream Guards 1914-1918, 3 volumes (including maps), 1928, Colonel Sir John Hall, The Coldstream Guards 1885-1914, Oxford 1929, Michael Howard and John Sparrow, The Coldstream Guards 1920-1946, Oxford, 1951 (two copies), D. C. Quilter 'No Dishonourable Name', 1st edition, 1947, Richard Crichton, The Coldstream Guards 1946-1970, 1st edition, 1972, Cuthbert Headlam, History of the Guards Division in the Great War 1915-1918, 2 volumes, 1st edition, 1924, Patrick Forbes, 6th Guards Tank Brigade, [1946], and Captain J. Pereira, A Distant Drum, War Memories of the Intelligence officer of the 5th Bn. Coldstream Guards 1944-45, 1st edition, 1948, all original publishers cloth gilt, 8vo (Quilter in 4to) G/VGQTY: (16)

Lot 3

Burckhardt (John Lewis). Travels in Nubia, Published by the Association for Promoting the Discovery of the Interior parts of Africa, 1st edition, London: John Murray, 1819, half-title, engraved portrait frontispiece, 3 engraved maps including 2 folding, advertisement leaf at end, occasional light spotting, edges untrimmed, original publisher's boards, printed title to spine, upper board detached, worn, 4to (28.5 x 22.3 cm), together with:Burckhardt (John Lewis), Travels in Syria and the Holy Land, Published by the Association for Promoting the Discovery of the Interior parts of Africa, 1st edition, London: John Murray, 1822, half-title, lithograph portrait frontispiece, 6 engraved maps including 2 folding, edges untrimmed, original publisher's boards, printed title to spine, spine and edges worn, 4to (28.2 x 22 cm),Burckhardt (John Lewis), Travels in Arabia, comprehending an account of those Territories in Hedjaz which the Mohammedans regard as sacred, Published by Authority of the Association for Promoting the Discovery of the Interior of Africa, 1st edition, London: Henry Colburn, 1829, half-title discarded, 5 engraved maps including 1 folding, occasional light scattered spotting, late 19th-century half calf, worn at head and foot of spine, 4to (27 x 21 cm),Burckhardt (John Lewis), Notes on the Bedouins and Wahabys, collected during his travels in the East, Published by Authority of the Association for Promoting the Discovery of the Interior of Africa, 1st edition, London: Henry Colburn and Richard Bentley, 1830, half-title, engraved map frontispiece with some spotting and slightly offset to title, few wood engraved illustrations, edges untrimmed, original publisher's cloth-backed boards, manuscript title label to spine, spine torn at head and worn at foot, 4to (28.8 x 21.8 cm)QTY: (4)NOTE:1. cf.Blackmer 238 (second edition). John Lewis Burckhardt (1784-1817), travelled from Aleppo to Cairo and then made two journeys, one along the Upper Nile, the other through the Nubian desert.2. Atabey 166; Blackmer 237. "Edited by William Leake, these journals describe Burckhardt's various journeys between 1810 and 1816. It was at Aleppo that he studied Arabic in preparation for his later travels and he toured Syria and the Holy Land making the first visit by a European to Petra" (Blackmer).3. cf. Blackmer 239 (second edition). Burckhardt spent nearly nine years in the Middle East and North Africa preparing for an expedition to find the source of the Niger under the auspices of the African Association, only to succumb to dysentery before completing his quest. In 1814 he travelled up the Nile as far as Dar Mahass; then, finding it impossible to penetrate westward, he journeyed through the Nubian desert in the character of a poor Syrian merchant, passing by Berber and Shendi to Suakin, on the Red Sea, whence he performed the pilgrimage to Mecca by way of Jidda. At Mecca, he stayed for three months and afterwards visited Medina. The present work relates his experiences in Arabia and contains the first accurate account of the Hedjaz including Mecca and Medina to reach Europe. The plates include plans of Mecca and Medina. There were two editions of this title published in 1829, the present large quarto edition, and a two-volume octavo edition.4. Not in Blackmer. The final work was published posthumously by the Association for Promoting the Discovery of the Interior of Africa.

Lot 153

* Bath. Newman (J. lithographer), Bath from the Railway Arch over Pulteney Road, circa 1850, tint stone lithograph, trimmed to the image along the upper margin, 245 x 320 mm, mounted, framed and glazedQTY: (1)

Lot 166

* Falmouth. Tregoning (E. S. publisher), Falmouth Town & Harbour (from near Tregew), lithographed by Newman & Co. Falmouth, circa 1850, hand-coloured lithograph, some spotting, 270 x 355 mm, together with Falmouth Docks, Railway Terminus, Lighthouse &c. from Trefusis, E. S. Tregoning Bookseller &c. Falmouth, circa 1850, hand-coloured lithograph, some spotting, one short marginal closed tear, 270 x 365 mm, with Falmouth Town & Harbour, From St. Mawes Castle, E. S. Tregoning, Falmouth, circa 1850, hand-coloured lithograph, some spotting, 265 x 345 mm, plus Dixon (C. S. publisher). Falmouth Town & Harbour, printed by La Rivière, Falmouth, circa 1860, hand-coloured lithograph, some spotting, 240 x 325 mm, mounted, framed and glazed, and another unattributed hand-coloured lithograph titled "Falmouth Harbour, Cornwall" with three identified boats (H. M. S. Sealark, H. M. S. Ganges & Morter Boat used for Swimming Instruction), circa 1840, one small closed tear affecting the image, 245 x 350 mm, mounted, framed and glazedQTY: (5)

Lot 715

Fleece Press. To War with Paper & Brush. Captain Edward Ardizzone, Official War Artist, by Malcolm Yorke, Fleece Press, 2007, colour and monochrome illustrations, original cloth, slipcase, oblong 4to, limited edition of 700, together with Tone, Texture, Light and Shade. A Barnett Freedman Picture Album, Fleece Press, 2011, colour and monochrome illustrations, original cloth-backed decorative boards, slipcase, folio, limited edition of 90, from a total edition of 250, with an original lithograph illustration, and Christmas card contained in rear pocket, folio, plus Gargoyles and Tattie-Bogles. The Lives and Work of Douglas Percy Bliss & Phyllis Dodd, by Malcolm Yorke, Fleece Press, 2017, limited edition of 420 QTY: (3)

Lot 30

Nolan (Captain L. E.). Cavalry; Its History and Tactics, 1st edition, London: Thomas Bosworth, 1853, 7 lithograph plates, including two with hand-colouring, and three colour lithographs of saddles and bridles (light water stain to the last three plates), ownership bookplate to front pastedown, and inscription of Archibald F Becke Captain, late R.F.A., dated 1910, later bookplate of the Military Historical Society to front endpaper, original red quarter morocco, spine lettered in gilt, rubbed and a little wear, joints split at head of spine, 8vo, together withFort St. George. Standing Orders for the Light Cavalry of the Army of Fort St. George, Adjutant General's Office, Fort St. George 17th March 1857, 2nd edition, Madras: Pharoah and Co, 1857, title with contemporary ownership signature of G. H. Elliott, 3rd B. C., some leaves a little chipped to edges, endpapers renewed (and restrengthened with black adhesive plastic), modern brown cloth with paper label to spine, 8vo, plus others related including The Quarterly Army List of Her Majesty's Honorable Company's Services on the establishment of Fort St. George..., corrected to 31st December 1847, Madras Pharoah & Co, 1847, near-contemporary inscription to head of title in 1862. Her Majesty's Madras Army, additionally inscribed to front endpaper 'Captain Wilton late 36th Regtm. R. I. Major, By the Brevet of 1854, Retired from the Madras Army on 4th July 1848', contemporary annotations in ink, some toning throughout, further annotations to rear endpaper and pastedown, upper inner hinge restrengthened with tape, contemporary red half morocco, rubbed and some wear, 8vo, Memoir of Major-General Sir Henry Tombs, Woolwich, 1913, and The Chronocal of Private Henery Metcalf, H. M. 32nd Regiment of foot, edited by Lieut.-General Sir Frances Tuker, 1953, 8voQTY: (5)

Lot 229

Milton (John). Paradise Lost. A Poem, in Twelve Books, 2 vols., 4th edition, with notes of various authors, by Thomas Newton, London: C. Hitch, L. Hawes, J. Hodges, J. & R. Tonson [& others], 1757, engraved portrait frontispiece to first volume and 12 engraved plates, together with Milton (John), Paradise Regain'd. A Poem, in Four Books. To which is added Samson Agonistes: and Poems upon several occasions, 2nd edition, with notes of various authors, by Thomas Newton, London: J. & R. Tonson and S. Draper [& others], 1753, engraved portrait frontispiece to first volume and 5 engraved plates, some scattered spotting, contemporary uniform calf, gilt decorated spines with contrasting morocco labels, joints cracked and light wear to extremities, 8vo, together with:Hyde (Edward, 1st Earl of Clarendon), The History of the Rebellion and Civil Wars in England begun in the year 1641, 5 volumes, Oxford: Printed at the Theater, 1707, engraved portrait frontispiece to each, occasional scattered spotting, contemporary panelled calf, rebacked, 8vo,Eyre (Vincent), The Military Operations at Cabul, which ended in the retreat and destruction of the British Army, January 1842. With a journal of imprisonment in Afghanistan, 5th edition, London: John Murray, 1843, folding lithograph plan, upper pastedown with bookplate of the Earl of Ellenborough of Southam de la Bere and ink stamp 'Earl of Ellenborough's heirlooms' and bearing signature 'Ellenborough', contemporary calf, gilt decorated spine with contrasting morocco labels, joints rubbed, 8vo, plus other 19th and 20th-century leather-bound volumes, including The Times History of the War in South Africa 1899-1900, edited by L. S. Amery, 7 volumes in 6, London: Sampson Low, Marston and Company, Ltd., 1900-1909, heraldic bookplate of Sherborne Library to upper pastedowns, top edge gilt, 20th-century maroon half morocco gilt, 8vo, plus two cloth bound volumesQTY: (50)

Lot 581

* Moveable. Prince Albert's Stock; or, the Royal Fashion for 1843, which is to continue for the succeeding ten years, London: William Spooner, 377 Strand, 1843, hand-coloured lithograph with overlay, a transformation print depicting Prince Albert's necktie divided into three moveable flaps, opening to show Prince Albert and Queen Victoria's children at that date: the Princess Royal, Prince Edward and the newborn Princess Alice, closed tear to upper left part of neck tie, sheet size 34.5 x 24 cm, tipped onto brown card, (36 x 25 cm)QTY: (1)

Lot 180

* Payne (Charles Johnson, pseud. Snaffles). Bang Tails, circa 1911, colour lithograph finished with bodycolour, 340 x 130 mm, mounted, framed and glazed, together with The Gent with 'Osses to Sell, circa 1910, colour lithograph, slight staining, title displayed in an aperture mount, image size 305 x 250 mm, mounted, framed and glazedQTY: (2)

Lot 43

Cawston (Arthur). A Comprehensive Scheme for Street Improvements in London, accompanied by Maps and Sketches, London: Edward Standford, 1893, 24 plates and plans (including 14 folding), one illustration to text, four folding lithograph maps in pocket at rear, some toning throughout, top edge gilt, original cloth gilt, head and foot of spine frayed, 4to, together with:Barlow (Crawford), The New Tay Bridge. A course of lectures delivered at the Royal School of Military Engineering, at Chatham, November 1888, London & New York: E. & F. N. Spon, 1889, numerous photogravure plates and folding diagram, title page inscribed by the author with oval ink stamp, original gilt-blocked cloth, slim folio QTY: (2)

Lot 448

Moveable. Moveable Shadows, by W. Newman (of "Punch"), London: Dean & Son, [1857], pictorial title-page, 8 tinted lithograph plates, each with a moveable character operated by a tab (all working), when the figure is moved a comical shadow is revealed, tissue guards, some tabs fully or partly replaced, original pictorial boards, rear board with advertisements, somewhat worn and marked, spine rebacked and then re-covered in buff paper with title on paper laid onto spine, 8voQTY: (1)NOTE:Gumuchian 6178; Osborne p.419.A rare moveable. Each figure is designed so that its shadow illustrates the character of the person portrayed: for example 'A Conceited Ass' portraying a pompous man reveals his shadow as a donkey standing on its hind legs.

Lot 274

Keynes (Geoffrey). A Study of the illuminated books of Willliam Blake, Poet, Printer, Prophet, 1st edition, London and Paris: Trianon Press, 1964, offset colour lithograph illustrations, top edge gilt, original brown quarter morocco gilt, in matching slipcase, 4to, limited signed edition 470/525, together with The Complete Portraiture of William & Catherine Blake, with an Essay and Iconography by Geoffrey Keynes, Trianon Press for the William Blake Trust, 1977, monochrome illustrations, original brown quarter morocco gilt, with slipcase (some discoloured to outer edges), 4to, limited edition 181/500, plus Blake (William). All Religions are One, Trianon Press, 1970, ten collotype facsimile plates, original publishers green quarter morocco, spine lettered in gilt (lightly faded), in matching slipcase, 4to, limited edition, 95/600, and The Gates of Paradise, For Children, For the Sexes, Introduction by Geoffrey Keynes, 3 volumes, Trianon Press for the William Balke Trust, 1968, monochrome illustrations, original red cloth, spines lettered in gilt (somewhat faded), with slipcase, 8vo, limited edition 126/700QTY: (6)

Lot 149

A framed lithograph 'inspiration' after Marc Chagall, frame size 47 x 53cm.

Lot 141

SAXON Signed lithograph, Numbered of 200 . There are 2 lithographs in the lot.1 has been fully signed by all 5 band members and 1 has been signed by 4 not including BiffEach measures approx 18 inches wide in good conditoin number 38 of 100 and no 86 / 100

Lot 121

SIGNED Limited Edition Vera Lynn Poster by Fine Art Trade Guild in Excellent condition with Certificate and original Lithograph Tube. Individually Signed and Numbered.It measures approx 16 inches wide.

Lot 351

LAURENCE STEPHEN LOWRY (1887-1976) "His Family", lithograph, limited edition with blindstamp, signed in pencil, plate size 20 3/4" x 27 3/4", framed (Illustrated) (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Very good, behind non reflective glass

Lot 283

George Baxter (1804-1867) - A 19th century Victorian miniature lithograph portrait print with hand coloured details to depict The Late Duke of Wellington. Lettering to the body to read 'Published on 1854 - G. Baxter - Proprietor and Patentee'. Held within an ebonised frame. Measures 22cm length. 

Lot 263

Mackenzie Thorpe, The Shepherd Evolution Suite 1, limited edition stone and plate lithograph, signed, titled and numbered 16/75 in the margin, image 76cm by 57cm, with COA.

Lot 531

Signed lithograph of Olympia Stadium, Berlin with watermark from Berlin. Image 16.5" x 9", frame 26.5" x 17"

Lot 315

John Bond (British b.1945), harvesters, limited edition offset lithograph, numbered 201/500 and signed in pencil, 4x7.5ins, framed and glazed.

Lot 1012

K Slovinsky, signed lithograph; Antonio Segui, lithograph; Maurice Henry, lithograph; Jacques Herold, lithograph and two Constantine Guys prints

Lot 131

Salvador Dali (1904-1989), Lithograph Image Size: 9 by 12 in. (22 by 29.5 cm.) All measurements are approximate. Signed (lower right), with Certificate Salvador Domingo Felipe Jacinto Dali I Domenech(1904-1989) Dali is one of the greatest surrealists of our time, best known for his ability to translate dreams into artwork, hand painted dream photographs he called them. He was also a sculptor, filmmaker, writer and insane or just wanted people to believe he was insane. He dedicated his life to proving he was a genius. As a child he was often expelled from school. He was afraid of exposing his feet and had an intense fear of grasshoppers. He resided in Spain. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

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