Your House is Mine, edited by Andrew Castrucci & Nadia Coen. New York: Bullet Space at "The Lower East Side Printshop," prints executed 1989-91, published 1993. Very large 4to (602 x 520mm). 32 plates or "posters", one printed on both sides and counted as 2, printed in screenprint, lithograph, spraypaint, collage, etc., by various artists including Betzaid Concepcion, Anton van Dalen, Eric Drooker, John Fekner, Sabrina Jones, Miguel Piñera, Juan Sanchez, Will Sales, Seth Tobocman and Martin Wong, many signed and variously numbered by the artist in pencil. Original lead-covered wooden boards, the limitation "9/150" pressed into the lower front lead "turn in". ONE OF 150 COPIES. "This project is a collection of images and texts concerning the broad and essential issue of housing on the Lower East Side. The book is an implicit demonstration that art can function as a means of resistance. 'Your House is Mine' is a reflection of the climate within this neighborhood, but there are similar conflicts occurring on a more global scale. We are presenting works that are critical of the status quo in order to provoke and incite the public ... 'Your House is Mine' took us three years to complete" (from the Preface). Sold not subject to return.
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HOCKNEY, David (b. 1937. illustrator) & Stephen SPENDER (1909-95). China Diary. [London:] Thames and Hudson, 1982. 4to (250 x 190mm). Plates and illustrations, many coloured. Original red cloth with Chinese character stamped in gilt on the upper cover and the spine lettered in gilt, original white slipcase with red printed label. FIRST EDITION, SIGNED AT THE FRONT BY THE ARTIST AND AUTHOR. WITH AN ORIGINAL FOLDING COLOURED LITHOGRAPH BY DAVID HOCKNEY, SIGNED AND NUMBERED "310/1,000" IN PENCIL BY THE ARTIST. "This folder contains an original five-colour hand-drawn lithograph, specially made for the signed edition of China Diary which is limited to 1,000 numbered copies worldwide. The lithograph, Red Square and the Forbidden City, 1982, by David Hockney, was printed at Petersburg Studios, New York, from one lithographic stone and four aluminium plates, all drawn by the artist, on Somerset satin-finish mould-made rag paper ... The lithograph is folded three times to form four paper panels ..." (from the folder). With 5 other books by, or relating to, David Hockney, including the brochure for Victoria Wood in Cabaret at Salts Mill. Sunday 3rd March 1996 (Bradford, 1996, front cover with a reproduction of a painting by David Hockney, number 352 of 500 copies), David Hockney's That's the way I see it (London, reprinted 2002) and the same author's Secret Knowledge. Rediscovering the lost techniques of the Old Masters ... new and expanded edition (London, 2006). (6)
After G H Atkins, "HMS Victory, 104 guns", sepia lithograph published by Newman & Co, 28 x 42cm. Provenance: Horners, 24/09/05, Lot 281, together with: After T Butterworth, "Representation of the advanced squadron under the command of Rear Admiral Lord Nelson during the blockade of Cadiz", black and white aquatint published July 1st, 1802, by T Williamson, 30 x 45cm, unframed. Provenance: Horners, 24/09/05 Lot 270 and two further Nelson related engravings after T Butterworth, all unframed (4)
ASSORTED FILM MEMORABILIA. A good collection of memorabilia to include: a well kept original 1953 'Mickey' magazine (Belgian, mounted), a 1995 commemorative Disney 'Aristocats' lithograph print, a circa mid 1960s 'Mutiny on the Bounty' advert, 48 'Park Drive - Champions of Screen and Stage' cigarette cards, a framed Beatles 'A Hard Day's Night' cel, a 'Harry Potter Trilogy' film cel presentation, a reproduction print of an Elvis Belgian film poster,
12 19th century botanical coloured prints, all framed to match, to include one after Horto van Houtteano, lithograph by L Stroobant, and others similarCondition ReportAfter closer inspection the estimate has been amended. The framing (one slightly damaged) and print quality is fair with some "browning"
Lots 652-669PROPERTY FROM THE COLLECTION OF BRYAN STEELE - PART VIIHerbert Thomas Dicksee RE (1862-1942)Ella Maria Dicksee - a portrait of the artist’s wife (head and shoulders)stone lithograph on vellum, signed ‘HD’ within image l.l., edition of 20, published by The Fine Art Society, London, 1897, sepia ink. Stone destroyedsheet 17.5 x 13.5cmProvenance: From the artist’s grand-daughter; the Bryan Steele Collection.Condition report: The vellum has discoloured and has lightly cockled throughout. A stain top left corner. A few very small dots of foxing, and some specks of dust under the glass. Not seen outside of frame.
After Edward Coley Burne-Jones (1833-1898)'A girl's head'lithograph, signed and dated 1875 in the stone16.5 x 14.5cmCondition report: The paper has discoloured to a light brown. Stuck down onto beige paper. A stain upper left corner. The paper is slightly speckled. A little surface dirt including a couple of lines lower left. Not seen outside of frame.
Battle of Trafalgar Interest. The Companion Military Order of the Bath awarded to Captain Edward Rotheram, HMS Royal Sovereign Captain of HMS Royal Sovereign in the Battle of Trafalgar, including:- Facsimile of autograph letter of Lord Nelson to the R.H. The Duke of Kent" dated: Victory 22 July 1805.- A memoir relating to the late Capt. E Rotheram describing his actions at Trafalgar among other records of service- A letter to Capt. Rotheram's granddaughter regarding his tombstone/inscriptions etc.- Letter dated 19 September 1815 containing the ribbon and badge of a Companion of the most Honourable Military Order of the Bath awarded to Capt. Edward Rotheram- A copy of the Times newspaper of 7 November 1805 containing various letters from Lord Collingwood regarding the battle and the death of Lord Nelson- A copy of the Times Newspaper of 3 October 1798 containing letters from Admiral Nelson reporting on his Victory at the Battle of the Nile- A letter from Lord Viscount Howick to Capt. Edward Rotheram dated July 29th 1806 enclosing the CB he was awarded, along with Capt. Edward Rotheram's acknowledgement- Two slips of paper seeming to contain the signature of Admiral Collingwood.- Capt. Edward Rotheram's Statement of Service in the Royal Navy.- Capt. Edward Rotheram's wallet with inscription inside- Miniature portraits of Capt. Rotheram and his wife- Painting of Dorothea Rotheram- Marriage certificate of Capt. E Rotheram (5 March 1795)CONDITION: Suspension loop for the medal is tarnished but otherwise all looks to be in good untouched conditioncomes with:a framed engraving by Pickard of Rotheram with later gilt framean early 19th century pastel and gouache of his daughter, Miss Rotheram, later Lambert, in a Victorian bird's eye maple framea pastel portrait of his wife in good condition in period oval gilt gesso frame, 12 inchesa postcard size lithograph of the Captain in a George V silver frame, overall 8 inchesa portrait miniature in rectangular papier mache frame that looks to date to the late 19th century, glass is dirty, condition is faira portrait miniature c.1840 of Dorothea Rotheram wearing a fancy lace collar, glass dirty, miniature in good ordera silhouette of Mary Lucy Wesson relating to the Cardew familya further un-named small watercolour silhouettea red leather cased miniature of the Captain, with some mould under the glass but otherwise in good conditionloose miniature of a bride thought to be his wife, in good condition, held in a fish skin casea 3.5 inch turned wood snuff box stamped Oswalus Tree with label saying Piece of The Royal Sovereign, Grandfather's Shipassorted letters and related paperwork
δ Angus Fairhurst (1966-2008)Proposal For a Public PlaceLithograph printed in colours, 2006, signed, titled and dated in pencil, numbered from the edition of 60, as included in the portfolio In the Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on wove paper, the full sheet printed to the edges, sheet 420 x 295mm (16 ½ 11 5/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Composition Red & Blue (Momart)Lithograph printed in colours, 2005, on wove paper, the full sheet printed to the edges, housed within the original blue paper portfolio with the artist's name embossed on the cover, sheet 114 x 279mm (4 1/2 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Gilbert and George (b.1943 & 1942)Death after LifeOffset lithograph printed in colours, 2008, signed in black ball-point pen, numbered from the edition of 100 in pencil, published by Oak Tree Fine Press, Fyfield, on Hahnemühle and Mohawk Superfine wove paper, with full margins, sheet 250 x 460mm (9 ¾ x 18in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Paul Nash (1889-1946)German Double Pillbox (Poston L5 6)Lithograph, 1918, a particularly fine richly inked impression of this very rare work, signed, titled and dated in pencil, the edition was 25, on antique de luxe laid paper, with full margins 505 x 394mm (19 7/8 x 15 1/2) (unframed)Saleroom notice: Please note Artist Resale Rights is not applicable for this lot
δ Tracey Emin (b.1963)More Margate - More PastLithograph, 2006, signed, titled and dated in pencil, numbered from the edition of 60, as included in the portfolio In the Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on wove paper, the full sheet printed to the edges, sheet 420 x 295mm (16 ½ 11 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)My Pool and TerraceLithograph printed in colours, 1983, signed and dated in pencil, numbered from the edition of 250, as included in the portfolio Eight by Eight to Celebrate the Temporary Contemporary, published by the Museum of Contemporary Art, Los Angeles, on BFK Rives paper, the full sheet printed to the edges, sheet 737 x 1057mm (29 x 41 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ HRH Prince of Wales (b.1948)Greek Landscape, SummerLithograph printed in colours, 1999, signed, dated and numbered from the edition of 100 in pencil, printed by the Curwen Studio, Cambridge, in the artist's frame, together with the certificate of authenticity signed by the publishers Anna Hunter, within the original blue linen-covered portfolio, on wove paper, overall frame 380 x 430mm (15 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Elisabeth Frink (1930-1993)Spinning Man I, from the 'Spinning man' series (Wiseman 2)Lithograph printed in colours, 1965, signed and dated in pencil, numbered from the edition of 45, printed at Curwen Studio, Cambridge, published by Curwen Prints, on handmade wove, the full sheet 575 x 805mm (20 1/4 x 25 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ HRH Prince of Wales (b.1948)Greek Island Landscape, Fishing BoatsLithograph printed in colours, 1999, signed, dated and numbered from the edition of 100 in pencil, printed by the Curwen Studio, Cambridge, in the artist's frame, together with the certificate of authenticity signed by the publishers Anna Hunter, within the original blue linen-covered portfolio, on wove paper, overall frame 380 x 430mm (15 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Three Reclining Figures (Cramer 325)Lithograph printed in colours, 1973, initialled in pencil, numbered from the edition of XL, an artist's proof aside from the edition of 110, as included in the album La Poésie, printed by Curwen Prints, London, on wove paper, the full sheet printed to the edges, sheet 545 x 490mm (21 1/2 x 19 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Girl II (Cramer 406)Lithograph, 1974, signed in pencil, numbered from the edition of 50, printed by Curwen Prints Ltd., London, published by Henry Moore, Much Hadham, on J Green Waterleaf wove paper, with full margins, sheet 391 x 322mm (15 3/8 x 12 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ John Piper (1903-1992)Long Medford Church (Levinson 336)Lithograph printed in colours, 1982, signed in pencil, numbered from the edition of 275, printed by Curwen Studio, published by the Cannon Rubber Co., London, on wove paper, with full margins, 460 x 615mm., (18 1/8 x 24 ¼ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Harland Miller (b.1964) (after)York - So Good They Named It OnceOffset lithograph printed in colours, 2020, from the edition of an unknown size, published by York Art Gallery, York, on the occasion of the artist's exhibition, on wove paper, the full sheet printed to the edges, 841 x 555mm (33 x 21 3/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Four Standing Figures (Cramer 323)Lithograph printed in colours, 1973, initialled in pencil, numbered from the edition 110, as included in the album La Poésie, printed by Curwen Prints, London, on wove paper, the full sheet printed to the edges, sheet 545 x 490mm (21 1/2 x 19 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Tree (Tokyo 61)Lithograph printed in colours, 1969, signed and dated in pencil, numbered from the edition of 95, published by Petersburg Press, London, on BFK Rives paper, with full margins, sheet 653 x 499mm (25 ¾ x 19 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Elisabeth Frink (1930-1993)Eagle Owl (Wiseman 87)Lithograph printed in colours, 1973, signed and numbered from the edition of 250 in pencil, printed at Curwen Studio, Cambridge, published by Leslie Waddington Prints Ltd, on grained zinc wove paper, the image size 757 x 555mm (29 3/4 x 21 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Skater (XIV Olympic Winter Games, Sarajevo) (Baggott 135)Offset lithograph printed in colours, 1982, on wove paper, the full sheet, 845 x 620mm (33 1/8 x 24 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Charles Avery (b. 1973)Untitled Lithograph, signed and numbered from the edition of 100 on an adhesive label verso, on wove paper, the full sheet printed to the edges, sheet 510 x 420mm (20 1/8 x 16 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Elisabeth Frink (1930-1993)Hare, from the 'Eight Animal' series (Wiseman 38)Lithograph printed in colours, 1970, signed and numbered from the edition of 70 in pencil, printed at Curwen Studio, Cambridge, published by Leslie Waddington Prints Ltd, on grained zinc wove paper, the full sheet 510 x 640mm (20 x 25 1/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Celia Reclining (Tokyo 225)Lithograph, 1979, signed and dated in pencil, numbered from the edition of 100, printed and published by Gemini G.E.L., Los Angeles., with their blindstamp, on wove paper, the full sheet printed to the edges, sheet 580 x 550mm (22 3/4 x 21 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Francis Bacon (1909-1992)Portrait of Michel Leiris (Sabatier 30)Lithograph printed in colours, 1990, signed in pencil, numbered from the edition 150, printed by Atelier Mourlot, published by Galerie Lelong, Paris, on Arches paper, with full margins, 480 x 360mm (18 7/8 x 14 1/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ John Piper (1903-1992)Long Medford Church Progressive Colour State Proofs (see Levinon 336)A rare possibly unique collection of five state colour separations of the lithograph and an impression of the final state, 1982, each with the Curwen Studio Proof rubber stamp, printed by Curwen Studio, London, all on wove paper, with full margins, each sheet 460 x 615mm (18 1/8 x 14 ¼ in) (5) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Female Figures with Grey Background (Cramer 576)Lithograph, 1980, signed and numbered from the edition of 50 in pencil, printed by J E Wolfensberger, Zurich, published by Raymond Spencer Company for The Henry Moore Foundation, Much Hadham, on BFK Rives wove paper, with full margins, sheet 451 x 565mm (17 1/2 x 22 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Richard Smith (1931-2016)Two of a Kind IIIb (Bright Red X on Green)Lithograph printed in colours, 1978, signed in pencil, numbered from the edition of 90, on a folded sheet of wove paper, the full sheet printed to the edges, sheet 1007 x 463mm (40 x 18 ¼ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Four Standing Figures (Cramer 324)Lithograph printed in colours, 1973, initialled in pencil, numbered from the edition of XL, an artist's proof aside from the edition of 110, as included in the album La Poésie, printed by Curwen Prints, London, on wove paper, the full sheet printed to the edges, sheet 545 x 490mm (21 1/2 x 19 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Elisabeth Frink (1930-1993)Lynx, from the 'Eight Animal' series (Wiseman 37)Lithograph printed in colours, 1970, signed and numbered from the edition of 70 in pencil, printed at Curwen Studio, Cambridge, published by Leslie Waddington Prints Ltd, on grained zinc wove paper, the full sheet 515 x 655mm (20 1/4 x 25 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ John Piper (1903-1992)Yarnton Monument, Oxon (Levinson 70)Lithograph printed in colours, 1948, signed in pencil, printed by Central School of Arts and Crafts, published by Redfern Gallery, on cream wove paper, with full margins, 500 x 667mm., (19 3/4 x 26 ¼ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Multicoloured Reclining Figure (Cramer 99)Lithograph printed in colours, 1967, the edition was 380, published by Galerie Ernst Beyeler, Basel, on BFK Rives paper, loose within the original paper justification sleeve, signed by Alexander Zschokke, and numbered from the edition in blue ink, with full margins, 360 x 295mm (14 1/8 x 11 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Seated Figures (Cramer 398)Lithograph, 1974, signed in pencil, numbered from the edition of 50, printed by Curwen Prints Ltd., London, published by Henry Moore, Much Hadham, on J Green Waterleaf wove paper, with full margins, sheet 391 x 322mm (15 3/8 x 12 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Norman Ackroyd (b.1938)Cartmell Fell- WindermereLithograph and screenprint in colours, 1996, signed and numbered from the edition of 100, from The Royal College of Art Centenary Year Portfolio of Prints, published by the Printmaking Course of the Royal College of Art, on wove paper, the full sheet, 760 x 550mm (30 x 21 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
SIR WILLIAM RUSSELL FLINT (1880-1969) 'Conversation, St.Martin d'Ardéche', lithograph in colours, signed in pencil in the margin, 51cm x 67.5cm complete with original receipt from the Medici Society Limited dated May 1971 Condition: possibly with slight fading, the frame with some minor marks and scratches to the gilding

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