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* Prints, Engravings and Maps. A collection of approximately 35 prints, mostly 19th-century, engravings, maps, lithographs and watercolours, including Fichot (Michel Charles, after). Vue Generale de Paris, Lemercier, Paris, circa 1870, hand-coloured lithograph, long repaired closed tear, laid on later card, 465 x 585 mm, together with Illustrated London News (publisher). "Little Sister", 1915, colour photolithography after Raphael Kirchner,500 x 340 mm, with Raimbach (Abraham). Blind-Mans Buff, 1822, uncoloured engraving after David Wilkie, laid on linen, 490 x 640 mm, with others similar, including examples by or after Hogarth, Bunbury, Cruikshank, Baron and 'Baxter process' prints, various sizes and conditionQTY: (approx. 35)
* Tunnard (John, 1900-1971). Holiday, 1947, colour lithograph, printed by the Baynard Press for School Prints Ltd., London (S.P. 18), 42 x 66.5 cm (16 1/2 x 26 ins) mount aperture, outer margins trimmed, with loss of caption to lower edge otherwise in very good condition, framed and glazed QTY: (1)
* Waterloo. Collection de Douze Vues de Waterloo, chez Gerard Lithographe editeur, Brussels: Rue de la Bergère, circa 1842?, 12 lithograph plates (many with imprints dated 1842) and hand-coloured folding plan, scattered spotting, original blue printed wrappers, slim oblong 4to, together with another copy of the same work (without plan), published Brussels: Rue d'Accolay, circa 1850, in original green printed wrappers, slim oblong 4to, and,Napoleon Bonaparte. A Panoramic View of the state funeral procession of Napoleon Bonaparte, from St Helena to Paris, 1840, contemporary lithograph panorama, comprising 15 conjoined sheets folding concertina style (of 16? incomplete at right end), captioned in French & English to lower margin, some spotting and toning, 155 x 3040 mm, plus Maile (George). Après Vous Sire! M. Colnaghi, circa 1820, uncoloured aquatint of Napolean after Chalet, slight spotting and staining, 415 x 465 mmQTY: (4)
* Yorkshire. Tomlinson (G. D.), To the Rt. Revd. Charles Thomas Longley, Lord Bishop of Ripon, This view of Huddersfield is by permission most respectfully dedicated..., Day & Son, circa 1840, uncoloured lithograph, slight marginal creasing and water staining, 310 x 430 mm, together with Le Keux (J.). The Prospect of Leeds from the Knostrop Road, Robinson & Son, Leeds, 1815, hand-coloured engraving, some marginal spotting and mount staining, some fraying to lower margin with partial loss to the publishing legend, 245 x 395 mm, mounted, with Smith (J. R.). Crown Street Halifax, Looking West..., Stott Brothers, Halifax, 1888, hand-coloured lithograph, slight spotting and mount staining, 365 x 365 mm, plus Illustrated London News (publisher). The New Town Hall Leeds, Cuthbert Brodrick, Architect, Sept. 11th 1858, chromolithograph slight marginal spotting, upper margin with some marginal fraying and repaired closed tears but not affecting image, 350 x 450 mmQTY: (4)
Radclyffe (Charles W.) Views in Birmingham and its Vicinity, Birmingham: Knott, Hawker and Coburn, circa 1840, tinted additional lithograph title,8 tinted lithograph views, some spotting and water stains, original cloth-backed stiff wrappers, upper corners clipped, some soiling and edge wear, oblong folio, together with Waller (Frederick S.) A General Architectural Description of the Cathedral Church formerly the Abbey Church of St. Peter at Gloucester, London: Day & Son, 1856, 2 mounted photographic frontispieces, 6 plates (one tinted), some spotting, contents loose in original cloth-backed wrappers, tear and loss to rear wrapper, some edge wear and toning, folio, plus two others: Charles Frederick Green's The Legend of Shakespeare's Crab Tree, 1857, and Studies and Figures selected from the sketch books of the late Thomas Gainsborough (never before published) executed in lithography... by Richard Lane, 2 volumes, circa 1825 QTY: (5)
Bradbury (Frederick). History of Old Sheffield Plate..., 1st edition, London: Macmillan and Co., 1912, numerous monochrome illustrations, front gutter cracked at the title page, some light toning, original brown cloth, top edge gilt, slightly rubbed to head & foot, large 8vo, together with:Curzi (Daniel), Andrew Vican, vie et oeuvres, 1986, inscribed & signed by Andrew Vican to the front endpaper, numerous colour & monochrome illustrations, original black cloth in book box, box slightly rubbed, includes 'La Circassiene' lithograph, folio, limited edition 149/3000, plusArts et Métiers Graphiques, publisher, Photo 1931, Photo 1938, (2 volumes), Paris, numerous monochrome illustrations, some light toning & wear, original wrappers bound with steel ring binders, large 4to, and other art, photography, & art technique reference, including Petzendorfer's Letter book, a superb collection of several hundred modern alphabets, signs and monograms, London: The Trade Papers Publishing Co., 1906, original cloth, folio, many original cloth in dust jackets, some paperbacks, G/VG, 8vo/folioQTY: (6 shelves)
Wilds (William). Elementary and Practical Instructions on the art of building Cottages and Houses for the humbler classes; an easy method of constructing earthen walls, adapted to the erection of dwelling houses, agriculture, and other buildings..., to which are added, practical treatises and the manufacture of bricks and lime... for the use of emigrants to the better lodging of the peasantry of Ireland, London: John Weale, 1835, light library ink stamp to title and dedication leaf, six lithograph plates at end, some overall spotting, mainly to plates, original boards, refurbished, with some surface marks and wear, 8vo, together with Schrodinger (Erwin). What is Life? The Physical Aspect of the Living Cell, 1st edition, Cambridge University Press, 1944, original green cloth gilt, 8vo, plusGourmont (Remy de). Le Latin Mystique, les poetes de l'antiphonaire et la symbolique au moyen age, preface de J. K. Huysmans, miniature de Filiger, Paris, Edition du Mercure de France, 1892, light marginal browning throughout, original printed wrappers with colour illustration by Filiger to upper wrapper, rubbed and light wear, contained in modern brown board chemise and slipcase, 8vo, limited edition 127/220, signed by the author, and other miscellaneous books, including an 1860s Post Office Directory of Cambridgeshire & Norfolk (rebound), Days in Cornwall by C. Lewis Hind, illustrated by William Pascoe, 1907, The Art of Tennis by Henri Cochet, 1936 (rebound), other Devon topography, natural history, art, and related, various (approx 100 volumes) QTY: (3 shelves)
* Duke of Wellington. [Greatbach(W.), Wellington Crossing the Pyrennees, 1858], uncoloured engraving after T. J. Barker, proof before title and letters, very slight spotting, 670 x 510 mm, mounted, framed and glazed, together with Lipschitz (S. publishers). The Peninsular Heroes Assembled at the United Services Club, circa 1860, uncoloured lithograph after John Prescott Knight, 450 x 555 mm, mounted, framed and glazed, with Davey (W. T.). The Hero and His Horse on the Field of Waterloo, Twenty Years after the Battle..., Thomas MacLean, November 1st 1851, uncoloured mezzotint after B. R. Haydon, slight staining, 440 x 485 mm, mounted, framed and glazed, plus Smith (Anker). Field Marshall the Duke of Wellington K. G. &c. &c Giving orders to his Generals previous to a General Action..., Heapy Thomas & Ackermann R. August 8th 1822, uncoloured engraving on India wove after Thomas Heapy, some spotting, slight water staining, light overall toning, one repaired marginal closed tear, appears to be laid on card, 620 x 890 mm, framed and glazed, and Cousins (Henry). The Right Honourable & Honourable Elder Brethren of the Corporation of Trinity House London, This Portrait of His Grace The Duke of Wellington K. G. &c. &c. ...., Thomas Boys [Jany. 1st. 1841], uncoloured mezzotint after John Lucas, slight toning and staining, 770 x 485 mm, framed and glazed, with another seven prints similar, various sizes and conditionQTY: (12)
Cricket: A framed and glazed lithograph, The Eleven of England, Selected to Contend in the Great Cricket Matches of the North for the Year 1847, by Nicholas Felix. Original lithograph by N. Ploszczynski after a painting by Nicholas Felix. Published by Baily Bros, 1847 and printed by M & N Hanhart. This lihograph has been professionally restored and hand-coloured to bring it to life. Frame measuring approx. 74cm x 82cm.
1893. Wittrock, Floury edition 1927, Signed with the artist's monogram in ink bottom left, also pencil numbered '40/200' bottom right, lithograph on laid paper, published by KleinmannImage size: 10 1/8 x 7 15/16 in. (25.7 x 20.2cm)Sheet size: 12 3/4 x 9 3/4 in. (32.4 x 24.8cm)[Delteil 24, Adhémar 26, Adriani 34, Wittrock 11]ProvenancePrivate Collection, Philadelphia, Pennsylvania.In overall very good condition. Sheet is affixed to the mat via tape at top corners.Sheet has been lightly toned with time. minor creases consistent with light handling present at edges.Frame: 21 1/2 x 18 1/2 x 1/2 in.
1894. Wittrock second state. Lithograph on cream wove paperImage size: 10 5/8 x 6 7/8 in. (27 x 17.5cm)Sheet size: 19 7/8 x 12 3/4 in. (50.5 x 32.4cm)[Delteil 74, Adhémar 81, Adriani 92, Wittrock 56] ProvenancePrivate Collection, Philadelphia, Pennsylvania.Sheet is fixed to board via tape at top corners. Sheet has been toned with time, mat burn present along the edges of the image. Soiling and foxing present towards the edges of the image, most notably down the left and right sides.Frame: 23 1/2 x 19 1/2 x 1 in.

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70555 item(s)/page