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Lot 1

    After Anne Gun Cunnighame. Panoramic view of Leamington from Newbold Terrace, a pre-part lithograph by G Rowe, 11½" x 51". Provenance: Fulbeck Hall, Lincolnshire. Given to the vendor by Mrs Mary Fry nee Fane.

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    G. Childs (lith.) Church of St. Dennis, Sleaford, lithograph, 19thC, image size 15" x 23".

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Russian school 20th century- Urban landscape; lino-cut printed in colours, signed and dated in pencil 67, 35x47cm; together with further 20th century Russian watercolour, lithograph and crayon studies mostly signed and bearing official release stamps verso. (a lot) unframed

Lot 1

Manner of Thomas Sutherland early 19th century- 'Eleanor, Property of Sir Charles Bunbury Bart', etching with aquatint, 39x50cm: Dadley 18th century- Chinese cobbler, hand-coloured lithograph, after Pu-Qua, set of three,various trades, Publ: May 1799 by W Miller, Old Bond Street, London. (4)

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F Jason 20th century- Gun dogs; oil on canvas, signed, 91x121cm, together with seven further 20th century oil and print studies of various subjects by different hands to include, Edward ladell, Silverstone; lithograph printed in colours,signed in pencil and numbered 2/25; Southwood and Bassini. (8)

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*Manner of James Gillray- 'A Wellington Boot'; hand-coloured engraving, publ.Thos McLean, 26 Haymarket London, 34x23cm: together with 'A Half Crown -Ation'; hand-coloured lithograph, initialed 'HB' within the plate, (2)

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William Lee Hankey 1869-1952- Women and child; drypoint etching, monogrammed within the plate, and signed in pencil, 32x27cm: After Maurice Utrillo- Parkland; lithograph printed in black, signed and dated within the plate 1927, numbered in pencil 41/200, together with seven further 19/20th century etchings by various hands. (9)

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*Russian school 20th century- 'Hecy Hocy', lithograph printed in colours, signed in pencil, 41x31cm; together with a similar study by the same hand. (2)

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British school 19th century- Views of rural life; lithograph printed in black, 18x26cm set of six plates, together with Ann Lister- Mushrooms; watercolour, signed: Italian 20th century, view of a 17th century port, decorative oil on panel. (8)

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Samuel Holden, c.1800-c.1860- 'Veronica Speciosa'; hand-coloured lithograph, 21.7x14.5cm: together with five other hand-coloured botanical prints by the same hand, all in matching frames, (6)

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After Antonio Fonanesi- 'Fontaine de L'Hotel de Ville' from 'Interieur de Geneve', publ. by JMP Pilet & Gougnard, Editieurs, Geneve; hand-coloured lithograph, 23x26cm: together with five other similar hand-colour architectural prints of Geneva from the same or similar suite, (6)

Lot 1

British School 19th century- 'Frogs and Cranes- shewing a friend the short way to cover!, 6.'These come hopping'; hand-coloured lithograph, 18.5x56cm: together with three other hand-coloured hunting prints from the same or similar suite, in matching frames, (4)

Lot 1

Modern British School- Portrait of a woman head and shoulders turned to the left in a green scarf; oil on canvas, 50.7x41cm: French School late 20th century- 'Rue des Solitaires'; watercolour, inscribed: Luba Burko- Abstract study; watercolour, signed: Edwina Sandys- Circus; lithograph printed in colours, signed and numbered 3/75 in pencil: 20th Century School- Still life; oil on canvas: British School 19th century- Landscape; watercolour, (6), (part unframed)

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GEORGE EDWARDS (1694-1773). THE WHISTLING DUCK. Lithograph hand-coloured. And three others by the same hand (4).

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PETER TANJE (1706-1761). SHELL STUDIES. Coloured lithograph 45cm x 57cm and three others (4).

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D Gregory Hull (British 20th Century) Study of a Dog signed lower right Gregory Hull and numbered 5/10 lithograph 56 x 68cm

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John Piper OM CH (1903-1992) The Entrance Gates of a Country House signed lower right John Piper and numbered 42/75 lithograph 46 x 58cm

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Michael Rothenstein (1908-1993) Rooster signed lower right Michael Rothenstein lithograph 48 x 74cm

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Dame Elisabeth Frink DBE RA (1930-1993) The Blue Horse signed lower right Frink and numbered 40/70 the Chilford Hall Press 1988 lithograph 102 x 72cm

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Modern British School (20th Century) Birds after the Storm signed with initials HL and numbered 17/35 lithograph 48 x 32cm

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After James Lambert - 'Lamberts Correct View of Brighthelmstone in 1765', mid-19th Century monochrome lithograph by Arthur Wallis, within an ebonized Oxford style frame.

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*After J. Gould and H.C. Richter - 'Delattria Viridipallens' (Study of Humming Birds), lithograph by Hullmandel and Walton with period colour, within a gilt frame.

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After Graham Sutherland Shells at Tenby After Graham Sutherland (1903 - 1980) 'Shells at Tenby' signed in pencil in the margin and numbered 182/200 lithograph 53 x 75cm.; 21 x 29.5in.

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Cecil Aldin - Maiden's Head at Uckfield and the White Hart at Hook prints (2) After Cecil Aldin (1870 - 1935) The Brighton Road - The Maiden's Head at Uckfield signed in pencil in the margin with proof no. 61 published 1903 lithograph 42 x 64.5cm.; 16.5 x 25.5in and another The Exeter Road - The White Hart at Hook signed in pencil in the margin with proof no. 8 published 1903 lithograph 41 x 62.5cm.; 16.25 x 24.5in (2).

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A hand coloured Victorian Fashion Print and A Victorian Coloured Lithograph ‘The Little Shipwright, (2)

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William Lionel Wyllie (1851-1931) ‘Our Fathers’; three plates of four Each lithograph. Each signed in pencil within the margin lower left Each p. 31.5cm x 21cm

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19th C. Italian School coloured lithograph, Duomo di Milano, 16 x 22 ins.

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W.Page of Lewes Publ. coloured lithograph, Lewes Castle Gateway, 12.5 x 9 ins. five other prints of Lewes and 4 other prints; mainly Sussex.

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After Chagall, Modern Coloured Lithograph, still life subject with a vase of flowers in a gilded frame

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A coloured Lithograph, ‘The Last Journey on the Road’

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A Coloured Lithograph, ‘Trafalgar 2:30 p m’, After W L Wyllie, battle scene, inscribed with names of involved vessels and also with map and diagram of ship flags to margin, 24” x 32”

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After McWhirter, black and white Lithograph, A donkey standing in the entrance to a cave

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Ray Goldsbrough - 'Farewell Foggy' (Carl Foggarty riding a Ducati and holding a flag aloft), limited edition colour lithograph, No. 608/750, signed in pencil by Carl Foggarty and Ray Goldsbrough, framed and glazed, together with certificate and a photograph of Carl Foggarty.

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Vincent Brooks, Day & Son Ltd after T F Richards, Widdicombe Fair, coloured lithograph, published 1921 by Cahill, 10 1/2" x 23 1/4", stained wood frame

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After E H Buckler, Bridlington from the South West, black and white lithograph, 7 1/2" x 13 3/4" and after Beckett, Bridlington Quay from the South West, black and white engraving, 7 1/4" x 13 3/4", ebonised frames (2)

Lot 1

Yorkshire school, Hull in 1640, black and white etching with city plan and depiction of boats on the Humber, 12 1/4" x 14 1/4", stained wood frame together with a framed lithograph 'A Plotte Made for the Discripcion of the River of Humber' (2)

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An Augustus John Lithograph, of a nude lady

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AFTER JOAN MIRO (1893-1983) Abstract composition, colour lithograph, h/c, pencil signed, 12 1/2" x 19"

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A COLOURED LITHOGRAPH 'AUGUSTA NATIONAL', 'View from Magnolia Lane', limited editiion 77/150, signed on the mount, by the winner Jose-Maria Olazabal, 1994, 16" x 20"

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*Clausen (Sir George, 1852-1944). Woolwich Arsenal, 1917, b & w lithograph, signed and dated in the image, approx. 370 x 470 mm, framed and glazed (1)

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Herefordshire. A collection of 28 tinted lithograph views of Hereford and area, c.1840s mostly by C. Radclyffe, (also includes J. Shaw, D. Cox & W.Gill), one plt. folded & torn to margin, occ. scattered spotting, contemp. cloth with initials H.F.G. to upper board, spine torn, extrems. rubbed, oblong folio (1)

Lot 1

Radclyffe (Charles W.). Views in Birmingham and its Vicinity, pub. Birmingham, c.1840, additional litho. title and eight tinted lithograph views, some light dampstaining and browning, orig. cloth-backed printed wrappers, lightly soiled, oblong folio (1)

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AFTER J M S CHARDIN, COLOURED LITHOGRAPH, mother and child, 9” x 11”

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AFTER LIB, VANITY FAIR COLOURED LITHOGRAPH, ‘Newmarket, Tattersall’s, 1887’, 13” x 19”

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GRAHAM CLARKE, SIGNED COLOURED LITHOGRAPH, ‘Winch Shed’, 18” x 23”

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MAN RAY, LIMITED EDITION TINTED LITHOGRAPH, (52/150), Female mask surrounded by hands, 7” x 5”

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Miscellaneous books, incl., antiquarian, art reference, etc. Seven Discourses delivered to the Royal Academy by the President, 1778, contemp. tree calf, rubbed and joints cracked, 8vo, Berne & Bernese Alps by Underwood & Underwood, 2 vols., containing stereoscopic views, in orig. pubs. cloth case, Vlaminck, by Pierre Mac Orlan, pub. Andre Sauret, 1958, with double-page orig. col. lithograph, col. and b & w plts., orig. printed wrappers in glassine d.j., 4to, Derriere le Miroir, no. 173, Octobre 1968, four orig. col. lithos. by Alexander Calder, orig. printed wrappers with colour litho. design to upper cover by Calder, slim folio, and others related, incl. exhibition catalogues (2 cartons)

Lot 1

*Gould (John) Little Egret (Herodias Garzetta), c. 1870s, hand-col. lithograph by John Gould and H. C. Richter, approx. 450 x 350 mm, framed and glazed, with printed descriptive text, mounted to verso (1)

Lot 1

E. E. Earthowl (20th century) Farm building Watercolour Signed indistinctly lower right 19.5cm x 27cm Arthur Loare (20th century) Poole Harbour Watercolour Signed lower left 14.5cm x 28.5cm C. Kaye (20th century) ‘Rear of Upper Midhope’ Pen, ink and watercolour Signed and dated ‘67 lower right 26cm x 36cm English School (20th century) Still life with plant pots Oil on canvas 12.5cm x 17.5cm and a lithograph depicting a mounted policeman

Lot 1

G. B. Black after William Bambridge Eton sketches: four plates Each lithograph Various sizes

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After Samuel and Nathaniel Buck ‘The South West Prospect of Guildford in the County of Surrey’ Hand coloured lithograph P. 31cm x 81cm

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Samuel and Nathaniel Buck ‘The West View of the Tower of London’; ‘The South View of the Tower of London’ Each lithograph Each p. 1.5cm x 37.5cm

Lot 1

A Pears print - coloured lithograph of young girl and a sleeping child in a Moroccan type room overlooking a harbour, in decorative frame, 44.5cms x 57cms

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A Victorian chromo lithograph - A Christmas Greeting, from 1889 Illustrated London News, Christmas Number, framed, 62cms x 45cms

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A Pears print - Playmates, chromo. lithograph, one of three plates presented with Pears Annual 1903, framed, 49.5cms x 60cms

Lot 1

European Post War Tachiste School- Untitled caligraphic abstract; lithograph printed in colours, 48.5x48.5cm

Lot 1

Tricia Stainton, 20th century- 'Untitled', 1976; photo-lithograph, signed, dated 76 and numbered 2/14 in pencil, 77.2x61.5cm. Provenance: with The Waddington Galleries, London, according to label attached to the reverse

Lot 1

W J Cooper, British 19/20th century- 'Limehouse'; etching, signed titled and dated 1878 within the plate and signed and inscribed 'No 4' in pencil, 19x30.5cm: H Papprill- 'This View of Her Majesty's Steam Frigate Cyclops, off Spithead...', after Knell, publ. March 2nd 1857 by Ackermann & Company, 96 Strand; hand-coloured aquatint, 46x62.3cm: Thomas Shotter Boys- 'The Bank, Looking towards the Mansion House'; lithograph: together with a reproduction print after Thomas Shotter Boys, (4), (part unframed)

Lot 1

John Harris III, 1811-1865-'The Everingham Short Horned Prize Cow', after W H Davis, publ. March 1st 1843 by Messrs Fores, at their Sporting & Fine Print Repository & Frame Factory, 41 Piccadilly; hand-coloured aquatint, 47x59cm: After James Barenger- 'The Famous Lincolnshire Ox...', publ. Sept 22nd 1828 by Messrs Marshall Lovitt & Armitage, Hull Yorkshire; hand-coloured aquatint, 47x52.5cm: together with a hand-coloured lithograph of an ox by John West Giles after Bennet Hubbard, 1806-1870, 41x52cm., (3)

Lot 1

*Robert Tavener 20th Century- 'Westminster Abbey- Henry VIII Chapel'; lithograph, signed, titled and numbered 14/75 in pencil, 46x54cm: together with four other 20th century prints and works on paper in pen and ink by Norman Marcus and Mark Savage, (5)

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