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Click here to subscribe*The Dam Busters. An original poster for the film, c. 1958, starring Richard Todd & Michael Redgrave as Guy Gibson & Barnes Wallis respectively, published by Associated British Pathe Ltd., dramatic artwork imagery full-colour lithograph by The Electric (Modern) Printing Co, Manchester, matted in frame, shows minor fold-marks, and creasing, 40 x 28in (103 x 71cm) (1)
*WWI - Air Technical Services. A group of four large posters for pilot-instruction variously dated April-June 1918, monotone lithograph on paper depicting BE2C, Albatros machines etc., and illustrating `The Loop`, `Pancaking`, `Landing Across Wind` and `Getting-off - Engine-Failure`, matted in frames some showing old fold-marks and wear commensurate with age, 30 x 40in (76 x 102cm) (4)
*WWI - Air Techical Services - Enemy Attack. An original poster for pilot & observer instruction, c. 1918, monotone lithograph on paper depicting Bristol Fighter and Albatros DV machines demonstrating angle of attack by enemy aircraft, some discoloration and loss to margins, matted in frame, 22 x 32in (56 x 62cm) (1)
Francis Bacon (1909-1992) STUDY FOR PORTRAIT OF POPE INNOCENT X, 1989 lithograph in colour; (épreuve d`artiste, artist`s proof) signed lower right; with edition ["E.A."] lower left 37.50 by 27in. (95.25 by 68.58cm) Study for Portrait of Pope Innocent X was created in an edition of 60. Sheet size: 46 by 30.25in. In 1953, Bacon painted Study after Velázquez`s Portrait of Pope Innocent by also known as The Screaming Pope based on the Spanish master`s portrait of the same subject from 1650. The subject as depicted by both artists is considered a masterpiece from their respective oeuvres. Bacon was fixated with the image and painted numerous versions of the subject. The present work mirrors the composition and palette of Velázquez`s painting but is imbued with a characteristically Bacon quality. Jim O`Driscoll was a renowned barrister by profession but also a passionate patron of the arts with a keen eye for beauty. Director of the Fenton Gallery in Cork for ten years, he built lasting ties with the arts community buying regularly from galleries throughout Ireland as well as from artists directly. His strong connections with Cork in particular are reflected in both his subject choice and his support for its native artists, among them, Maurice Desmond and Pat Connor. He was an early supporter and friend of Tony O`Malley and the late William Crozier and their paintings within his collection are testament to his access to the very best from their respective oeuvres. All the masters in Irish art from the eighties and nineties are well represented here, although some, for example those by Patrick Collins and Gerard Dillon, come from an earlier generation. This outstanding collection represents the powerful imprint of a true collector who was guided not only by his trained eye for quality but by a passion for interesting and authentic artworks. (£4,860-£6,480 approx)
Francis Bacon (1909-1992) STUDY FOR A PORTRAIT OF JOHN EDWARDS, 1987 lithograph in colour; (no. 145 from an edition of 180) signed in the margin lower right; numbered lower left 26.75 by 20in. (67.95 by 50.80cm) Provenance: Marlborough Gallery, London; Where purchased by the present owner Francis Bacon met John Edwards at the infamous Colony Club in London`s Soho in 1974. He became Bacon`s companion from then on. Edwards was the subject of some of his most significant portraits and later sole heir to his estate. He donated the entire contents of the artist`s Reece Mews Studio to the Dublin City Gallery, the Hugh Lane in 1998. (£2,430-£3,240 approx)
Louis le Brocquy HRHA (1916-2012) EIGHT PORTRAITS IN WORDS AND WATERCOLOUR, 1990 off-set lithograph print (no. 0091 from an edition of 1000) signed and numbered on the colophon 10.50 by 9in. (26.67 by 22.86cm) Commissioned by Marie Donnelly on behalf of the Irish Hospice Foundation. Each print is loosely inserted in a glassine sleeve on which is printed a written profile of the sitter. The 8 Irish art collectors featured in the set include; Dermot Desmond, Vincent Ferguson, Charles Haughey, Paul McGuinness, Martin Naughton, Vincent O`Brien, Tony O’Reilly and Michael Smurfit. The entire set is presented in a folding case of black linen and papered boards with a matching slipcase. A very fine production. (£650-£810 approx)
HENRI MATISSE OFFSET LITHOGRAPH OF FEMALEHenri Matisse (FRENCH, 1869-1954) plate signed offset lithograph depicting the study of a nude female on chair. From the "Cinqaunte Dessins" suite (Fifty Drawings). Crafted in 1920. Printed by Victor Jacquemin. Edition 271/1000. Measures 10 1/2" height x 7" width + 12 1/2" mat & frame 26.7cm x 17.8cm + 31.7cm). Certificate of Authenticity from Nathan Daniel Isen, Philadelphia.
HENRI MATISSE OFFSET LITHOGRAPH OF FEMALEHenri Matisse (FRENCH, 1869-1954) plate signed offset lithograph depicting a reclining female in robe. From the "Cinqaunte Dessins" suite (Fifty Drawings). Crafted in 1920. Printed by Victor Jacquemin. Measures 7" height x 10 1/2" width + 10 1/2" mat & frame (17.8cm x 26.7cm + 26.7cm). Certificate of Authenticity from Nathan Daniel Isen, Philadelphia.
Gregoire Johannes Boonzier, South African 1909-2005- "Cottage, Bishops Court, Newlands"; lithograph, signed and dated 1936, 24.5x33.6cm: Gregoire Johannes Boonzier, South African 1909-2005- Malay Quarter, Cape Town; woodcut, signed and dated 1978, 22.7x30.4cm: together with one other woodcut by the same hand titled `Malay Quarter, Cape Town`, signed, inscribed `artist`s proof` and dated 1979, 22.6x30.4cm, (3)
Derrick Greaves, British b.1927- Still life; screenprint in colours, signed and numbered 88/200 in pencil, bears publisher`s blind stamp, 67.3x52.5cm: Glynn Boyd Harte, British 1948-2003- Flowers in a vase; lithograph printed in colours, signed and numbered 5/100 in pencil, 60.5x84cm: Jennifer Lane, Irish b.1952- "Oliva Toscana III": woodcut printed in colours, signed and titled, 45x30cm: Ware, late 20th century- "Fruit 1"; aquatint printed in colours, signed, titled, numbered 66/90 and dated 78 in pencil, 17x10cm: Miles, late 20th century- "Baldock Foxton"; aquatint printed in colours, signed, titled and numbered 81/100 in pencil, 17.5x18.5cm: After Georges Braque, French 1882-1963- "Pommes"; lithograph printed in colours, 13.5x20.5cm: together with three further signed artist`s prints by different hands, all late 20th century and one reproduction print, various sizes, (11) (may be subject to Droit de Suite)
Carlos Alonso, Argentinean b.1929- Work men; off set lithographs, a pair, signed and dated `66 in pencil, 35x45cm: After Stanley Spencer, British 1891-1959- "Disciples at the Gate"; off set lithograph, inscribed, dated 20.09.76 and numbered 70/75 in pencil, 42x28.5cm, (3) Note: This lot is being sold on behalf of Oxfam
AMENDMENT: There is one additional volume in this lot: Egerton, Lady Francis. JOURNAL OF A TOUR IN THE HOLY LAND IN MAY AND JUNE, 1840, lithograph plates, publisher`s green cloth (some damp staining), London: 1841 (edges lightly dust-soiled); Watson, Walter. A CRUISE IN THE AEGEAN: THE RETROSPECT OF A SUMMER JOURNEY WESTWARD, 8vo, publisher`s red cloth (some wear and water staining), London: 1853 (edges dust-soiled). With 3 other related works in 4 volumes.
Forbes, James D. TRAVELS THROUGH THE ALPS OF SAVOY AND OTHER PARTS OF THE PENNINE CHAIN, 4to, 9 lithograph plates, folding map at rear, half calf gilt, contrasting label, marbled boards (some wear/light soiling), Edinburgh: 1843 (some light creasing & soiling to margins, map with neat tear/another repaired).
Paul Hogarth OBE RA, British 1917-2001- "Maison Bollinger"; lithograph printed in colours, signed, titled and numbered 107/200 in pencil, 48x66.5cm, (may be subject to Droit de Suite) Provenance: with Business Art Galleries, Royal Academy of Arts, London, according to the label attached to the reverse of the frame
The Honorable Edwina Sandys MBE, British b.1938- At the Circus; lithograph printed in colours, signed, numbered 40/75 in pencil, inscribed `For Robert with love from Edwina 30/10/72` on the print, 76.5x55.5cm: Julia Midgley, British b.1948- "Bus Stop, Marrakech"; etching with aquatint, signed, titled and numbered 11/30 in pencil, 24x44cm: British School, late 20th century- "Pinball Wizard"; lithograph printed in colours, signed, titled, dated `73 and inscribed `e.a` in pencil, 48x64cm: After William Heath Robinson, British 872-1944- "Jazz Tennis, The new craze in full swing at Wimbledon"; reproduction printed in colours, signed by Oliver Robinson and numbered 53/250 in pencil, 36.5x56.5cm: together with a number of other 20th/21st century prints and reproductions including examples after Raoul Dufy and Henri Matisse , (a lot), (may be subject to Droit de Suite)
Brenda King, British b.1934- `Sailor`s Purse`; lithograph in colours, signed and numbered AP 9/20, blindstamp `Aloys Litho, Paris`, 40.5x40.5cm: Brenda King, British b.1934- `The Island`; lithograph in colours, signed and numbered 142/200, 40x40.5cm: Brenda King, British b.1934- `Cornflowers and Daisies`; lithograph in colours, signed and numbered Artist`s proof 33/35, 40.5x40.5cm: Brenda King, British b.1934- `A present from Cornwall`; lithograph in colours, signed and numbered Artists`s proof XVIII/XX: Patrick Livingston, British b.1956- `Windmill, Wimbledon Common`; watercolour, signed, 53x71.4cm: Patrick Livingston, British b.1956- `Kingfisher`; watercolour, signed, 51x66cm: Patrick Livingston, British b.1956- `Spring Morning`; watercolour, signed, 50.5x61cm: Patrick Livingston, British b.1956- `Poppies`; watercolour, signed, 56.5x75.7cm: together with six others by Patrick Livingston, British b.1956 `Vase 1`, `Vase II`, `Afternoon Tea II`, `Garden Flowers`, `Garden Table`, & `Wicker Basket`; serigraph in colours, all signed, numbered and titled, 77x57cm., (max) (13) (unframed) (may be subject to Droit de Suite)
André Bicat, French 1909-1906- `Tuscan Farm`: lithograph in colours, signed and numbered 11/30, 57x78cm: Urbain Huchet, French b.1930- `Estuary`; lithograph in colours, signed and numbered 49/200, 54x76cm: Tanya Short, British b.1955- `Spring Table` `Geraniums` & `Fresias`; serigraph in colours, one signed and dated 91, all titled, numbered `Studio Proof I/II` or `This 89 Artists Proof`, 87.3x68.5cm (max) (3): Tanya Short, British b.1955- `Blue Fusion` & `Orchids`; serigraph in colours, both signed and titled, 77.2x58.5cm (max) (2): Yvonne Cole, British b.1953- `Tender Spot`, `Sweetheart`, `Queen of Hearts`, `Cuckooland`, `Brush and Comb`, `Toothbrushes`, `Ice Lollies`, `Fireworks`, `Sweets`; lithoghraph in colours, all signed, titled and numbered either 6/40, 9/40, 7/33 & 12/33 in pencil, 55x70 (max) (9): Ljerca Njers, Croatian b.1937- `Pink Flowers`, `Yellow Tulips` & `Red Roses`; oil monoprint in colours, signed and dated 1989, titled, 44.5x30cm, (3): Ljerca Njers, Croatian b.1937- Still life of flowers, together with two others; lithograph in colours, signed and dated 1988, 58.7x54cm (each) (3): Ljerca Njers, Croatian b.1937- `Blue Flowers`; etching in colours, signed, titled and numbered 24/100, 44.5x54.5cm: Adrian George, British b. 1944- `Girl in Shower`; lithograph in colours, signed and dated 1981, numbered 13/75, blindstamp HS, 79x58.2cm: Adrian George, British b.1944- `Pink Tutu`; lithograph in colours, signed and dated 1988, 82x66cm: Roy Woodard, British b. 1953- `Love`; lithograph in colours, signed, titled and numbered 105/300, 88x61cm: Pete Kozowitz, 20th Century- `Heart on Fire`; etching in colours/mixed technique, signed, titled and numbered 14/100, 53.5x42cm., (a lot) (unframed) (may be subject to Droit de Suite)
Thomas Oldham Barlow, British 1824-1889- `Sir William Sterndale Bennett` after Sir John Everett Millais Bt PRA, publ by Edward S Palmer, London Oct 1876; mezzotint, stamped verso DBW, 49x38cm: Thomas Hardy, British 1757- c.1805- `Edward Miller, Mus Doct Doncaster`; stipple engraving, stamped verso DBW, 27x20cm: William Strasser, 20th century- Old man asleep with a broom; mixed method engraving, signed in pencil, musical notes in pencil under plate, stamped verso DBW, 27.5x21cm: Achille Devéria, French 1800-1857- `G A Osborne`, publ and printed by Charles Motte, Paris; lithograph, stamped DBW verso, 26.5x20.6cm: Paolo Toschi, Italian 1788-1854 and Isaac, 18/19th century- `Ferdin: Päer Parmigiano`, after Francois Gérard; engraving with etching, stamped DBW verso, 38.5x6cm (5) (unframed)
Scarce 1957 West Bromwich Albion football Russian tour poster: Original colour lithograph poster for the tour to Russia advertising the WBA v FC Zenit - overall 23.5 x 33.5" – with usual crease folds Note: In 1957 Albion became the first British professional team to win a game in the Soviet Union at that time firmly under the Iron Curtain. They played three games drawing against FC Zenit in Leningrad and beating Dynamo Tbilisi (Georgia) and the Soviet Army side CSKA Moscow (Russia)
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