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Lot 1

John West Giles, 19th Century- 'J.F. Herring's Farm Yard', after John F Herring Snr., publ. 1st March 1852 by E Gambart & Co 25 Berners St, London; hand-coloured lithograph, 41x40cm: together with twelve other 19th century prints by and after various hands, (13)

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After Joan Miro- Figure, publ. by Jean Amiel, Paris 1983 from an edition of 500; lithograph, 76x56cm.

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After Charlie Johnson Payne (‘Snaffles’, 1884-1967) ‘The Gunner - ÒGood hunting, old sportsmanÓ’ lithograph with hand colouring, with snaffles blind stamp and printed remarques 43 x 34cm (17 x 13 Iin) overall

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AFTER FRANCOIS HUBERT DROUAIS (1727-1775) MADAME DU BARRE (sic) Mezzotint, by J. Watson, published by Messrs Shropshire, Hooper and Parker, 1771, a proof before title (the title written in pencil), in a gilt carved wood frame with leafy scroll decoration 33.5 x 28cm.; with an engraving of the Virgin and Child in glory (after Murillo?), maple veneered frame, 40 x 31.5cm.; an engraving of a Classical Scene by Audran after Mignard, 71 x 55cm.; and a lithograph of a horse, possibly after James Ward, sandwich mounted, 33 x 45cm. (4) ++ (Drouais) Some foxing; a good impression; (Murillo) some surface mould; (Mignard) some wear, foxing and soiling; (Ward) satisfactory

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ZAO WOU-KI (b.1921) MONTAGNES ET SOLEIL (Agerup 59) Lithograph printed in colour, 1951, signed in pencil and numbered XXXV/LX, published by La Guilde Internationale de la Gravure, Geneva Image 30 x 45cm. ++ Slight light staining; otherwise in good condition (not examined out of frame)

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AFTER GEORGES BRAQUE (1882-1963) OEDIPE ROI DE SOPHOCLE The suite of twelve lithographs, printed in colour, published by Armand and Georges Israel, Paris, 1988, with twelve double sheets of text, within the original plush-covered case, the cover set with a gilt metal medallion after Braque (23.5cm.); with one extra lithograph after Braque (13 in total) Each print 45 x 58cm. ++ Good condition; the box with slight wear at edges

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After Henry Alken Studies of two riders; a pair Each hand coloured lithograph Each s. 22.5cm x 32.5cm (2)

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After Cecil Charles Windsor Aldin RBA (1870-1935) Old Coaching Inns: The Angel at Henley-on-Thames Old Coaching Inns: The White Hart at Hook Each colour lithograph Each pencil signed and numbered 17 (of 225) Published by Robert Wyman & Co. Ltd 17.5cm x 30.5cm (2)

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Charlie Johnson Payne (Snaffles) (1884-1967) ‘A Heilan Lad’ Lithograph Snaffle bit blindstamp Lithographic remarques s. 28.5cm x 20.5cm

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Charlie Johnson Payne (Snaffles) (1884-1967) ‘Wipers’ Lithograph Snaffle bit blindstamp Lithographic remarque s. 28.5cm x 20cm

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Charlie Johnson Payne (Snaffles) (1884-1967) ‘Anzac’ Lithograph Signed in pencil within the margin lower right Snaffle bit blindstamp Lithographic remarque s. 28cm x 20.5cm

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Charlie Johnson Payne (Snaffles) (1884-1967) ‘Yi-hai! Indian Cavalry (B.E.F.)’ Lithograph Snaffle bit blindstamp Lithographic remarques s. 28.5cm x 23cm

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Charlie Johnson Payne (Snaffles) (1884-1967) ‘The Bonnie Blue Bonnets frae ower the Border’ Lithograph Signed in pencil within the margin lower left Snaffle bit blindstamp Lithographic remarques s. 32cm x 30cm

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Charlie Johnson Payne (Snaffles) (1884-1967) ‘The Grand National: The Canal Turn’ Lithograph Signed in pencil within the margin lower right with dedication ‘A Memory. The Old Sergeant and Geoffrey Bennett’ Snaffle bit blindstamp Lithographic remarque s. 31.5cm x 63cm

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Charlie Johnson Payne (Snaffles) (1884-1967) ‘That far far-away Echo’ Lithograph Signed in pencil within the margin lower left Snaffle bit blindstamp Lithographic remarque upper left s. 38cm x 50cm

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Charlie Johnson Payne (Snaffles) (1884-1967) ‘Oh! To be in England now that April’s there’ Lithograph Signed in pencil and with Snaffle bit blindstamp within the margin lower left Lithographic remarque lower right s. 51.5cm x 67cm

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A black and white Lithograph, two children embracing, in a rosewood frame

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Morden map of Rutland, c 1690, an unframed watercolour by J Bate 1925, print of birds and lady and Oxford lithograph (4)

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Pablo Picasso: (Spanish 1881 - 1973) a signed coloured lithograph entitled Illustration I, showing cross legged nude and artist with easel, signed in pencil lower left, printed 3.2.54, with certificate of authenticity from gallery verso, framed, from Edition Mourlot, Paris 1954, 10 1/4 in by 14 in.

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AFTER SIR ALFRED J MUNNINGS, 'Studies of Pixie, an Exmoor foal', colour reproduction published 1953 by Frost and Reed, 15 1/4" x 15"; a French lithograph 'Fleurs des Champs', in maple frame and six others after Lionel Edwards, Stanley Spencer, Henry Alken etc. (8)

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JAMES MALTON, 'View of Dublin from the Magasin, Phoenix-Park', and 'Barracks, Dublin', two aquatint engravings, hand coloured c.1795, each approximately 10" x 17"; and a coloured lithograph by Newman 'West View of the Giants Causeway, County Antrim, Ireland', all mounted but unframed. (3)

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An early 20th Century lithograph advertising 'Charlie Chaplin's Frolics Eccentric Dance for Piano by Theo Bonheur', together with another print and a plastic Mabel Lucie Attwell bathroom plaque.

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After W.I. Walton - 'S.W. View of New Parish Church... Lenton, Notts', 19th Century coloured lithograph by C. Hullmandel, within a Hogarth style frame.

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After Cecil Aldin ' Bell Inn, Waltham St. Lawrence', late 19th/early 20th Century lithograph, printed signature, inscribed in pencil, together with five similar prints after the same hand.

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An early 19th Century stone lithograph, 'Hall at Wiston', within a rosewood frame, together with a pencil drawing.

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David Gentleman - View of a London Street, lithograph printed in three colours, signed and editioned 71/120 in pencil.

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A late 19th Century etching child strumming a guitar, 5" x 4"; aquatint "Chloe lamenting...", 6" x 4.5"; 19th Century French lithograph, young girl hanging a picture, 10" x 7", two coloured lithographs, a lady in a garden and a lady in a hat. All framed.(5).

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John Piper (1903-1992)Stowe Triptych Colour lithograph Signed in pencil, 4/7064cm x 57cm

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John Mitchell (publisher) RobertHand-coloured lithograph by J. W. Giles, dedicated to Robert Throckmorton Esq, Buckland House, Farringdon, this print representing the beginning, progress and completion of an extraordinary undertaking to prove the possibility of wool being manufactured into cloth and made into a coat between sunrise and sunset, which was successfully finished on Tuesday the 25th June 1811É.53cm x 73cm (margins trimmed)

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R B RIETKE ? A mountainous lake scene, possibly Scotland, watercolour and bodycolour, 6 1/2" x 10" together with a Gresley lithograph of Tintern Abbey, Gloucestershire (2)

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AN INLAID BONE, POLYCHROME LITHOGRAPH AND GILT HIGHLIGHTED FAN, another fan, a beadwork small bag (possibly American/Indian), an old suede leather handbag with oriental ivory gentleman catch, 2 purses and a small bisque doll (7)

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S. L. Johnsons 'Panoramic Map of Eastbourne and Neighbourhood' Coloured lithograph Published August 1889 33cm x 124cm (glazed frame)

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A Coloured Lithograph, Bolton Priory, another Sallay Abbey, another The True British Tar, and another Greenwich Hill

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After Joan Miro, 'Abstract Forms', lithograph from book, 12 x 19"

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After Georges Braque, 'Birds on Blue', lithograph, 23 x 18"

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A late 19th century Swiss six tune musical box the movement in a walnut and marquetry case and hinged lid the interior with coloured lithograph tune sheet 36cm in length

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CAMPION (G. B.) SKETCHES OF THE PICTURESQUE CHARACTER OF GREAT BRITAIN, FROM NATURE AND ON STONE, in three parts, 12 hand coloured lithographs on tinted paper, re-bound in cloth, the original lithograph wrappers bound in, oblong folio, Ackermann, London, 1836. * Scarce.

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CHALON (JOHN JAMES) TWENTY FOUR SUBJECTS EXHIBITING THE COSTUME OF PARIS, THE INCIDENTS TAKEN FROM NATURE..., title, 24 hand coloured lithograph plates, later morocco backed cloth boards, folio, London 1822. * Colas, 588.

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CHAMPAGNY (CLERJON DE) ALBUM D'UN SOLDAT PENDANT LA CAMPAGNE D'ESPAGNE EN 1823, 40 hand coloured lithograph plates (including 1 un-coloured), contemporary half calf, marbled boards, 8vo, Paris 1829.

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CHARPENTIER (H.) RECUEIL DES COSTUMES DE LA BRETAGNE & DES AUTRES CONTREES DE LA FRANCE..., 2 volumes bound in 1 from the original parts, 2 printed titles, 120 highly finished hand coloured lithograph plates, well bound in later half calf, folio, Nantes, (1829 - 31). * Colas, 612.

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FORESTIER (O. A. DE) ALPES PITTORESQUES DESCRIPTION DE LA SUISSE...ORNEE DE VUES ET CARTES GRAVEES SUR ACIER COSTUMES ET ARMOIRIES COLORIES ETC, 2 volumes, 21 hand coloured costume plates, 3 hand coloured plates of arms, 23 maps including folding, 72 engraved views, large folding panoramic lithograph view, folding plate, contemporary maroon crushed morocco, faded on spine, 4to, Paris, 1837 - 1839. * Scarce.

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JOHNSON (J.) THE COSTUMES OF THE FRENCH PYRENEES, DRAWN ON STONE BY J. D. HARDING, FROM ORIGINAL SKETCHES, 30 hand coloured lithograph plates, final plate torn without loss, contemporary cloth, worn on extremities of spine, 4to, James Carpenter, London, 1832. * Colas, 1551.

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KURCK (ARVID) AND WALLGREN (O.) SKANSKA FOLK DRAGTER ETC, 22 coloured lithograph plates, one plate stained, original red cloth, re-cased, folio, Stockholm, 1872. * Colas, 1678.

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ONWHYN (J. & J.) COSTUMES OF THE TIME OF GEORGE II DESIGNED FOR HER MAJESTY'S STATE BALL, tinted lithograph title, 11 hand coloured lithograph plates, loose in original red gilt cloth, 8vo, John Lee, London, n. d.

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ROSENBERG (ADOLF) GESCHICHTE DES KOSTUMS TEXT VON PROF. DR. EDUARD HEYCK, 5 volumes, 400 lithograph plates, loose in publishers portfolios, with ribbon ties, folio, Berlin, n. d. * Colas, 2576.

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STUART (J. S. S. & C. E.) THE COSTUMES OF THE CLANS WITH OBSERVATIONS UPON THE LITERATURE, ARTS, MANUFACTURES AND COMMERCE OF THE HIGHLAND AND WESTERN ISLES ETC, elaborate colour title, lithograph plates including hand coloured, contemporary half red morocco, matching cloth sides, gilt title on upper cover, large folio, limited edition of 500 copies, John Grant, Edinburgh, 1892. * The coloured issue of the plates.

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[SVEDMAN] COSTUME OF SWEDEN ILLUSTRATED BY TWENTY-TWO ENGRAVINGS, 22 highly finished hand coloured lithograph plates, original paper covered boards with printed title label on upper cover, neatly re-backed in red morocco, folio, Rodwell & Martin, London, 1823. * Colas, 2841. * Superb lithographs by Hullmandel.

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ZIENKOWICZ (LEON) LES COSTUMES DU PEUPLE POLONAIS SUIVIS D'UNE DESCRIPTION EXACTE DE SES MOEURS, DE SES USAGES ET DE SES HABITUDES, 2 leaves music, 39 hand coloured lithograph plates, heightened with gum arabic, contemporary maroon morocco, 4to, Paris, 1841. * Colas, 3115. * Highly finished Polish costume plates.

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WHITEFIELD (EDWIN) THE HOMES OF OUR FOREFATHERS... IN RHODE ISLAND AND CONNECTICUT, 28 tinted lithograph plates, cloth, gilt, small 4to, Boston, 1882.

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NOTRE DAME PEEP VIEW - hand coloured lithograph in 6 sections, concertina paper sides, central peep hole, the pictorial cover printed 'Te Deum Chante A Notre Dame Janvier 1852', 240mm x 165mm. * A scarce peep viewer.

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After Frederick G Cooper, American 1883-1962- 'Posters', originally published by The Marchbanks Press, 114 East 13th Street New York, Stuyvesant 1197; lithograph in colours, signed with monogram within the plate, 40.7x28cm

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*Henri de Toulouse-Lautrec, 1864-1901- 'Amazone et Tonneau', 1898, Deltreil 284; Adhemar 288; Adriani 290; Wittrock 301; lithograph, signed with monogram within the plate, on laid, bears watermark 'Vidalon', 30.7x48.6cm., (sheet), (unframed)

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*European Post-War School- Two standing figures; lithograph, 44x32cm., (sheet size): together with one other similar lithograph of a seated figure, 44x32cm., both possibly published by the Redfern Gallery Ltd., (2), (unframed)

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English School 19th century- Fisherfolk on a beach with a headland beyond; watercolour, 14x45cm: Carlo Pellegrini, (Ape), 1839-1889-'Judges No 3 The Majesty of the Law', No 62, publ. by Vanity Fair Jan 8 1870; lithograph printed in colours, inscribed in pen 'Chief Justice Bovill': together with three other prints of judges published by Vanity Fair, five other prints after Max Beerbohm and one engraving of a maritime battle in the Crimea, (10)

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*20th Century School- Cubist cityscape; lithograph, signed, inscribed and dated 48 in pencil, 34x25.2cm: together with one other similar lithograph by the same hand, unsigned, and a 19th century pencil drawing of a group of robed figures bearing the studio stamp 'R. Chatel', (3), (unframed)

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After Jean Metzinger- 'Self Portrait'; lithograph, 38.8x29.2cm., (unframed)

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Jean Rene Bazaine, 1904-2001- Untitled abstract composition; lithograph in colours, signed, numbered 70/200 and bears publisher's blindstamp, 'Cercle Graphique Europeen', 55x75.7cm., (unframed)

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After Joan Miro- 'Abstract Forms', publ. by Editions Seat, Rome, 1976 from an edtion of 1500; lithograph printed in colours, signed within the plate, 22x29cM: After Pierre-Auguste Renoir- ''Dancer', publ. by Edtion Braun, 1952; reproduction print, 24x17.5cm., (2)

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Sir Eduardo Paolozzi, RA, 1924-2005- '4 German Songs'; lithograph in colours, signed, numbered 4/100 and dated 1975 in pencil, 99x69cm: Harold Cohen, b.1928- Untitled; lithograph in colours, signed, numbered 16/40 and dated 64 in pencil: Ronald Brooks Kitaj, b.1932- The Cause of World Unrest; lithogpraph in colours, signed, numbered 940 and dated 1964 in pencil: Bernard Cohen, b.1933- Untitled; lithogrpah, numbered 16/40 and dated 64 in pencil: together with two other colour lithographs by different hands, unsigned, (6), (rolled and unframed)

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John Piper, 1903-1992- 'Christ Church, Spitalfields'; lithograph, 1964, signed and numbered 27/70 in pencil, bears Marlborough Gallery label attached to the reverse, 78.5x52.5cm

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