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Click here to subscribeJohn Piper CH,British 1903-1992, Willington Dovecote, Bedfordshire; Arbroath Abbey; each lithograph in colours on wove, (i) signed and numbered 90/200 in pencil, sheet: 77.3 x 57.5 cm, (ii) signed and numbered 50/200 in pencil, sheet: 71 x 57.5 cm, (unframed)(ARR)(2)Note: these prints are believed to be later editions.
Agnes Martin, American/Canadian 1912-2004, Innocent love; Innocence; Happiness - glee; Happy holiday, 2000; each lithograph on vellum, each published by Pace Wildenstein, each image: 25 x 25 cm, (framed) (4)Note: These extremely delicate prints were published by the artist's New York Gallery (Pace Wildenstein) on Martin's preferred material of translucent vellum, for the year of 2000 show. Martin said of her work: “These prints express innocence of mind. If you can go with them and hold your mind as empty and tranquil as they are and recognise your feelings at the same time, you will realise your full response to them”.
Agnes Martin, American/Canadian 1912-2004, Children Playing; Lovely Life; Everyday happiness; Love; I love love; Infant response to love; each lithograph on vellum, each published by Pace Wildenstein, each image: 25 x 25 cm, (framed) (6)Note: together with monograph. These extremely delicate prints were published by the artist's New York Gallery (Pace Wildenstein) on Martin's preferred material of translucent vellum, for the year of 2000 show. Martin said of her work: “These prints express innocence of mind. If you can go with them and hold your mind as empty and tranquil as they are and recognise your feelings at the same time, you will realise your full response to them”.
Salvador Dalí, Spanish 1904-1989, Le Cavalier, from Le Jungle Humaine, 1976; lithograph in colours on wove, signed and numbered 'XXXI/CCL' in pencil, image: 46 x 62.5 cm (framed) (ARR)Note: Bruce Hochman has confirmed the authenticity of this lot. Albert Field: The Official Catalog of the graphic works of Salvador Dali, 76-2 B
Jean-Michel Folon, Belgian 1934-2005, Works of art that encapsulate the feeling of Dragoco (portfolio); four lithograph dragon prints in colour on wove, three signed in the plate, each sheet: 47.8 x 33.6 cm, (unframed)(ARR) (4)Note: This Chinese new year is the year of the Dragon. The works were put together in this portfolio for a campaign within the company Dragoco, which was taken over by Symrise AG in 2002.
Banksy, British b.1974-Cut and Run (set of two posters);each offset lithograph in colour on wove, from the Glasgow Cut and Run show, each sheet: 59.5 x 42 cm, (unframed) (ARR) (9)Note: together with two copies of The Herald Newspaper, two 'Louise Michel Lifeboat' T-shirts (each size L), one 'Search Rescue Solidarity' patch, and two 'Cut and Run' stickers.
Sketches at Lords' Ground No.3 Thomas Box, c.1860, hand coloured lithograph by Mourilyan & Casey, mounted, glazed and framed, 57 x 47cm. This is one of a series of six pirated lithographs, performed to a high standard but without approval from the original user of the name 'Sketches at Lord's' JC Anderson and the original artists or publishers of the stolen images, usually C Basebe and WH Mason. If anything, these pirate lithographs are rarer than those by Anderson and Basebe and they are just as much decorative fun and somewhat larger. Tis does not look much like Thomas Box who is normally shown in wicket-keeper gear. Mouilyan & Casey were not too precise about what they stole!. Thomas Box, 19th century English cricketer, remembered as an outstanding wicketkeeper. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
William Lillywhite at Lord's ground on July 25th 1853 in Grand Match for his Benefit played between Sussex and England, by Richard Black, lithograph drawn by John Corbet Anderson, published by Fred Lillywhite & John Wisden, London in 1854, mounted, glazed and framed, 51 x 41cm. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
A set of 20 'Capital T - Trim Ademi music memorabilia lithograph high gloss colour art posters. Two individual designs - one titled 'Shits Getting Surreal with Salvador Dali representation' (two in number) and one untitled - Young Women in Straight Jacket with walking figures with umbrellas' (eighteen in number). Trim Ademi (Albanian) known professionally as Capital T, is a Kosovo-Albanian rapper, singer and songwriter. Born and raised in Pristina, his uncle introduced him to music and rapping at an early age. He rose to recognition in the Albanian-speaking world, after the release of his first two albums Replay (2010) and KAPO (2012). Due to the success of his albums, he founded his own record label Authentic Entertainment. All individually signed by 'Capital T'. All unframed.Measures approx. 29.5cm x 42cm.
Three contemporary 'Thunder Birds', 'Dumbo' colour posters along with a signed genie / elf in the style and characteristics of Walt Disney's Mulan. Official Thunder Birds printed in England by Leonard Ripley & Co Ltd, London and Dumbo high gloss lithograph poster by WL Limited, Mulan holds matt finish. All Unframed. Largest measures approx.
Eight 18th-20th century prints and embroideries to include: E. Kirkall after Thomas Baston - 'The Britannia a first rate carrying 100 guns...', hand coloured engraving; 'The Prodigals Repentance', lithograph, including frame 83 x 70 cm; N. & S. Buck - 'The South View of Warkworth Castle in Northumberland', engraving; E. Scriven after H. Corbould - 'Long Live the Memory of His Royal Highness The Duke of York...', engraving; together with E. Walker after G. H. Thomas - 'Parade of the Scots fusilier guards at Buckingham Palace', lithograph; A silk and wool embroidery of The Queens Royal Regiment, Allied Forces in China, British Legation Guard Peking 1930 - 1933. Overall size 55 x 73 cm, glazed and framed; together with a Georgian silk embroidered Map of England and Wales; After Francois Boucher - Large vintage French garden tapestry, depicting 18th century aristocratic leisurely pursuits, 62 x 164 cm (including frame) all framed (8)
19th century engraving of Oliver Cromwell, signed in pencil to margin, pub. 1881 Colnaghi & Co., 24cm x 19cm in ebonised frame 18th century engraving after Samuel Cooper of Oliver Cromwell, 34cm x 22cm, in ebonised frame Late 19th/early 20th century Armorial study in graphite, 20cm x 16.5cm 19th century engraving - portrait of William Laud Bishop of Canterbury, dated 1830, 23cm x 15cm, framed. Appointed by King Charles I in 1633, arrested by Parliament in 1640 and executed near the end of the Civil War in 1645. Sydney Ernest Wilson, b.1869. Artist proof coloured lithograph, 1928. “Sir George Sinclair”, after Sir Henry Raeburn RA. Published by Vicars Brothers. Signed lower right and Artist Proof stamp lower left. Framed with label verso. 42x32cm Victor Gustave Lhuillier, French 1844-1889. Two etchings, one after John Seymour Lucas. Signed and inscribed in pencil to the margin. In Hogarth frames. 33.5x25cm and 35.5x27.5cm After Rembrandt, portrait of Oopjen Coppit, 1611-1689 and Martin Soolmans, 1613-1641. Engravings, 19th century. Signed in pencil lower right to margin, blind stamp lower left. In Hogarth frames. 56x36.5cm.
Pair of 18th century engravings, engraved by W. Byrne & J. Schuman. “Morning” and “Evening”. Published July 1794 by Darling & Thompson, London. Framed. 45x56cm, 18th century engraving, “View of Wansted House in Essex, the seat of the Earl of Tylney”. Framed. 16.5x21.5cm, 18th century coloured engraving, “View of the Collegiate Church of Holy Head, a Town and Cape of the Isle of Anglesea”. Published by Alexander Hogg. Framed. 16x18cm, Victorian 19th century Wesleyan Methodist, Twentieth Century Fund certificate. Signed to Hugh H Evans, 17 Station Road, Talysarn. John Hugh Evans, 1833-1886, was a Wesleyan Minister being admitted to the ministry in 1860. In original faux grain painted frame. Overall including frame 32x40cm, Arthur Uecker-Fensloff, d.1934 etching, titled in pencil lower left and signed lower right. Early 20th century. Framed and mounted. Overall including frame 32x36cm, 19th century coloured engraving. “Battle of Inkermann, November 5th 1854, the Guards resisting the attack on the two gun redoubt”, by R Hind and T Sherratt. Framed. Overall including frame 19x26.5cm, Cecil Aldin, 1870-1930. Coloured lithograph from a drawing, a view of The Old Quadrangle at Rugby School, one of the oldest parts of the complex built by Henry Hakewill in the first decades of the 19th century. Titled “Rugby School, The Old Quad”. Published by Richard Wyman & Co, London. Mounted and framed, Overall including frame 56x59cm, Pair of decorative lithographs, military processions, “Die Thuner” and “Der Hulfszug von Uri, Schwyz und Unterwalden”. Mounted and framed. Overall including frames 35.5x59.5cm (10)
Property from the Estate of the Late Frank Pottinger: The Napier University Portfolio; a folio containing eight limited edition prints by 20th century Scottish artists originally sold on behalf of Napier University, Edinburgh to benefit Higher Education, comprising: Barbara Rae C.B.E., R.A., R.S.A. (Scottish, b. 1943), Fast Castle, etching, signed in pencil, ed. 17/60; Peter Howson O.B.E. (Scottish, b. 1958), Angus, lithograph, signed in pencil, dated (20)01, ed. 17/60; John Byrne R.S.A. (Scottish, b. 1950), J'Accuse, lithograph, signed and titled in pencil, ed. 17/60; Stuart Duffin (Scottish, b. 1959), Street of Prophets, etching, signed and dated (20)01 in pencil, ed. 17/60; Frank Pottinger R.S.A. (Scottish, 1932-2022), Untitled, etching, signed and dated (20)01 in pencil, ed. 17/60; Ian McKenzie Smith C.B.E., P.P.R.S.A., P.P.R.S.W., L.L.D. R.G.I. (Scottish, b. 1935), Untitled, screenprint, monogrammed in pencil, ed. 17/60; John Houston O.B.E., R.S.A., R.S.W., R.G.I., S.S.A. (Scottish, 1930 - 2008), Bass Rock, Evening Storm, lithograph, signed and titled in pencil, ed. 17/60; and Fiona Waston (b. 1952), Natural Progression, etching, signed and titled in pencil, ed. 17/60, each sheet 44cm by 56cm, printed on heavy wove paper by Glasgow Print Studio. (8) Note: the portfolio originally contained ten prints - the two missing artists from this example are William Baillie and Elizabeth Blackadder.
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