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Lot 391
IN THE MANNER OF GEORGE MORLAND "Two figures on a bridge and an angler in a river landscape", coloured lithograph, bears signature "G Morland" lower right, a pair of Grand Tour monochrome lithographic prints, a black and white engraving inscribed "The Rent Day" and a French black and white engraving inscribed "Exposition Universell de 1900 Diplome Commemoratif" (5)
Lot 425
J LEON STREET "A street scene with church tower rising in the distance", watercolour, signed lower left, bears "James Bourlet & Sons Limited Gallery" label verso, another similar by the same hand, SIDNEY P WINDER "Still life study of flowers in a blue bowl", watercolour, signed, J G HOPRISS "Hercules C Mk I, Royal Airforce Ethiopia Air Lift" bearing five flight personnel signatures, black and white lithograph, dated November 1984, a jazz poster and five further decorative pictures
Lot 502
Henri de Toulouse Lautrec, French 1864-1901- "Etude de Femme"; lithograph in olive green with pochoir in yellow and blue on buff laid on board, signed and signed with monogram and inscribed `no 66` within the plate, 36.4x28.6cm: together with a further lithograph by the same artist entitled "La Modiste Renee Vert", signed with monogram within the plate, 36x28.4cm, (2)
Lot 559
British School, mid 19th century- Portrait of Henry Paget, 2nd Marquess of Anglesey, 1797-1869; watercolour, in a 19th century glazed gilt composition Carlo Maratta style frame, 15.2x13cm: British School, mid 19th century- "Lord Anglesey Driving in the Park at Plas Newydd, Wales"; hand-coloured lithograph, in a glazed maple veneered frame with arched top, 52x88cm: William S Barnard, British 1774-1849- Portrait of Admiral Lord Nelson, after Lemuel Francis Abbott, publ 1st June 1799 by W Barnard No 18 London Street Fitzroy Square; mezzotint printed in colours, 63x41cm: James Thomson, British 1790-1850- "Household Treasures", 1844, after Edmund Thomas Parris; steel engraving, 22x16.5cm: An English Carved and Gilded Neo-classical frame, c.1800, 29.8x38.5cm: together with two reproduction prints, (7)
Lot 560
Ceri Garaldus Richards CBE LG, Welsh 1903-1971- "Trafalgar Square"; lithograph printed in colours, signed, numbered 44/100 and dated 62 in blue crayon, 56x70cm (may be subject to Droit de Suite) Provenance: with Fischer Fine Art Limited, London, according to label attached to the reverse of the frame
Lot 659
After Henri de Toulouse Lautrec, French 1864-1901- "Yvette Guilbert: sur la Scène", originally published in 1898; lithograph, signed with monogram within the plate, bears remains of label for Ernest Brown & Phillips, Ltd, The Leicester Galleries attached to the reverse of the frame, 32x26.2cm
Lot 798
Pierre Lelong, French 1908-1984- Woman in her bedchamber; lithograph printed in colours, signed in pencil, bears publisher`s blind stamp, 63x49cm: Mary Audsley, British 1919-2008- Seated woman; lithograph printed in colours, signed and numbered 32/75 in pencil, 73x54cm: Alain Prillard, French b.1948- "Faisant un Reve mais le Reve ne Paie pas"; mixed technique lithograph in colours with embossing, signed and numbered 11/20 in pencil, 39x29cm: Michel, French, mid 19th century- Sleeping female nude; red chalk on buff, signed and dated 49, 46.5x63.5cm: French Provincial School, early 20th century- "Chateau de Chaumont"; watercolour, inscribed, 22x28.5cm: together with two reproduction prints, one after Bonnard and the other after a 19th century view of Dieppe, (7) (may be subject to Droit de Suite)
Lot 801
John Guille Millais, British 1865-1931- "Burdett`s Zebras leaving a Pan after drinking"; scraperboard, brush and black ink, pencil, original artwork for illustration, signed and inscribed with title in pencil, 26.5x44.7cm: After Rembrandt van Rijn, Dutch 1606-1669- "The Flight into Egypt: Crossing a Brook"; etching, restrike after the original, signed and dated 1654 within the plate 9x14cm: W H Emett, British, mid-late 19th century- "The Queen and Princess Beatrice with their faithful friends Waldman, Fern, Sharp and Noble, 1876"; lithograph, 56.2x63.5cm: Achille Jacques-Jean-Marie Devéria, French 1800-1857- Portrait of the poet Alfred de Vigny, publ Paris rue St Honoré no 290 London publ by Chas Motte 23 Leicester Square 15th May 1831; lithograph, 35x27cm: Paul Gavarni, French 1804-1866- Portrait of the poet Alfred de Musset, publ by Lemercier & Cie, Paris; lithograph, dated 1824-4 within the plate, 37x25cm: Paul Gavarni, French 1804-1866- Portrait of the artist Eugène Isabey, publ by Lemercier & Cie, Paris; lithograph, arched mount, 36.5x23cm: After Charles Burton Barber, British 1845-1894- "Yorkshire Terrier Dog, Italian Greyhound Pug", publ by Vincent Brooks Day & Son; chromolithograph, 21x26.5cm., (7)
Lot 805
Georg Friedrich Schmidt, German 1712-1775- Elizabeth Petrovna, Empress of Russia, after Louis Tocqué, publ 1761; engraving, 70.5x53cm: Hippolyte Garnier, French 1802-1855- "Alexandre 1er", after F Gerard; engraving, 29x24cm: Jacobus Houbraken, Dutch 1698-1780- "Petrud de Iate", after Carel de Moor, publ 1752; engraving, 26.8x18cm: John Cary, British 1754-1835- Plan of St Petersburg with its Fortifications", publ July 6 1782 by I Fielding No 23 Paternoster Row; engraved map, 20x26cm: British School, late 18th century- "A View of Petersburgh"; engraving, 16x25cm: Langlois, French, 18th century- "Pierre I", after Caravague, publ 1744; engraving, 13.5x9cm: After Ferdinand Perrot, French 1808-1841- "St Petersboug Palais d`Hiver", publ by Lemercier; tinted lithograph, 31x41cm., (7)
Lot 22
STANDIDGE (PRINTERS), MID-19TH CENTURY PROCESSION OF EMPEROR MAXIMILIAN I hand-coloured lithograph, heightened with gold, with margins 37cm x 54; 14 1/2in x 21 1/4(8) These eight lithographs printed by Standidge & Co. circa 1850, form part of the series representing the Triumphal Procession of Emperor Maximilian of Austria, 1526. The Triumphal Procession (in German, Triumphzug) was commissioned by the Holy Roman Emperor Maximilian I to be executed in woodcut in the 16th century. This massive commission was initially printed from over 130 separate wood blocks. Approximately 54 metres (177 ft) long, it was one of the largest friezes ever printed and was designed to be pasted around the walls in city halls and palaces to create a decorative frieze expressing the Emperor`s power and magnificence. This lithographic interpretation captures the rich iconography of the original woodcuts.
Lot 55
CHARLES BIRD, AFTER GREUZE INNOCENCE inscribed "engraved and printed in colour at one printing without retouching, Charles Bird" l.r; in an elaborate gilt frame in good order along with two lithograph French late 18th Century after Laureince mezzotint the first: 29cm x 27; 11 1/2in x 10 1/2, (3)
Lot 286
A large 19th Century childs puppet theatre, mostly complete with various background scenery, wooden stage and original composition puppets. Comes with another 1906 paper theatre with several unused lithograph printed Kriegerzelt backing sheets and scenery. All in its original carry case which transforms into the stage base. 75cm x 75cm when built.
![NORMAN ROCKWELL [AMER. 1894-1978], COLOR LITHOGRAPH, ARTIST PROOF C1976 17" X 15" "THE SWING": depicts](http://lot-images.atgmedia.com/SR/33875/2869883/88-20121119151954_468x382.jpg)
![NORMAN ROCKWELL [AMER. 1894-1978], COLOR LITHOGRAPH, #37/200, C1975 18" X 18" "RIVALS": depicts two bo](http://lot-images.atgmedia.com/SR/33875/2869883/89-20121119151956_468x382.jpg)
Lot 89
NORMAN ROCKWELL [AMER. 1894-1978], COLOR LITHOGRAPH, #37/200, C1975 18" X 18" "RIVALS": depicts two boys walking a girl home from school with one boy carrying her books and the other with a sprig of flowers; pencil signed lower right and numbered: 37/200 lower left; gilt framed and matted under glass;
![VICKY MONTESINOS [MEXICAN], LITHOGRAPH, 48" X 36", "ELEGANCE IN WHITE": Pencil signed lower right and](http://lot-images.atgmedia.com/SR/33875/2869883/93-20121119152010_468x382.jpg)
![HUI -CHI MAU [CHINESE, B. 1922], LITHOGRAPH, 20 1/2" X 17 1/2", HORSE: Signed at the lower right. Float framed.](http://lot-images.atgmedia.com/SR/33875/2869883/236-20121119145548_468x382.jpg)
![JOAN MIRO [SPANISH, 1893-1983], LITHOGRAPH, 1975, 17 1/2" X 24", `LITHOGRAPH II`: Pencil signed and numbered edit](http://lot-images.atgmedia.com/SR/33875/2869883/1009-2012111914526_468x382.jpg)
![ROBERT MOTHERWELL [AMERICAN 1915-1991] LITHOGRAPH 1971 28" X 22" THE BASQUE SUITE - UNTITLED: A printers proof edit](http://lot-images.atgmedia.com/SR/33875/2869883/2031-20121119143824_468x382.jpg)
![MILTON GREEN [AMERICAN 1922-1985], LITHOGRAPH, 40" X 30", "THE BLACK SITTING": The Artist Proof is pencil](http://lot-images.atgmedia.com/SR/33875/2869883/2032-20121119143826_468x382.jpg)
![ERNEST MARTIN HENNINGS [AMERICAN, 1886-1956], LITHOGRAPH, 32/100, 10" X 10", `THE FROZEN STREAM`: Pencil signed, ti](http://lot-images.atgmedia.com/SR/33875/2869883/2033-20121119143829_468x382.jpg)
![HOWARD COOK [AMERICAN 1901-1980], LITHOGRAPH, 1931, 10" X 12", CITY NIGHT: Matted and framed under glass. Also call](http://lot-images.atgmedia.com/SR/33875/2869883/2034-20121119143832_468x382.jpg)
![ALEXANDER CALDER [AMERICAN 1898-1976], COLOR LITHOGRAPH, 1970`S, 44" X 30" PAPER, "BOOMERANG": 42" x](http://lot-images.atgmedia.com/SR/33875/2869883/2138-20121119144349_468x382.jpg)
![AFTER SALVADOR DALI [SPANISH 1904-1989], COLOR LITHOGRAPH WITH ETCHING, 22" X 16", "LE PECHEUR": #248/350](http://lot-images.atgmedia.com/SR/33875/2869883/2278-20121119145114_468x382.jpg)
Lot 675
Post Medieval Framed Lithograph of a 17th century Gentleman19th century AD. A framed monochrome lithograph of a fashionable gentleman in 17th century attire with curled hair and vandyke beard, wearing a shirt with lace collar, jacket with a broad turned collar and chain beneath, possibly after Flans Hals. 3.2 kg, 59 x 50 cm including frame (23 1/2 x 20"). Ex Mayfair gallery. [No Reserve] Fine condition, attractive.Starting Price: £5
Lot 149
*Francesco Bartolozzi. A lithographic hand-coloured `The Knot of Love`, c. 1800, 19 x 23cm; another early lithographic valentine, featuring two lovers appearing out of tulip heads, with a cupid firing an arrow over a cloud of `love`, an eight-line rhyme: `Within the rosebud Cupid loves to dwell; etc., c. 1800, 10 x 15cm; a hand-coloured comic and cruel lithograph by A. Park, Leonard St., London, featuring a second-hand clothes-seller, c. 1840, 18 x 23.5cm; another lithographic valentine with a cupid asleep on an island, framed by drapes, with rhyme: `Oh that dear girl` etc., an ink monogram, c. 1820, 15 x 19.5cm; an embossed vindictive card by Dean & Son, London, stencilled colouring of a young gentleman with a rude rhyme, c. 1820-30, 12 x 17.5cm. (5)
Lot 167
*Mansell, Bee-Hive etc. A large paper lace and embossed card by Mansell, c. 1850, an urn of flowers on hand-painted silk and a bird with a message in its beak, with written verse, `Charms like these my lovely dear must nor bind a lover`s heart. To you I`ll so remain sincere and never from my soul depart`, 20 x 25cm; a bee-hive lithograph, `The Monthly Rose`, with a verse which when lifted reveals a scrap `I love you`, 16 x 17cm; a paper lace dated 1871 with original envelope; plus another by Sulman of London with rare black silk Stevens sachet, 10 x 15cm, plus other paper lace. (12)
Lot 285
A large and important pair of c.1876 Elkington & Co gilt metal and cloisonné trumpet vases, each with stepped rim and lift out liner above tapering main bodies, one decorated with two flamingos, two dragonflies, and an exotic bird amongst foliage, bulrushes and reeds, the second decorated with a hawk, four further birds and various flowering branches with coastal landscape beyond, each base with foliate pierced band above applied floral decorated and pierced Greek key scrolling feet, both signed with wirework within the design "Elkington & Co", one stamped "Elkington" to the metal mount, height 71cm, diameter of top 39.5cm. A near identical single vase is illustrated in a lithograph of Elkington's display at the Philadelphia Centenary Exhibition 1876, published by George Virtue for the Art Journal 1876. CONDITION REPORT: Generally in good condition. Pitting to the enamel on both. On each vase, there is one area of approx one square inch of the enamel that has been chipped or knocked at some stage. On both vases this does not detract and is not particularly easy to spot. Slight tarnishing to metal work. A wonderful pair, no significant damage.
Lot 370
Hugh Casson (British, 1910-1999) The Garden Quadrangle, New College Oxford (2) each signed in pencil, one numbered 425/500, lithograph in colour 9" x 15 ¼", unframed and a further collection of signed coloured lithographs of St. John`s College, Cambridge; Queen`s College, Cambridge; Trinity College, Oxford; Magdalen Bridge, Oxford (186/500, 155/500 and three unnumbered and unsigned); Oriel College, Oxford (1/500 and another numbered); Pembroke College, Oxford (1/500 and another unnumbered); Worcester College, Oxford (2/500, 5/500 and another unnumbered); Clare College, The West Front, Cambridge; The Chapel, Radley College (x3) and St. Albans Cathedral (unsigned).
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70555 item(s)/page