* National Air Races Cleveland Ohio. A rare original First Day Cover, flown from the event by the famous Aviatrix Ruth W. Stewart and autographed in green ink by the pilot, decorative colour lithograph designs frontis & verso with applied 5 cents postage stamp, franked dated September 4th 1931, minor tear to sealed flap, 4 x 9in (10 x 24cm). Ruth Stewart one of America’s finest women private-pilots tragically lost her life a year later on a routine flight, when her plane crashed in dense fog near Harrisburg PA in January 1932, flying in adverse conditions when persuaded against her instincts by fellow-aviators to make the trip against the clock. (1)
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* BARC Motor Racing at Castle Combe. An original poster for the event on Easter Monday 1966, decorative artwork design by Dexter Brown depicting sports-racing and GT cars, lithograph on paper, original fold-marks otherwise good condition, together with Silverstone Vintage Car Races poster, c. 1970s, largest 30 x 20in (71 x 56cm) (2)
* Nurburgring 1000km Rennen. An original poster for the World Sportscar Championship event 1967, decorative artwork design for the endurance race on the famous “Nordschlieffe” circuit, depicting Ferrari, Porsche and Ford GT40s, full-colour photo-lithograph on paper, shows old fold-marks and display-wear. 33 x 23in (84 x 60cm) (1)
* Montaut (Ernest, 1879-1909). 10 Ans de Courses. Les Marques Victorieuses 1897-1907, pub. Montaut-Mabileau et Cie, Paris, 1907, comprising a set of 30 fine hand-stencilled lithograph colour prints, each with captioned tissue guard, orig. hand-stencilled printed wrappers with cord tie to spine, oblong folio (21 x 35cm) A rare volume in remarkable “as new” condition. Arguably the best combined oeuvre of this renowned artist and illustrator of early motoring and aviation subjects. This his final published work before his untimely death at the age of only 31. (1)
* “Automobile House”. A good early 20th c. tinplate toy motor-house by Gbr. Bing of Nuremberg, c. 1920s, decorative lithograph detailing with opening double doors containing within an original tinplate clockwork toy De Dion-Bouton Edwardian-style two-seater motor-car, very good original condition, although lacking companion limousine, the two-seater having bisque fairing of two children as passengers, German manufacture, c1920, 7 x 9in (18 x 23cm) (-)
* Tinplate clockwork toy limousine. A good early 20th c. example by Wells Co. Ltd., England, c. 1920, decorative colour lithograph paintwork in yellow with black wings and roof, having battery-electric central spot lamp to front, and with printed tinplate driver within, English make, c.1920s, length 6in (15cm) (1)
* Anonymous. “Put Your trust in the Navy and Your Money in National Savings”, a WWII exhortation poster by HMSO for War Savings Committee, c. 1940, dramatic artwork depicting warships at battle-stations, full-colour lithograph unframed, together with Rowland Hilder, “Convoy Your Country to Victory”, a WWII exhortation poster by HMSO for War Savings Committee, c. 1940, as above lot, 30 x 20in (76 x 51cm) (2)
* Russo-Japanese War. A group of scarce original prints depicting Naval scenes during the conflict, c.1905, including photo-lithograph print depicting the Russian Fleet at anchor in Vladivostok harbour, and three other Japanese chromolithographs of naval battles, two entitled “The Destruction of the Russian Fleet of War Vessels” mostly with Japanese sub-text inscriptions to margins, largest 18 x 24in (46 x 61cm) (4)
* Cycling. Hurst (H.), Cycling in Hyde Park, pub. Vanity Fair, June 11th 1896, fine col. lithograph, without central fold, very slight spotting, image size 330 x 490mm, together with, The Great Eastern, The Illustrated London News, 1859, large chromolitho. print after Edwin Weedon, old folds, image size 450 x 690mm, with, Orme (Edward), The Paris Diligence, 1816, aquatint engraving with original hand colouring, toned overall, 215 x 380mm, mounted framed and glazed, with a further collection of approx. fifty prints and engravings including maritime, sporting, transport and topography, various sizes and condition (approx. 50)
* Hastings. [Hastings and St. Leonards], pub. B.Tree, Library, Hastings [Drawn & printed by Newman & Co., 1835], hand coloured lithograph, trimmed to image, several old folds, 175 x 800mm (only), mounted framed and glazed, with, Oxford Colleges.Four reproduction prints, pub. Aerial Press, c.1980four b & w photographic prints of Trinity College, Queen’s College, All Souls and St.Johns College, after Loggan and Williams, each approx. 390 x 500mm, mounted, framed and glazed (5)
* Scotland. Daniell (William), View of the New Bridge over the River Tweed at Kelso, Scotland, 1804, aquatint engraving with original hand colouring, toned overall, trimmed to image, title displayed in separate mount aperture, 405 x 635mm, mounted, framed and glazed, together with, Gould (John & Hart W.), Cotyle Riparia, Sand-Martin Young [1862-1873], lithograph with original hand colouring, faded, 340 x 495mm, mounted, framed and glazed, with, Gentleman (David), Mulberry Plantation House, [1972], colour printed lithograph, signed, titled and limited 53/100 below image, 420 x 530mm, mounted, framed and glazed, with, Dawes (William), [Winston Churchill], 1953, oil on board, 440 x 555mm, framed and glazed (4)
A Swiss (Geneva) Comb and Cylinder Musical Box, the 11in cylinder playing eight airs as named on the original lozenge shape lithograph tune sheet underneath the lid with inscription Fabrique de Geneve Spiraux Metalliques, numbered 37725 (on tune sheet and on winding handle), in a part rosewood foliate marquetry inlaid case, 51cm wide
A framed Lithograph `Dale Street in 1850` - Liverpool with twin panoramas of the frontages - atmospheric busy scenes with people about their work, horse drawn transport much in evidence titled to lower margin and with the script `Most respectively dedicated to his Worship the Mayor of Liverpool Edward Laurence Esquire and to the Council of Members of the Historic Society of Lancashire and Cheshire by Thomas Dawson Surgeon - member of the Archaeological section, Feb. 1865``, 23`` x 35`` approx. some damp staining
SUNDAY TIMES PUBS - `Six Masters Of The Poster of the 1890`s`, Limited Edition, lithograph, each numbered 1565/2000 together with accompanying notes, two framed; together with nine decorative colour prints, mainly all ornithological; a monochrome engraving of a hillside by Charles Murray and one other, unframed.
Powell (John) Six Views of Clapham Common the set of 6 lithographs printed by Hullmandel each c.275 x 400mm. one with a short marginal tear two slightly browned and spotted uniformly framed and glazed by the artist 1825 § Baynes (Thomas Mann) Clapham Common lithograph by Hullmandel 180 x 235mm. framed and glazed D. Walther 1823(7)
Francis (CR) Sketches Native Life India first edition 22 tinted lithograph plates 5pp. list of subscribers and errata slip at end subscriber`s ink name to head of title foxing tear to fore-edge margin of one plate original blue cloth worn at spine ends and corners damp-mottled slightly to upper fore-edge small split to lower fore-edge contemporary half roan gilt 4to 1848.
Grundy.Sketch Book of Shipping and Craft 24 lithograph plates original cloth gilt a fine copy [c.1850] § [Bragg (G.F.)] Plates of shipping 48 lithograph plates after Bragg the first with imprint trimmed occasional foxing with 9 other lithograph plates of shipping by F.V. Martens and others some trimmed contemporary half morocco over marbled boards first series published by Ackermann [c.1830] oblong 4to(2)
Rowe (George) Views of Torquay 9 lithograph plates on india paper some browning and pepperpot worming to mounts original yellow printed wrappers sewn as issued soiled Exeter & Torquay [c.1820] § Croydon (E. publisher) Six Views in Teignmouth 6 tinted lithographs no letterpress original pink printed wrappers fore-edge creased and with small nick to lower edge (not affecting images) Teignmouth n.d. [c.1840] § Swan (Joseph engraver) Swan`s Picturesque Views of the Fall of the Clyde 4 engraved plates water-stained original cloth-backed printed boards rubbed and soiled Glasgow 1829 oblong 4to and 4to(3)
Fosbroke (Rev.T.D.) The Wye Tour 2 parts in 1 (including Appendix) fifth edition 2 lithograph and 2 engraved plates (one portrait) contemporary crimson straight-grain morocco gilt Ross 1837 § Chilcott`s Descriptive History of Bristol fourth edition folding engraved map (with short tear) and plan contemporary crimson calf gilt 12mo(2) ***Not uniform but a handsome pair.
Rand Mcnally. Commercial Map of USA hand-coloured lithograph map in 2 parts linen-backed each 1000 x 680mm. original cloth slip-case Chicago 1883 § Stanford (Edward) Map of the Dominion of Canada one part (Eastern) only engraved map original outline hand-colouring dissected and linen-backed 845 x 770mm. original cloth slip-case c.1860 8vo(2)
Oliphant (Laurence) The Trans-Caucasian Campaign first edition 4 tinted lithograph plates folding plan folding map at end 16pp. publisher`s catalogue at end occasional foxing original pictorial cloth gilt spine faded Edinburgh & London 1856 § Monteith (Lt. Gen. W.) Kars and Erzeroum first edition large folding engraved map hand-coloured in outline stuck to front pastedown 2 tinted lithograph plates (both water-stained) original pictorial cloth gilt lower joint torn rubbed 1856 8vo(2)
Wyld (W.) and E. Lessore. Album Venitien hand-coloured lithograph vignette title and 10 fine hand-coloured lithograph plates only (of 12) by Lessore after Wyld some loose list of plates printed in gold occasional foxing slight oxidising of the blue of the sky to some plates hinges broken original half cloth over printed boards with title-vignette repeated on upper cover worn and stained one corner of lower cover defective oblong folio Venice Joseph Kier 1837.
Wilfrid Blunt 1901-1987- Self portrait of the artist, standing full-length holding a palette; oil on card laid down on panel, signed and dated 1941, signed, dedicated and dated Sept 1984 on the reverse, 38.6x18.5cm: Wilifrid Blunt 1901-1987- Portrait of a man head and shoulders; etching, signed within the plate, signed, dedicated and dated 1922 in pencil, 20.3x14cm: together with a lithograph of a male portrait subject, signed and dated 1923 within the plate, dedicated and dated 1986 in back pen, 31x25cm and a further etching of the Eifel Tower, Paris, signed and numbered 2/50 in pencil, 12x9cm., both by the same hand, (4) (part unframed)
* Glynn Boyd Harte b.1948- Portico; lithograph printed in colours, signed and numbered 9/25 in pencil, 28x40cm: together with two other lithographs by the same hand both of architectural subjects, both signed and numbered 9/25 in pencil, all in matching aluminium frames, 39x30 and 27x39cm., (3) (may be subject to Droit de Suite)
* After E Weedon, mid 19th century- "The Bermuda Floating Dock on Her Way from Sheerness to the Downs- Passing Through the Black Deep Channel"; hand-coloured wood engraving, 25x35cm: Michael Carlo b.1945- "Stile"; lithograph, signed, titled, numbered 15/50 and dated 1978 in pencil, 35.5x50cm: Greenwoood, late 20th century- "Lakewalk"; aquatint printed in colours, signed, tiled and numbered 190/200 in pencil, 15x25cm., (3) (may be subject to Droit de Suite)
Francis Sydney Unwin 1885-1925- French garden; lithograph, artist`s proof, signed and inscribed in pencil, 27x38cm: J W Roberts, act 1963- Rural lane; watercolour, signed and dated 69: Ethal Keane, act.1987- Tranquil river scene; watercolour, signed: together with other 19/20th century etchings and engraving by and after the same and different hands, (a lot) (may be subject to Droit de Suite)
* Nel Whatmore b.1962- `Good Company`; lithograph, numbered 54/295, signed & titled, 65x55.5cm: Susan Thomas, late 20th/early 21st century- Still life of yellow flowers; oil on canvas, signed and dated 1978, 97x45.5cm.: A Collection of 20th/21st Century Print and Watercolour Frames, of various styles, proportions and sizes, (a lot) (may be subject to Droit de Suite)
John Erskine Milne 1931-1978- Untitled, abstract figure study; a rare lithograph, signed and numbered 2/10 in pencil, the full sheet with margins, unexamined out of the frame, apparently very good condition, 33x23cm, (unframed) Note: Sculpture in bronze, wood, aluminium and stone. Born In Eccles, Lancashire. Attended the Academie de la Grande Chaumiere, in Paris, and for two years he was a pupil of Barbara Hepworth and her assistant.
* Camille Bryen, French 1907-1977- Untitled; drypoint etching and aquatint, signed and numbered 153/288 in pencil, on cream wove with margins, 19x14cm: European school, early-mid 20th century- Untitled; drypoint etching, on cream wove with margins: together with other 20th century lithograph and print studies by and after various hands, (5) (unframed)
* Manner of Maurice De Vlaminck 1876-1958- Street scene; lithograph, on buff wove paper, full sheet with margins, 10x16cm, and a further twelve similar street and village scenes, lithographs from the same or similar suite: together with a collection of cancelled plates presumably after the same or similar suite and by the same hand: Edward Stiefel 1875-1868- Labourers; Farm worker; lithographs, each signed and dated 1922 in pencil, on cream wove with margins, both in very good condition, 32x27cm, ea.: and other 19/20th century print and engravings by and after various hands, (a lot) (unframed)
Richard Bramble b.1968- "The Institute of Chartered Accountants"; etching, signed, titled, numbered 36/250 and dated 93 in pencil, 52x67cm: Sylvie Edwards, American late 20th/early 21st century- "Rainbow in the Maze"; lithograph in colours, signed, titled, numbered 131/175 in pencil: together with one other similar colour lithograph by the same hand and nine various reproduction prints, including coaching scenes etc., (12) (may be subject to Droit de Suite)

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70553 item(s)/page