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Lot 301
Joan Miro (1893-1983) after.Composition Originale Pour Fernand MourlotLithograph printed in colours, 1983, from the edition of 2,500, published by Pierre Bordas et Fils, Paris, with the Atelier Mourlot Collection rubber stamp verso, on BFK Rives paper, the full sheet, sheet 317 x 276mm (12 1/2 x 10 7/8in)
Lot 306
Pablo Picasso (1881-1973) after. One lithograph, from Dans l'Atelier de Picasso (see Cramer 88)Lithograph printed in colours, 1957, a proof aside from the edition of 275, published by Fernand Mourlot, Paris, with the Atelier Mourlot Collection rubber stamp verso, on wove paper, the full sheet, sheet 340 x 278mm (13 5/8 x 10 7/8in)
Lot 307
Pablo Picasso (1881-1973) after.Tête d'Arlequin: Galerie Louise Leiris (Czwiklitzer p.390)Lithograph printed in colours, 1971, from the edition of 2,000, printed by Mourlot, Paris, with the Atelier Mourlot Collection rubber stamp verso, on Arches paper, with full margins, sheet 755 x 539mm (29 3/4 x 21 1/4in)
Lot 310
Pablo Picasso (1881-1973) after.Projet pour le rideau du ballet Mercure: Arlequin jouant de la guitare et Pierrot jouant du violonLithograph printed in colours, 1989, printed by Mourlot, Paris, with their rubber stamp verso, on Fabiano paper, with full margins, sheet 493 x 624mm (19 3/8 x 24 1/2in)
Lot 32
** Wang Guangyi (b.1957)Alpha and OmegaLithograph printed in colours, 2008, signed in pencil, numbered from the edition of 165, with the accompanying poem by Fernando Arrabal, on BFK Rives paper, the full sheet 800 x 1200 mm (31 1/2 x 47 1/4in)Please note that this lot is in bonded storage in Switzerland and will be shipped from there and not Forum Auctions, London. Shipping quotes are available upon request. Swiss resident buyers may be required to pay Swiss VAT on release of the art work.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Lot 53
δ David Hockney (b.1937)Swimming Pool for the 1984 Olympics (Baggot 131)Offset lithograph printed in colours, 1982, published by Knapp Communications Inc., for the Los Angeles Olympics 1984, on smooth wove paper, with full margins, sheet 914 x 610mm (36 x 24in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 54
δ David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on thin wove paper, the full sheet printed to the edges, sheet 1010 x 640mm (39 7/8 x 25 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 59
δ David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 1/4 x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 7
NO RESERVE δ Peter Blake (b.1932)The Owl & the PussycatOffset lithograph printed in colours, 1983, signed in black ink, published by Tate Gallery, London, on the occasion of the artist's exhibition, image 195 x 190mm (7 5/8 x 7 1/2in); framed 490 x 260mm (19 1/4 x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 80
NO RESERVE ** Geoff McFetridge (b.1971)Stimulants Depressants DecongestantsOffset lithograph printed in colours, initialled in pencil, numbered from the edition of 300, on wove paper, the full sheet printed to the edges, sheet 254 x 203mm (10 x 8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Lot 86
Takashi Murakami (b.1962)We Are the Jocular Clan #3Offset lithograph printed in colours, 2018, signed in black ballpoint pen, numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet 495 x 495mm (19 1/2 x 19 1/2in)
Lot 87
Takashi Murakami (b.1962)We Are the Square Jocular Clan #5Offset lithograph printed in colours, 2018, signed in black ballpoint pen, numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet 470 x 470mm (18 1/2 x 18 1/2in)
Lot 664
‘the door is broken so come quick because thieves could come’ CEZANNE PAUL:(1839-1906) French Post-Impressionist painter & PISSARRO LUCIEN (1863-1944) French landscape painter, printmaker, wood engraver, designer, and printer of fine books, the eldest son of Camille Pissarro. An excellent, rare joint pair of A.Ls.S. by Paul Cezanne and Lucien Pissarro to a bifolium, commencing with Cezanne's A.L.S., P Cezanne, two pages, small 8vo, Pontoise, 11th December 1872, to Camille Pissarro ('Monsieur Pissarro'), in French. Cezanne writes, in full, 'Je prends la plume de Lucien a une heure ou le chemin de fer aucrait du me transporter dans mes penates. C'est vous dire d'une facon detournee que j'ai manque le train. Inutile d'ajouter que je suis jusqu'a demain mercredi votre hote. Or donc, Madame Pissarro vous invite a rapporter de Paris de la farine pert le pour le petit Georges. Puis les chemises de Lucien de chez sa tante Felicie. Je vous souhaite le bonsoir' (Translation: 'I take up Lucien's pen at an hour when the railway should be transporting me to my penates [home]. This is to tell you in a roundabout way that I missed the train. Needless to add that I am your guest until tomorrow, Wednesday. So, Mrs. Pissarro requests that you bring back from Paris some powdered milk for little Georges. And Lucien's shirts, which are with his aunt Felicity. I wish you a good evening'). Following to the third side of the bifolium is the young Lucien Pissarro's A.L.S., Lucien Pissarro, one page, 8vo, n.p. (Pontoise), [11th December] 1872, to his father ('Mon cher papa'), in French. Pissarro writes, in full (with his spelling mistakes retained), 'Mamman te fait dire que la poerte est cassee que tu viene vite parce que les voleur peuve ruenir. Je te pris si tu veux bien de m'apporte une boite a couleur. Minette te pris que tu lui apporte une baigneuse. Je n'est pas bien ecrit parce que n'etait pas diposee?' (Translation: 'Mama wants you to know the door is broken so come quick because thieves could come. Please bring me a box of paints. Minette begs you to bring her a bathing costume. I am not writing well because I don't feel like it'). Two charming letters with excellent associations. Some light overall age wear, otherwise VG Camille Pissarro (1830-1903) French Impressionist painter. Georges Henri Manzana Pissarro (1871-1961) French artist who worked in Impressionist and Post-Impressionist styles and was also a designer of textiles, decorative objects, furniture and glassware. Jeanne-Rachel 'Minette' Pissarro (1865-1874) Daughter of Camille and Julie Pissarro, the artist's favourite amongst his seven children. Minette appears in more portraits by Pissarro than any of her siblings. When she became ill at the age of eight, her father represented her decline in a moving series of paintings and drawings including a heart-breaking lithograph depicting her as she lay dying.
Lot 31
Edmund Hort-New'Worcester College, Oxford', photo-lithograph, 32 x 44cm; Beynan and Company (pubs) 'Memorial of Worcester College, Oxford, artist's first proof, signed 'H. Hill', engraving, 80 x 58cm; and Henry Cousins after John Bridges: 'Whittingdon London, Dean of Exeter, Provost of Worcester College' (3)
Lot 34
Ru van Royen (20th century)Street corner, artist's proof, signed in pencil and dated '55, lithograph; Angelo Kostas (20th/21st century) - Abstract bearded face, signed in pencil to the margin, lino cut, 29 x 40cm; and another print by the same hand, cavorting figures, signed in pencil, 38 x 60.5cm (3)
![[Nicholson] An Almanac of Twelve Sports by William Nicholson with words by Rudyard Kipling, published William Heinemann 1898](https://cdn.globalauctionplatform.com/664afef9-ec2c-41fd-bdc7-b03400da4a42/a68226a6-ae4c-4855-bdcf-b03500ebb09c/468x382.jpg)
Lot 112
[Nicholson] An Almanac of Twelve Sports by William Nicholson with words by Rudyard Kipling, published William Heinemann 1898 first edition with colour title vignette and 12 colour lithograph plates of sporting themes, small folio bound in cloth backed illustrated boards (usual off-setting from plates)
Lot 140
Cyril Cowell - 'The Coal-Mine' (School Poster), offset lithograph, published by George Newnes for Enid Blyton's 'Two Years in the Infant School' series circa 1938, sheet size 52cm x 41cm, together with sixty-three other posters from the same series, within a cloth covered folder.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 119
Arthur Wallis, after James Lambert - 'A Perspective View of Brighthelmston, and of the Sea Coast as far as the Isle of Wight', lithograph with hand-colouring, published circa 1765, 25cm x 55cm, within an ebonized and gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 75
Pablo Picasso - 'Galerie 65 Cannes 1956', lithograph in colours, published by Mourlot 1959, sheet size 30.5cm x 24cm, together with a collection of prints including examples after Arthur Secunda, Miro, Picasso, Chagall and Raphael.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2
James Cauty - 'Winning Hearts and Minds (Operation Magic Kingdom)' (Poster), offset lithograph inset with sheet of scarce stamps, sheet size 69cm x 48cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 145
Currier & Ives (publisher) - 'The Capture of Atlanta, Georgia, Sept 2nd, 1864, by the Union Army, Under Major General Sherman', stone lithograph with later hand-colouring on wove paper, published by Charles Currier and James Ives circa 1864, 24cm x 33cm, within an ebonized frame. Note: scarce.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 77
John Watson - Still Life with Flowers in a Vase, 20th century lithograph, signed, dated '87 and editioned 152/250 in pencil, 74.5cm x 55.5cm, together with another Still Life lithograph, signed Hawthorne.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 79
Juan Reus - 'The Fiesta de Toros in Spain', lithograph in colours, printed by Metaloffset, Barcelona and published by the Spanish State Tourist Department, circa 1940s, sheet size 99.5cm x 61.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
![Laurence Stephen Lowry [L.S. Lowry] - Industrial Scene, offset lithograph, signed in pencil and with Fine Art Trade Guild bli](https://cdn.globalauctionplatform.com/3490025d-3648-4b86-84ac-b02d0095eed5/13c5af6a-f5fa-4933-90cb-b031010ef9e6/468x382.jpg)
Lot 113
Laurence Stephen Lowry [L.S. Lowry] - Industrial Scene, offset lithograph, signed in pencil and with Fine Art Trade Guild blindstamp recto, from the edition of 850 published by Venture Prints 1974, titled Frost & Reed gallery label verso, 37cm x 26cm, within a painted and gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 47
Louis Haghe, after David Roberts - 'The Mosque, Cordova' (Mosque-Cathedral of Córdoba), 19th century stone lithograph with hand-colouring, 42.5cm x 30cm, within a gilt frame, together with nine further similar lithographs by the same hands, 'Chapel of the Nunnery of the Most Pure Virgin at Carmona', 'High Altar, Seville Cathedral', 'Porch of the Ancient Mosque, Cordova', 'The Cathedral, Seville', 'Chapel of Ferdinand and Isabella, Granada', 'Gate of the Vivarrambla, Granada', 'Church of San Miguel, Xeres', 'Seville Cathedral', and 'Part of the Cathedral, Burgos'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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70555 item(s)/page