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Lot 434
Stanley Spencer Self portrait offset lithograph of an ink drawing, dedicated to John Rothenstein and dated, 1913, in the plate, titled and signed in pencil, lower left, inscribed Trial Proof lower right, 345 x 210mm. (13 1/2 x 8 1/4 in); with a large photograph of Spencer watching Francis Françon Davies playing the piano at Fernlea, the artist`s home in Cookham where the young pianist was a lodger in the late 1950s (2)
Lot 119
Henry Moore OM CH FBA (1898-1986) STANDING NUDES, 1984 lithograph on Rives paper (no. 19 from edition of 50) signed in the margin lower right; numbered lower left 33 by 46cm., 13 by 18in. Provenance:Berkley Square Gallery, London; Private collection; Solomon Gallery, Dublin; Private collection Exhibited:Berkley Square Gallery, London catalogue no. 61; Solomon Gallery, Dublin
Lot 493
Jack Coburn Witherop, British 1906-1984- "Dawn III": etching, signed with initials within the plate, signed, titled and dated 40 in pencil, 13x11.2cm: Terry Haass, Czech/American b.1923- Untitled abstract form; etching with aquatint, signed and dated 1960 in pencil, 10x6.5cm: Gunnar Aagaard Andersen, Danish 1919-1982- Fisherman`s huts; etching, signed, dedicated and dated 39 in pencil, 13x17cm: Ernst Wolfhagen, German 1907-1992- Woman undressing; etching with aquatint, signed, dedicated, numbered 3/V and dated 1967/1979, 39.2x24.5cm: Peter Arnold, British b.1949- Market scene, lithograph, signed, dedicated and numbered 20/100, 22.6x30.5cm: Peter Arnold, British B.1949- Figure in a wooded landscape; lithograph, signed, dedicated, numbered 3/100 and dated 1981 in pencil, 38x56cm: Keiser, mid-late 20th century- Three figures; etching, signed, inscribed, dedicated and dated 1965 in pencil, 29x35cm: together with seven other artist`s prints by different hands, all mid-late 20th century, signed, many dedicated, various sizes, (a lot) (unframed) Provenance: J P Hodin
Lot 498
Georges Henri Rouault, French 1871-1958- "Clown et Enfant" 1930 (Chapon/Rouault 201); aquatint printed in colours on laid, from the total edition of 270, executed for Andre Suares unpublished `Cirque`, signed and dated within the plate, 31x21cm: Raoul Dufy, French 1877-1953- Boats and butterflies; lithograph, signed and numbered 20/20 in pencil, 48.5x64cm: Albert Marquet, French 1875-1947- The Vienna Ring; lithograph printed in colours, signed and numbered 18/100 in pen, 26x36cm: Christian Hugues Caillard, French 1899-1985- Landscape with houses; lithograph printed in colours, signed and numbered 14/45 in pencil, 38.5x48cm: Andre Lhoté, French 1885-1962- Marine Couple; lithograph printed in colours, signed and numbered 15/50 in pencil, 50x32.3cm: together with two further lithographs and two etchings by the same hand, all signed and numbered in pencil, various sizes: and two other prints by other hands, (unframed), (11)
Lot 639
* After Sir Oswald Walter Brierly RWS, British 1817-1894- "The Declaration of War communicated to the fleet by Signal by Vice Admiral Sir Charles Napier KCB at the Kioge Bay. April 4th 1854 from the original taken on board HMS St. Jean D`Arc by O W Brierly esq"; hand-coloured lithograph, 37x81cm: L Billy, 20th century- "Formation Cosmique"; watercolour on paper, signed, 38 x 28.5cm: G Rubens, 20th century- Box Dump; pen and brush, black on paper, signed, dedicated and dated `64, 48.5x39cm., (unframed) (3)
Lot 676
After Sir William Nicholson, British 1872-1949- An Oxford College & `New College`: lithograph printed in colours, signed within plate, one bearing publisher`s blind stamp for the Stafford Gallery 1905, Bond St., 36x28.5cm., (max) (2) Provenance: From the estate of the Late Hans Schwarz, Austrian 1922-2003. Notes: See lot 593
Lot 689
Michael Blaker, British b.1928- "Rainy Evening in Piccadilly"; etching, signed, titled and numbered X/X in pencil, 21.8x22.5cm: Wilfred Fairclough, British 1907-1996- Punting on the Venice Canal; etching, signed and dated 1989 in pencil, 17.5x23.5cm: together with another etching by the same hand depicting a beggar man: Jamed Henry Starling, British 20th century- Maddermarket Theatre, Norwich; etching, signed, dated `80, titled and numbered 67/100 in pencil beneath the plate, 19.5x14cm: Karoly Reich, Hungarian 1922-1988- "Njar"; lithograph printed in colours, signed, titled, inscribed EA and numbered 3/15 in pencil, 42.5x61cm: together with a small quantity of late 20th/early 21st century etchings, lithographs and reproduction prints, by and after various hands, (a lot) (unframed) (may be subject to Droit de Suite)
Lot 700
After James Humbert Craig RHA RUA, 1877-1944- `Arranmore from the Rosses, County Donegal`, publ by Frost & Reed, Bristol 1933; photolithograph on paper, signed in pencil, blindstamp Fine Art Guild, 44x56cm: E. Campi, 19th century- `Milano`, after Gaetano Gariboldi 1815-1857, publ Milan 1906; lithograph, blindstamp, 30.5x98cm., (2) (part unframed) Provenance: From the estate of the Late Hans Schwarz, Austrian 1922-2003. Notes: See lot 593
Lot 701
Goodman, British, late 19th/early 20th century- Figures on a path by a stream with a cottage and woodland; oil on canvas, signed, 40.7x61cm: Early 20th Century, possibly North American- Mountain landscape; oil on board, 12x18.5cm: John Greig, British, early 19th century- "Interior of the Royal Exchange, London", after Elms publ Sept 1 1805 by Verner & Hood, Poultry, J Storer & J Greig, Chapel Street Pentonville; hand-coloured engraving, 16.5x20cm: William Wise, British, early 19th century- "South View of the Ruins of the Custom House, London...", after Fellows, publ 11th March 1815 Robert Wilkinson No 58 Cornhill; hand-coloured engraving, 16.5x23.5cm: John Clark, British c.1770-1863- "Coursing", after H Alken, publ Jan 1at 1820 by T McLean; hand-coloured lithograph, 21.5x27cm., (5)
Lot 302
Pollard (H.B.C.) British and American Game Birds illustrated by Philip Rickman, 104 of 125 copies signed by the illustrator, with pencil illustration, 20 colour illustrations, contemporary morocco-backed buckram, t.e.g., others uncut, 1945 § Hilton Young (E.) A Bird in the Bush, illustrated by Peter Scott, number 105 of 550 copies signed by the illustrator and author, colour frontispiece, illustrations, bookplate to paste-down, endpapers spotted, original buckrum-backed cloth, dust-jacket, t.e.g., others uncut, spine and edges browned, corners chipped, 1936 § Chalmers (Patrick R.) Birds Ashore and A-Foreshore, first trade edition, 16 colour plates, illustrations by Winifred Austen, original cloth, gilt, edges spotted, 1935 § Gould (John) An Introduction to the Birds of Great Britain, first edition, original cloth, scuffed, rubbed and chipped, 1873 § W. Hart after John Gould, Xanthotis Chrysotis, [from The Birds of New Guinea], hand-coloured lithograph, 540 x 360mm., right-hand edge with perforations from a previous binding, [c.1875]; and 2 others, similar, 8vo (7)(7)
Lot 280
PATTERSON, James Laird Journal of a Tour in Egypt, Palestine, Syria and Greece, 1st edit, folding tinted lithographs, 1 black and white lithograph, 1 plan plus woodcuts in text, some light marking to plates, bound in the publisher`s cloth, spine with some wear, 1852 and ALLRIDGE, Thomas, A Transformed Colony...Sierra Leone, 1st edit, photographic plates and large coloured map, in the publisher`s cloth, head of spine worn, 1910, with presentation stamp of Oxford University (2)
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70553 item(s)/page