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Click here to subscribeNELSON MANDELA (SOUTH AFRICAN, 1918-2013)Motivation - from the Robben Island Series 'Today when I look back at Robben Island I see it as a celebration of the struggled a symbol of the finest qualities of the human spirit...' signed and numbered 'NMandela 261/500' (lower margin); studio stamp (lower left) lithograph 66 x 40cm Provenance S A Trade & Product Agencies, Cape Town, from whom acquired by the present owner
A 17.1/4-inch Stella Disc Musical Box ser. No. 16875, with twin combs, patent plaque with latest year 1897, titled reeded gilt cast bedplate flanked by polished mahogany soundboards, in decorative part carved case with disc storage drawer frieze to plinth base, lacking lid interior lithograph (for restoration, many teeth off, possibly gone for a run) - 28.1/2in. (72.5cm) wide
Bindings. Sculpture. Egyptian - Assyrian - Greek - Roman..., Illustrated Hand-books of Art History, by George Redford, 1888, wood engraved frontispiece and illustrations, contemporary calf by Mudie, elaborate gilt decorated spine, 8vo, together with history of the Conquest of Mexco..., by William H. Prescott, new edition, London: George Routledge and Sons, 1866, engraved frontispiece, light spotting, front blank free endpaper inscribed 'Alfred Musgrave from Lady Windsor Decr. 1867', contemporary calf by Bickers and Son, gilt decorated spine, extremities slightly scuffed, 8vo, and The Chantry Priest of Barnet, A Tale of the Two Roses, by Alfred J. Church, 4th thousand edition, London: Seeley & Co., 1885, chromolithograph and sepia lithograph plates, contemporary calf by Bickers and Son, gilt decorated spine, 8vo, with The Bible of St. Mark..., by Alexander Robertson, London: George Allen, 1898, monochrome plates from photos, all edges gilt, early 20th-century green morocco gilt by W.J. Mansell, 8vo, plus other 19th & early 20th-century decorative leather bindings, mostly 8voQTY: (23)
Lee (John Edward). Isca Silurum or an Illustrated Catalogue of the Museum of Antiquities at Caerleon, London: Longmans Green Longmans & Roberts, 1862, 52 lithograph plates including some hand-coloured (few with light damp-stain), bound with Supplement to "Isca Silurum," or an Illustrated Catalogue of the Museum of Antiquities at Caerleon, Newport: Monmouthshire & Caerleon Antiquarian Association, 1868, four lithograph plates, contemporary red half morocco, joint slightly rubbed, large 8vo, together with:Merewether (John). Diary of a Dean. Being an Account of the Examination of Silbury Hill, and of various Barrows and other Earthworks on the Downs of North Wilts, opened and investigated in the months of July and August 1849..., London: George Bell, 1851, 34 lithograph plates, armorial bookplate of John Etherington Welch Rolls of The Hendre, Monmouth to upper pastedown, original cloth, lightly mottled, slim 8vo,Morgan (Thomas). Romano-British Mosaic Pavements..., London: Whiting & Co., 1886, numerous chromolithograph and lithograph plates and plans (some folding), one folding plate strengthened to folds with adhesive tape, original cloth gilt, frayed at head and foot of spine and with dark mark, 8vo, plus three others including Evans (John). The Ancient Stone Implements, Weapons and Ornaments, of Great Britain, 2nd edition, revised, Longmans, Green and Co., 1897, with a loosely inserted autograph letter signed by the author, original cloth gilt, 8vo; English Historical Society (London). Nennii Historia Britonum. Ad fidem codicum manuscriptorum recensuit J. Stevenson, London, 1838, verso of half-title with letterpress Member's copy ownership of Sir George Staunton, Bart., contemporary half sheep, 8vo; Cutts (Edward). A Manual for the Study of the Sepulchral Slabs and Crosses of the Middle Ages, London: John Henry Parker, 1849, ink stamp to verso of title and to few other leaves, contemporary half calf, library classification number at foot of spine, extremities rubbed, 8voQTY: (6)
Cartographic Ephemera. Maps, Valentines and Postcards, late 19th and early 20th-century, a collection relating to love, marriage and courtship, including; Land of Matrimony. circa 1850, pen and watercolour allegorical map by an unknown artist, laid on later card, 105 x 325 mm together with; Beeching (G. S.). Map of Matrimony, circa 1880, colour lithograph allegorical map on card, trimmed close to printed edge, 80 x 120 mm, Nister-Dutton. Cupid's Railway Map, circa 1920, chromolighograph folding valentine card, size when open 70 x 250 mm (with reproduction of the same), Photochrom Co Ltd. Map of Marriageland, circa 1905, chromolighograph postcard, used, a few small areas of loss, 90 x 140 mm, Mappa do Coração. an unattributed colour lithograph showing an allegorical island of love in the shape of a heart in Portuguese, 140 x 90 mm, Knight Bros. (publishers). Chart of Betrothal Bay shewing the Male Route to Churchdoor, tinted lithographic postcard in the form of an allegorical map of the route to marriage, used, light spotting to verso, 90 x 140 mm, Knight Bros. (publishers). Truelove River. colour lithograph postcard showing an allegorical map and poem, 140 x 90 mm, Valentine's card. circa 1903, chromolighograph card with a manuscript map of lovers' route to bliss, light spotting, overall size 100 x 100 mm and 3 others related, various sizes and condition QTY: (12)
Ross (John). Narrative of a Second Voyage in search of a North-West Passage and of a Residence in the Arctic Regions during the Years 1829, 1830, 1831, 1832, 1833, 1st edition, London: A. W. Webster, 1835, 24 plates (including some hand-coloured), 6 maps (2 folding), armorial bookplate of Hans Sloane Stanley to front pastedown, hinges neatly repaired, folding map fold reinforced with tape to verso, original blue cloth, rebacked retaining original spine label, rubbed, 4to, together with:Appendix to the Narrative of a Second Voyage in search of a North-West Passage and of a residence in the Arctic Regions, during the years 1829, 1830, 1831, 1832, 1833, 1st edition, London: A. W. Webster, 1835, 19 lithograph plates (of 20, some coloured or tinted), spotted, original blue cloth, lacking spine with boards and gatherings loose, some wear, 4toQTY: (2)NOTE:Abbey Travel 636.
Fletcher (John). A Dreadful Phenomenon described and improved: being a particular account of the sudden stoppage of the River Severn, and of the terrible desolation that happened at the Birches between Coalbrook-Dale and Buildwas Bridge in Shropshire, on Thursday Morning, May the 27th 1773. And the substance of a sermon preached the next day, on the ruins, to a vast concourse of spectators, 2nd edition, Bristol: Printed by W. Pine, 1774, 71 pp., lower margin of title with faint ink stamp with manuscript number, library label to front pastedown, late 19th/early 20th-century half sheep, joints lightly rubbed, slim 12mo, together with: Pennant (Thomas). Tours in Wales, 3 volumes, London: Wilkie and Robinson, J. Nunn, White and Cochrane [et al.], 1810, 44 engraved plates (some folding), few manuscript notes bound in, mid 19th-century green half morocco gilt, light wear at head of spines, 8vo,Gilpin (William). Observations on the River Wye, and several parts of South Wales..., made in the Summer of the Year 1770, 3rd edition, London: R. Blamire, 1792, 17 tinted aquatint plates, modern brown morocco, gilt decorated spine, 8vo, Harral (Thomas). Picturesque Views of the Severn..., 2 volumes, London: G. and W. B. Whittaker, 1824, numerous lithograph plates, titles, some text and foot of plates with library ink stamps, some spotting and dust-soiling, old library bookplate to upper pastedowns, original cloth-backed boards, later title labels, library number at foot of each spine, upper board of 1st volume near detached, some wear, 8vo, plus other Wales and River Wye topography and guides etc., mostly 19th-century publications QTY: (22)
Parry (William Edward). Journal of a Voyage for the Discovery of a North-West Passage from the Atlantic to the Pacific; performed in the years 1819-20, in his Majesty's ships Hecla and Griper, 1st edition, London: John Murray, 1821, 20 engraved maps and plates, occasional spotting, fore and bottom-edge untrimmed, original drab paper-covered boards, lacking spine, upper cover detached, 4to, together with:Journal of a Second Voyage for the Discovery of a North-West Passage from the Atlantic to the Pacific; performed in the years 1821-22-23, in His Majesty's Ships Fury and Hecla, 1st edition, London: John Murray, 1824, 31 engraved, uncoloured aquatint and lithograph plates, lacking all the charts, contemporary ink ownership and gift inscriptions to front blank, with a B. A. N. Z. Antarctic Research Expedition ink stamp with the ownership inscription of J. B. Child above, further neat mid-19th-century ownership inscription to head of title, two library withdrawn stamps to front pastedown, sporadic spotting, hinges neatly repaired, modern blue cloth gilt, 4toQTY: (2)NOTE:Provenance (second work): J. B. Child was the third officer on the British, Australian and New Zealand Antarctic Research Expedition which took place between 1929 and 1931, lead by Sir Douglas Mawson. It is reasonable to assume this volume was taken on the expedition.
* Vanity Fair. Charles Darwin "Natural Selection", September 30th 1871, colour lithograph after 'Coide', 350 x 210 mm, together with another 14 caricatures of doctors and scientists, including Sir Francis Making (signed by the subject), Sir Edwin Lankester, Sir William Ramsay, Dr T. R. Allinson, The Hon. Stephen Coleridge, Dr Bland Sutton, The Earl of Crawford, Professor Thomas Huxley, John William Strutt, Mr Frank Crisp and James Ludovic Lord Linsday, each approximately 340 x 200 mm, good conditionQTY: (15)
Newton (Charles Thomas). A History of Discoveries at Halicarnassus, Cnidus, & Branchidae, Atlas volume, & text volume 1 only, London: Day & Son, 1862, Atlas volume with additional lithograph title, 97 lithograph maps, plates and plans, a few tinted and coloured, 3 double-page, occasional light spotting and pale damp stains, hinges reinforced, original cloth gilt, rebacked with original spine relaid, a few small repairs to covers, some fading and small bumps and stains, folio 55.5 x 36 cm, together with volume II (i.e. text volume part I only), folding map,2 lithograph plates, wood-engraved illustrations, marginal water stains to plates and a few leaves, original cloth, spine a little faded, 8voQTY: (2)NOTE:Atabey 868; Blackmer 1192.'Newton was vice-consul at Mitylene and resided in the Levant from 1852 to 1859. The expeditions to Asia Minor took place over a period from October 1856 to June 1859 and were mostly concerned with the excavations of the Mausoleum at Halicarnassus. Viscount Stratford de Redcliffe sponsored the first excavation of the Mausoleum, and Newton has dedicated the work to him.' (Blackmer).The Mausoleum, in Bodrum, Turkey was the tomb of Mausoleus, built from 353-350 BC and one of the Seven Wonders of the World.
Pictorial maps. 20 colour lithograph pictorial maps by Jylbert, France: 1943, including Corsica, Provence, Tunisia, Madagascar, Tahiti, Morocco, Reunion Island, Saint Pierre and Miquelon, regions in Vietnam and others, a little show through to versos, each approximately 240 x 350 mm (printed area) together with: Les Belles Provinces de France, 4 volumes, Paris: Librairie Gründ 1943, 4 pictorial books on the history of provinces in France; La Savoie, Bourgogne, Lyonnais and Provence, all in publisher's colour printed card covers each with pictorial map to verso, many in-text illustrations, slim 4to, all contained within a floral slipcase with printed title label, a little bumpedQTY: (24)
Ensak (designer) – ‘Philips Radio, the World of Entertainment’ (Philips Radio Map), mid-20th century lithograph in colours, printed by Kühn en Zoon, Rotterdam, sheet size 72cm x 104cm, together with two 20th century hanging wall charts, ‘Europa, Kultur’ by Georg Westermann and ‘Tiere der Kreidezeit II’ by Heinz Dost.
David Humphreys – ‘Girl washing’, 20th century monotype on wove paper, signed in pencil recto, titled verso, 57.5cm x 43cm, within a stained wood frame, together with a lithograph in colours by Klaus Kawalski, ‘Three Monkeys at Gozo’. Provenance: collection of notable Arundel based artist Ann Sutton O.B.E.
Attributed to Achille Devéria – ‘Adieux des Lanciers polonaise aux dames de Chatellerault en 1810’, 19th century stone lithograph with hand-colouring, sheet size 23cm x 29.5cm, together with a similar lithograph by the same hand, ‘Un Pensionnat de demoiselles’, and three erotic etchings by different hands.
Margaret Dorothy Barker – ‘Woman in Garden’, early 20th century lithograph, signed in pencil recto, Liss Fine Art gallery labels verso, 18.5cm x 17cm, within an ebonized wood frame, together with an etching by Robert Sargent Austin, ‘Woman Giving Alms’ and a lithograph by William Rothenstein, ‘’Rodin in his Studio’.
Salvador Dalí (1904-1989) Velasquez 'Les ménines', from Changes in Great Masterpieces (Field 74-2D; M&L 1476) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 900 x 650mm (35 3/8 x 25 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/24)
Salvador Dalí (1904-1989) Velasquez 'Le reddition de Breda', from Changes in Great Masterpieces (Field 74-2B; M&L 1473) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 743 x 785mm (29 1/4 x 31in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/24)
Salvador Dalí (1904-1989) Warrior's Dream, from Peace in Vietnam (Field 73-B; M&L 1388) Lithograph printed in colours, 1973, signed and titled in pencil, numbered from the edition of 300, printed by Torrents, published by Fidelity World Arts, Illinois, on v. Piera wove paper, with full margins, sheet 562 x 735mm (22 1/4 x 28 7/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 11/23/23)
Salvador Dalí (1904-1989) Rembrandt 'Portrait du peintre par lui-même', from Changes in Great Masterpieces (Field 74-2E; M&L 1474) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso, on wove paper, with full margins, sheet 840 x 630mm (33 x 24 3/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/24)
Salvador Dalí (1904-1989) Raphael: Le Mariage de la Vierge, from Changes in Great Masterpieces (Field 74-2C; M&L 1477) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso, on wove paper, with full margins, sheet 900 x 560mm (35 1/2 x 22in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/24)
Salvador Dalí (1904-1989) Vermeer: La Lettre, from Changes in Great Masterpieces (Field 74-2F; M&L 1475) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 895 x 635mm (35 1/4 x 24 3/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/24)
Salvador Dalí (1904-1989)Yea though I walk, from Aliyah (Field 68-1C; M&L 1203)Lithograph printed in colours, 1968, signed in pencil, numbered from the edition of 250, printed by Wolfesberger, Zurich and Mourlot, Paris, published by Shorewood Press, New York, on Arches paper, with full margins, sheet 650 x 497mm (25 3/4 x 19 5/8in)
Salvador Dalí (1904-1989) The Land at the Start, from Aliyah (Field 68-1S; M&L 1193a)Lithograph printed in colours, 1968, signed in pencil, numbered from the edition of 250, printed by Wolfensberger, Zurich and Mourlot, Paris, published by Shorewood Press, New York, on Arches paper, with full margins, sheet 645 x 497mm (25 3/8 x 19 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (dated 8/14/23).
MOORE, Henry. Heads Figures and Ideas, Curwen Press for George Rainbird 1958, large presentation inscription on the front endpaper by Henry Moore, SIGNED and dated 1979, extensively illustrated throughout inc. coloured lithographs, the coloured lithograph by Henry Moore is present 'THIRTEEN standing' (coming loose), some foxing on first few pages, org. linen backed decorative boards, some scuffing, linen browned, large folio
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