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After James Gillray Comical Illustration "The Cow Pock - The Wonderful Effects of the New Inoculation - 1802" Hand-Colored Lithograph. Foxing throughout paper. Images Size: 9.75 x 13 in. Overall Framed Size: 15 x 19 in.

Sir Frank Brangwyn (British, 1867 - 1956) Three blind women. Signed in pencil lower right. Lithograph. Sight Size: 12.25 x 12.5 in. Overall Framed Size: 25 x 25 in. Framed behind glass.

Sir Frank Brangwyn (British, 1867 - 1956) Tavern scene with three men drinking. Signed in pencil lower right. Lithograph. Sheet Size: 15.75 x 10.5 in. Overall Framed Size: 21 x 19 in. Framed behind glass.

Joan Miro (Spanish, 1893-1983) "La Punaise Petite" Color Lithograph. Pencil signed lower right, numbered (39/80) lower left. Sheet Size: 21 x 14.5 in. Unframed.

Limited edition lithograph. Comes with COA verso. Sight Size: 6.5 x 8.5 in. Overall Framed Size: 11.75 x 14.75 in. Framed behind glass.

Lautrec "The Circus Series" Colored Lithograph. Edition (18/200). Comes with initial stamp lower right and embossment lower left. Comes with COA verso. Sight Size: 9 x 12.5 in. Overall Framed Size: 18.5 x 22.25 in. Framed behind glass.

After Dali Surrealist Watercolor. Appears to be unsigned. Possibly an image used for a later lithograph. Sight Size: 9.5 x 15.25 in. Overall Framed Size: 13.5 x 19.5 in.

ADVERTISING - 2 19th CENTURY LITHOGRAPH CIGAR BOX LABELS  2 mounted 19th century chromolithographic cigar box labels. Both in superb condition and kept well by a collector since the 1980s. Excellent examples of lithography. 34x30cm & 28x19cm including mounts. The mounts can be removed easily for shipping if necessary. 

ADVERTISING - COLLECTION OF 10 GILDED LITHOGRAPH CIGAR BOX LABELS A good collection of gilded and embossed late 19th-early 20th century lithograph cigar box labels. Superb quality and condition. Stored by a keen collector since the 80s. Excellent examples of lithography and chromolithography. Ranging between 6-16cm in size. Condition good-mint. 

ADVERTISING - COLLECTION OF 17 LITHOGRAPH CIGAR BOX LABELS  A comprehensive collection of 17 late 19th and early 20th century lithograph and chromolithographic cigar box labels. All in good to mint condition. Some rare and interesting, all excellent examples of lithography, gilding, embossing and late 19th century advertising. They all measure approximately 26x16cm. Part of one mans collection since the 1980s.  

Salvador Dali. “The Dust of Soulsâ€. Lithograph on arches paper. Signed "Dali" in pencil lower right. Features the embossed “Dali†stamp. - Sizes: H: 670 mm x 510 mm - Weight (K): 0,1kg - Condition: at first sight - good condition - no restoration - no repair - Author / artist: SALVADOR DALI

Salvador Dali. "The apparition of Dante's Great-Great-Grandfather". Lithograph on arches paper. Signed "Dali" in pencil lower right. Features the embossed “Dali†stamp. - Sizes: H: 670 mm x 510 mm - Weight (K): 0,1kg - Condition: at first sight - good condition - no restoration - no repair - Author / artist: SALVADOR DALI

Salvador Dali. “Dante and Beatriceâ€. Lithograph on arches paper. Signed "Dali" in pencil lower right. Features the embossed “Dali†stamp. - Sizes: H: 670 mm x 510 mm - Weight (K): 0,1kg - Condition: at first sight - good condition - no restoration - no repair - Author / artist: SALVADOR DALI

Salvador Dali. “Reinsuranceâ€. Lithograph on arches paper. Signed "Dali" in pencil lower right. Features the embossed “Dali†stamp. - Sizes: H: 670 mm x 510 mm - Weight (K): 0,1kg - Condition: at first sight - good condition - no restoration - no repair - Author / artist: SALVADOR DALI

Carlos Nadal (1917-1998) Spanish"Restaurant"Signed, inscribed artist's proof from an edition of 150, lithograph, 44cm by 55cmProvenance: Duncalfe Galleries, Harrogate

Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) Scottish"Roman Wall II - Wall Town (1960)"Signed, inscribed Artists' Proof and dated (19)63, lithograph, 50.5cm by 73.5cmProvenance: The Scottish Gallery, Edinburgh,"Decades" exhibition, 4th August - 3rd September 2016, no.4Condition report: Slight time staining to paper. Slight cockling to paper. Areas of foxing in evidence to the exposed areas of paper within the margin, in particular, lower left corner, left hand side edge and lower margin, left and right of the signature. (see images) Very slight handling crease top edge. Not examined out of the frame.

David Hockney OM, CH, RA (b.1937) "Christopher Isherwood and Don Bachardy” Signed and dated (19)76, numbered 67/96, lithograph, 71cm by 94cm Provenance: Jonathan Silver Collection, Salts Mill, YorkshireFootnote: Born in Bradford, West Yorkshire in 1937, David Hockney is one of the most influential British artists of the 20th century. A painter, printmaker, stage designer and photographer, Hockney’s many talents have earned him world-wide recognition.Hockney studied at the Royal College of Art in London, during which time he was a part of the Young Contemporaries exhibition, which declared the arrival of the British Pop Art movement. He was just 26 when he had his first solo exhibition in 1963 and went onto exhibit in over 400 solo exhibitions and 500 group exhibitions, including a major show at the National Portrait Gallery in London in 2006 in which over 150 works created over five decades were exhibited. Hockney has been awarded multiple awards throughout his life, beginning with the John Moores Painting Prize in 1967. He has been a Royal Academician since 1985 and in 2012 he was appointed to The Order of Merit for his contribution to the arts and sciences. Throughout his long career Hockney has experimented with a variety of mediums, from traditional painting and printmaking to the use of fax machines and iPads, capturing a wide range of subject matter. He is perhaps most widely recognised for photo collages and a series of paintings of swimming pools he created following a move to Los Angeles in 1964, inspired by vibrant Californian colour and light. Portraiture has been a constant throughout his career, capturing the most important figures in his life and incorporating personal elements of both his life and his sitters’.The sheer variety of subject and media which he has explored throughout his career, executed with wit, charm and panache, has enabled him to create striking forms and intriguing concepts that have inspired legions of admirers.Condition report: Float mounted and has a deckled edge. Some light surface dirt and the odd thunder fly trapped under the glass - mostly contained to the mount. Slight cockling to paper. Small areas of oxidization to the small sections of the outer edges where the paper has been hinged, e.g, one area approximately 1cm in size, lower left, one within the carpet, left of centre bottom edge, one below the Y of the signature, two to the top edge and three to the right edge. Slight crease upper right through the line approximately 6cm in length. The very odd minor sporadic tiny brown spot - may be by design or may be foxing, e.g, one to the left of the blind above the man's shoulder left side, one to the collar of the right man's dressing gown and one under the left figure's feet. Tiny nick to the paper bottom edge, right of centre, may be by design/part of the deckled edge and one to centre of right edge, also may be by design. Otherwise in good overall condition. Not examined out of the frame.

Marc Chagall (1887-1985)"Les Anémones"Lithograph no. 730, 1973, 30.5cm by 23cmProvenance: Walker Galleries Ltd., Harrogate Condition report: Very slight time staining to the paper. Slight cocking to the paper. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.

Heinrich Blunck-Heikendorf (Kiel 1891 - Kiel 1963). Auslaufende Krabbenfischer in Tönning. 1931. Öl/Lw., 60,5 x 70,5 cm, r. u. sign. H. Blunck, verso erneut sign. sowie betitelt 'Auslaufende Krabbenfischer', auf dem Keilrahmen Nr. 597. - Literatur: Behrens/Kroll: H. B. Werkverzeichnis Teil I, S. 113, Nr. 597. - Landschaftsmaler und Lithograph. B. studierte an der Akademie München bei A. Jank und L. Lesker, danach in Kassel bei H. Olde und G. Burmester. Seit 1923 war er ein führendes Mitglied der Heikendorfer Künstlerkolonie, außerdem nahm er das Amt des Vorsitzenden der Schleswig-Holsteinischen Kunstgenossenschaft an. Mit Ausstellungen in Husum und im Schloßmuseum Sonderborg 2008 wurde der Künstler erst in jüngerer Zeit wieder gewürdigt. Lit.: AKL, Vollmer, Dressler, A. Kamphausen: H.B. - Ein Maler der Schleswig-Holst. Landschaft, B. Manitz H.B. - Der Weg eines Künstlers, 2007. Blunck-Heikendorf, Heinrich (Kiel 1891 - Kiel 1963). Fishing Boat. Oil/canvas, 60,5 x 70,5 cm, lo. ri. sign. H. Blunck, on the reverse sign. again as well as titled 'Auslaufende Krabbenfischer', on the stretcher no. 597. - Landscape painter and lithographer, studied at the Munich academy under A. Jank and L. Lesker, thereafter in Kassel under H. Olde and G. Burmester, since 1923 leading exponent of the Heikendorf artist's colony, chairman of the Schleswig-Holstein Kunstgenossenschaft, exhibitions in Husum and Sonderborg 2008 brought the artists oeuvre back to public attention. Lit.: AKL, Vollmer, Dressler, A. Kamphausen: H.B. - Ein Maler der Schleswig-Holst. Landschaft, B. Manitz H.B. - Der Weg eines Künstlers, 2007.

Heinrich Blunck-Heikendorf (Kiel 1891 - Kiel 1963). Die Warften auf Gröde. Öl/Lw., 60,5 x 70,5 cm, l. u. sign. H. Blunck, verso Nr. 657 und betitelt. - Literatur: WVZ Behrens/Kroll 657. - Landschaftsmaler und Lithograph. B. studierte an der Akademie München bei A. Jank und L. Lesker, danach in Kassel bei H. Olde und G. Burmester. Seit 1923 war er ein führendes Mitglied der Heikendorfer Künstlerkolonie, außerdem nahm er das Amt des Vorsitzenden der Schleswig-Holsteinischen Kunstgenossenschaft an. Mit Ausstellungen in Husum und im Schloßmuseum Sonderborg 2008 wurde der Künstler erst in jüngerer Zeit wieder gewürdigt. Lit.: AKL, Vollmer, Dressler, A. Kamphausen: H.B. - Ein Maler der Schleswig-Holst. Landschaft, B. Manitz H.B. - Der Weg eines Künstlers, 2007. Blunck-Heikendorf, Heinrich (Kiel 1891 - Kiel 1963). Holm Gröde. Oil/canvas, 60,5 x 70,5 cm, lo. le. sign. H. Blunck. - Landscape painter and lithographer, studied at the Munich academy under A. Jank and L. Lesker, thereafter in Kassel under H. Olde and G. Burmester, since 1923 leading exponent of the Heikendorf artist's colony, chairman of the Schleswig-Holstein Kunstgenossenschaft, exhibitions in Husum and Sonderborg 2008 brought the artists oeuvre back to public attention. Lit.: AKL, Vollmer, Dressler, A. Kamphausen: H.B. - Ein Maler der Schleswig-Holst. Landschaft, B. Manitz H.B. - Der Weg eines Künstlers, 2007.

Willem Grimm (Darmstadt-Eberstadt 1904 - Hamburg 1986). Die Chinesin. Handkolorierte Lithographie, 27 x 39 cm, r. u. mit Bleistift sign. Grimm, l. u. bez. 'übermalt', ungerahmt. - Figuren- und Landschaftsmaler. G. wurde an der Werkkunstschule Offenbach zum Lithographen ausgebildet, nach einem Aufenthalt in Worpswede 1922 studierte er an der Werkkunstschule Hamburg bei W. Titze. Er wurde gefördert von Rosa Schapire und wurde Mitglied der Hamburger und der Darmstädter Sezession, deren Stil er mitprägte. 1946 nahm er eine Professur an der Hamburger Landeskunstschule an. Die Stadt Hamburg verlieh ihm 1959 den Edwin-Scharff-Preis. Eine Retrospektive in der Hambuger Kunsthalle 2004 würdigte sein Lebenswerk. Mus.: Hamburg (Kunsthalle, Altonaer Mus.), Schleswig (SHLM), Marburg, Oldenburg u.a. Lit.: Der Neue Rump, Bruhns u.a. Grimm, Willem (Darmstadt-Eberstadt 1904 - Hamburg 1986). The Chinese. Handcoloured lithograph, 27 x 39 cm, lo. ri. autographed Grimm, unframed. - Figure and landscape painter, apprenticeship as litographer at the Werkkunstschule Offenbach, after sojourn in Worpswede 1922 he studied at the Hamburg Werkkunstschule under W. Titze, was promoted by Rosa Schapire, member of the Darmstadt a. the Hamburg secession, the style of which he helped to form, 1946 he became professor at the Hamburg Landeskunstschule, in 1959 he was awarded the Edwin Scharff award, 2004 retrospective in the Hamburg Kunsthalle. Mus.: Hamburg (Kunsthalle, Altonaer Museum), Schleswig (SHLM), Marburg, Oldenburg a. others. Lit.: Der Neue Rump, Bruhns a. others.

Otto Heinrich Engel (Erbach/Odenwald 1866 - Glücksburg 1949). Rosenstock. Öl/Lw./Karton, 41 x 29 cm, r. u. sign. OHE. - Pleinairmaler, Radierer und Lithograph. E. studierte an der Akademie Berlin bei W. Friedrich und P. Meyerheim, in Karlsruhe bei G. Schönleber und H. Baisch sowie in München bei L. Löfftz und P. Höcker. Er war Mitglied der Münchner und Mitbegründer der Berliner Sezession. Obwohl seit 1896 die überwiegende Zeit in Berlin lebend, wurden die Küstenlandschaft Frieslands und deren Menschen für ihn zum zentralen Bildthema. Mus.: Berlin (Nat.-Gal.), Bielefeld, Budapest u.a. Lit.: Thieme-Becker, Vollmer, Bénézit, Chr. Wodicka: O.H.E., 2009, mit WVZ u.a. Engel, Otto Heinrich (Erbach/Odenwald 1866 - Glücksburg 1949). Roses. Oil/canvas/cardboard, 41 x 29 cm, lo. ri. sign. OHE. - Plein air painter and graphic artist, student of W. Friedrich and P. Meyerheim in Berlin and of Schönleber and Baisch in Karlsruhe, as well as of L.v. Löfftz and P. Höcker in Munich. He member of the Munich secession and co-founder of the Berlin secession. Although a Berlin resident E. mainly depicted the coasts of Frisia and their inhabitants. Mus.: Berlin (Nat. Gal.), Bielefeld, Budapest a. others. Lit.: Thieme-Becker, Bénézit, Vollmer a. others.

Otto Heinrich Engel (Erbach/Odenwald 1866 - Glücksburg 1949). Norddeutsche Landschaft. Gouache, 21,5 x 30 cm, l. u. sign. Otto H. Engel, unter Passepartout und Glas gerahmt, ungeöffnet. - Pleinairmaler, Radierer und Lithograph. E. studierte an der Akademie Berlin bei W. Friedrich und P. Meyerheim, in Karlsruhe bei G. Schönleber und H. Baisch sowie in München bei L. Löfftz und P. Höcker. Er war Mitglied der Münchner und Mitbegründer der Berliner Sezession. Obwohl seit 1896 die überwiegende Zeit in Berlin lebend, wurden die Küstenlandschaft Frieslands und deren Menschen für ihn zum zentralen Bildthema. Mus.: Berlin (Nat.-Gal.), Bielefeld, Budapest u.a. Lit.: Thieme-Becker, Vollmer, Bénézit, Chr. Wodicka: O.H.E., 2009, mit WVZ u.a. Engel, Otto Heinrich (Erbach/Odenwald 1866 - Glücksburg 1949). Norddeutsche Landschaft. Gouache, 21,5 x 30 cm, lo. le. sign. Otto H. Engel, matted and framed under glass, uninspected out of frame. - Plein air painter and graphic artist, student of W. Friedrich and P. Meyerheim in Berlin and of Schönleber and Baisch in Karlsruhe, as well as of L.v. Löfftz and P. Höcker in Munich. He member of the Munich secession and co-founder of the Berlin secession. Although a Berlin resident E. mainly depicted the coasts of Frisia and their inhabitants. Mus.: Berlin (Nat. Gal.), Bielefeld, Budapest a. others. Lit.: Thieme-Becker, Bénézit, Vollmer a. others.

Otto Heinrich Engel (Erbach/Odenwald 1866 - Glücksburg 1949). Leuchtturm von Amrum. Gouache, 35,5 x 45 cm, l. u. monogr. ohe, unter Glas gerahmt, ungeöffnet. - Pleinairmaler, Radierer und Lithograph. E. studierte an der Akademie Berlin bei W. Friedrich und P. Meyerheim, in Karlsruhe bei G. Schönleber und H. Baisch sowie in München bei L. Löfftz und P. Höcker. Er war Mitglied der Münchner und Mitbegründer der Berliner Sezession. Obwohl seit 1896 die überwiegende Zeit in Berlin lebend, wurden die Küstenlandschaft Frieslands und deren Menschen für ihn zum zentralen Bildthema. Mus.: Berlin (Nat.-Gal.), Bielefeld, Budapest u.a. Lit.: Thieme-Becker, Vollmer, Bénézit, Chr. Wodicka: O.H.E., 2009, mit WVZ u.a. Engel, Otto Heinrich (Erbach/Odenwald 1866 - Glücksburg 1949). Light House on Amrum. Gouache, 35,5 x 45 cm, lo. le. monogr. ohe, framed under glass, uninspected out of frame. - Plein air painter and graphic artist, student of W. Friedrich and P. Meyerheim in Berlin and of Schönleber and Baisch in Karlsruhe, as well as of L.v. Löfftz and P. Höcker in Munich. He member of the Munich secession and co-founder of the Berlin secession. Although a Berlin resident E. mainly depicted the coasts of Frisia and their inhabitants. Mus.: Berlin (Nat. Gal.), Bielefeld, Budapest a. others. Lit.: Thieme-Becker, Bénézit, Vollmer a. others.

Lovis Corinth, 1858 Tapiau - 1925 Zandvoort, ab 1876 Studium an der Akademie Königsberg bei Genremaler Otto Günther, ab 1880 an der Akademie München bei Franz v. Defregger u. Ludwig Löfftz, in Paris Schüler von Tony Robert-Fleury u. Adolphe W. Bouguereau, Mitglied der Münchner u. Berliner Secession, hier: Bergsee aus der Folge 'Schweizer Landschaften' (1923), Lithographie, recht unten Bleistift signiert, gebräunt u. besch., unter PP u. Glas gerahmt, Jugendstilrahmen, ca. 33 x 21 cm, unter Glas, R. 53 x 34cmLovis Corinth, 1858 Tapiau - 1925 Zandvoort, from 1876 studies at the academy Königsberg with genre painter Otto Günther, from 1880 at the academy Munich with Franz v. Defregger andLudwig Löfftz, in Paris student of Tony Robert-Fleury and Adolphe W. Bouguereau, member of the Munich and Berlin Secession, here: mountain lake from the series #'Swiss landscapes#' (1923), lithograph, right below pencil signed, tanned and damaged, framed under PP and glass, Art Nouveau frame, approx.33 x 21 cm, under glass, frame 53 x 34 cm

Max Liebermann, 1847-1935 Berlin, 2 Grafiken: Profilporträt W. v. Bode, Radierung, Verlag Seemann, stockfleckig , ca. 23x18cm; Wache haltender Soldat in Berlin, Lithographie, links unten handsigniert, ca. 24x19cm, leicht fingerfleckigMax Liebermann, 1847-1935 Berlin, 2 graphics: profile portrait W. v. Bode, etching, Verlag Seemann, foxing, approx. 23x18cm; Soldier on guard in Berlin, lithograph, signed lower left, approx. 24x19cm, slightly finger-stained

Antoine de Saint Exupéry ( 1900 – 1944 ) Colored lithograph 'Le petit prince' signed in the plate. Gekleurde lithografie ‘Le petit prince‘ getekend in de plaat. 29.5 x 39.5 cm With stamp of the Succession Saint Exupéry Met stempel van de Succession Saint Exupéry

René Magritte ( 1898 – 1967 ) Lithograph after the painting 'La valse hesitation' ( 1950 ) Numbered 144/275. With the studio stamp / stamp of the Succession / and initials of Charly Herscovice. Lithografie naar het schilderij ‘ La valse hésitation‘ ( 1950 ) Genummerd 144/275. Voorzien van de Atelierstempel / stempel van de Succession / en paraf van Charly Herscovice. 37.5 x 47.5 cm

Salvador Dali ( 1904- 1989 ) Lithograph work from 1940 'Famille de centaures marsupiaux' Numbered 77/300 Signed in fac similé Lithografie werk uit 1940 ‘Famille de centaures marsupiaux‘ Genummerd 77/300 Getekend in fac similé 57.5 x 49 cm

Félix LABISSE (1905-1982) 'Les Malheurs de la Fille Prodigue' Lithograph, signed and numbered 57/175. 'Les Malheurs de la Fille Prodigue' Lithografie, getekend en genummerd 57/175. 64.5 x 49.5 cm

Bram VAN VELDE (1895-1981) Abstract composition. Lithograph, signed and numbered 25/100. Abstracte compositie. Lithografie, getekend en genummerd 25/100. 38.5 x 29.5 cm

Roger RAVEEL (1921-2013) Titled 'Doorkijk met marmeren vensterbank' 1974. Lithograph, signed and numbered 66/100. Titel 'Doorkijk met marmeren vensterbank' 1974. Kleurenlitografie, getekend en genummerd 66/100. 66 x 51 cm

René MAGRITTE (1898-1967) Lithograph 'Le chef d’œuvre ou les mystères de l’horizon‘ ( 1965) Numbered 144/275 Lithografie ‘Le chef d’œuvre ou les mystères de l’horizon‘ ( 1965) Genummerd 144/275 38 x 49 cm With dry stamp of ADAGP and the Succession Magritte as well as the initials of Charly Herscovice Met droogsptempel van ADAGP en van de Succession Magritte alsook de paraf van Charly Herscovice

Octave LANDUYT (1922) Lithograph, signed and numbered 2/25. Lithografie, getekend en genummerd 2/25. 52 x 81.5 cm

Pol MARA (1920-1998) No title. Lithograph in colors, signed and numbered e.a. Zonder titel. Kleurlithografie, getekend en genummerd e.a. 74.5 x 54 cm

René MAGRITTE (1898-1967) Lithograph 'La corde sensible' (1960) Numbered 144/275 Lithografie ‘ La corde sensible ‘ ( 1960 ) Genummerd 144/275 38 x 48.5 cm With dry stamp of ADAGP and the Succession Magritte as well as the initials of Charly Herscovice Met droogsptempel van ADAGP en van de Succession Magritte alsook de paraf van Charly Herscovice

René MAGRITTE (1898-1967) Lithograph Decalcomanie 1966. Numbered 186/300 with dry stamp ADAGP and Succession Magritte. initials by Charly Herscovice (The Fondation Magritte). Lithografie Decalcomanie 1966. Genummerd 186/300 met droogstempel ADAGP en Succession Magritte. paraf van Charly Herscovice (The Fondation Magritte). 25 x 30.5 cm

Bruno VEKEMANS (1952-2019) Titled 'In the café - Paris'. Lithograph, signed, dated '93 and numbered E.A. Titel 'In the café - Paris'. Lithografie, getekend, gedateerd '93 en genummerd E.A. 90 x 69 cm

Luc PEIRE (1916-1994) No title 1 Lithograph, signed and numbered 77/95. 3 x Lithographs, not signed. Zonder titel. 1 lithografie, getekend en genummerd 77/95. 3 x Lithografie, niet getekend. 21 x 50 & 57.5 x 50 cm

Pol MARA (1920-1998) No title. Lithograph in colors, signed and numbered e.a. Zonder titel. Kleurlithografie, getekend en genummerd e.a. 71 x 59 cm

André Van Schuylenbergh ( 1952 - ) Lithograph 'Blue Lady' (1991) Signed and numbered 66/75. Lithografie ‘ Blue Lady ‘ ( 1991 ) Getekend en genummerd 66/75 46 x 65 cm

Pablo PICASSO (1881-1973) Print/Lithograph, signed in the plate and numbered 12/50. Print/Lithografie, getekend in de plaat en genummerd 12/50 30 x 23 cm

José VERMEERSCH (1922-1997) Ink drawing + Lithograph, signed and numbered 31/50. Inkttekening + lithografie, getekend en genummerd 31/50 10.5 x 11.5 & 19 x 13 cm

Paul MCCARTHY (1945) Untitled (Finger Wave) (2007). Offset lithograph in colors. Signed and numbered 11/100. Zonder titel (Finger Wave) (2007). Offsetlithografie in kleuren. Gesigneerd en genummerd 11/100. 29 x 41 cm

Marie LAURENCIN (1883-1956) Lithograph, signed and numbered 254/275. Lithografie, getekend en genummerd 254/275. 62.5 x 47.5 cm

Bram VAN VELDE (1895-1981) Abstract composition. Lithograph, signed and numbered 64/100. Abstracte compositie. Lithografie, getekend en genummerd 64/100. 27.5 x 19.5 cm

CORNEILLE (1922-2010) Le grand oiseau du désert. Lithograph, signed, numbered EA 6/30 and dated '99 Le grand oiseau du désert. Lithografie, getekend, genummerd EA 6/30 en gedateerd '99 67.5 x 102.5 cm

BANKSY (1974) Save or Delete, Greenpeace (2001) Offset Lithograph (Poster) Offset lithografie (Poster) 42 x 59 cm

Mark MANDERS (1968) Study for finished sentence. Offset lithograph, signed and numbered 11/100. Study for finished sentence. Offsetlithografie, gesigneerd en genummerd 11/100 35.5 x 25 cm

Marc CHAGALL (1887-1985) 'L'amour et la colombe'. Color lithograph Paris 1872. 'L'amour et la colombe' Kleuren lithografie Parijs 1872. 64.5 x 51 cm With certificate of origin 1994 Mappamundi (on the back)

Pol MARA (1920-1998) Weerspiegeling. Lithograph, signed and dated '64. Weerspiegeling. Lithografie, getekend en gedateerd '64. 65.5 x 50 cm

Hugo Claus ( 1929 – 2008 ) Lithograph ' Clown ' Signed and numbered 84/250 Lithografie ‘ Clown ‘ Getekend en genummerd 84/250 71 x 41 cm

Roger RAVEEL (1921-2013) 'Solidariteit' 1981 Lithograph, signed and numbered 73/100. 'Solidariteit' 1981 Kleurenlithografie, getekend en genummerd 73/100. 75 x 55.5 cm

Roger WITTEVRONGEL (1933) Lithograph, titled 'Zeil I', signed and numbered 12/50. Etching, signed, dated '68 and numbered 4/8. Lithografie, getiteld 'Zeil I', getekend en genummerd 12/50 Ets, getekend, gedateerd '68 en genummerd 4/8. 22 x 29 & 39 x 29.5 cm

Antoine DE SAINT-EXUPÉRY (1900-1944) Le petit prince. Colored lithograph, signed in the plate. With stamp Succession Saint Exupéry. Le petit prince. Kleurenlithografie, getekend in de plaat. Met stempel Succession Saint Exupéry 29.5 x 39.5 cm

A signed limited edition lithograph 9/10 entitled Mackerel, signed A Craddock 94, frame size 80cm x 97cm, in good condition

John Egerton Christmas Piper CH (1903-1992)''Fountains Abbey''Signed and numbered 81/150, lithograph, 48cm by 63cmArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of BusinessCondition report: Time staining to the paper. Two patches of water damage to the lower margin. Extensive cockling to the paper with associated creasing lower right and upper left. Areas of medium-sized foxing, particularly evident to margins, to the right of the centre of the tree left-hand side edge, above the small ruin on the left, etc.. Surface dirt and foxing to mount. The print retains good colour depth. Not examined out of the frame.

Allen Jones RA (b.1937)"Runnymede"Signed, lithograph, 36.5cm by 46cmArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Dame Elisabeth Frink CH, DBE, RA (1930-1993)"Bull"Signed and numbered 10/25, lithograph, 76cm by 57cmSold together with the frontispiece for the suite of Bull Fighting lithographs and "Frink a Portrait" by Edward Lucie-Smith and Elisabeth Frink, Bloomsbury, 1994 and an exhibition catalogue "Elisabeth Frink 1930-1993", Beaux Arts, LondonThe series was inspired by bullfights Frink had seen whilst living in the Camargue region of France. Condition report: Slight cockling to the paper. Handling creases within the lower section. Two brown marks within the signature. Some very light surface dirt and debris trapped under the glass, not examined out of the frame.

After Marc Chagall (1887-1985) Russian/French"David and His Harp"Lithograph from "Illustrations pour la Bible", Mourlot 134, 35cm by 26cmSold together with a certificate from St James Art Books, LondonArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business