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Lot 208
After 18thc framed Equitation Anglaise 1750-1760, Charles Aubry (French 1811-1877), after Eisenberg, "L'Arret avec le Cavesson, lithograph coloured after, published by from Histoire Pittoresque de L'Equitation Ancienne et Moderne, embossed bottom left reading - Lithographe C.Molle A Paris, in a glazed wooden frame. (45cmx31.5cm)
Lot 193
After 17thc framed Equitation Anglaise 1660, Charles Aubry (French 1811-1877), of a 17thc Englishman on horseback, lithograph coloured after published by from Histoire Pittoresque de L'Equitation Ancienne et Moderne, embossed bottom left reading - Lithographe C.Molle A Paris, in a glazed wooden frame. (41cmx31cm)
Lot 73
‡ HARRY HOLLAND (Scottish, lives/works Wales, b.1941) artist's proof lithograph, 'Door', signed, 17 x 22cms (img.)Provenance: private collection Vale of Glamorgan, part of a series exhibited at The Robin Garton Gallery, London, 1982Comments: unframed, good condition, catalogue for illustration/information only and is not included
Lot 53
Britain.- Nash (Joseph) The Mansions of England of the Olden Time, 4 vol., numerous sepia lithograph plates, occasional foxing, many loose or working so, a few hinges broken, original decorative cloth, gilt, a few small damp-stains, spines slightly faded, ends and corners rubbed, folio, 1869.
Lot 180
Holford (Margaret) The Past, first edition, presentation copy inscribed by the author at head of title, a few ink and pencil annotations, London & Bath, 1819; bound with Wallace, second edition, 1810, together 2 works in 1, some foxing, contemporary aubergine morocco, elaborately stamped in blind, spine gilt, g.e., extremities very slightly rubbed; The Village Cemetery, A Sketch, presentation copy inscribed by the author on front free endpaper, engraved and lithograph plates, additional leaves from other works bound in at beginning and a few leaves with slips pasted over text, contemporary aubergine morocco matching the first mentioned, suggesting a link to the first mentioned (though inscriptions are in different hands), 8vo (2) *** Margaret Holford (1778-1852) was a poet and novelist. The publication of her novel First Impressions in 1800 is supposed to have compelled Jane Austen to change the title of her novel to Pride and Prejudice in 1813. We have been unable to identify the author of the second work despite the intriguing presentation inscription to a John Windham Holgate; and the work appears to be unrecorded.
Lot 271
Whittington Press.- Ardizzone (Edward).- Reeves (James) Arcadian Ballads, one of 50 copies signed by author and artist, illustrations by Edward Ardizzone, slight foxing at beginning and end, original purple morocco, gilt, spine slightly faded, slip-case, 1977 § Bosley (Keith, translator) The Song of Songs, one of 35 copies signed by the translator and illustrator, lithograph illustrations by Richard Kennedy, original tan morocco, gilt, slip-case, 1976 § Day Lewis (C.) Posthumous Poems, one of 25 copies signed by Jill Balcon who wrote the introduction, original brown morocco, marbled board slip-case, 1979 § Lawrence (Simon) 45 wood-engravers, one of 15 special copies, wood-engraved illustrations, original dark green morocco, slip-case sunned, 1982, all Whittington Press, Andoversford, 4to and 8vo (4)
Lot 238
Apraxine (Pierre) Photographs from the Collection of the Gilman Paper Company, limited edition, offset lithograph frontispiece and 199 plates by Richard Benson, original calf backed boards, very light surface marks to calf, original slipcase (light staining), preserved in original publisher's cardboard box, elephant folio, Meriden, White Oak Press, 1985. *** "A tour-de-force for offset lithography" - Grolier Club, Century for a Century, p94. A superbly printed book, presenting pictures from one of the world's important photography resources. These images, selected by Pierre Apraxine, curator of the Gilman collection, illustrate the work of over one hundred photographers. The scope ranges from the experimental daguerrotype of the early 1840's to the pioneering photographs by Robert Frank and Diane Arbus of the mid 1950s and 1960s.
Lot 110
Russian First World War Posters.- Announcement of the First World War in St Petersburg, 260 x 370mm, framed and glazed, Printed by A.V. Krylov and Co., 1914 § Cossack Attack on a German Military Train, edges slightly frayed, 415 x 565mm, Printed by I.D. Sytin, 1915 § "For the Death of One Cossack Hundreds of the German Enemy Will Die", a few marginal stains, 355 x 530mm, Printed by P.A. Prokurov, 1915, colour lithograph posters, Moscow (3)
Lot 1084
David Shepherd (British, 1931 - 2017), by and after, Clouded Leopard and Cubs, signed in pencil to margin, limited edition number 759/950, lithograph, framed; others, unframed - Arctic Foxes, signed, 1178/1500; Snow Leopard, signed, 979/1500; The Pandas of Wolong, signed, 970/1500; etc, (5).
Lot 360
§ A Group Of Three Pictures To include a pen and ink illustration drawing by Douglas Lionel Mays (British, 1900-1991), titled 'Got the time sir?, No I spose you wouldn't ave', signed, 15cm x 13cm; a pen and watercolour by DINSDALE (20th Century British), titled 'Wolf Club Island', signed, With a further pencil design on tracing paper relating to the same novel mentioned in the footnote, 28 x 24.5cm; and a colour lithograph after Edward Detmold and Maurice Detmold, titled 'Mowgli and Bagheera', 30cm x 24.5cmProvenance:William Douglas Mays - Chris Beetles LtdIllustrated:William Douglas Mays: Noel Streatfield, The House in Cornwall, London: J.M. Dent, 1940DINSDALE: This is the original finished artwork for the dust jacket for the book of the same title by Showell Styles -1966.
Lot 19
The West-End Railway District, London, handcoloured pen lithograph from The Illustrated London News, 36 x 52cm; Robert Morden, Map of Essex circa 1695, handcoloured engraving, 34 x 41cm; F Chesham after George Robertson, A View of the Mouth of a Coal Pit near Broseley in Shropshire, stipple engraving, 40 x 54cm (3)Framed size of aerial view of London 51 x 71cm
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70553 item(s)/page