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Earlom (Richard; Turner, Charles & Dunkerton, Robert). Fifteen Splendid Portraits of Royal Personages, London: Printed by J. M'Creedy, 1816, 15 mezzotint portrait plates, including Elizabeth I, Oliver Cromwell, Charles II, Emperor Maximillian, and William of Orange (Frederick, King of Bohemia plate with repaired long closed tear), top edge gilt, contemporary dark green straight grain morocco, gilt decorated spine and decorative border to boards, large folio, together with: Haghe (Louis) , Sketches in Belgium and Germany, London: Hodgson & Graves, 1840, tinted lithograph title, dedication and 25 tinted lithograph plates (one detached), some spotting, contemporary quarter morocco gilt, extremities slightly rubbed, folio, Harding (James Duffield) , The Principles and Practice of Art, London: Chapman & Hall, 1845, half-title, 24 engraved plates (including frontispiece), illustrations to text, scattered spotting, inscription to front free blank, all edges gilt, contemporary dark green morocco, gilt decorated spine, Oxford Middle Class Examination West Riding Prize 1860 gilt embossed device to upper cover, joints rubbed, folio, and others including two copies of The Works of William Hogarth, 2 volumes, London: Jones & Co, 1833 (Qty: 13)

Ottley (William Young). Engravings of the Most Noble the Marquis of Stafford's Collection of Pictures, in London..., 4 volumes in 2 , London: Printed by Bensley & Son for Longman, Hurst, et al., 1818, 126 engraved plates including frontispiece to first volume and 13 engraved plans, occasional light browning mainly to text and some spotting, armorial bookplates of Adolph H.C. Wenger & Y.G. Lloyd-Greame to upper pastedowns, all edges gilt, contemporary gilt decorated dark green straight-grain morocco, extremities rubbed and light wear, head of spine to first volume slightly torn, folio, together with: London & Middlesex Archaeological Society , A Catalogue of the Antiquities and Works of Art exhibited at Ironmongers' Hall, London, in the Month of May, 1861, 2 volumes, London, 1863, numerous wood engraved illustrations, few lithograph plates (some folding), light spotting, top edge gilt, contemporary red half morocco, gilt decorated spine, minor wear, folio, Armengaud (J.G.D.) , Les Galeries Publiques de l'Europe, Rome, Paris: J. Claye, 1856, numerous wood engraved illustrations, all edges gilt, contemporary quarter red morocco, gilt decorated spine and blocked device to boards, folio (Qty: 5)

Angelo (Henry). Instructions for the Sword Exercise; selected from His Majesty's Rules and Regulations, and expressly adapted for the Yeomanry, 1st edition, London: Printed by William Clowes and Sons, 1835, lithograph frontispiece and 9 lithograph plates, lower outer blank corners of leaves A2-A4 cut away, scattered spotting, signature of William F. Angelo to front free endpaper, original cloth (some bubbling where lifting from boards and edge fraying), black morocco title label to upper board, cloth reback, slim 8vo (Qty: 1)NOTESThimm p.11.

Hamon (Peter Gustavus ). Spinal Deformities Cured and Prevented by P.G. Hamon, Professor of Gymnastics: To which is subjoined a Treatise on Fencing, and on Bodily Exercises, London: Carpenter & Co., 1832, 8 hand-coloured lithograph plates (some cropped to ruled margin at fore-edge, final plate with small ink marks), spotting and light dust-soiling, armorial bookplate of C. Robert Bignold to upper pastedown, contemporary half calf, green morocco title label to spine, extremities slightly rubbed, 8vo (Qty: 1)NOTESThimm p.126.

Osorio y Go?mez (Pedro). Tractado de esgrima, a pe' e a cavallo, em que se ensina por principios o manejo do florete, ou O jogo de espada, que se uza hoje. Adornado com vinte e quatro laminas, ou estampas litographadas, Lisbon: Typographia Commercial, Rua dos Calafates No. 114, 1842, 24 lithograph plates, short closed tear and small hole to title (without loss of text), small dampstain to initial leaves, some toning and scattered spotting, slight marginal fraying, original printed rear wrapper bound-in, 20th century decorative printed wrappers, slim 8vo (Qty: 1)NOTESThimm p.212, which refers to the size as large 8vo(?). Rare.

Roland (George). A Treatise on the Theory and Practice of the Art of Fencing ... and Continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements, 1st edition , Edinburgh: Archd. Constable & Co., 1823, half-title, 12 lithograph plates, occasional spotting and toning, bookplate of William E. Stuart and bookseller's label of Frank Murray of Derby to upper pastedown, contemporary calf, gilt decorated spine with black calf title label, blind embossed decoration & gilt ruled border to boards, extremities a little rubbed, 8vo, together with: Ibid. , An Introductory Course of Fencing, 2nd edition, Edinburgh: Published by the Author, [1830?], 5 lithograph plates, light toning and minor spotting, original cloth gilt, spine worn and deficient, extremities worn, slim 8vo (Qty: 2)NOTESThimm p.243; Pardoel 2217. The first edition of this treatise by George Roland (fl.1809-1862), fencing master at the Royal Academy of Edinburgh and son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. A reissue, printed from the same setting of type, was published in 1824.

Roland (George). A Treatise on the Theory and Practice of the Art of Fencing ... and Continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements, 1st edition , Edinburgh: Archd. Constable & Co., 1823, half-title, 12 lithograph plates with some offsetting from text, extensive manuscript notes in pencil throughout and to three plates and also blank flyleaves at front & rear, light toning, occasional spotting, slight dampstaining at rear, edges untrimmed, hinges repaired, original boards, reback cloth spine with printed paper title label, boards marked and slightly worn to edges, 8vo, together with: Ibid. , An Introductory Course of Fencing, 2nd edition, Edinburgh: Published by the Author, [1830?], 5 lithograph plates, light toning and scattered spotting, bookplate to upper pastedown, scuffing to endpapers, original cloth gilt, rebacked, slim 8vo (Qty: 2)NOTESThimm p.243; Pardoel 2217. The first edition of this treatise by George Roland (fl.1809-1862), fencing master at the Royal Academy of Edinburgh and son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. A reissue, printed from the same setting of type, was published in 1824.

Chapman (George). Foil Practice; with a Review of the Art of Fencing, according to the theories of La Boe?ssie?re, Hamon, Gomard, and Grisier. For the use of Military Classes, Instructors in the Army, and Others, London: W. Clowes & Sons, 1861, half-title, 4 lithograph plates (one folding and frayed to fore-edge margin), bound with Ibid. , Notes and Observations on the Art of Fencing. A Sequel to 'Foil Practice.', Part 1, No. 1 [all published], London: Clowes, Charing Cross, 1864, 2 lithograph plates, occasional light spotting, front free endpaper inscribed 'To Colonel Gordon Maynard Ives with the Author's Respects, Jan 7 1878', upper pastedown with armorial bookplate of Colonel Gordon-Ives, C.B., contemporary red half morocco, joints cracked and weak, worn, cup ring mark to upper board, slim 8vo (Qty: 1)NOTESThimm p.56. Colonel Gordon Maynard Gordon-Ives (1837-1907) was born in London, the son of Jeremiah Robert Ives and Emma Maynard. He married Amy Violet B. Pullin in 1880 and later married Millicent Grace Villiers in 1897, both at St. George Hanover Square, London. He gained the rank of Colonel in the Coldstream Guards.

Roland (George). A Treatise on the Theory and Practice of the Art of Fencing ... and continued by Easy and Progressive Lessons, from the Simplest Position to the most Complicated Movements, 1st edition, Edinburgh: Archd. Constable & Co., London: Hurst, Robinson, & Co., and sold by the Author at his Fencing Rooms, Royal Manege, Nicholson Street, Edinburgh, 1823, half-title inscribed to verso 'To Lockhart Esqr. with the acknowledgements of the Author', 12 lithograph plates, some offsetting to plates & text, endpapers renewed, contemporary calf, rebacked, black leather title label to spine, board corners worn & showing, 8vo (Qty: 1)NOTESThimm p.243; Pardoel 2217. The first edition of this treatise by George Roland (fl.1809-1862), fencing master at the Royal Academy of Edinburgh and son of Joseph Roland, fencing master at the Royal Military Academy of Woolwich. A reissue, printed from the same setting of type, was published in 1824.

Corbesier (Antoine J.). Theory of fencing, with the small-sword exercise, 1st edition, Washington: Government Printing Office, 1873, 23 lithograph plates, fore-edge margin of title with short closed tear and slightly torn to edge, some light scattered spotting, front free endpaper inscribed by the author 'complements of A. J. Corbesier N. Academy J.B. LaLande de Ferriere, New Orleans, L.A.', contemporary half straight-grain dark brown sheep, gilt embossed emblem of United States Navy Bureau of Ordnance, upper joint slightly cracked and extremities a little rubbed, slim 8vo, together with: Sabine (Lorenzo) , Notes on Duels and Duelling, Alphabetically Arranged, with a Preliminary Historical Essay, 3rd edition, Boston: Crosby, Nicols & Co., 1859, original brown cloth, blind blocked decoration, spine frayed at head & foot, 8vo (Qty: 2)NOTESThimm p.65 and p.250. Joseph LaLande De Ferriere (died 23 Nov 1875), was a Private in the Confederate Army during the American Civil War and served in Co. E, 4th Regiment, 2nd Brigade, 1st Division, Louisiana Militia. Lieutenant Antoine Joseph Corbesier (1837-1916) USMC was a Belgian national born in Brussels. He was appointed Sword Master of the U.S. Naval Academy at Annapolis, Maryland in 1865 and served in that position for 49 years. Lorenzo Sabine (1803-1877) was born in New Concord (now Lisbon), New Hampshire, and became a United States Representative from Massachusetts in 1833. From early childhood, Sabine, in his own words, was "revolution-mad". Today he is particularly known for his historical research and published works relating to the Loyalists of the American Revolution rather than for his efforts as a public servant.

Vendrell y Eduart (Liborio). Arte de Esgrimir el Sable. Arreglado a los Adelantos de la Escuela Moderna por don Liborio Vendrell y Eduart, Oficial de Administracion Militar, Vitoria: Elias Sarsquela, 1879, half-title, 4 folding lithograph plates, inserted paper slip bearing manuscript number '*492', text partially uncut, some toning throughout, original printed wrappers bound-in, contemporary limp vellum, gilt embossed device of Bibliotheca Hispana to upper cover, three woven ties, slim 4to (Qty: 1)NOTESThimm p.321.

Bindings. Storia del Granducato di Toscana de Riguccio Galluzzio , new edition , 11 volumes , Florence, 1822, engraved portrait frontispieces to volume 1 & 11, engraved folding decorative pedigree at rear of volume 11, occasional scattered spotting, armorial bookplate of Lord Northwick to upper pastedows, contemporary half vellum, gilt decorated spines with green morocco title labels, slight soiling and spotting to covers, 8vo, together with A Catalogue of Pictures, Statues, Busts, Antique Columns ... with notices of the large collection of Books in the various apartments, at Hendersyde Park, to which is added some particulars of the House and adjoining Buildings..., Printed for Private Circulation, 1859, tinted lithograph frontispiece, light toning and some spotting, contemporary dark blue calf gilt, 8vo, and I Genitori di Torquato Tasso note storche raccolte da Pier Desiderio Pasolini, Rome, Ermanno Loescher, 1895, frontispiece, plates and folding facsimile document, top edge gilt, contemporary red half morocco by Birdsall of Northampton, gilt decorated spine, 8vo, plus other English & Continental 19th century decorative bindings (Qty: 26)

Burton (Richard F.). Ultima Thule; or, A Summer in Iceland, 2 volumes , 1st edition, London: William P. Nimmo, 1875, half-titles, 6 tinted lithograph plates (including frontispieces and plan), two folding colour maps, wood-engraved illustrations (some full-page), bound without publisher's adverts, cancelled RMA Library bookplate to upper pastedown of each, contemporary black half morocco, rebacked, contrasting spine labels, 8vo (Penzer p.91), together with: Morris (Maurice O'Connor) , Rambles in the Rocky Mountains: with a visit to the Gold Fields of Colorado, 1st edition, London: Smith, Elder & Co., 1864, half-titles inscribed by the author, light toning to first & last few leaves, modern dark green half morocco, gilt decorated spine, 8vo, Guthrie (William) , A New Geographical, Historical, and Commercial Grammar; and Present State of the Several Kingdoms of the World, 22nd edition, London, 1812, 30 folding engraved maps (some hand-coloured, including double-hemisphere frontispiece), occasional scattered spotting, contemporary marbled calf, rebacked, gilt decorated spine with red morocco title label, board corners worn and showing, large 8vo, and 4 others, travel (Qty: 8)NOTESProvenance: From the Library of David Wilson (1926-2020).

Polar Exploration. The Geographical Journal, vol. 3, Jan-Jun, 1894, London: Royal Geographical Society, 1894, 8 folding lithograph maps (some in colour), monochrome illustrations, light toning and scattered spotting, armorial bookplate of Thomas Parkin to upper pastedown, original blue cloth gilt, 8vo (includes the Challenger Expedition Antarctic number), together with: Brogger (W.C. & Rolfsen, Nordahl) , Fridtiof Nansen 1861-1893, Translated by William Archer, London, New York & Bombay: Longmans, Green & Co., 1896, half-title, wood engraved portrait frontispiece, 3 folding colour lithograph maps, 7 plates and numerous monochrome illustrations, ownership signature to front free blank, original black cloth with blocked illustration and decoration in silver, 8vo, Mill (Hugh Robert) , The Life of Sir Ernest Shackleton, 1st edition, London: William Heinemann Ltd., 1923, half-title (spotted), monochrome portrait frontispiece and plates, map to text, scattered spotting, original dark blue cloth gilt, 8vo, and others including Lost in the Arctic being the Story of the 'Alabama' Expedition, 1909-1912, by Ejnar Mikkelsen, 1st edition, London: William Heinemann, 1913 (ex-library copy); Southern Cross to Pole Star Tschiffely's Ride, Being the Account of 10,000 Miles in the Saddle through the Americas from Argentina to Washington, by A.F. Tschiffely, 1st edition, London: William Heinemann Ltd., 1933; The Voyages of Captain Scott, by Charles Turley, 1st edition, London: John Murray, 1914; The Purchase of the North Pole, by Jules Verne, London: Sampson Low, Marston & Co., circa 1890s; Bibliographie Antarctique, by J. Denuce, facsimile edition, London: Bernard Quaritch Ltd., 2002 (one of 50 copies printed); and Breaking the Record, The Story of Three Arctic Expeditions, by M. Douglas, London, Edinburgh & New York: Thomas Nelson & Sons, 1898 (Qty: 9)

After Alfred van Neste (Belgian 1874 - 1969) hand finished limited edition lithograph, 59 x 49 cm. P&P Group 3, will be sent without any glass unless otherwise advised, (£25+VAT for the first lot and £5+VAT for subsequent lots)

LANCE THACKERAY and LIONEL EDWARDS set of four colourful lithograph prints horse auctions - Lot 1 - 'By Order of the Owner' Kitty, chestnut mare, property of a lady, very fast, Lot 2 - 'On View', flyaway bay gelding age 7, has been hunted by a lady, Lots 3 and 4 - 'By Private Treaty', piebald and skewbald geldings, have been driven much together, Lot 5 - 'For Sale Without Reserve' white mare, sound eyes and wind, has won races, Copyright 1902 published by Hills & Co Ltd London, 34 x 46.5cm measurements

AFTER ANDY WARHOL (1928-1987); limited edition lithograph print, 'Audrey Hepburn' from the Leo Castelli Gallery, edited by George Israel, with 'Arches' watermark stamp verso, 91/100, printed signature lower right, 57 x 39cm, unframed and unmounted.Additional InformationProvenance: from a European collection. PLEASE NOTE the signature is printed, not original.

AMENDED AFTER ANDY WARHOL (1928-1987); a limited edition lithograph print, 'Tomato Soup, From Campbell's Soup I', 1712/3000, paper only on mounted board.Additional InformationProvenance: from a European collection.  PLEASE NOTE the signature is printed, not original.

Morris (Rev. Francis Orpen) A Natural History of British Moths, 4 vol., 132 hand-coloured lithograph plates, occasional foxing, mostly to endpapers and edges, advertisement leaves, original pictorial cloth, gilt, a fine set, 8vo, 1872.

NO RESERVE Switzerland.- Bernese Alps.- Simon (S.) [Panoramic view from Beichgrat mountain pass], impressively large view from the pass linking Lötschental to the Belalp, with views of The Nesthorn mountain at 3,820m amongst others, lithograph printed in colours, two sheets joined, total approx. 1980 x 210 mm. (78 x 8 1/4 in), olds folds, some light browning, under glass, framed, [Bern], [Verlag der Expedition des Jahrbuches des S.A.C.], [1887].

NO RESERVE England.- Ireland (Samuel) Picturesque Views on the Upper, or Warwickshire Avon, first edition, sepia-printed aquatint additional pictorial title and 29 plates, engraved map and 2 etched portraits, light foxing to plates, later blue calf, gilt, by R. Faulder, 1795 § The Salisbury Guide, engraved map, 2 folding plates, ownership inscription of John Arlott, other 19th century ink ownership inscriptions to front free endpaper, calf-backed boards, rubbed, Salisbury, by J. Easton, 1800 § Twining (Henri) Voyage en Norwège et en Suède, 18 lithograph plates, some light spotting, later half calf, a little rubbed, Paris, chez Delaunay, 1836; and 58 others, topography, travel, London, v.s. (61)⁂ Second is scarce, with Library Hub recording only one copy of this edition.

Clifton, With The Suspension Bridge, limited edition print of an original lithograph by Newman & Co. 429/600, reproduced by The Alexander Gallery, Bristol in 1973, bearing Alexander Gallery blind stamp to margin, mounted and framed, 19" x 14"

After Henri Matisse - 'Icarus' inscribed, possibly by a later hand with the artist's name and the title of the work; together with a c.1941 July coloured print, possibly a lithograph with some highlighted colour in the centre, of the figure inscribed on a later label, purchased for The White Space Gallery, Bath and taken from Matisse's Cut-Outs, Tate Modern, London, SE1, 31.25" x 23.25"

After Laurence Stephen Lowry (1887-1976) - 'Punch and Judy', originally published in the second series of school prints by the Baynard Press, coloured lithograph, 16.75" x 26.5" - **The work is sold together with photocopied details showing a similar print sold by Bonhams Leeds in the mid 1990s for £500, the print is also illustrated on the photocopied details, see page 29 The Victorian and 20th century Paintings sale, East Parade, Leeds, also bearing a John Magee of Belfast label, numbered 25/8921

Collection of antique maps of Warwickshire, including Thomas Kitchin; J. Aston; Neele & Son; G. E. Madeley; van der Keere; R. Martin; J. Cary; Robert Morden; T. Badeslade; miniature Morden; Herman Moll; Thomas Moule; W. Ebden, and five small engraved plans of Coventry and Leamington. Together with a Coventry estate plan for E. Ingle, hand-coloured lithograph by Houghton & Brown, and, Proposed Alterations to the Coventry Dispensary, folded for postage with 1/2d stamp and address in black ink, Thomas Clarke, Hertford Street, Coventry. In one folder

Colour lithograph after Louis Wain, cat wearing dunce cap, framed and glazed. Together with Magic Music, colour etching by Fred Millar after Averil Burleigh, 1918, signed by Millar in pencil, bearing blind-stamp, framed & glazed (2)

Collection of prints, to include a signed etching of Winchelsea windmill, by Albert Thomas Pile; a stipple-engraving of rural couple by Gaugain after Morland; a colour lithograph depicting an interior with pianoforte by Collard & Collard of London; a steel engraving of the Great Exhibition at Crystal Palace; 19th-century French fashion plates, and others. Framed & glazed (12)

Warner Bros. Loony Tunes 'Lunch Break' original lithograph, mounted and framed, each 65 x 55 cm overallWith Certificate of Authenticity. .

Jonas Wood (b.1977)Large Shelf Still Life 2017Offset lithograph printed in colours, 2017, on wove paper, the full sheet printed to the edges, 595 x 595mm (23 3/8 x 23 3/8in) (unframed)

Roy Lichtenstein (1923-1997)Temple (Corlett II.3)Lithograph printed in colours, 1964, signed, dated and numbered from the edition of 300 in pencil, on wove paper, published by the Leo Castelli Gallery, New York, with margins, image 585 x 435mm (23 x 17 1/8in) (unframed)

Robert Motherwell (1915-1991)Paris Suite II (Summer) (Belknap 232)Lithograph printed in colours, 1979-80, signed and numbered from the edition of 60 in pencil, printed at Derrière l'Etoile Studios, published by Brooke Alexander Inc., New York, on J.B. Green Hot Press handmade paper, with full margins, sheet 489 x 413mm (19 ¼ x 16 ¼ in) (unframed)

δ Salvador Dali (1904-1989) L'Unicorne laser désintègre les cornes de rhinocéros cosmiques, (M&L 646a; Field 74-12-H)Etching and lithograph printed in colours with embossing, 1974, signed and numbered from the edition of 195 in pencil, on watermarked BFK Rives wove paper, published by Lavigne, Paris, full sheet, 970 x 700mm (38 x 27in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Sonia Delaunay (1885-1979)Automne (Autumn)Lithograph printed in colours, circa 1970, signed and inscribed 'E.A' in pencil, an artist's proof aside from the edition of 75, on wove paper, sheet 113 x 797mm (44 1/2 x 31 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Sonia Delaunay (1885-1979)Ballons multicolores (Multicoloured Balloons)Lithograph printed in colours, 1970, signed, dated and numbered from the edition of 75 in pencil, on wove paper, with full margins, sheet 761 x 560mm (29 7/8 x 22 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Femme Nue et Homme a la Canne (Bloch 1464)Transfer lithograph, 1969, signed in pencil, numbered from the edition of 125, on wove paper, with full margins, sheet, 265 x 225mm (10 ½ x 8 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) (after)Tête d'Homme (Hommage à René Char) (Cwicklitzer 291)Lithograph printed in colours, 1969, signed in red crayon, on watermarked Arches paper, with full margins, sheet 638 x 448mm (25 1/8 x 17 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) (after)Tête de roiLithograph printed in colours, 1951, signed in pencil, from the edition of an unknown size, on wove paper, printed by Imprimerie de la Victoire, Níce, with full margins, image 496 x 400mm (19 1/2 x 15 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Fleurs (for UCLA) (Bloch 1297; Mourlot 351)Lithograph printed in colors, 1961, signed and inscribed 'H.C.' in pencil, a hors de commerce print aside from the edition of 100, on watermarked Arches wove paper, published by UCLA Art Council of the UCLA Art Galleries, Los Angeles, the full sheet, 740 x 520mm (29 x 20 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) (after)Le Cavalier (Mousquetaire a la Pipe)Lithograph printed in colours, 1968, signed and numbered from the edition of 300 in pencil, on watermarked Arches wove paper, printed by Mourlot, Paris, published by Yamet Fine Arts, New York, the full sheet, image 462 x 301mm (18 1/4 x 11 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) Les SaltimbanquesCrayon lithograph, 1959, signed and dated 1958 in the stone, one of 2,000 copies on velin, issued as the frontispiece to Leon Level, Souvenirs d'un Collectionneur, 215 x 165 mm (8 ½ x 6 ½ in) (unframed)Provenance:Ex-collection Osbert Barnard, Craddock & BarnardLiterature:Bloch 855; Mourlot 285δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) (after)Grande MaternitéLithograph printed in colours, 1963, signed and inscribed 'EA' in pencil, an artist's proof aside from the edition of 200, on wove paper, printed by Mourlot, published by Éditions Combat de la Paix, Paris, the sheet printed near to the edges, sheet 895 x 630mm (35 ¼ x 24 ¾in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Louise Bourgeois (1911-2011)The Reticent Child (ex libris)Lithograph with embossing printed in colours, 2005, initialled and numbered from the edition of 300 in pencil, printed by Martin Kätelhön, Cologne, accompanied by the book 'Recueil des Secrets de Louyse Bourgeois', sheet 117 x 80mm (4 5/8 x 3 1/8in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Damien Hirst (b.1965)Postcard from... Damien Hirst: Nucleohistone Offset lithograph printed in colours, 2012, the edition was 500, on velin paper, published by Fondazione Pastificio Cerere and Gagosian Gallery, Rome, with their printed label affixed to verso, the full sheet printed to the edges, 970 x 700mm (38 1/5 × 27 3/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Marc Chagall (1887-1985) (after)Jerusalem Windows. Judah (Charles Sorlier 15)Lithograph printed in colours, 1964, signed and inscribed 'epreuve d'artiste' in pencil, an artist's proof aside from the edition of 150, on Arches paper, with full margins, 610 x 460mm (23 ¾ x 17 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Howard Hodgkin (1932-2017)Composition with Red (Arch) (Heenk 10)Lithograph printed in colours, 1970, signed and inscribed 'H.C.' in pencil, one of six hors de commerce impressions aside from the edition of 100, on wove paper, printed by Stanley Jones at Curwen Prints Ltd, London, published by Felix Mann and Galerie Wolfgang Ketterer, Munich, with their blindstamp, the full sheet, 530 x 756mm (20 7/8 x 29 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Takashi Murakami (b. 1962)Flowerball (3D) Blood VOffset lithograph printed in colours, 2011, signed and numbered from the edition of 300 in felt-tip pen, published by KaiKai Kiki Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet diameter 710mm (28 in) (unframed)

Takashi Murakami (b. 1962)Flowerball Red (3D) The Magic FluteOffset lithograph printed in colours, 2009, signed and numbered from the edition of 300 in felt-tip pen, published by KaiKai Kiki Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet diameter 710mm (28 in) (unframed)

Yoshimoto Nara (b. 1959)Marching On A Butterbur LeafOffset lithograph printed in colours, 2019, the edition was 1,000, on archival wove paper, published by Dallas Contemporary, Dallas, 610 x 455mm (24 x 17 7/8in) (unframed)

STYX ARTWORK/MEATLOAF DISCS. Two mounted and framed presentations to include: a lithograph print in excellent condition of Chris Hopkin's artwork for Styx 'Paradise Theatre' album (50x73cm) numbered 213/350. A presentation awarded to Tony with picture discs for Meatloaf's Bat Out Of Hell and Boston - Don't Look Back.

§ John Piper (1903-1992)lithograph'St Helen Hall' (L325)signed in pencil, 52/7065 x 75cm

Jon Corbino (American, 1905 - 1964) "Escaped Bull" Lithograph. Pencil signed lower right. Associated American Artists Label with Bio verso. Size: 10.75 x 13.75 in. Overall Size: 14.75 x 17 in. Framed behind glass.

Beck & Jung (Swedish, Holger Bäckström, 1939-1997 and Bo Ljungberg, 1939-2007) Lithograph. Numbered (42/125) and titled lower left. Signed and dated (1977) in ink lower right. Most famous are the variations of the three-dimensional grid in rainbow colors, which they designed as a test print for an early inkjet printers. These images (color cubes) were also sold as paintings.Sheet Size: 31.5 x 23.5 in. Unframed.

Beck & Jung (Swedish, Holger Backstrom, 1939-1997 and Bo Ljungberg, 1939-2007) "Sky Shadow" Lithograph / Collage. Numbered (42/125) and titled lower left. Signed and dated (1977) in ink lower right. Most famous are the variations of the three-dimensional grid in rainbow colors, which they designed as a test print for an early inkjet printers. These images (color cubes) were also sold as paintings.Sheet Size: 31.5 x 23.5 in. Unframed.

Jean Helion, (French, 1904-1987) Composition. Color Lithograph. Pencil signed lower right. Pencil numbered (6/150) lower left.Sheet Size: 26 x 33 in. Unframed.

Mihail Chemiakin (New York, Russia born 1943) "Nature Morte w/ Fish" Color Lithograph on Japan paper. Numbered (49/78) lower left. Signed lower right. Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 18 x 25.25 in. Sheet Size: 21 x 29.75 in. Unframed.

Lebadang (Vietnamese, 1922 - 2015) "Le Tempest" Signed in pencil lower right, numbered (80/275) lower left. Medium: Lithograph with Intaglio Etching. Image Size: 23.5 x 23.5 in. Overall Size: 35.25 x 46 in. Framed behind glass.

Lebadang (Vietnamese, 1922 - 2015) "Waterlilies" Colored Lithograph. Pencil signed lower right, numbered (EA) lower left. Image Size: 19 x 25 in. Overall Size: 28.5 x 34.5 in. Framed behind glass.

Matisse, Pencil Signed Lithograph of a Woman. Pencil signed "H. Matisse" lower right. Numbered (2/100) lower left. Image Size: 5 x 7 in. Unframed.

Buell Whitehead (FL. 1919 - 1993) Litho. Pencil signed lower right. Titled "Redondo Beach" Los Angeles California lithograph lower left. Image Size: 9.25 x 12 in. Overall Size: 17.25 x 19.75 in. Framed behind glass. - A catalog raisonne / biography of Buell Whitehead and his works, written by Ronald Newsom, is available for purchase along with any of his works for $30. (Image of book cover can be seen in last image).

Buell Whitehead (FL, 1919 - 1993) "Death Valley Sunset" Colored Lithograph. Pencil signed and dated ('46) lower right and titled lower left. Image Size: 13.75 x 18.75 in. Sheet Size: 15.25 x 20 in. Unframed. - A catalog raisonne / biography of Buell Whitehead and his works, written by Ronald Newsom, is available for purchase along with any of his works for $30. (Image of book cover can be seen in last image).