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Lot 425
§ Merlyn Evans (Welsh, 1910-1973) Untitled Abstract from the Rothko Portfolio artist's proof numbered 11/15 and signed lower right "Evans '73" colour lithograph 88 x 63cm (34 x 25in) The present abstract print formed part of the 13 strong artists' portfolio dedicated to celebrating the work and life of Mark Rothko (American, 1903-1970). Condition appears fine. Black frame has chips.
Lot 429
§ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) Fever Van signed lower right in pen "L S Lowry" and with the Fine Art Trade Guild blind stamp offset lithograph 45 x 53cm (18 x 21in) The fever van was the colloquial term in the north of England for the ambulance that transported patients with infectious diseases, usually scarlet fever or diphtheria, to the local isolation or infectious diseases hospital. These vehicles were in existence throughout the country from around 1910 to the 1950s and had various nicknames. Condition: In a good condition, there are no visible faults. Margins seem clean and there are no signs of any offset stains from the mount. Not examined out of frame.
Lot 431
§ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) Level Crossing signed in pencil lower right "L S Lowry", offset lithograph 47 x 56.50cm (18 x 22in) CONDITION: Visible margins clean. Signed lower right in pencil. Some glue stains under mount. Stuck down. Offset staining under the current mount - please refer to photos. From an unnumbered edition of 750 which was not stamped.
Lot 433
§ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) The Lake limited edition gouttelette, one of 35 copies, with a framed certificate of authenticity offset lithograph 66 x 80cm (26 x 31in) Please note this edition was not signed by the artist. Chelsea Green blind stamp to lower right corner.
Lot 434
§ Laurence Stephen Lowry, RBA, RA (British, 1887-1976) Steps at Wick, Caithness limited edition gouttelette, one of 95 copies, with a framed certificate of authenticity offset lithograph 66 x 80cm (26 x 31in) Other Notes: The original painting of this scene was painted in 1936 and was sold at Bonhams, London for £890,500 on 20th November 2013. Please note this edition was not signed by the artist. Chelsea Green blind stamp to lower right corner.
Lot 459
§ Edward Bawden, CBE, RA (British, 1903-1989) Nekayah, the Prince and Imlac in Cairo signed lower right "Edward Bawden" and numbered 91/200, printed by the Curwen Studio colour lithograph 30 x 22cm (12 x 9in) Provenance: The Walden School, Saffron Walden, Essex The subject is from "The History of Rasselas, Prince of Abyssinia" by Samuel Johnson. Condition appears fine.
Lot 208
BARNUM (PHINEAS TAYLOR) (1810-1891) A REMARKABLE GROUP OF PERSONAL EFFECTS OF THE LEGENDARY AMERICAN SHOWMAN AND HIS ENGLISH SECOND WIFE, NANCY, NEE FISH COMPRISING 1. 2.General Tom Thumb souvenir medallion, white metal by Allen & Moore, Birmingham, issued by P T Barnum 1844, obverse General Tom Thumb after the design by Charles Bauginet for the lithograph published 1844, obverse coach and horses, 38mm 3. North American silver mounted black sealskin purse by Tiffany & Co, the flap applied with crisply chased silver daisies, 11cm w, impressed under the flap Mrs P T Barnum Bridgeport Conn, mounts marked TIFFANY & CO M STERLING, sealskin impressed in blind SEAL and TIFFANY & CO NEW YORK PARIS LONDON and a contemporary matching wallet by the same, similarly impressed Mrs P T Barnum Bridgeport Conn, mounts unmarked 4. Calling card of Miss Nancy Barnum Leigh (1889-1909) with printed address 109 West 93rd Street, reverse inscribed by her in ink Wishing my dearest Grandma Barnum a happy Easter from her devoted granddaughter Nancy, 5 x 7.5cm 5. Victorian walnut workbox, with coloured straw work banding, the interior fitted with a tray, applied with the gilt initials PB to the flap under the lid, 29cm w 6. Victorian electroplated teapot, coffee pot and sugar basin, engraved with the initial B, mother of pearl knops, coffee pot 24cm h, marked BMEP, late 19th c 7. Brine (Mary D) Grandma's Attic Treasures A Story of Old-Time Memories, 4to (20 x 16cm), frontispiece and illustrations in the text, inscribed by P T Barnum in ink on the front free endpaper To My Mother in Law Fish with Wishes for a Merry Xmas P T Barnum 1887, aesthetic style embossed fan patterned light brown limp leather sewn with yellow thread, New York, 1887 8. Barnum (N) The Last Chapter In Memoriam of P T Barnum, 4to (21 x 16cm), 19pp, portrait frontispiece and one plate with tissue guards, copy No 1 (in red ink), marbled paste downs and endpapers, contemporary black morocco with gilt lettered title with scroll flourishes within double fillets, gilt dentelles, aeg, privately published, Bridgeport, Connecticut, 1893 9. Black silk lady's parasol with bamboo shaft and engraved silver mounted faux tortoiseshell swan neck handle, brass tip, 92cm, late 19th c 10.Miniature silver playing card box of pillar shape, the square top engraved with the coronet of a baron and initials NBA, having glazed front, the sides stamped with leafy scrolls, 5cm h, by Samuel Jacob, London 1905, containing two packs of 52 contemporary playing cards published by Goodall, London 11. Societe des Amis de Malmaison membership card issued in the name of Madame La Baronne d'Alexandry d'Orengiani, 6 x 10cm, c1900 Provenance: Nancy, Baroness d'Alexandry d'Orengiani (1850-1927)Please contact Mellors & Kirk for full details
![[BOWLES, THOMAS GIBSON] - THE VANITY FAIR ALBUM a Show of Sovereigns, Statesmen, Judges, and Men of The Day with Biographical](https://cdn.globalauctionplatform.com/ef9e6eaa-7d8b-4f64-8216-a8ce011940aa/b701ce02-ba02-48c0-f6cb-14b9de83ca88/468x382.jpg)
Lot 52
[BOWLES, THOMAS GIBSON] - THE VANITY FAIR ALBUM a Show of Sovereigns, Statesmen, Judges, and Men of The Day with Biographical and Critical Notices. London, Vanity Fair Office [1869]. Volume 1, third edition, folio, 48 coloured caricature plates, green cloth; EXAMPLES OF THE ARCHITECTURE OF THE VICTORIAN AGE. London, Darton & Hodge, 1862. First edition, folio, coloured and tinted lithograph plates including some views, half calf, internal damp-staining, binding and text block are warped, but very scarce. Sold as a collection of plates, w.a.f. (2)++See description. Sold as a collection of plates, w.a.f.
Lot 58
BUTTERWORTH, EDWIN & TAIT, ARTHUR FITZWILLIAM (ILLUSTRATOR) - VIEWS ON THE MANCHESTER & LEEDS RAILWAY London, Tait, 1845. First edition, folio, lithographic title and 19 fine lithograph plates, 34pp of text, all as called for, minor light spotting but the plates (which are frequently heavily spotted/foxed) are generally clean and fresh in this copy. Publisher's blue cloth, gilt armorial to upper board, a good copy++as described
![Anon [Butler (Samuel)], Hudibras [part I only], [...], Written in the Time of the Late Wars, Corrected and Amended: With Addi](https://cdn.globalauctionplatform.com/a7c82ab8-1ee6-49c1-8f00-a8d200773c62/e3f3203f-ffa5-4bef-830c-8ee57f8a03fd/468x382.jpg)
Lot 3526
Anon [Butler (Samuel)], Hudibras [part I only], [...], Written in the Time of the Late Wars, Corrected and Amended: With Additions [...], Adorn'd with a new Set of Cuts, Defign'd (sic) and Engrav'd by Mr Hogarth, D. Midwinter [...], London 1739, engraved pull-out plates imitating Old Masters, contemporary full vellum binding, traces of morocco title label to spine, the front pastedown with Chippendale Armorial bookplate: The Rev: O: Cooper A.B. Chorley, 16mo; Boster (John), A Walk Round The Walls and City of Chester, sixth edition, Printed by the Author, and Sold by John Parry, Chester [c. 1821], [ii], ii, 118pp, advert [i], engraved frontispiece of the ancient city by John Swaine (1775 - 1860), lithograph title vignette, further line engraved vignettes illustrating text throughout, contemporary calf boards (disbound, spine lacking), 18mo; Shower (John), Serious Reflections on Time and Eternity: And fome (sic) other Subjects, Moral and Divine, With an Appendix [...], ninth edition, John Ward, London 1757, contemporary calf, 16mo; The Spectator, volume III only, 1793, contemporary Neoclassical binding (disbound, faults), [4]
Lot 3548
Johnston (Robert), Travels Through Part of The Russian Empire and the Country of Poland; Along the Shores of the Baltic, Illustrated with Maps and Numerous Coloured Plates, J.J. Stockdale, London 1815, 460pp, illustrated with 20 hand-coloured full-page lithographs, 1 monochrome full-page lithograph, 2 full-page engraved maps, 1 monochrome line engraved vignette of a mammoth skeleton, contemporary red straight-grained morocco Regency binding, gilt-embossed title to spine, aeg, marbled endpapers, ink MS ownership inscriptions to endpapers, square 4to
Lot 102
*John Piper (British, 1903-1992)ST KEW, CORNWALL: CHURCH IN A HILLY LANDSCAPE (LEVINSON 127)Lithograph printed in colours, 1964, signed in pencil, a proof aside from the edition of 70, from 'A Retrospect of Churches', printed by Curwen Studio, published by Marlborough Fine Art, London, on wove paper, with full marginsimage 50.4 x 70cm, framed*Artist's Resale Right may apply to this lot.
Lot 103
*John Piper (British, 1903-1992)LLAN-Y-BLODWELL, SHROPSHIRELithograph printed in colours, 1964, signed in pencil, from 'A Retrospect of Churches', printed by the Curwen Studio, London, with their blindstamp, on wove paper, the full sheetimage 67 x 46cm, mounted*Artist's Resale Right may apply to this lot.
Lot 104
*John Piper (British, 1903-1992)EASTON, PORTLAND, DORSET: ST GEORGE REFORNE, AN 18TH CENTURY CHURCH AMONG THE QUARRIES (LEVINSON 137)Lithograph, 1964, signed in pencil, a proof aside from the edition of 70, from 'A Retrospect of Churches', printed by Curwen Studio, published by Marlborough Fine Art, London, with full marginsimage 50.5 x 64cm, framed*Artist's Resale Right may apply to this lot.
Lot 105
*John Piper (British, 1903-1992)LEWKNOR, OXFORDSHIRE: TEXTURED WALLS, TRACERIED WINDOWS (LEVINSON 133)Lithograph printed in colours, 1964, signed in pencil, a proof aside from the edition of 70, from 'A Retrospect of Churches', printed by Curwen Studio, published by Marlborough Fine Art, London, on Crisbrook Waterleaf wove paper, with full marginsimage 52.9 x 70.8cm, framed*Artist's Resale Right may apply to this lot.
Lot 110
*Carel Weight (British, 1908-1997)THE DAY OF DOOMOffset lithograph printed in colours, c.1982, signed, titled and numbered 91/250 in pencil; together with another offset lithograph printed in colours by Ruskin SpearTHE ARTY TIESigned, titled and numbered 93/150 in pencil, both on wove paper, with full marginssheet 77.5 x 67.5cm and 70 x 72cm, unframed (2)*Artist's Resale Right may apply to this lot.
Lot 133
*Merlyn Evans (British, 1910-1973)ST IVES BEACHLithograph with screenprint in colours, 1973, signed, dated and numbered 8/90 in pencil, from the ‘Penwith Portfolio’, printed by Curwen Studio, published by Penwith Galleries Ltd., St Ives, Cornwall, on wove paper, with full marginssheet 58 x 79.4cm, unframed*Artist's Resale Right may apply to this lot.
Lot 139
*Jacques Villon (French, 1875-1963)LE FAUTEUIL (Ginestet & Pouillon 521)Lithograph printed in colours, 1951, signed and numbered LVII/LX (57/60) in pencil, published by the Guilde de la Gravure, Paris, with their blind stamp, on Arches wove paper, with full marginsimage 48.8 x 30.3cm, framed*Artist's Resale Right may apply to this lot.
Lot 160
After Pablo Picasso (Spanish, 1881-1973)COLOMBE AU SOLEILLithograph printed in colours, 1962, a proof before the text as poster, from the ‘avant la lettre’ edition of 50, bearing a signature in red crayon, published by World Congress for General Disarmament and Peace, Moscow, on watermarked thick wove paper, the whole sheetsheet 56 x 76cm, unframed*Artist's Resale Right may apply to this lot.
Lot 161
*Pablo Picasso (Spanish, 1881-1973)LA JEUNE ARTISTELithograph, 1949, first state, one of the five proofs bearing a pencil signature (there was no numbered edition of the first state, but an edition of 50 of the second state), on wove paper, with margins plate 39.5 x 30cm, unframed*Artist's Resale Right may apply to this lot.
Lot 168
*After Marc Chagall (French/Russian, 1887-1985)SELF-PORTRAIT AS THE YOUNG ARTISTOffset lithograph printed in colours, c.1962-64, signed and dedicated to Madame Sourlier with a little drawing of a flower dated 1.8.1965 in pencil, on wove paper, with full marginssheet 55.8 x 39.7cm, unframed*Artist's Resale Right may apply to this lot.
Lot 171
*Marc Chagall (French/Russian, 1887-1985)THE MASSACRE OF THE CANDIDATES Lithograph,1975, from 'The Odyssey of Homer' suite, from the edition of 250, printed by Claude Garamont, published by Fernand Mourlot, Paris, on Arches wove paper, with full marginsimage 41 x 31cm, framed*Artist's Resale Right may apply to this lot.
Lot 177
*Joan Miró (Spanish, 1893-1983)PLATE IV (CRAMER 1037)Lithograph printed in colours, 1975, signed and numbered LIII/LXXX in pencil, from the portfolio ‘Joan Miró Lithographs II’ comprising 14 lithographs, the additional suite included with 80 portfolios, the total edition was 150, printed by Mourlot, Paris, on Vélin d’Arches wove paper, the full sheetsheet 44.6 x 36.8cm, unframed*Artist's Resale Right may apply to this lot.
Lot 185
*Joan Miró (Spanish, 1893-1983)WOMAN AT THE MIRROR (Mourlot 174)Lithograph printed in colours, 1956, for the 'Derrière le Miroir 92/93' to celebrate ten years of the publication, printed by Mourlot, Paris, published by Maeght, Paris, on wove paper, with central fold as published, the full sheet printed to the edgessheet 37.4 x 55cm, unframed*Artist's Resale Right may apply to this lot.
Lot 193
*Jean Dubuffet (French, 1901-1985)JEUX ET TRAVAUX (WEBEL 385)Lithograph printed in colours, 1953, signed, titled and numbered 44/60 in white pencil, printed by Mourlot, Paris, published by the artist, on Arches wove paper, with full marginsimage 66 x 49cm, framed*Artist's Resale Right may apply to this lot.
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70555 item(s)/page