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Lot 294
SIX 18TH-19TH CENTURY PRINTED AND COLOURED MAPS OF CHINA. Comprising four coloured copperplate maps by J. N. Bellin, circa 1764, CARTE, DE L'ISLE DE CHEU CHAN OU ISLE DE CHUSAN De la Province de Che-kiang Avec les Costes et Isles voisines, 220 by 320mm (8.75 by 12.5 inches), ISLE DE CHEU CHAN OU ISLE CHUSAN avec les Costes et Isles voisines, 220 by 170mm (8.75 by 6.75 inches), CARTE DES ISLES QUI SONT A L'ENTREE DE LA RIVIERE DE CANTON, 220 by 175mm (8.75 by 7 inches) and CARTE DE LA BAYE D'HOCSIEU et des Entrees de la Riviere de Chang, Dans la Province de Fokyen, en Chine, 220 by 170mm (8.75 by 6.75 inches); a map of CHINA by W. Lizars, Edinburgh 1842, 450 by 370mm (17.75 by 14.5 inches) and another map of CHINA by George Phillp & Sons, London, circa 1859, coloured lithograph, 595 by 520mm (23.5 by 20.5 inches) (6)The first (Bellin, Isle de Chusan…) This detailed chart is orientated with north to the right, and shows Ning-po (Ningbo) at top with area east below it, in the province of Chekiang, across the bay from Shanghai. From an edition of Prevost's 'Histoire des Voyages'. Good Condition. The second (Bellin, Isle de Cheu Chan ou Isle Chusan…) Detailed chart of the area east of Ningpo (Ningbo) in the Chinese province of Chekiang, located across the bay from Shanghai. This chart is from the original edition appearing in 'Le Petit Atlas Maritime' and has attractive original hand wash colour. The third (Bellin, CARTE DES ISLES QUI SONT A L'ENTREE DE LA RIVIERE DE CANTON) An attractive and detailed chart, orientated with north to the left, showing the islands at the mouth of the Canton River and Latao and extending past Macao to 'Chang-chuen-chan ou isle de Sancian'. This small chart appeared in the five volume 'Petit Atlas Maritime' of the renowned French hydrographer, Jacques Nicolas Bellin. The fourth (Bellin, Carte de la Baye d’Hocsieu) This chart for the original edition of "Le Petit Atlas Maritime" shows the mouth of the Chiang River in the Fujian Province of modern day China. It covers part of the modern-day city of Fuzhou on the south eastern coast of China just west of Taiwan or Formosa. Very detailed, it also features towns, fortifications, islands, bridges, rivers and mountains. Depth soundings around the coastline are also marked.The fifth (Lazars 'CHINA') With attractive outline colour. This detailed map of China includes text giving measurements of 'The Great Chinese Wall' amongst other notations. Korea and Formosa or 'Taiouan' are shown in some detail. the map appeared in 'Lizars' Edinburgh Geographical General Atlas: Containing Maps of Every Empire, State, and Kingdom;...' The sixth (G Phillips & Sons, ‘CHINA’), This interesting map of China was published in "The Philips New General Atlas". In the bottom left corner is a list of useful Chinese terms, translated into English. Postage stamp-size insets show outline detail of the important ports of Chusan, Amoy and Hong Kong. The map is surrounded by a distinctive and decorative piano-key border.
Lot 295
FIVE 18TH-19TH CENTURY PRINTED MAPS OF CHINA. Comprising: an example by H. A. Chatelain, HABILLEMENS D'HOMMES & DE FEMMES DIVERSE PROVINCES DE LA CHINE, Amsterdam circa 1720, Copperplate uncoloured, 370 by 430mm (14.5 by 17 inches), a map by T. Bowen, London 1775, THE NORTHERN ARCHIPELAGO ... IN THE SEAS OF KAMCHATKA..., Copperplate uncoloured, 170 by 235mm (6.75 by 9.25 inches), a map by Lizars CHINA, Edinburgh circa 1842, steel plate, original outline colour, 395 by 445mm (15-5 by 17.5 inches), a map of CHINA by G. H. Swanston & J. Bartholomew, Edinburgh, London & Dublin, A Fullarton & Co. circa 1860, coloured steel plate, 412 by 535mm (16.25 by 21 inches), and a map by W. F. Mayers, London / Hong Kong 1867, FROM TUNGCHOW TO PEKING, uncoloured Lithograph, 180 by 410mm (7 by 16.25 inches) (5)The first (Chatelain, Habillemens D’Hommes & De Femmes Diverse….) Finely engraved. A decorative and elaborate plate from Henri Abraham Chatelain's 'Atlas Historique' illustrating and describing Chinese people of all ranks and regions. Also displayed is a Jesuit Priest and the monumental bridge connecting two mountains in Xensi province.The second (Bowen, The Northern Archipelago…) Engraved by Thomas Bowen and published in the 'London Magazine', this map purports to illustrate the recent Russian discoveries in the northeast Pacific, showing the Aleutian Islands and a large 'Alaschka Island' off the mainland of North America. Trimmed close and laid on old paper. Jolly, Maps in British Periodicals I, LOND-306.The third (Lizar, China) An attractive and detailed map of China, including Korea, Taiwan and Hainan. Original outline colour delineates the districts. A note on the 'Chinese Wall' appears at the upper left, noting that it is 'so broad, that 5 or 6 Horsemen may travel abreast on the top'.The fourth (Swanston & Bartholomew, China) An attractive and detailed map of all China with inset details of Chusan and the estuary of the Canton River from Canton to Macao and Hong Kong.The fifth (Mayers, From Tungchow to Peking) William Frederick Mayers was one of a number of British Consular officials active in the major ports and towns in the Far East during the mid-nineteenth century. His work "Treaty Ports Of China and Japan" was a source of much valuable information for visitors whether in the pursuit of trade or as tourists, and included detailed folding maps of many of those trading ports featured. Published in London and Hong Kong. This map shows in good detail the road from the town of Tungchow to Peking's outskirts, approximately 14 miles with remarks as to the road surfaces, ie whether 'Stone Paved' or not. Printed in light scarlet ink on thin rice paper with backing to old fold weakness.
Lot 431
AFTER LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887 - 1976),V E DAY CELEBRATIONSlithograph on paperoverall size 62cm x 76cm Mounted, framed and under glassLITHOGRAPHPicture is in overall good condition, no major noticeable damage to glass or picture. Some staining and minor scratches to the frame
Lot 432
AFTER LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887 - 1976),A VILLAGE SQUARE lithograph on paperoverall size 62cm x 76cm Mounted, framed and under glassOverall decent condition the picture itself is in relatively good condition with no noticeable damage, however the frame does have some scratches present.
Lot 2749
(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols)"Figuren im Raum". OriginaltitelFarblithographie/BFK Rives-Bütten, 1963. Sign. und nummeriert 3/10. Gedruckt im Atelier Desjobert, Paris. Wvz. Riediger 228. Blatt 50,5 cm x 66 cm.Lithograph in colours on Rives laid paper, 1963. Hand-signed and numbered 3/10.
Lot 3248
Lithographie/Papier, um 1870. Zentrale Gesamtansicht von Göttingen "vom Wege nach Rohns", umrahmt von 11 Randansichten der Stadt und beliebten Destinationen der Umgebung. Dächer altkoloriert. Ger. rest., Läsur. Darstellung ca. 23 cm x 34 cm. Rahmen.A lithograph with views of Göttingen and destinations in the surrounding area published circa 1870. Roofs hand-coloured. Minor restorations and crease.
Lot 2713
(1860 Ivancice/Mähren - 1939 Prag)Werbeplakat für die Zigarettenmarke "Job". OriginaltitelFarblithographie/Papier (beschnitten), um 1900. Im Stein sign.; Druck bei F. Champenois, Paris. Randläsuren/Fehlstellen. 50 cm x 38 cm. Rahmen.Lithograph in colours on paper. Signed on the stone. Blemishes on the edges/loss of paper.
Lot 2707
(1878 Bremen - 1918 Westfront)Belebte Pariser StraßenszeneLithographie/Papier. Der an der Düsseldorfer und Münchener Akademie ausgebildete Künstler war 1900-1910 in Paris ansässig, wo er mit Vorliebe Straßenszenen schilderte; ab 1907 nahm Matthes an den Ausstellungen der Berliner Secession teil. Darstellung 48 cm x 40,8 cm. Rahmen.Provenienz: Aus der Kunstsammlung einer alten Bremer Kaufmannsfamilie.Lithograph on paper, approx. 1900-1910.
Lot 2672
(1887 Witebsk - 1985 Saint-Paul-de-Vence)"Le Joueur de Flute"(Der Flötenspieler). OriginaltitelFarblithographie/Velin, 1957. Wohl aus der Monographie "Chagall" von Jacques Lassaignet, Druck Mourlot, Paris, Hrsg. Galerie Maeght, Paris, 1957. Wvz. Mourlot/Sorlier 197. Blatt ca. 24 cm x 39,5 cm. Rahmen.Provenienz: Sammlung Sigune von Osten (1950 - 2018). Lithograph in colours on wove paper, 1957.
Lot 3247
(Deutscher Lithograph. Tätig um 1840-1870)"Göttingen von Rohn's Berge aus gesehen". OriginaltitelSehr seltene Lithographie mit 40 Ansichten von Plätzen und Gebäuden in Göttingen, wie der Universität, Kirchen, Palais, Kaserne und Burgen aus der näheren Umgebung. Verlag P.T.A. Kersting in Hann.-Münden. Plattenmaß 41,5 cm x 60 cm (Passepartoutausschnitt). Rahmen. Fourty lithographs with views of Göttingen and its surroundings published circa 1860/70.
Lot 2751
(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols)"Per aspera ad astra". OriginaltitelFarblithographie/Velin, 1964. Sign. und nummeriert 121/150. Gedruckt im Atelier Desjobert, Paris. Wvz. Riediger 245 a. Blatt 65,5 cm x 50,5 cm.Lithograph in colours on wove paper, 1964. Hand-signed and numbered 121/150.
Lot 2743
(Geb. 1930 Wendorf) "Bruch". OriginaltitelLithographie/Velin, 2000. Sign., dat. und nummeriert 59/100. Trockenstempel der Erker-Presse, St. Gallen. Ger. Läsuren. Blatt 60 cm x 80,5 cm. Lithograph on wove paper, 2000. Hand-signed, dated and numbered 59/100. Dry stamp of the Erker-Presse, St. Gallen.
Lot 3241
(1806 Helsa - 1873 in Kassel)"Säcularfeier 1837. Einweihung des Denkmals auf dem Wilhelmsplatz" oder "Enthüllung der Statue Königs Wilhelm des Vierten (...) Säcularfeier der Universität Göttingen, den 17. September 1837". OriginaltitelLithographie/Papier, 1837. Unterhalb handschriftlich mit Feder betitelt. Wohl frühe Version bzw. Probedruck vor der typographischen Schrift mit der endgültigen Betitelung "Enthüllung der Statue (...)". Darstellung 23,5 cm x 28,5 cm. Blatt ca. 34 cm x 38 cm. Rahmen.Lithograph on paper, 1837. Titled with ink on the lower margin. Probably early version or trial proof prior typographic inscription and title. im Internet
Lot 3242
Lithographie/Papier. Das rare, scherzhafte Blatt ist eine satirische Anspielung auf die "Grundrechte des deutschen Volkes" von 1848/49. Diese wohl vom Inhaber des Hotels Fritz Bettmann (1824 - 1875) selbst in Auftrag gegebene Grafik setzt diese in Darstellungen, Texten und Paragraphen zum Bier- und Weingenuss um; auf der linken Seite ein Porträt Bettmanns, rechts eine Ansicht mit Zecher. Bez. "F. Bettmann, Krone" bzw. "Hotelier Bettmann, Krone". Ger. Randeinrisse und -läsuren. Ca. 66,5 cm x 51,5 cm. Rahmen. Das seit dem 18. Jh. bestehende, zuerst als Fachwerkbau errichtete Hotel war das "erste Haus am Platz", seit 1951 lange Sitz der Sparkasse. Zu den Gästen zählten u. a. Goethe und König Georg V. von Hannover.A joking lithograph depicting the "basic rights" to drink in the hotel "Zur Krone" in Göttingen 1849. Minor tears and flows to the edges. im Internet
Lot 3245
(Geb. 1815 in Thüringen) "Göttingen von Osten". OriginaltitelLithographie/Papier, 1861. Detailreiche, seltene Vedute mit Blick auf Göttingen, im Vordergrund belebt durch figurative Staffage mit Reisigsammlern und einem Jäger mit seinen Hunden. Unterhalb typographisch betitelt sowie bez. "Nach d. Natur gez. v. J. Kutschbach / Zu haben b. F(riedrich). Spangenberg in Göttingen". Stellenweise Läsuren. Darstellung 23,5 cm x 30,5 cm. Rahmen.Rare lithograph on paper with a view of Göttingen by Julius Kutschbach, 1861. Minor creases.
Lot 2721
(1937 Hamburg - 2001 ebenda)Zwei figurative KompositionenFarbaquatinta und Farblithographie/Velin, um 1970. Jeweils sign., ein Blatt dat. und bez. "e.a." (Epreuve d'artiste), ein Blatt nummeriert 31/100. Teilw. ger. Läsuren. Blätter 64,5/86,5 cm x 49,8/64 cm. Aquatint and lithograph in colours on wove paper. Each hand-signed, one sheet dated 1970 and inscripted "e.a." (Epreuve d'artiste), one sheet numbered 31/100.
Lot 3244
(1805 Göttingen - 1869 ebenda)"Anlagen von Mariaspring". OriginaltitelLithographie, 1856; Druck G. Honig, Göttingen; erschienen bei Gebr. Hasenbalg & C., Mariaspring. Im Stein sign. bzw. bez. u. betitelt. Die Vedute des bedeutenden Ausflugszieles bei Göttingen ist durch eine reiche Staffage mit identifizierbaren Persönlichkeiten belebt - in Mariaspring fanden regelmäßig Landpartien und Tanzveranstaltungen statt, die Göttinger Bürger und Studenten anzogen. Darstellung 45 cm x 57 cm; Blatt ca. 58 cm x 68 cm. Rahmen.Beigefügt: Spätere Karte (wohl Anfang 20. Jh.) mit Angabe der Dargestellten im Vordergrund. Lithograph with a view of Mariaspring near Göttingen in 1856. Signed, inscribed and titled on the stone. Accompanied by a later added card with description of the people in the foreground. im Internet
Lot 2677
(1904 Figueras - 1989 ebenda)"The Triumph of the Toreador"/"Lillas Pastia's Tavern" (Originaltitel) aus dem "Carmen"-PortfolioFarblithographie/Velin, 1969/70. Sign. u. römisch nummeriert CCV/CXXV. Im Stein sign. u. dat. 1969. Hrsg. Shorewood Publishers, Inc., New York, 1970. Wvz. Michler-Löpsinger 1310. Ger. gebräunt, lichtrandig. Darstellung ca. 54 cm x 42,5 cm. Rahmen.Lithograph in colours on wove paper, 1969/70. Hand-signed and numbered CXV/CXXV in Roman numerals. Published by Shorewood Publishers, Inc., New York, 1970. Light toning.
Lot 2735
(1919 Kobe/Japan - 1996 ebenda. War ab 1952 ansässig in Paris)"Le vent vert". OriginaltitelFarblithographie/Arches-Velin, 1964. Sign., dat. u. nummeriert 26/300. Abstrakte Komposition Sugais, der 1959 und 1964 an der documenta in Kassel teilnahm. Leicht nachgedunkelt u. fleckig. Blatt 75 cm x 53 cm.Lithograph on Arches wove paper, 1964. Hand-signed, dated and numbered 26/300. Minor light toning and stains.
Lot 6402
Eggert, Franz Xaver -- Die Glasgemälde der neuerbauten Mariahilfkirche in der Vorstadt Au zu München.13 (von 20) handkolorierte Lithographien nach Joseph Anton Fischer und Johann Schraudolph, aus zwei oder drei Bögen zusammengesetzt und auf Untersatzpapier montiert. Meist 100,5 x 24,5 cm. Oben spitzbogig geschnitten.Die Mariahilfkirche in der damaligen Vorstadt Au zu München wurde von König Ludwig I. in Auftrag gegeben und 1839 fertiggestellt. Sie gilt als erster neugotischer Kirchenbau Deutschlands. Wegweisend wurden auch die Glasmalereien nach Entwürfen von Joseph Anton Fischer und Johann Schraudolph, die u.a. von Heinrich Hess, Max Emanuel Ainmiller und Franz Xaver Eggert ausgeführt wurden und die im Zweiten Weltkrieg verloren gingen. Eggert, der sowohl als Glasmaler als auch als Lithograph tätig war, gab 1843 lithographische Mappen nach den Glasbildern in schwarzweißen und kolorierten Exemplaren heraus. Neben der Auer Mariahilfkirche gestaltete er auch Fenster für die Dome von Köln und Regensburg. - Ausgezeichnete Drucke in unterschiedlichen Erhaltungszuständen, meist etwas gebräunt und mit Handhabungsspuren. Beigegeben der untere Bogen der Hochzeit zu Kana. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 194
South East Asia.- St. John (James Augustus) Views in the Eastern Archipelago, Borneo, Sarawak, Labuan, first edition in book form, tinted lithographed pictorial title, 24 tinted lithographed plates, of which 3 folding, paper guards, some spotting and foxing, including to plates, cracking to gutter with a few plates and text ff. towards the beginning loose, original green cloth, blind-stamped and gilt, a few minor instances of soiling to covers, spine lightly sunned, bumping to spine ends and small tear towards head, [c.f. Abbey, Travel 548 (in parts)], folio, Thomas McLean, 1847.⁂ Scarce. Originally published in parts (see Abbey), the work lauds British influence and expansion within the Eastern Archipelago, in particular the activities of Sir James Brooke in Singapore (which is depicted in one of the plates), Borneo, Labuan and Sarawak, where he became the first governor in 1841. The tinted lithograph views are by J.W. Giles, after drawings made from life by Captain Drinkwater Bethune, Commander L.G. Heath and others.
Lot 62
Limited Editions Club.- Singer (I.B.) The Magician of Lublin, colour lithographs by Larry Rivers, original morocco-backed cloth, 1984; The Gentlemen from Cracow; The Mirror, colour plates by Raphael Soyer, original cloth-backed boards, 1979 § Â Milosz (Czeslaw) The Captive Mind, colour plates by Janusz Kapusta including one colour lithograph loosely inserted as issued, original cloth, 1983 § Dostoevsky (Fyodor) The House of the Dead, original cloth, 1982 § Tolstoy (Leo) Childhood, Boyhood, Youth, original cloth, 1972, limited editions signed by the artists and other contributors, plates and illustrations, the last two with wood-engravings by Fritz Eichenberg, all but the last with prospectuses loosely inserted, spines a little faded, all with slip-cases (one or two rubbed or with splits), New York, Limited Editions Club; and another for the club, 4to & 8vo (6)
Lot 63
Limited Editions Club.- Kafka (Franz) Metamorphosis, etchings by José Luis Cuevas, original morocco-backed boards, 1984; In The Penal Colony, lithographs by Michael Hafftka, original limp vellum by Carol Joyce, yapp edges, original cloth drop-back box, 1987 § Grass (Gunter) The Flounder, 3 vol., translated by Ralph Manheim, illustrations by the author, original calf-backed cloth, 1985 § Brecht (Bertolt) The Threepenny Opera, original lithograph and plates by Jack Levine, original pictorial cloth, gilt, 1982 Mann (Thomas) Death in Venice, wood-engravings by Felix Hoffmann, original morocco-backed boards, 1972, limited editions signed by the artists and other contributors, plates and illustrations, most with prospectuses loosely inserted, first with slightly faded spine, all but the second with slip-cases, New York, Limited Editions Club, 4to & 8vo (7)
Lot 64
Limited Editions Club.- Miller (Arthur) Death of a Salesman, etchings by Leonard Baskin, original russet morocco, 1984 § O'Neil (Eugene) The Iceman Cometh, plates by Baskin including a lithograph, original boards, 1982 § Williams (Tennessee) A Streetcar Named Desire, illustrations by Al Hirschfeld, original morocco-backed floral-patterned cloth, 1982, limited editions signed by the artists, the first also by the author, plates and illustrations, prospectuses loosely inserted, all with slip-cases (rubbed, the last split at joint), New York, Limited Editions Club; and 3 others for the club, v.s. (6)
Lot 78
Nicholson (William) An Alphabet, Library Edition, 26 colour lithograph plates, each tipped to larger brown paper leaf, some very light spotting to plates, mounts slightly mottled, title with short tear to upper margin, original pictorial cloth, slightly rubbed and marked, spine repaired, folio (c.410 x 330mm.), 1898.
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