![[Peacock, James], 'Jose Mac Packe'. Oikidia, or, Nutshells: Being Ichnographic Distributions for Small Villas; chiefly upon o](https://cdn.globalauctionplatform.com/174d7816-c9e5-468c-9cd2-b17f00ae0605/6e11a347-723b-437e-8989-b1c60143b3f2/468x382.jpg)
[Peacock, James], 'Jose Mac Packe'. Oikidia, or, Nutshells: Being Ichnographic Distributions for Small Villas; chiefly upon oeconomical principles, in several classes with occasional remarks, 1st edition, London: printed for the author, 1785, 27 engraved plans by Clarke, small scorch mark obscuring 3 letters to p. 21, a few faded letters on p. 80 renewed in neat manuscript, one or two small marginal tears, a little minor offsetting, bookplate of Mark Girouard, original paper-backed boards, some tears and loss to spine, some light marks, 8vo, together with:Britton (John). Graphic Illustrations, with Historical and Descriptive Accounts of Toddington, Gloucestershire. The Seat of Lord Sudeley, London: by the author, 1840, lithograph frontispiece, title with engraved vignette, 28 etched plates by C. Kitton, some spotting to title and plates (as often), bookplate of Mark Girouard, original blindstamped cloth gilt, spine and extremities faded, small splits to joints, 4to 34 x 26.5 cm QTY: (2)NOTE:First item: ESTC T42147; Harris 694.
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DAVID HOCKNEYOLYMPISCHE SPIELE MÜNCHEN (BAGGOTT 34) - 1972Lithograph, signed and dated 1970 in plate, printed later, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munichthe sheet 102cm x 64cm (40in x 25.25in), unframedYesO.M., C.H., R.A.ArtistBRITISH1937Producing some of the most vividly recognisable images of the last century, David Hockney is an English painter, draftsman, printmaker, stage designer, and photographer.
ERIC RAVILIOUS (BRITISH 1903-1942) SUBMARINES: WORKING CONTROLS WHEN SUBMERGED - 1940-41 Lithograph, from the edition of approx. 50, printed by W.S. Cowell, Ipswich, published by the artist the sheet 28cm x 31.5cm (11in x 12.5in) The current owner's great aunt was Tirzah Garwood Ravilious (the artist's wife), so these are believed to have been acquired directly from the artist and thence by descent. Literature: Frances Carey & Antony Griffiths, Avant-Garde British Printmaking, 1914-1960, cat. no. 129
SUBMARINES: DIFFERENT ASPECTS OF SUBMARINES - 1940-41Lithograph, from the edition of approx. 50, printed by W.S. Cowell, Ipswich, published by the artistThe current owner's great aunt was Tirzah Garwood Ravilious (the artist's wife), so these are believed to have been acquired directly from the artist and thence by descent. the sheet 28cm x 31.5cm (11in x 12.5in)Literature: Frances Carey & Antony Griffiths, Avant-Garde British Printmaking, 1914-1960, cat. no. 126 (Illustrated)
DAVID HOCKNEYLITTLE BOODGE - 1993Off-set lithograph, published by 1853 Gallery, Salts Mill, Saltaire, Yorkshirethe sheet 28cm x 42cm (11in x 16.5in), unframedYesO.M., C.H., R.A.ArtistBRITISH1937Producing some of the most vividly recognisable images of the last century, David Hockney is an English painter, draftsman, printmaker, stage designer, and photographer.
Henry MooreEIGHT RECLINING FIGURES (CRAMER 40) - 1958Lithograph, S/P, aside from the edition of 300, signed with initials and editioned in pencil to margin, printed at Curwen Press, Cambridge, published by Kestner Gesellschaft, Hanoverthe sheet 58.5cm x 40cm (23in x 15.75in), unframed YesO.M., C.H.ArtistBritish18981986Henry Spencer Moore was born in Yorkshire on 30 July 1898, the seventh of eight children in a family of relative poverty.
ANNE REDPATHCOCKTAIL - 1957Lithograph, 22/50, signed and numbered in pencil to margin, published by Harley Brothers Limited, with their blindstamp45cm x 66cm (17.75in x 26in)Exhibited: The Scottish Gallery, Edinburgh, ‘Anne Redpath: Oils & Works on Paper,’ August-September 2008, cat. 14.Literature: Allan, Chris, Artists at Harley's: Pioneering Printmaking in the 1950s, Hunterian Art Gallery, Glasgow, 2000, cat. no. 94.YesO.B.E., R.S.A., A.R.A., L.L.D., A.R.W.S., R.O.I., R.B.A.ArtistSCOTTISH18951965Anne Redpath was the daughter of a Galashiels tweed designer, which she cited was her introduction to the harmony of colour.
ALISON WATTBLANK (DESIGN FOR CANONGATE) - 2001Lithograph, 16/100, signed and numbered in pencil to margin48.5cm x 38.5cm (19.25in x 15.25in)This print was one of a series commissioned by Canongate publishers to be used as book cover designs for their Scottish Classics series in 2001. This image by Watt was the cover for ‘Selected Stories’ by Muriel Spark.YesO.B.E., F.R.S.E., R.S.A.ArtistSCOTTISH1965
ODYSSEUS SHIPWRECKED (FROM 'THE ODYSSEY') - 1965Lithograph, 3/50, signed and numbered in pencil, published by Ganymed Original Editions and Marlborough Fine Art; and the accompanying text sheet from the folio (2)Goldmark Gallery, 199845cm x 35.5cm (17.75in x 14in)This work is accompanied by the Goldmark Odyssey catalogue from 1998.Yes
LAURENCE STEPHEN LOWRYTHE FAMILYOff-set lithograph, ed. 850, signed in biro to margin, printed by Max Jaffe, Vienna, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstampsimage size 26cm x 21cm (10.25in x 8.25in)YesArtistBRITISH18871976Born in Salford, L.S. Lowry rarely left the region and indeed Great Britain, despite regularly exhibiting north of the border and in Europe.
ED RUSCHA (AMERICAN 1937-) IT'S RECREATIONAL (FROM THE 'WORLD' SERIES), (ENGBERG 118) - 1982 Lithograph, 11/40, signed, dated and numbered in pencil, printed and published by Gemini G.E.L., Los Angeles, with their blindstamps the sheet 63.5cm x 86.5cm (25in x 33.75in) Private Collection, U.S.A. - The current owner's father had the full folio, acquired in the 1980s, and then split the individual prints between family members. ‘I like the idea of a word becoming a picture, almost leaving its body, then coming back and becoming a word again’ - Ed Ruscha
SUBMARINES: INTRODUCTORY LITHOGRAPH - 1940-41Lithograph, from the edition of approx. 50, printed by W.S. Cowell, Ipswich, published by the artistThe current owner's great aunt was Tirzah Garwood Ravilious (the artist's wife), so these are believed to have been acquired directly from the artist and thence by descent. the sheet 28cm x 31.5cm (11in x 12.5in)
PAULA REGOSCARECROW (ROSENTHAL 242) - 2006Lithograph, S/P, aside from the edition of 35, signed and editioned in pencil, printed at the Curwen Studio, Cambridge, published by the Artist and Marlborough Graphics, Londonthe sheet 106cm x 75cm (41.75in x 29.5in), unframed ‘I always need a story. Without a story, I can’t get going. Maybe the story changes in the doing of it. I might discover it isn’t what I thought or intended. But I need it to find my way. I’m always looking for new stories’ – Paula RegoThis print is one of a series of artworks inspired by Martin McDonagh's writing. Rego claimed that his 2003 play The Pillowman changed her life.YesR.A.ArtistBRITISH/PORTUGUESE19352022
LAURENCE STEPHEN LOWRYVIEW OF A TOWN - 1973Off-set lithograph, ed. 850, signed in pencil to margin, printed by Bolton Fine Art Litho Works, Bombay, published by F. H. Mainstone Print Publications, Norfolk, with the Fine Art Trade Guild blindstampsthe image 43cm x 54.5cm (17in x 21.5in)YesArtistBRITISH18871976Born in Salford, L.S. Lowry rarely left the region and indeed Great Britain, despite regularly exhibiting north of the border and in Europe.
SUBMARINES: TESTING DAVIS APPARATUS IN A 30-FOOT TANK ON HMS DOLPHIN - 1940-41Lithograph, from the edition of approx. 50, printed by W.S. Cowell, Ipswich, published by the artistThe current owner's great aunt was Tirzah Garwood Ravilious (the artist's wife), so these are believed to have been acquired directly from the artist and thence by descent. the sheet 28cm x 31.5cm (11in x 12.5in)
JOAN MIROPEACOCK FEATHERS - 1956Lithograph, printed by Mourlot, Paris, published by Maeght Editions, Paristhe sheet 23cm x 36cm (9in x 14.25in), unframed YesArtistSPANISH18931983Born in Barcelona in 1893, Joan Miró i Ferrà is one of the most acclaimed painters, printers, sculptors and ceramicists of the 20th century.
SUBMARINES: THE WARD ROOM I - 1940-41Lithograph, from the edition of approx. 50, printed by W.S. Cowell, Ipswich, published by the artistThe current owner's great aunt was Tirzah Garwood Ravilious (the artist's wife), so these are believed to have been acquired directly from the artist and thence by descent. the sheet 28cm x 31.5cm (11in x 12.5in)
![[CARTOMANCY / CLAIRVOYANCE / EARLY LITHOGRAPH] LE NORMAND (Mademoiselle Marie-Anne Adelaide.) La Sibylle au Congr s d'Aix-la-](https://cdn.globalauctionplatform.com/3ff4552f-d193-4001-8fab-b1c000cfd8a1/af73fc21-905f-42e6-a0a2-b1c000d099e6/468x382.jpg)
[CARTOMANCY / CLAIRVOYANCE / EARLY LITHOGRAPH] LE NORMAND (Mademoiselle Marie-Anne Adelaide.) La Sibylle au Congr s d'Aix-la-Chapelle suivi d'un Coup-d'Oeil sur celui de Carlsbad. Ouvrage faisant suite aux Oracles sibyllins, Avec des Notes politiques, historiques, philosophiques, cabalistiques, etc., etc., orns de sept Gravures, 8vo, half-title, title, pp. 316, lithograph frontispiece by Engelmann, 6 engraved plates, contemporary speckled calf (worn; the 6 plates have their margins proud of the text block) and we have not attempted to fold them back in), 1st Edn., Paris, chez l'Auteur, 1819.
â–² Laurence Stephen Lowry RA (1887-1976) 'Landscape with Farm Buildings'offset lithograph in colours, 1974, signed 'L. S. Lowry' in pencil l.r., with the Fine Art Trade Guild blind stamp, published by Venture Prints Ltd., Bristol, Englandimage 40 x 49.5cmCondition ReportFramed: 67 x 76cmLight time staining to the margins but appears to be in otherwise good condition. Not viewed out of glazed frame.
Larry Rivers (American, 1923-2002) 'For Adults Only'offset lithograph and screenprint with collage, 1971, signed 'Rivers' in pencil c.r., numbered '45/100'sheet 75 x 46cm, unframed Condition ReportThe background is metallic card and the lower legs are metallic pink. Creasing to the background. The top left corner is torn with a small piece missing.
â–² Joan Miró (Spanish, 1893-1983) 'Ma De Proverbis', 1970lithograph in colours on canvas, signed in the stonevisible 67 x 75cmComplete with Aidan Meller Modernism certificate of authenticity.Condition ReportFramed: 79.5 x 88.5cmThe signature is printed. Two diagonal creases across the bottom half, please see images. Cockling and some further small crease marks. Not viewed out of frame.
â–² Jake and Dinos Chapman (b.1966 and 1962) 'D'you Wanna Be In My Gang'offset lithograph in colours on wrapping paper, 2021, signed 'Jake D Chapman' in marker pen l.c., from an unnumbered edition of 300 published by The Big Issue, London70 x 50cm, unframedCondition ReportLight handling creases. A small black dot to the extreme top right edge. The printed area appears to be in good condition.
â–² Richard Smith (1931-2016) 'Bramble' lithograph in colours with collage, signed and dated 'R. Smith 70' in pencil l.l., numbered '70/75'visible 73 x 55cmProvenance: With DM Gallery, London.Condition ReportFramed: 76 x 58cmThe work comprises of a lithograph with cut outs revealing a folded purple sheet behind secured with a metal staple. Staining and discolouration to the edges but presents well overall. Not viewed out of glazed frame.
â–² Laurence Stephen Lowry RA (1887-1976) 'Ferry Boats', 1960offset lithograph in colours on wove, 1972, signed 'L. S. Lowry' in pencil l.r., with the Fine Art Trade Guild blind stamp, from an unnumbered edition of 500, published by Venture Printsimage 30.5 x 40.5cmCondition ReportFramed: 55.5 x 64cmPossibly a little time staining to the margins however appears to be in good condition overall. Not viewed out of glazed frame.
â–² Henry Moore OM CH FBA (1898-1986) 'Thirteen Standing Figures', 1958 (Cranmer 41)lithograph in colours, signed 'Henry Moore' and dated '1958' in pen l.r., a specially signed impression in addition to the regular signed edition of 150, printed at Curwen Studio, published by George Rainbird Ltd., London, and The New York Graphic Societyimage 30 x 25cmProvenance: With William Weston Gallery, London.Condition ReportFramed: 57 x 47.5cmTime staining and discolouration to the paper, please refer to illustration. The print is crisp and appears to be in otherwise good order. Not viewed out of glazed frame.
â–² Laurence Stephen Lowry RA (1887-1976) 'Lonely House'offset lithograph in colours, signed 'L. S. Lowry' in pencil l.r., with the Fine Art Trade Guild blind stamp 26.5 x 50cmCondition ReportFramed: 50 x 71cmA little time staining to the margins. The colours appear a little muted, please refer to illustration. Not viewed out of glazed frame.
â–² Dame Elisabeth Frink CH RA (1930-1993) 'Small Horse and Rider', 1970 (Wiseman: 40)lithographsheet 25.8 x 32.3cm, unframedCondition ReportOn close inspection there are very slight handling creases to the centre of the right and left edges. There is a slight bend to the extreme bottom left corner. Overall, presents well.
â–² Laurence Stephen Lowry RA (1887-1976) 'Our Town'offset lithograph in colours, signed 'L. S. Lowry' in pencil l.r., numbered '567/850', published by Grove Galleries, Manchesterimage 42.5 x 61.5cmCondition ReportFramed: 65 x 83cmA little time staining with slight discolouration to the margins. Not viewed out of glazed frame.
â–² Michael Rothenstein RA (1908-1993) 'Cockerels'screenprint in colours, signed 'Michael Rothenstein' in pencil l.r., numbered '9/10'image 30 x 29,together with:'Christmas Greetings'linocut in colours, signed 'from Michael Rothenstein' in pen l.r., and inscribed with title u.l.sheet 25 x 37.5cm;a lithograph inscribed 'Greetings from Michael & Duffy/Barbara & John Christmas 1951', andtwo further unframed lithographs (5)Condition Report'CockerelsFramed: 59 x 39.5cm.Well presented and ready to hang. 'Christmas Greetings':Framed 45.5 x 60cmPaper discolouration and creasing. Three vertical folds where the work has been previously folded, please see images.Not viewed out of glazed frames.Signed lithograph: image 7.5 x 11cm, framed: 26 x 28cmLithograph of birds: sheet 24 x 19cm, unframedLithograph in colours: sheet 13.5 x 16.5cm, unframedSome small spots of foxing starting to emerge, please see images.
Yayoi Kusama (Japanese, b.1929-) 'Pumpkin' (green) lithograph in colours, 2011, numbered '33/200' in pencil l.l., printed courtesy of Mori Art Museum, Tokyosheet 38 x 32cm, unframedCondition ReportThere is a light handling crease to the lower left corner but in our opinion this is not overly distracting. Appears to be in otherwise good condition.
â–² Laurence Stephen Lowry RA (1887-1976) 'Britain at Play' offset lithograph in colours, signed 'L S Lowry' in pencil l.r., with the Fine Art Trade Guild blind stamp image 44.5 x 59.5cm Condition ReportFramed: 69.5 x 83.5cm The colours appear a little faded and overall the print has a slightly blue hue, please refer to illustration. Not viewed out of glazed frame.
Kazimir Malevich (1879-1935) Portrait of a manlithograph in colours, numbered '1760/2000', printed by Mourlot, and published by Galerie Gerald Pilzer, Paris, with blind stamps, and a further 'The State Russian Museum' blind stampsheet 76 x 55cm, unframedCondition ReportA light dirty smudge to the centre of the right margin. The top and bottom edges of the sheet do not sit completely flat. The right edge is deckled. The print is bright and crisp and presents well overall.
After Henri Matisse 'Nu Allongé Sur Le Ventre, Petit Tapis Africain', 1935offset lithograph with embossed text, 1992, published by the Musée nationale d'art moderne Centre Georges Pompidou, Parisvisible 45 x 69.5cmCondition ReportFramed: 51 x 71.5cmA couple of faint brown stains to the torso. Light cockling with crease marks, please refer to illustration. Not viewed out of glazed frame.
â–² Antony Donaldson (b.1939) 'Christine'lithograph in colours, signed and dated 'Antony Donaldson 73' in pencil l.r., inscribed with title and numbered '103/250'sheet 50 x 50cm, unframedCondition ReportThere is a small dark spot in the upper right corner but the print appears to be in otherwise good condition.
Ed Ruscha (American, b.1937) 'Ed in Burgh'offset lithograph in colours, a poster published for the Ed Ruscha exhibition at the Scottish National Gallery of Modern Art, Edinburgh, 3 November 2004 - 16 January 2005sheet 68 x 48cm, unframedCondition ReportExtremely light handling creases but appears to be in otherwise good condition.
â–² Laurence Stephen Lowry RA (1887-1976) 'Woman with Beard'offset lithograph in colours, signed 'L S Lowry' in pencil l.r., with the Fine Art Trade Guild blind stampimage 57.5 x 47.5cmCondition ReportFramed: 84 x 70cmTime staining and fading. Some acid discolouration to the margins. Not viewed out of glazed frame.
A collection of prints, After Laurence Stephen Lowry RA'Market Scene in a Northern Town'offset lithograph in colours, published by Patrick Searle Prints Ltd., London, printed at the Curwen Presssheet 64.5 x 77.5cm, unframed;After Matisse'The Dancer'lithograph in colours, published by School Prints Ltd., printed by W S Cowell Ltd.sheet 49.5 x 76cm, unframed;After Braque'The Bird' lithograph in colours, published by School Prints Ltd., printed by W S Cowell Ltd.sheet 49.5 x 76cm, unframed;After Picasso'Composition'lithograph in colours, published by School Prints Ltd., printed by W S Cowell Ltd.49.5 x 76cm, unframed;After Henry Moore 'Standing and Reclining Figures', 1950lithograph in colours, a proof print from the Curwen Presssheet 48.5 x 31.5cm, unframed;Robert Tavener (1920-2004)'Country Walks, Summer', 1958lithograph in colour, printed at the Curwen Presssheet 101 x 63cm, unframed;David Gentleman (b.1930)'Doggett's Coat and Badge', 1962lithograph in colours, commissioned by the Guinness Book of Recordssheet 52 x 63cm, unframed;together with a print of shells61 x 91.5cm, unframed (8)Condition ReportDiscolouration and staining, please refer to images. Small rips and tears. Creasing.
David Hockney OM CH RA (b.1937-) 'Olympische Spiele München 1972'offset lithograph in colours, signed and dated in plate102 x 64cm, unframedCondition ReportPrevously rolled. There is a black dirty mark beneath the date in the lower right corner, please see images. Appears to be in otherwise good condition. The signature is printed.
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