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Lot 169
Italian School, mid-19th century- Portrait of a Lady, half-length, wearing a dress adorned with pearls and jewels, and ribbons in her hair; lithograph with watercolour and bodycolour, with printed signature 'Barbieri' (lower right), 29 x 23.2 cm. Provenance: Property from a European Private Collection.
Lot 7325
(Atlas.) John Bartholomew: 'The Imperial Map of England & Wales According to the Ordnance Survey, with the Latest Additions; Shewing clearly every Feature of the Country, Railways and their Stations, Roads, Canals, Rivers, Gentlemen's Seats &c. &c., On a Scale of 4 Miles to an Inch', London & Edinburgh, A. Fullarton & Co., c.1872, double page lithograph title + 17 sheets comprising 14 large double page colour maps (sheets 2-15) and final map (sheet 16) divided into 3 separate half height double page colour maps (16A, B & C respectively), 4pp index at front, large slim folio (approx. 56 x 42cm) original cloth gilt
Lot 7115
Nine Victorian children's & illustrated titles, including Eleanor Vere Boyle (ill.); Sarah Austin: 'The Story Without an End. From the German of Carové', L, Sampson Low, 1868, 1st edition, tinted frontispiece + 15 colour lithograph plates & b/w ills. by Eleanor Vere Boyle as called for, 4to, vi, 40pp, original green cloth gilt, replenished EP's, mounted colour illustration inset to front cover, all edges gilt. Scarce; Comus [i.e. R.M. Ballantyne]: 'Three Little Kittens', London, Thomas Nelson, 1857, 8 colour lithograph plates, 24pp, lacks rear end paper, original blindstamped pictorial cloth gilt. Scarce; John Everett Millais (ill.); Henry Leslie: 'Little Songs for Me to Sing', L, Cassell, [1865], 42 unnumbered pages, full page and in text engraved ills. and decorations by J.E. Millais, original pictorial cloth gilt (worn), lacks part of backstrip; The Hon. Charlotte Ellis: 'The True and Romantic History of William Pigg, Esquire, M.P. for Ham(p)shire; Or, Life's Burlesque in Black and White', L, Kerby & Endean, 1879, 1st edition, Frontis and 27 full page illustrations, all within decorative border, by Catherine Ellis, as called for, 4to, original pictorial cloth gilt; plus 5 others similar (9)
Lot 7040
(Penguin Books.) Seventeen books and booklets relating to Penguin Books, including 'Penguin's Progress 1935-1960', Penguin Books Ltd, September 1960, 1st edition, foreword by Sir Allen Lane, lithograph illustrated title + numerous lithograph plates and illustrations throughout by David Gentleman, John Griffiths, Feliks Topolski & Theodore Ramos, illustrated end papers, printed at The Curwen Press, Plaistow, original pictorial wraps, plus others Penguin Collectors Society, Phil Baines 'Penguin by Design A Cover Story 1935-2005' and 'Puffin by Design 70 Years of Imagination 1940-2010', Michael Lake 'The King Penguin Series', 'Penguin by Illustrators', 'Puffins Progress', 'The Penguin Story MCMXXV - MCMLVI', July 1956, 1st edition, Sir Allen Lane Penguin Books compliment slip tipped in at half title, orig. wraps, etc. (17)
Lot 7081
Various signed limited edition prints, including Diana Dagadita: 'Printer's ABC', London, Design For Today, 2019, 1st edition, limited edition, number 94 of 100 special copies, signed and numbered by the author on title page, [32]pp, mainly full page colour illustrations, small 4to (21 x 21cm), original quarter cloth, pictorial paper covered boards, with accompanying original large poster signed and numbered by the artist (94/100) depicting linocuts of printers equipment in red and black (42 x 30cm), housed together in original numbered envelope; John O'Connor: 'University Summer', wood engraving on paper with linocut colour, c.1990's, number 40 of 65, pencil numbered and signed by the artist, printed area approx size 17 x 10.5cm, paper size approx. 32 x 25.5cm. John O'Connor (1913-2004)attended the Royal College of Art (1933-1937), where his teachers included Eric Ravilious, John Nash and Robert Austin. Each influenced him, but from Ravilious he learned a great love of wood engraving; Jane Ray: 'Harlequin', original 5 colour lithograph drawn on the plates by the artist at the Curwen Studio and printed in an edition of 500 numbered and signed copies, this being number 73 of 500, paper size approx 30 x 21cm, in Merivale editions printed folder (for 'Columbine'); John Lawrence: 'All Afloat: Coat', an editioned hand coloured wood engraving printed from the original block by Simon Lawrence of the Fleece Press, pencil signed by John Lawrence and dated 1994, number 53/60, printed area approx. 12 x 15cm, mounted, the whole approx 26 x 28cm; plus a Simon Brett limited edition signed print, number 13 of 50, pencil numbered and signed by the artist, paper size 26 x 20.5cm (5)
Lot 7340
(India, Punjab – Travel of Russian Prince to Persia.) Prince Alexis Soltykoff: 'Voyage en Perse', Paris, Victor Lecou, 1854, 3rd edition, 22 tinted lithograph plates as called for, 164pp, contemporary green cloth gilt. Prince Aleksei Dmitrievich Saltykov (Alexis Soltykoff) (1806-1859) was a Russian artist and traveller in Persia and India. After a relatively brief career in the Russian diplomatic services, Soltykoff moved to Paris in 1840, where he planned his voyages to India and Persia. More common is Soltykoff's travelogue of India, containing lithographs after his drawings of scenes and people observed during his travels there. The present volume deals with the time Prince Soltykoff spent in Persia in 1838 at the end of his diplomatic career. These exquisite, impressing lithographs depicting people and scenes in such places as New Delhi, Madras, Ceylon, Calcutta, Lahore, the Himalayas and other places. Soltykoff visited Punjab during the reign of Maharajah Sher Singh, and his lithos includes Akalis entering Lahore; Voyage on the plains of the Punjab; and Maharajah Sher Singh riding on a elephant with his troops.
Lot 7010
(Fleece Press.) Barnett Freedman; Ian Rogerson & Michael Twyman: 'Barnett Freedman, The Graphic Art', Upper Denby, The Fleece Press, 2006, limited edition, one of 500 copies, 252 plates and illustrations, several tipped in/folding, the great majority in colour, DVD in pocket at end containing the 1935 film, 'The King's Stamp', made by William Coldstream for the GPO on the commissioning, design & execution of the Silver Jubilee stamp to Freedman's design, with music by Benjamin Britten, 253,[3]pp, folio, original brick coloured cloth, printed paper label to spine, some relevant items loosely inserted comprising the original prospectus (1450), original stitched printed wraps, autograph note signed from the printer Simon Lawrence loosely inserted, together with an original Barnett Freedman folding colour lithograph card for Jack Beddington, [nd], c.1930's, Curwen Press, all housed together in the original optional grey cloth slipcase (uncommon, not present with the majority of copies)
Lot 101
Heinrich Blunck-Heikendorf (Kiel 1891 - Kiel 1963). Verschneite Dorfstraße. 1950. Öl/Lw. 115 x 92,5 cm. L. u. sign. H. Blunck, auf dem Keilrahmen bet. und No. 1200. Min. Farbabspl. - Literatur: WVZ: Behrens/Kroll 1200 - Provenienz: Vom Einlieferer direkt beim Künstler erworben - Landschaftsmaler und Lithograph. B. studierte an der Akademie München bei A. Jank und L. Lesker, danach in Kassel bei H. Olde und G. Burmester. Seit 1923 war er ein führendes Mitglied der Heikendorfer Künstlerkolonie, außerdem nahm er das Amt des Vorsitzenden der Schleswig-Holsteinischen Kunstgenossenschaft an. Mit Ausstellungen in Husum und im Schloßmuseum Sonderborg 2008 wurde der Künstler erst in jüngerer Zeit wieder gewürdigt. Lit.: AKL, Vollmer, Dressler, A. Kamphausen: H. B. - Ein Maler der Schleswig-Holst. Landschaft, B. Manitz H. B. - Der Weg eines Künstlers, 2007.
Lot 114
After C. Henderson, ‘Going to the Moors’, a fine Victorian coloured lithograph, inscribed ‘Fores’s Sporting Traps, published 1847, 650cm x 80cm; also ‘Love in the Mist, after George Holliday, limited edition print; and a Still Life of Jars and Oranges, watercolour, initialed WE, 1932 (3)
Lot 1805
BRÜX, JUPP (1889-1944), "Klatsch", Lithographie/Papier, in der Platte signiert, darunter mit Bleistift betitelt und bezeichnet 'orig. Steinzeichnung', HxB: Platte ca. 45x34 cm, Passepartoutausschnitt ca. 48x36 cm, Außenmaße Rahmen ca. 64x50 cm. Altersspuren, gebräunt und fleckig. Im Passepartout hinter Glas gerahmt.| BRÜX, JUPP (1889-1944), "Klatsch", lithograph/paper, signed on the plate, titled and inscribed in pencil underneath 'orig. stone drawing', HxW: plate approx. 45x34 cm, passe-partout cut-out approx. 48x36 cm, external dimensions of frame approx. 64x50 cm. Signs of age, browned and stained. Framed in a passe-partout behind glass.
Lot 1804
KÜNSTLER/IN 20. Jh., "Am Strand der Mittelmeerküste", Farblithographie/Papier, u.re. mit Bleistift undeutlich signiert, HxB: Platte ca. 24,5x62 cm, Blatt ca. 38x71,5 cm, Außenmaße Rahmen ca. 43x77 cm. Leichte Altersspuren, minim. gewellt. Mit verglastem Rahmen. | ARTIST 20th century, "On the beach of the Mediterranean coast", color lithograph/paper, bottom right indistinctly signed in pencil, HxW: plate approx. 24.5x62 cm, sheet approx. 38x71.5 cm, external dimensions of frame approx. 43x77 cm. Slight signs of age, minimal. wavy. With glazed frame.
Lot 953
Chagall, Marc (Witebsk 1887 - 1985 Saint Paul de Vence) nach,"Romeo und Julia", Lithografie auf Papier, signiert und nummeriert rechts unten 38/200 Marc Chagall, typografische Bezeichnung links unten D'apres Marc Chagall - CH. Sorlier Grav., 66 x 101 cm (BM), unter Glas gerahmt.Literatur: Sorlier, Charles, Chagall. Lithograph V, 1974-1979, Monte Carlo 1984, WVZ.-Nr. CS 10Bei der vorliegenden Arbeit handelt es sich um ein Exemplar aus einer Auflage von 200 aus einer Reihe interpretierter Lithografien, die unter der Leitung Marc Chagalls von Charles Sorlier erstellt wurden. Vorbild dieser Lithografie ist ein Ausschnitt der Decke der Pariser Oper. Das Motiv fand Verwendung als internationales Werbeplakat für den französischen Tourismus.
Lot 318
'The Lovers' Quarrel' hand-coloured lithograph, published by Kellogg's and Comstock, Buffalo, New York, c.1855image 29.5 x 21.5cmProvenance: Purchased from Allegeheny Co., NY, c.1964.Condition ReportFramed: 43 x 34.5cmDiscolouration to the paper. A smaltear to the upper left edge. Some small spots of foxing starting to emerge. Brown stains to the bottom left corner, please see images. Not viewed out of glazed frame.
Lot 428
§ William Roberts RA (1895-1980) The Khamsin - a proof for the tailpiece drawing for Lawrence's Seven Pillars of Wisdomlithograph, unframed21.5 x 30.5cmIn his pamphlet titled Early Years, written in September 1977 and posthumously published in 1982, William Roberts recounted his association with T. E. Lawrence. He recalls, in 1920, Colin Gill, a former Slade School of Fine Art classmate, informing him that "Colonel Lawrence is seeking artists to create portrait drawings for a book he is producing; get in touch with him." Responding to Gill's message, Roberts contacted Lawrence and subsequently contributed several portrait drawings to Seven Pillars of Wisdom, along with a painting depicting Lawrence in his Royal Air Force uniform. The portrait session took place in a room at Coleherne Terrace, Earl's Court, and during various summers, Lawrence generously lent Roberts his small woodman's cottage at Clouds Hill in Dorset.
Lot 511
§ Peter Kennard and Cat Phillipps (Contemporary) AKA Kennardphillipps Photo Opsigned, dated and numbered 'Kennardphillips 2007 386' (lower right)lithograph51 x 49cmSeveral scratches and gouges throughout, these vary in depth, with some resulting in loss of media. One small pencil mark to right hand margin, otherwise in very clean condition. See additional images.
Lot 490
§ David Hockney OM, CH, RA (1937-) Remember That You Cannot Look At the Sun or Death for Very Longnumbered 2690/3000 to the reverselithograph printed in colours with screenprint in yellow, printed and published by Circa, London, unframed89.5 x 25.5cmProvenance:With Circa Economy, London, with the accompanying Certificate of AuthenticityIn very nice overall condition, some light handling creases towards the top and a light dog-ear crease over the top left corner, otherwise good
Lot 458
§ Francis Bacon (1909-1992) Studies of the Human Body, 1980signed 'Francis Bacon' (lower right); numbered 197/250offset lithograph100 x 64.5cmNot examined out of the frame. Margins are obscured by the frame so not available for inspection. The glazing displays old yellowed remnants of sellotape to the exterior. The image itself is quite faded, most noticeable along the right hand side and top right corner. Some very light handling creases visible along the white lower border. Otherwise appears in good order.
Lot 456
§ Laurence Stephen Lowry RA, RBA (1887-1976) The Cartsigned 'L.S. Lowry' (lower right)lithograph52.5 x 41cmNot examined out of the frame, margins obscured by mount so not available for inspection. Perhaps very slightly toned, but otherwise appears in very nice, clean condition throughout.This is unnumbered from the edition of 850, published by the Fine Art Trade Guild.
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70553 item(s)/page