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Lot 17
David Hockney (b.1937) Santa Fe Festival Theatre, 1981 exhibition poster offset lithograph published by Petersburg Press 79 x 63cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Lot 18
Peter Schmidt (1931-1980) Flowing in the Right Direction, 1971 artist's proof, signed in pencil (in the margin) lithograph 73 x 53cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Lot 21
Henry Moore (1898-1986) Sculptures Dark Interior, 1973 proof aside from the edition of 75 lithograph published by Curwen Prints 51 x 67cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Lot 24
Glynn Boyd Harte (1948-2003) James Smith & Sons (Umbrella Shop) 13/160, signed and numbered in pencil lithograph 71 x 56cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Lot 28
After Alexander Calder (1898-1976) Abstract from Derrière le Miroir 171, 1968 bears inscription in pencil (to reverse) printed text by Giovanni Cardente and Jacques Dupin (to reverse) lithograph 38 x 28cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Lot 5
Ceri Richards (1903-1971) Trafalgar Square, 1962 77/100, signed, dated and numbered in blue crayon (in the margin) lithograph 47 x 83cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Lot 6
Patrick Hughes (b.1939) Solid Sky, 1979 signed, dated, and titled in pencil (in the margin) lithograph 52 x 61cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Lot 7
Derrick Greaves (1927-2002) Vase and Falling Petal, 1971 artist's proof, signed in pencil lithograph 66 x 50cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Lot 8
Joe Tilson (b.1928) Transparency, 1970 artist's proof, signed and dated in pencil lithograph 79 x 58.5cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Lot 9
Allen Jones (b.1937) Life Class, 1968 exhibition poster for Editions Alecto Ltd, London offset lithograph 85 x 54.5cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
![* Michael Oelman [b.1941]-The Hermits' Rock; The Igloo; The Night Watch; Ideal Mooring:-four etchings in colour, each signed](https://cdn.globalauctionplatform.com/adefc9e7-750e-48ff-82ca-ad23011e6f2c/ad5c6208-5ae1-44fe-92e9-ad25010e4df8/468x382.jpg)
Lot 32
* Michael Oelman [b.1941]-The Hermits' Rock; The Igloo; The Night Watch; Ideal Mooring:-four etchings in colour, each signed in pencil and numbered in editions of 75, largest image 35 x 24.5cm, together with a coloured lithograph by Folke Lind [b.1931] of flowers on a window ledge. [5]*Note please see www.bhandl.co.uk for further images of this lot.
![* Allin Braund [1915-2004]-The Cottager,:-lithograph, signed, inscribed, dedicated and dated 1956numbered 24/30, sight size 4](https://cdn.globalauctionplatform.com/adefc9e7-750e-48ff-82ca-ad23011e6f2c/bc0dd145-cd9e-4448-9806-ad25010ebe36/468x382.jpg)
Lot 200
* Allin Braund [1915-2004]-The Cottager,:-lithograph, signed, inscribed, dedicated and dated 1956numbered 24/30, sight size 41 x 58cm.* Provenance. Collection of South London Art Gallery.Collection of New South Wales Art Gallery.* Biography Allin Braund (1915-2004) was born in Devon and educated at Bideford Art School and Hornsey College of Art. He taught at Bideford Grammar School before World War II and returned to Hornsey thereafter to teach design and printmaking until his retirement in 1976. His key influence was Georges Braque. His lithographs were shown in the 1954 Venice Biennale alongside works by Henry Moore and Eduardo Paolozzi. Braund's works are held in the collections of the British Government, the Victoria and Albert Museum and the Museum of Modern Art in New York.
Lot 270
Decorative pictures and prints, to include pair of 19th century French watercolours, hand coloured print of the Mary Rose, limited to 500 copies, Lithograph after Matisse - Nu Couche de Dos, two 19th century hand coloured engravings, pair of watercolours by Jack Savage (1910-2003), group of unframed French works on paper
Lot 82
Ernest Montaut (1879-1909): A Toute-Allure. Original lithograph, vertical format, framed, mounted and glazed, visible image size 23¾ x 17.75-inches (60½ x 45cm). Some fading, and four small spots of paper loss in the left-hand margin (not affecting the image), but still a good impression, nicely presented.
Lot 299A
EGYPTOLOGY: 1- Budge, E.A. Wallis: By Nile and Tigris, A Narrative of Journeys in Egypt and Mesopotamia, in 2 volumes. John Murray, 1920, 1st. edn. With a folding map & plates. Original red cloth with gilt head to upper covers. VG set; 2- Lepsius, R: Discoveries in Egypt, Ethiopia, Peninsula of Sinai, in the years 1842 – 1845. Bentley, 1852, 1st. edn. With colour lithograph frontis and a folding map (torn, without loss). Plain cloth rebound; 3- Layard , A H: Nineveh & Its Remains, in 2 volumes. Murray, 1849, 1st. edn. All plates present. Original pictorial cloth, cuts to spines; 4- Petrie, W M F: The Pyramids and Temples of Gizeh. Field & Tuer, new & revised edn. No date, C1897. Plain cloth rebound; 5- Petrie, W M F: A History of Egypt, in 6 volumes. Methuen, 1894-1905; PLUS: Egyptian Tales, in 2 vols. Methuen, 1899-1913. All 8 volumes in the original matching cloth binding with gilt decoration to upper covers; Very good set. (14)
Lot 2235
(See English version below)Richard Diebenkorn (Portland 1922 – 1993 Berkeley). Ohne Titel (Club/Spade Group) aus: „Eight by Eight to Celebrate the Temporary Contemporary“. 1982Farblithografie auf Velin. 101,5 × 68,6 cm ( 40 × 27 in.). Monogrammiert und datiert.Einer von 250 nummerierten Abzügen. The Museum of Contemporary Art, Los Angeles, 1984. [3182]Provenienz: Privatsammlung, BerlinZustandsbericht: Ex. 178/250. In sehr gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. An einer Stelle mit winzigen hellen Pünktchen. Unter UV-Licht sind keine Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Richard Diebenkorn (Portland 1922 – 1993 Berkeley). Untitled (Club/Spade Group) from: ”Eight by Eight to Celebrate the Temporary Contemporary”. 1982Colour lithograph on wove paper. 101,5 × 68,6 cm ( 40 × 27 in.). Monogrammed and dated.One of 250 numbered prints. The Museum of Contemporary Art, Los Angeles, 1984. [3182]Provenance: Private Collection, BerlinCondition report: No. 178/250. In very good condition. Sheet edges without any tears or losses. Tiny bright spots in one area. There are no repairs visible under UV-light. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
Lot 2254
(See English version below)Jasper Johns (Augusta/Georgia 1930 – lebt in New York u. St. Martin (Westind. Inseln)). „M“. 1972Lithografie. 67,5 × 47 cm (97 × 73,5 cm) ( 26 ⅝ × 18 ½ in. (38 ¼ × 28 ⅞ in.)). Signiert und datiert.WVZ: Field 113.–Eines von 67 nummerierten Abzügen und 9 A.P. Los Angeles, Gemini G.E.L., 1972. [3182]Provenienz: Privatsammlung, BerlinZustandsbericht: Ex. 8/67. In sehr gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Unten mittig mit einer minimalen dunklen Fingerspur. Unter UV-Licht sind keine Restaurierungen erkennbar. Rückseitig in den oberen Ecken mit Rückständen von Japanpapier. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Jasper Johns (Augusta/Georgia 1930 – lives in New York and St. Martin (West Indies)). ”M”. 1972Lithograph. 67,5 × 47 cm (97 × 73,5 cm) ( 26 ⅝ × 18 ½ in. (38 ¼ × 28 ⅞ in.)). Signed and dated.Catalogue Raisonné: Field 113.–One of 67 numbered prints and 9 A.P. Los Angeles, Gemini G.E.L., 1972. [3182]Provenance: Private Collection, Berlin Condition report: No. 8/67. In very good condition. Sheet edges without any tears or losses. In the lower centre a minimal dark fingerprint. There are no repairs visible under UV-light. Traces of Japan paper on the reverse in the upper corners. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
Lot 2271
(See English version below)Neo Rauch (Leipzig 1960 – lebt in Leipzig). „Abendmelodie“. 2011Fünffarbige Kreide- und Tuschelithografie auf Velin. 75 × 54,5 cm ( 29 ½ × 21 ½ in.). Nummeriert, betitelt, signiert, datiert und mit dem Prägestempel.Grafikstiftung Neo Rauch: S. 162.–Eines von 35 nummerierten Exemplaren. [3737]Provenienz: Privatsammlung, BayernZustandsbericht: Ex. 28/35. In sehr gutem Zustand. Die Farben frisch und leuchtend. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen erkennbar. Rückseitig in den Ecken mit Japanpapier am Unterkarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Neo Rauch (Leipzig 1960 – lives in Leipzig). ”Abendmelodie”. 20115-colour chalk and ink lithograph on wove paper. 75 × 54,5 cm ( 29 ½ × 21 ½ in.). Numbered, titled, signed, dated and with the blindstamp.Grafikstiftung Neo Rauch: S. 162.–One of 35 numbered copies. [3737]Provenance: Private Collection, BavariaCondition report: No. 28/35. In very good condition. The colours are fresh and luminous. Sheet edges without any tears or losses. There are no repairs visible under ultraviolet light. Verso in the corners mounted to the support cardboard with Japan paper. Fine harmonious overall appearanceWe charge 30% premium and 7% import tax on the hammerprice.
Lot 252
Cecily Peel (1892-1984) a map of Oxford, hand coloured lithograph, 48cm x 52cm, framed and glazed together with a hand coloured map of Oxfordshire after Robert Morden, 43cm x 36cm, framed and glazed, overall 52.5cm x 60cmCondition report: Both good with no major damages or marks, the Morden map satinwood frame with some chips and marks
Lot 185
Collection of 18th and 19th century and other prints and engravings including an unusual black and white lithograph showing a scene at Newnham Gloucestershire, with gentleman carrying alligators, with letter verso dated 1845 describing the scene, 27.5 x 35.5cm approx, a bust length pencil drawing of an elderly bearded man, signed with initials LB and dated 1763, 29 x 23cm approx, an 18th century black and white engraving after G Schalcken, engraved by J Gole, showing a young artist drawing a classical bust by candle light, 27 x 21.5cm approx, a three sectional hunting engraving, The Dying words and Confessions of Matthew Gillingham, executed 1792, etc, all framed (12)
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70553 item(s)/page