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WUNDERLICH, Paul (1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Frau mit HundFarblithografie. Bleistiftsignatur. Im Druck datiert: [19]72. Exemplar: 63/80. Blatt: 66 x 50,5 cm, auf Karton montiert: 78 x 61 cm. Deutscher Maler, Zeichner, Bildhauer und Grafiker. Obwohl ein Teil seiner Werke 1960 wegen angeblicher "Sittenwidrigkeit" beschlagnahmt wurde, gilt er als einer der wenigen stilbildenden Künstler unserer Zeit und wurde als einziger deutscher Künstler in die Pariser "Académie des Beaux Arts" aufgenommen. Literatur : https://paulwunderlich.de/. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:32 Uhr (CET) WUNDERLICH, Paul (1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Woman with dogColor lithograph. Pencil signature. Dated in the print: [19]72. copy: 63/80. Sheet: 66 x 50.5 cm, mounted on card: 78 x 61 cm. German painter, draughtsman, sculptor and graphic artist. Although some of his works were confiscated in 1960 due to alleged "immorality", he is considered one of the few style-defining artists of our time and was the only German artist to be accepted into the Paris "Académie des Beaux Arts". Literature : https://paulwunderlich.de/. Aufrufzeit 15. | June 2024 | probably 11:32 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ROHLFS, Christian (1849 Groß Niendorf - 1938 Hagen) "Charitas"Original-Lithografie auf Japanpapier. Bleistiftsignatur. Exemplar: 62/100. Abbildung: 13 x 9 cm, Blatt: 31 x 22 cm, Klapp-Mappe: 32 x 23,3 cm. In Original-Klappmappe, typografisch bezeichnet "Original-Lithographie von Christian Rohlfs gezeichnet für die Hagener Winterhilfe 1932. | Vorzugsdruck vom Künstler numeriert u. signiert. Die Auflage beträgt 100 Exemplare auf Japan gedruckt. Nr. 62". Abbildungsbereich lichtgebräunt, Blatt stockfleckig. Deutscher Maler und Grafiker, nach langer impressionistischer Periode wurde er zu einem der wichtigsten Vertreter des Expressionismus; unter nationalsozialistischer Diktatur wurde sein Werk als "entartet" diffamiert. Literatur : https://www.christianrohlfs.de/. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:44 Uhr (CET) ROHLFS, Christian (1849 Groß Niendorf - 1938 Hagen) "Charitas"Original lithograph on Japanese paper. Pencil signature. Copy: 62/100. Image: 13 x 9 cm, sheet: 31 x 22 cm, folding folder: 32 x 23.3 cm. In original folding folder, typographically inscribed "Original lithograph by Christian Rohlfs drawn for the Hagener Winterhilfe 1932. | Vorzugsdruck vom Künstler numeriert u. signiert. Edition of 100 copies printed on Japan. No. 62". Image area light browned, sheet foxed. German painter and graphic artist, after a long Impressionist period he became one of the most important representatives of Expressionism; under the National Socialist dictatorship his work was defamed as "degenerate". Literature : https://www.christianrohlfs.de/. Call time 15 | June 2024 | probably 11:44 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 kleine Schweizer Spieldosen. 20. Jh. Nussbaum furniert bzw. massiv. 7 x 17 x 10 bzw. 7 x 14 x 9 cm. Spieluhren in Quaderschatullen mit Schiebeknöpfen in der Front. Größere furniert mit leerem Wappenschild auf dem Deckel; am Boden Aufzug sowie Klebezettel "Thorens" mit Liederliste (4 Lieder). Im Deckel gedruckte Ansicht "Ste. Croix" auf Metall. Gemarktes Werk mit Zungenkamm 9 cm, Verglasung mit Aufdruck "90 years Thorens". / Kleines Kästchen mit Metallschild "Hermes" auf dem Deckel, im Deckel "Reuge"-Farblithografie mit Liederliste (2 Lieder). Unter der Verglasung Reuge gemarktes Werk mit Zungenkamm 3 cm. Aufzug unter dem Boden. Kästen minimale Alters-/Gebrauchsspuren, laufen je. Aufrufzeit 13. | Juni 2024 | voraussichtlich 13:16 Uhr (CET)2 small Swiss music boxes. 20th century Walnut veneered and solid. 7 x 17 x 10 and 7 x 14 x 9 cm respectively. Music boxes in rectangular boxes with sliding knobs on the front. Larger veneered with empty escutcheon on the lid; on the bottom winding and adhesive label "Thorens" with song list (4 songs). Printed view of "Ste. Croix" on metal in the lid. Marked movement with tongue comb 9 cm, glazing with imprint "90 years Thorens". / Small box with metal label "Hermes" on the lid, in the lid "Reuge" color lithograph with song list (2 songs). Under the glazing Reuge marked work with tongue comb 3 cm. Elevator under the base. Cases minimal signs of age/use, run ever. Call time 13 | June 2024 | probably 13:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SLEVOGT, Max (1868 Landshut - 1932 Leinsweiler-Neukastel) Mythologische SzeneLithografie. Bleistiftsignatur, verso blauer Stempel "Galerie Koch Hannover". Abbildung: 18 x 12,5 cm, Blatt: 33 x 25 cm, Passepartout: 43 x 28,5 cm. Klebespuren, etwas griffspurig. Deutscher Maler, Grafiker, Illustrator und Bühnenbildner; zählt zu den bekanntesten Vertretern des deutschen Impressionismus und der Freilichtmalerei. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:00 Uhr (CET) SLEVOGT, Max (1868 Landshut - 1932 Leinsweiler-Neukastel) Mythological sceneLithograph. Pencil signature, blue stamp "Galerie Koch Hannover" on verso. Image: 18 x 12.5 cm, sheet: 33 x 25 cm, passepartout: 43 x 28.5 cm. Spots of glue, some handling marks. German painter, graphic artist, illustrator and stage designer; one of the best-known representatives of German Impressionism and open-air painting. Call time 15 | June 2024 | probably 11:00 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Aufsteiger"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". [1966]. Blatt: 22,2 x 19,2 cm. Kleiner Fleck in Signatur, etwas knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 243. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:03 Uhr (CET) WEBER, Andreas Paul (1893 Arnstadt - 1980 Schretstaken) "Der Aufsteiger"Lithograph. Pencil signature, red stamp "Clan-Presse". [1966]. Sheet: 22.2 x 19.2 cm. Small stain in signature, somewhat creased. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 243. Aufrufzeit 15. | Juni 2024 | voraussichtlich 12:03 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KUBIN, Alfred (1877 Leitmeritz - 1959 Zwickledt) "Der Bettler"Lithografie auf Bütten, Wasserzeichen Griffelkunst Vereinigung. Im Druck signiert, Bleistiftsignatur. [1922]. Blatt: 34,5 x 27 cm. Österreichischer Grafiker, Illustrator und Schriftsteller; Mitbegründer der Neuen Künstlervereinigung München 1909. Aufrufzeit 15. | Juni 2024 | voraussichtlich 10:59 Uhr (CET) KUBIN, Alfred (1877 Leitmeritz - 1959 Zwickledt) "Der Bettler"Lithograph on laid paper, watermark Griffelkunst Vereinigung. Signed in the print, pencil signature. [1922]. Sheet: 34.5 x 27 cm. Austrian graphic artist, illustrator and writer; co-founder of the Neue Künstlervereinigung München 1909. Call time 15 | June 2024 | probably 10:59 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

⊕ LAURENCE STEPHEN LOWRY (BRITISH 1887-1976) GOING TO THE MATCHsigned in pencil L.S.Lowry lower right margin; with the Fine Art Trade Guild stamp lower left marginoffset lithograph52 x 68cm; 20 1/4 x 26 3/4in 74 x 86cm; 29 x 33 3/4in (framed)Property from a Private Collection, CambridgeshireProvenanceAcquired by the aunt of the present owner in the early 1970s.Printed in 1972 in an edition of 300, the present work is the limited edition lithograph Lowry produced of one of his most popular oil paintings from 1953 of the same title. Lowry had originally entered his oil painting Going to the Match into a competition held jointly by the Football association and the Arts Council of Great Britain in 1953. The entries had to make a connection between art and football. Lowry's Going to the Match won first prize. The work depicts crowds of his iconic ‘matchstick men’ swarming to a football match at the stadium at Burnden Park, the former home of Bolton Wanderers, at the time one of the leading clubs in the country. Lowry was in fact a Manchester City fan but the Bolton ground was close to Pendlebury where Lowry lived (the stadium was demolished in 1999). In the work Lowry is an outside observer of human life and not part of the crowd he depicts as in many of his works. Lowry focuses on the fans attending the match rather than the game itself, combining his most popular subjects: the industrial landscapes of the north of England, the role of sport in the everyday lives and the weekly rituals of those who worked in the mills and factories.Lowry's 1953 oil was sold at Christie's London on 19th October 2022 where it was purchased by the Lowry Arts Centre, Salford (with the help of the Law Family Foundation), for £7.8 million. The painting had been loaned to the Centre for 22 years when it was put up for auction by the then owners, The Professional Footballers' Association.

⊕ LAURENCE STEPHEN LOWRY (BRITISH 1887-1976) INDUSTRIAL PANORAMAsigned in pencil L.S.Lowry lower right margin; with the Fine Art Trade Guild stamp lower left marginoffset lithograph60.5 x 79.5cm; 23 3/4 x 31 1/4in 86.5 x 103cm; 34 x 40 1/2in (framed)Property of a Lady, West London ProvenanceHarrods Department Store, Knightsbridge, LondonAcquired from the above by the present owner in the 1980sPrinted in 1972 in an edition of 300, the present work is after the original oil from 1953 of the same title in the Castle Museum and Art Gallery, Nottingham.

Joan Miró and Josep Llorens Artigas Keramik by Jose Pierre and Jose Corredor-Matheospublished by Benteli Verlag Bernhardback with double page lithograph by Joan Miro.

Henry Moore (1898-1986)Sheep Before Shearing, 19749/15, signed and numbered in pencil (in the margin)lithograph printed by Curwen Prints Ltd, and published by Raymond Spencer Company Ltd44 x 57cm. Paper has a few creases underneath the glass. Two or three minor bits of loose dirt underneath as well, otherwise good.

Antoni Tapies (1923-2012)Untitled10/50, signed and numbered in pencil (in the margin)lithograph47 x 36cm; and another lithograph by the same artist (2). The second print -  Framing loose, many foxing marks all over, also dents and scratches.  Surface dirt throughout.  Sunlight discolouration. New photos added.

Pierre Bonnard (1867-1947)Femme Debout dans sa Baignoire, 192552/100, signed and numbered in pencil (in the margin)lithograph38 x 32cm. Provenance:The collection of Oliver Carey. A lithograph. Paper very browned. Loose within frame. A few brown spots and marks. New photos added.

Elisabeth Frink (1930-1993)Herring Gull (Wiseman 88), 197429/150, signed and numbered in pencil (in the margin)lithograph printed by Curwen Studio and published by Christie's Contemporary Art65 x 47cm. To left side where the numbers are we see a vertical section of discolouration, this is apparent to opposite side.  This runs from bottom to top but noticeable upon very close inspection.To lower cream border we see less than five thunder bugs.Very light surface dirt evident to border but otherwise appears in good nick.Framing right up close to edges of paper, although we cannot see through the glass whether it is griping the paper.High res images to website with zoom function and new condition report photos added.

Jean Poughny (1892-1956)Harlequin69/150, signed and numbered in pencil (in the margin)lithograph27 x 34cm; and a further lithograph by the same artist (2).  Provenance:The Circle Gallery, London. 

Sam Francis (1923-1994)Hardback book by Yves Michaudwith a lithograph by the artist inset 30 x 22cmpublished by Editions Daniel Papierski, Paris.

William Scott (1913-1989)Jug and Two PlatesOffset lithograph printed in colours, 1997, published by Bernard Jacobson Gallery and William Scott Estate, London, for Habitat,with full margins, sheet 50 x 40cmTogether with another "Pears and Knife II" ***Artists resale rights may apply to this lot***

G Kumen Burg, 1922: a lithograph, "Tamara Karsavina as the Firebird", in gilt frame

A French hand-coloured print, cat and dogs, a similar lithograph and a reproduction print of Oxfordshire

CERI RICHARDS (1903-1971) Blossom, lithograph, signed and dated, Pl.23 1/2 x 31 in . Provenance: Goldmark Gallery, Uppingham

GRAHAM SUTHERLAND.O.M (1903-1980) Standing Forms, lithograph, signed and dated 56/100, Pl.27 1/2 x 19 in. Provenance: Goldmark Gallery, Uppingham

Shane Warne and Muttiah Muralitharan signed Limited Edition Lithograph with COA This absolutely stunning item of signed Cricket Memorabilia a striking action lithograph that takes you on a photographic and factual journey through Shane Warne and Muttiah Muralitharan's continuing battle to become the world's greatest wicket taker. Personally signed by both spinners and independently authenticated and certified by the major chartered accounting firm PricewaterhouseCoopers, 'Record Pursuit' is available in a strictly limited edition of 350Officially licensed by Cricket Australia and Sri Lanka Cricket, each are individually numbered and measure in at a large and impressive 650mm by 450mmRivals, friends, headline-makers and two of the world's greatest bowlers, Shane Warne and Muttiah Muralitharan will remember 2004 as a watershed in their colourful careers, with both spinners passing 500 Test wickets and continuing their 'battle' to become the world's greatest-ever wicket taker Their race to be the first spin bowler to take 500 wickets was a classic ' cat and mouse' struggle during Australia's 3-Test series in Sri Lanka in March 2004. After a well-publicised and determined duel, Warne was victorious, taking wicket number 500 on March 12, during the 1st Test in Galle. By the end of the tour, the ledger read: Warne 517 wickets, Muralitharan 513 - with West Indian great Courtney Walsh's world record of 519 wickets ready to be broken It was Muralitharan who first claimed that illustrious 'crown', passing Walsh's record during Sri Lanka's Test series against Zimbabwe in May 2004. The champion off-spinner set a new world record when he captured his 520th wicket in the 1st Test in Harare on May 8. Muralitharan then dismissed a further seven Zimbabwean batsmen in the series to take his tally to 527. Shane Warne's quest to overhaul Muralitharan in the world wicket-taking began in the two-Test series against Sri Lanka in Darwin and Cairns in July. Warne took 3 wickets in the 1st Test in Darwin to move within reach of Muralitharan, before equalling his world record mark with a sensational haul of 7 wickets in the 2nd Test in Cairns! Warne held the record until it was broken by Muralitharan on December 3, 2007A superb item of Cricket Memorabilia to celebrate the two statistically greatest Bowlers of all time! Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

20th Century A miniature portrait of King Charles II Lithograph (?) on paper From the Dr Mohammed S Farsi Collection Dimensions: (Paper) 6 in. (H) x 4 in. (W) (Frame) 21.5 (H) x 18 in. (W)

David Hockney (b. 1937) Pool Made with Paper and Blue Ink for Book Lithograph in colours, 1980 Signed and dated bottom right Numbered 163/1000 bottom left From the Dr Mohammed S Farsi Collection Dimensions: (Paper) 10.5 in. (H) x 9 in. (W) (Frame) 19 in. (H) x 17 in. (W)

Paul César Helleu (1859 - 1927), French A picture of the artist's daughter, Helene Hand-coloured lithograph Signed lower left Dimensions: (Frame) 18 in. (H) x 16 in. (W) (Paper) 14 in. (H) x 12 in. (W)

David Roberts (1796 - 1864) A pair of Middle Eastern views Lithograph on paper From the Dr Mohammed S Farsi Collection To be sold without reserve Dimensions: (Frame) 24.5 in. (H) x 30 in. (W) (Paper) 17 in. (H) x 24 in. (W)

After Philip de László (1869 - 1937) Portrait of a young boy in a fez Lithograph From the Dr Mohammed S Farsi collection

Vitaly Nikolayevich Kulikov (1935 - 2015) Figure, 1979 Lithograph on paper Signed and dated underneath Numbered indistinctly lower left Dimensions:  (Paper) 17 in. (H) x 13 in. (W) (Frame) 19 in. (H) x 16 in. (W)

Ullman MFG & Co - A late 19th Century 1898 framed wall hanging lithograph print having glass cover and gilt metal spandrel foliate decor frame. The picture depicts a young woman sat on a chair looking pensive with crouching younger girl to the floor holding her hand, both on an animal rug. Bottom corner reads ' Copyright 1898 The Ullman MFG CO New York '. Measures approximately 31cm x 24cm. 

After Ernest Normand. Portrait of a lady, coloured lithograph, 45cm x 27cm.

Late 19thC/early 20thC School. The Butt of all Jokers, coloured lithograph, published by Currier & Ives, 27cm x 39cm in maple frame.

A lithograph from the London Illustrated News depicting 19th century Famagusta, dated 1878 and measuring 40x25cm together with an ink and watercolour drawing depicting a peasant riding a donkey by G.S. Fellas, measuring 35x14cm, mid century. (2)

Stamps G.B., Channel Islands, Alderney, Isle of Man selection of covers housed in eight Royal Mail albums, First Day Lithograph collection, loose covers & some junior collection (Qty)

HENRI MATISSE (1869-1954); a lithograph, 'Rosace', a study for a stained glass window of a Protestant Chapel, with original bill of purchase from Goldmark Gallery for the sum of £350 in 2008 verso, 25 x 25cm, framed and glazed.

Eric Ravilious (British, 1903-1942), ‘Pharmaceutical Chemist’ lithograph. Framed and glazed. From the suite High Street, 24 lithographs commissioned in 1938 by Country Life, printed by Curwen Press. Goldmark label affixed to reverse. 21cm x 15cm. Frame measures 42.5cm x 34cm.

Keith Vaughan (British, 1912-1977), ‘Festival Dancers’ lithograph. Framed and glazed, unsigned. 70cm x 45cm. Frame measures 89cm x 64cm.

After George Algernon Fothergill (British, 1868 - 1945) Huntsman and hounds Signed in pencil and dated 1914, titled indistinctly, lithograph, framed and glazed, 35.5cm x 48cm. Old label verso for G Hannaford, Print Seller, Edinburgh.

Vintage advertising. Imperial Tobacco Co. Ltd., Player's "Weights" cigarettes, plain and cork tipped, ten for 4/d, showcard, 1934, lithograph, shaped 51.5cm x 24.5cm, framed Few slight scratches and point of hat neatly repaired

Vintage advertising. Imperial Tobacco Co. Ltd., Player's "Weights" cigarettes..., showcard, c.1914, lithograph, shaped 42.5cm x 24.5cm, framed Slightly scuffed on lower part

Dame Laura Knight DBE, RA, RWS (1877-1970) - A Night at the Circus, signed in pencil by the artist, PRESS PRESENTATION PROOF, London: Published in 1936 by Frost & Reed Ltd., blind-stamp, lithograph, 49 x 59cm Untouched and unexamined out of the contemporaneous mount and glazed frame. Good condition. Some toning. The glazed frame with long-established grime.

Vintage advertising. Imperial Tobacco Co. Ltd., Player's "Weights" showcard with mounted photograph of Miss Isobel Elsom, early 20th c, lithograph, shaped 35cm x 39.5cm, framed Very slightly scuffed but in very good overall condition

Vintage advertising. Imperial Tobacco Co. Ltd. "Country Life" tobacco, with colour reproduction of Walter Hunt's Otter Hunting, c.1912, lithograph, 36.5cm x 49.5cm, framed Scratched and scuffed

Vintage advertising. Imperial Tobacco Co. Ltd., Player's "Country Life" smoking mixture, designed by H.M Brock, c.1906, lithograph, 36cm x 49cm, framed Frame slightly scratched and scuffed, mainly on corners, but in very good overall condition

Sir Alfred James Munnings KCVO Kt, PRA, RI (1878-1959) - October Meeting, signed in pencil by the artist, London: Published in 1957 by Frost & Reed Ltd., their blind-stamp, lithograph, 44 x 75cm Untouched and unexamined out of the contemporaneous frame. Good condition. Some toning. The glazed frame with long-established grime.

Vintage advertising. Greensmith's Derby Dog Biscuits manufactory Hilton Mills near Derby, showcard, by R. Allen & Son Ltd, Nottingham, c.1900, lithograph, 46cm x 59cm, framed Minor scratches and scuffs in places, but in very good overall condition

Sir William Russell Flint RA, ROI (1880-1969) - Ladies in a Bathhouse, signed in pencil by the artist, blind-stamp, lithograph, 40.5 x 54cm, another, signed in pencil by the artist, (2) The first good, the second somewhat yellowed and faded. Wear to frames.

Vintage advertising. Imperial Tobacco Co. Ltd., Player's “Weights” cigarettes…, showcard, c.1933, lithograph, shaped 37cm x 25.5cm, framed Slightly scuffed around lower part but in very good overall condition

EDWARD ARDIZZONE 1900-79; 'SHELTER SCENE', LITHOGRAPH published by The National Gallery, The Baynard Press, 77 x 102cm

A BRITISH BATTLESHIP (HMS ROYAL SOVEREIGN), LITHOGRAPH a sectional view, from the drawing by J.J. Jelley for The Boy's Own Paper, and a further collection of prints including R. Eriksson, view of Stockholm, lith, and others, two in heavy gilt frames (6)

DAVID WILKINSON Spring Morning/Eigg, lithograph, 189/225,73 x 58 cms, with other prints and watercolours

After HERBERT TRUMAN (1883-1957) “The Warren, St Ives”, coloured lithograph, signed & inscribed to mount, 40cm x 27cm, framed & glazed (64cm x 49cm).

Three coloured engravings of Bath views including Pulteney Bridge; & a black & white lithograph “The Nails, Corn Street, Bristol”, 43.75cm x 31cm, each in a glazed frame.

Robert Motherwell Chicago Print 1981 Lithograph on paper Measures approx. 68cm x 50cm (26 ½ “ x 19 ¾ “) Antonio Tapies Monotypes Exhibition poster  Published by Galerie Maeght Arte, Paris Measures approx. 74cm x 50cm (29" x 19.5") Hans Hofmann Works on Paper  Exhibition April 13th Through May 24th 1980 Measures approx. 63cm x 68.5cm (25" x 27")

After David Hockney (British, b. 1937) Louisiana Museum for Moderne Kunst / Museum of Contemporary Art. Humlebaek - Denmark Offset lithograph exhibition poster titled Measures approx. 84cm x 59cm (33" x 23").

A large collection of six vintage lithographs after Joan Miro (Spanish, 1893-1983). The lot to include a lithograph after ' Woman and bird in the night ', a composition with large red dot, a composition with blue moon, a compositions in green, red & black, together with two more compositions. All unframed. Each measures approx. 29cm x 89cm (11.5" x 35").

After Andy Warhol (American, 1928-1987). Two offset lithographs comprising: Princess Diana Published by Te Neus in, 1998 Edition of 1000 Offset lithograph  Measures approx. 65cm x 65cm (25.5" x 25.5") Orange Marilyn Published by Te Neus in, 1992 Edition of 2000 Offset lithograph Measures approx. 80cm x 60cm (31.4" x 23.6")   

After Henri de Toulouse-Lautrec (France, 1864-1901) La revue blanche (The white review) Poster after the 1895 lithograph, originally printed by Edward Ancourt, Paris, and published by G. Charpentier and E. Fasqualle. Framed & glazed. Measures approx. 72cm x 51cm (28.5" x 20")

Comer Jennings (American, b. 1926 - 2016) Chambered Nautilus Printed by Colour Graphics 1978 Lithograph  Signed in plate and in pencil by the artist Framed and glazed Measures approx. 52cm x 50cm (20.4" x 19.6")

After Marc Chagall (Franco-Russian, 1887-1985) The Magic Flute ( Die Zauberflote ) Created by Chagall for the Metropolitan Opera, New York, 1966. Restrike in 1973 Offset lithograph Measures approx. 100cm x 66cm (39.3" x 25.9")

An assortment of six vintage lithographs on paper after Henri Matisse (1869-1954). The lot to include a lithograph after ' l'avaleur de sabres ', two lithographs of lady posing on black ground, a lithograph on female head,  together with two blue nudes lithographs. All unframed. Each measures approx. 45cm X 58cm  (18" x 23").

David Shrigley (British, b. 1968) I will not fight  Lithograph on paper Published by ShrigShop, Copenhagen  Measures approx. 80cm x 60cm (31 ½” x 23 ½”)