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* Northouse (George). To the Gentry Farmers, Graziers, Dealers, Tradesmen &c of Lincolnshire, This engraving of Boston, May Sheep-Fair [is most humbly dedicated..., Day & Haghe, lithographer], circa 1840,lithograph after George Northouse, contemporary hand colouring, slight creasing, trimmed to the image on three margins, with partial loss to the title field, 430 x 590 mm, mounted, framed and glazed QTY: (1)NOTE:Rothamsted Collection number 184.

* Peepshow - London. Thames Tunnel, 1200 feet long, 76 feet below high water mark, was 8 years building & cost £446,000, opened the 25th day of March 1843, [London: Azulay, 1843], hand-coloured lithograph panorama showing the two entrances from the Rotherhithe entrance side, with a two bore walking tunnel 1200 feet long, four-sections (including cover) bound concertina-style with black cloth, each section varnished, upper cover with two peepholes for viewing, lightly rubbed, size 9 x 12.5 cm, contained in original worn slipcaseQTY: (1)NOTE:Peepshow: Gestetner Collection 277.

Ashmore (Harriette). Narrative of a Three Months' March in India; and a Residence in the Dooab, by the wife of an officer in the 16th Foot, 1st edition, London: R. Hastings, 1841, 8 lithograph plates (including frontispiece), Squires of Woolwich binder's ink stamp to head of front free endpaper, a few light spots, plates with some faint marginal damp-staining (occasionally touching image), late 19th-century green half morocco gilt, Royal Military Academy Library gilt stamp to foot of spine, upper cover loose, lower cover lacking, some wear, 12moQTY: (1)NOTE:Scarce. Copac only lists 3 institutional copies (British Library, University of Cambridge and the National Library of Scotland).

* Payne (Charles Johnson, 'Snaffles'). Who - Whoop! 1918, colour lithograph, black and white remarque of two and a half couple of hounds killing a fox in the open, signed by the artist in pencil to the lower left, overall size 475 x 650 mm, framed and glazedQTY: (1)NOTE:One of Snaffles's rarer images from the First World War. There is another state of this print with the title Whoop!

* Payne (Charles Johnson, "Snaffles"). "Ubique meant - 'Bank', Olborn, Bank - A Penny All The Way" (R. K.), circa 1920, colour lithograph, signed in pencil to the lower right margin, snaffle bit blind stamp, large black & white remarque of a six-horse gun team and limber, slight spotting and dust soiling, overall size 505 x 760 mm, framed and glazedQTY: (1)

* Payne (Charles Johnson, 'Snaffles'). T.B.D's, The Beef Convoy, circa 1917, colour lithograph, signed by the artist in pencil to mid-right, large uncoloured remarque of a convoy steaming to the right, with a smaller remarque of a observation balloon to the upper left, very slight staining, overall size 435 x 400 mm, framed and glazedQTY: (1)

Rudder (Samuel). A New History of Gloucestershire, comprising the Topography, Antiquities, Curiosities, Produce, Trade, and Manufactures of that County..., 1st edition, Cirencester: printed by Samuel Rudder, 1779, 8 engraved plates and plans only of 17 (comprising 4 double-page, 1 folding, 1 single-page plate and 2 engraved plans), lacking folding county map, modern half calf, maroon morocco title label to spine, folio, together with:Fosbrooke (Thomas Dudley). Abstracts of Records and Manuscripts respecting the County of Gloucester..., 2 volumes, Gloucester: printed by Jos. Harris, 1807, etched additional title to volume 1, 30 etched and engraved plates, contemporary tree calf, neatly rebacked with elaborately gilt decorated spines, contrasting morocco labels, 4to,Rudge (Thomas). The History of the County of Gloucester; compressed, and brought down to the year 1803, 2 volumes, Gloucester: printed for the Author by G. F. Harris, 1803, folding engraved county map, 2 engraved plates (one as frontispiece to volume 2), top edge gilt remainder untrimmed, early 20th-century vellum with morocco labels, 8vo, plus Braine (A.). The History of Kingswood Forest..., London & Bristol: E. Nister & William F. Mack, 1891, folding lithograph map lined to verso, modern half calf with morocco title label to spine, 8voQTY: (6)

Moule (Thomas). The English Counties Delineated; or, A Topographical Description of England, 2 volumes, London: George Virtue, 1837, additional engaged title to each volume, folding engraved map of England, numerous engraved maps (some folding), occasional light spotting, marbled endpapers with armorial bookplate of Samuel Ingall to upper pastedowns, all edges gilt, contemporary calf, gilt decorated spines with morocco labels, upper hinge of volume 1 split at head, 4to, together with:Ogilby (John). The Traveller's Guide, or, A most exact Description of the Roads of England, being Mr. Ogilby's actual Survey, and Mensuration by the Wheel, of the Great Roads from London to all the considerable Cities and Towns in England and Wales..., London: printed for W. B. and sold by J. Churchill, D. Brown [et al.], [1712], folding engraved map frontispiece, title with early signature M. Hickling, contemporary panelled sheep, rubbed, 8vo,Williams (George Arthur). Williams's New Guide to Cheltenham: being a complete History and Description, Cheltenham: G. A. Williams, circa 1825, folding engraved map frontispiece, lithograph plan (trimmed to left-hand margin), 8 engraved and lithograph plates (1 folding), 20th-century half sheep, 12mo, plus other antiquarian including Britton (John and Brayley, Edward Wedlake). The Beauties of England and Wales; or, Delineations, Topographical, Historical, and Descriptive, or each County, volumes 1-5 only, London: Vernor and Hood, Longman and Rees [et al.], 1801-03, additional engraved titles, numerous engraved plates, top edge trimmed, remainder untrimmed, late 19th-century uniform half calf by Davis of Cirencester, gilt decorated spines with green morocco labels, few joints lightly cracked, 8voQTY: (14)

Mawe (John). The Linnaean System of Conchology, describing the orders, genera, and species of shells, arranged into divisions and families: with a view to facilitate the student's attainment of the science, 1st edition, London: for the author, 1823, 37 hand-coloured lithograph plates, some light offsetting, abrasions from bookplate removal at front, contemporary half calf, joints splitting, small areas of worming, 8vo, together with Burrow (E. I.) Elements of Conchology, according to the Linnaean System, new edition, London: printed for James Duncan, 1825, 28 mostly hand-coloured engraved plates, some light offsetting and spotting to text, contemporary half calf, spine a little rubbed with some worming, partial fading to covers, 8vo QTY: (2)NOTE:First work Nissen ZBI 2740.

Oxfordshire. A Collection of 14 maps, 18th & 19th century, engraved county maps, including examples by or after Van der Aa, Smith, Morden (large format, with nine pages of descriptive text), Badeslade & Toms, Schmollinger, Archer, J & C Walker, Museum & Complete Magazine (publisher), Cole & Roper, E. Bowen, Fullarton, Duncan and Collins, various sizes and condition, together with Taylor (Isaac). The New Library at Oriel College [1791], uncoloured engraving after D. Harris, slight staining, 320 x 470 mm, with Delamotte (William Alfred). Oriel College, circa 1830, uncoloured lithograph, some marginal creasing and fraying, 365 x 255 mmQTY: (16)

Scrope (William). Days and Nights of Salmon Fishing in the Tweed; with a short account of the natural history and habits of the Salmon, 2nd edition, London: John Murray, 1854, half-title, 2 hand-coloured lithograph plates, 32 pp. publisher's advertisements and original cloth covers bound at rear, lightly spotted, modern brown half morocco gilt, green morocco title label to spine, corners lightly scuffed, 8vo, together with:Chalmers (Patrick). At The Tail of the Weir, 1st edition, London: Philip Allan, 1932, black and white illustrations in-text, bookplate of F. W. Sims to front pastedown, all edges gilt, contemporary green calf gilt, red morocco labels to spine, rubbed, 8vo, plusSheringham (Hugh, and John C. Moore). The Book of the Fly-Rod, 1st edition, London: Eyre & Spottiswoode, 1931, colour frontispiece, 3 full-page colour plates, further black and white illustrations, modern green half morocco gilt, spine faded, lightly marked, 4to, with 21 other natural history volumes (many on angling), many leatherbound, including Skues (G. E. M.). Nymph Fishing for Chalk Farm Trout (1939), Side-Lines, Side-Lights & Reflections (1932) and The Way of a Trout with a Fly (1921)QTY: (24)

* Gauci (Maxim, 1774-1854). Portrait of a Shorthorned Bull, after J. H. Carter, 1836, lithograph by Gauci after J. H. Carter, some light marks and toning to sheet edges, with additional toning and minor stains to lower edge of the sheet, minor loss to extreme lower right corner, period gilt moulded frame, glazed, image size 440 x 568 mm, sheet size 550 x 650 mmQTY: (1)NOTE:Boalch, Prints and Paintings of British Farm Livestock 1780-1910: A Record of the Rothamsted Collection (1958), 57.The print shows Sir Charles Morgan 1st Baron Tredegar (1792-1875) presenting a Shorthorned bull to King William IV and his bailiff John Engall, with Tredegar House in the background.

* Travies (Edouard, 1809-1865). Le Troupiale (Buffon), Grandeur naturelle, Oriolus icterus (Linné), Amérique, circa 1857, fine hand-coloured lithograph, plate 39 from Les Oiseaux les plus remarquables par leurs formes et leurs couleurs, published Paris, Ledot, E. Savary et Cie, & London, E. Gambart, circa 1857, some light handling marks to outer edges, 35 x 46 cm mount aperture, framed and glazedQTY: (1)NOTE:For the published work see Nissen IVB 946; Wood 601: 'simply wonderful...among the best portraits of birds ever painted'.

Picasso, La Chevre Et Le Berge (The Shepherd And The Goat), lithograph, annotated version in French, aeply reproduction 253/600, chatenay, signed in the plate, image 46cm x 59cm, 63cm x 76cm overall, framed

Mixed metal ware to include copper lithograph, vintage tins, horse brass etc. Not available for in-house P&P

Cecil Aldin (1870-1935) 'A Hunting Morning';'Drawn Blank';Dog chasing a chickenthree chromolithographs, published by Thomas McLean, London52 x 82, 52 x 83 and 27 x 70cm respectively, andfive further prints of hunting and coaching scenes:Charles Hunt, after W J Shayer'The Duke of Beaufort Coach'hand-coloured lithographimage 44 x 59.5cm;J Harris, after Ja. Pollard'The Lord Nelson Inn, Cheam'hand-coloured lithographimage 33 x 50.5cm;W H Simmons, after Francis Grant 'The Shooting Party - Ranton Abbey'hand-coloured lithographimage 48 x 71.5cm;Thomas Lupton, after J W Snow'The Meet at Blagdon'hand-coloured lithographimage 46.5 x 75cm;After Francis Cecil Boult'The Last Honors of the Chase', 1884overpainted lithograph in coloursimage 38 x 63cm (8)Condition ReportPlease contact department

Etienne Laporte (French, 19th century) 'Carte Astronomique de l'Univers' an astronomical map of the universe, lithograph in colours with letterpress, dissected into 32 sections and laid on linen as issued, published Paris, c.1875136 x 93cmCondition ReportFramed: 149 x 105cmDiscolouration and foxing. Dirty marks and stains, please refer to illustration. A tiny tear to the right edge of one panel in the lower right quarter.

Cecil Aldin (1870-1935), 'The Angel, Woolhampton', signed artist proof, lithograph. 36cm x 45cm. Framed and glazed

A Chinese silk embroidered panel, 19th century, frame size 54 x 30cm, a Bengal tiger lithograph, two Japanese watercolours, circa 1900, each signed and two Japanese prints. (5)

20th Century Continental School : Abstract faces, colour lithograph, indistinctly signed in pencil and numbered 15 of 65, 52 cm x 42 cm.

After M Engelman : Abstract portrait, colour lithograph, numbered 41 of 45, dated '67, 45 cm x 61 cm.

Mary Fedden (1915-2012), a limited edition lithograph titled 'Cat on a Cornish Beach' signed in pencil and in plate to the lower left with a blind stamp. Unframed. H.35 W.49cm

Ralph Steadman (b.1936), a contemporary offset lithograph with colours titled 'The Guests' from a limited edition 59/100, signed to the lower right in a glazed oak frame. H.76 W.99cm

1924 Paris Olympic Games a large official poster for the 1924 Paris Olympic Games, the primary design featuring saluting athletes by Jean Droit, colour lithograph, published by Hachard & Cie., Paris, restored and backed on linen, folds 106 x 72cm., unframed.

A 19th century gilt wood frame housing an antique lithograph print, titled The Dancing Lesson. Aperture 73.5cm x 61.5cm, total frame size 95cm x 83cm.

AFTER JOHN NORTHCOTE NASH (1893-1977); a colour lithograph, ' A Window in Bucks', 55 x 45cm, framed and glazed.

After Hans Memling, Religious lithograph on paper, ‘The Life of Mary, The Annunciation’, ornate gilt framed, 72 x 88cm. Condition - fair-good

Ferry Bertholet (Dutch, b.1952), colour lithograph, Naked Japanese woman with six koi carp, signed and dated '86, limited edition 10/125, 49 x 64cm. Condition - good

Housed in a gilt frame with a white mat. A lithograph of Chagall's 1949 painting of a bride and groom. Signed in plate lower right. ADAGP Paris embossed seal on the lower right. Numbered in pencil on the lower left. Frame size: 32.5"W x 39"H x 1.25"D. Sight size: 22.75"W x 29.25"H.Artist: Marc ChagallDimensions: See descriptionCountry of Origin: FranceCondition: Age related wear.

This striking poster, originally designed by Henri Mouron (commonly known as A.M. Cassandre), is an offset lithograph of the iconic 1935 poster for the inaugural voyage of the SS Normandie. The artwork showcases Cassandre's innovative use of geometric shapes, perspective, and modernist techniques to portray the grandeur of the luxury ocean liner. The imposing bow of the ship dominates the composition, emphasizing its size and elegance, while the subtle gradient background reflects Cassandre's mastery in blending Art Deco aesthetics with precision. The poster includes the inscription, Studios Editions 59, Rue de Ponthieu 75008 Paris, 79 Mouron Henri, indicating this is a 1979 edition printed by Imp. Bedos & Cie, Paris. The text celebrates the SS Normandie's maiden voyage from Le Havre to New York via Southampton on May 29, 1935, for the French Line Cie Gle Transatlantique. Cassandre's Normandie design is considered a masterpiece of transportation advertising art, making this lithograph highly collectible for enthusiasts of maritime history, Art Deco, and poster art. Artwork dimensions with frame: 24.75"L x 39.50"H x 1"W. Artwork can be unframed and rolled for shipment.Artist: A.M. Cassandre (French, 1901-1968)Issued: 1979Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Original color lithograph on laid paper that depicts a street in Beacon Hill, Boston, by Maine artist Joy Biddle. Signature, title and edition number in graphite on lower part: Beacon Hill 86/350 Joy Biddle. Artist biography on verso. Housed in a metallic frame with a caramel color mat. Sight size: 19"L x 13"H. Frame dimensions: 24.25"L x 18.25"H x 1"W. Artwork can be unframed and rolled for shipment.Artist: Joy Biddle (American 1928-2007)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

A striking Art Deco-inspired lithograph by the renowned French poster artist Razzia, titled Le Touquet Paris-Plage. The artwork captures a stylized scene of the famous French seaside resort, featuring a swimmer in a yellow cap and white robe gazing towards an architectural diving platform. The clean lines, bold colors, and minimalist composition are hallmarks of Razzia's signature aesthetic, reminiscent of the golden age of travel posters. Signed in the lower right corner by the artist, this framed piece exemplifies Razzia's celebrated ability to blend vintage advertising styles with modern graphic design. His works are highly sought after by collectors of contemporary poster art, especially for their association with luxury, travel, and lifestyle branding. Artwork dimensions with frame: 48.50"L x 64.50"H x 2"W. Artwork can be unframed and rolled for shipment.Artist: Razzia (a.k.a. Gerard Courbouleix Deneriaz, b. 1950) Issued: c. 1986Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear. Minor color bleed on upper right side of poster, likely due to printing inconstancy.

This original poster titled A Journey Through Time by Louis Vuitton is a striking work by Razzia, a renowned contemporary poster artist known for his Art Deco-inspired advertising and luxury brand collaborations. This piece pays homage to A.M. Cassandre's legendary travel posters, embodying a blend of classic and modern graphic design. The composition features a majestic Louis Vuitton steamer trunk, visually transformed into a grand ocean liner, a motif reminiscent of Cassandre's famed Normandie (1935) poster. The LV monogram pattern takes center stage, reinforcing the brand's rich heritage in luxury travel. Surrounding the imagery are city names-New York, Paris, London, Venice, Hong Kong, Sydney, Tokyo, and Moscow-highlighting Louis Vuitton's global influence. The typography reflects the bold, geometric style often associated with Art Deco aesthetics. This lithograph includes the printed signature of Razzia and is inscribed: A Tribute to Cassandre - Original Lithograph. The artwork is an exceptional collector's piece, combining elements of luxury, travel, and timeless Art Deco design. Dimensions with frame: 48.25"L x 61.50"H. Artwork can be unframed and rolled for shipment.Artist: Razzia (a.k.a. Gerard Courbouleix Deneriaz, b. 1950) Issued: c. 1980Dimensions: In descriptionCountry of Origin: FranceCondition: Age related wear. Minor buckling.

Limited edition lithograph titled "Buffalo Robes". Numbered 139/250, and signed in pencil lower left. Measures 57" x 44" including frame, 41" x 29" image only. Cherokee artist Carol Grigg, inspired by her heritage and beliefs, creates art with a nature motif. Her work focuses on images of horses, birds, or people.Dimensions: 57 x 44Country of Origin: United StatesCondition: Age related wear.

This limited edition offset lithograph on canvas, Hometown Memories I: Walking to School on a Sunday Evening, showcases the signature nostalgic charm of Thomas Kinkade. The artwork portrays a tranquil scene of a cozy neighborhood drenched in soft evening light, reflecting on rain-kissed streets. Illuminated windows and streetlamps evoke warmth and community, hallmarks of Kinkade's iconic style. The piece is signed and numbered, part of an edition limited on premium-grade canvas. It is accompanied by its original Certificate of Authenticity, certifying the artwork. Published in 1995 by Lightpost Publishing, this work exemplifies Kinkade's mastery of capturing idyllic Americana with a sense of light and spirituality. Includes plaque with artist's name and title. The gilt frame with decorative embellishments further enhances the timeless elegance of this collectible artwork, making it a quintessential piece for admirers of Kinkade's oeuvre. Thomas Kinkade, widely known as The Painter of Light, was an American artist celebrated for his luminous landscapes and idyllic portrayals of small-town life. Born in Sacramento, California, in 1958, Kinkade studied at the University of California, Berkeley, and later attended the Art Center College of Design in Pasadena. His works are characterized by their use of glowing light and intricate detail, creating a comforting and nostalgic atmosphere that resonates deeply with collectors. Dimensions with frame: 39.50"L x 33.50"H x 2.75"W. Artist: Thomas Kinkade (American 1958-2012)Issued: 1995Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear.

Original color lithograph on laid paper that depicts a salt marsh by Maine artist Joy Biddle. Signature, title and edition number in graphite on lower part: Salt Marsh 39/500 Joy Biddle. Artist biography on verso. Housed in a black frame with an off-white mat. Sight size: 19"L x 13"H. Frame dimensions: 24.25"L x 18.25"H x 1"W. Artwork can be unframed and rolled for shipment.Artist: Joy Biddle (American 1928-2007)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

This original World War I propaganda poster, designed by American artist L.A. Shafer in 1917, was part of the U.S. Treasury Department's Victory Liberty Loan campaign, urging citizens to support the nation's war effort through bond purchases. The dynamic composition features an intense naval scene, depicting a heavily armed patrol boat navigating turbulent waters while a convoy of warships and cargo vessels secures crucial supply routes. The upper right text, They Kept the Sea Lanes Open, honors the role of the U.S. Navy in safeguarding maritime transportation during the war. Printed by The W.F. Powers Co., N.Y., this lithograph embodies the patriotic fervor and graphic strength characteristic of early 20th-century war posters. Shafer's use of vibrant colors and dramatic motion conveys urgency and national duty, making this an iconic piece of wartime propaganda. Professionally framed under glass, this rare historical artifact remains a powerful visual reminder of the collective effort required for victory. Artwork dimensions with frame: 48"L x 38.25"H x 1.50"W. Artwork can be unframed and rolled for shipment.Artist: L. A. (Leon Alaric) Shafer (American 1866-1940) Issued: c. 1917Dimensions: See DescriptionCountry of Origin: USACondition: Age related wear. Minor crease on left side.

A striking Art Deco-style lithograph poster by the renowned French graphic artist Razzia, titled Deauville. This work features a bold and elegant composition depicting a diver in mid-air, clad in a red bathing suit, soaring above a seaside boardwalk. The architectural symmetry of the beach-side pavilions, along with the strong geometric forms and deep blue gradient sky, evokes a nostalgic yet timeless appeal reminiscent of classic 1930s travel posters. Razzia, celebrated for his ability to capture luxury and leisure in his advertising works, brings a refined minimalism to this piece, highlighting Deauville, a prestigious French coastal resort town known for its upscale lifestyle and cinematic charm. The bold typography and dramatic visual impact align with Razzia's signature style, which draws inspiration from early 20th-century poster artists such as A.M. Cassandre. This lithograph is signed in the lower right margin. A fine addition for lovers of vintage-inspired travel posters and modern Art Deco aesthetics. Artwork dimensions with frame: 48"L x 62.50"H x 2"W. Artwork can be unframed and rolled for shipment.Artist: Razzia (a.k.a. Gerard Courbouleix Deneriaz, b. 1950) Issued: c. 1980Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Original color lithograph exhibition poster on wove paper for the exhibition Marc Chagall and The Bible (Chagall et La Bible) held at the Musee Rath-Geneva in 1962. Printed by Mourlot France.Artist: After Marc Chagall (Russian/French 1887-1985)Issued: 1962Dimensions: 21"L x 29.75"HCountry of Origin: Russia/FranceCondition: Age related wear.

A limited-edition lithograph depicting a captivating still life of golf clubs stored in vintage-style pouches. The artwork emphasizes the textural details of the leather and fabric bags, the gleaming metal club heads, and the decorative cord detail. Rendered in a harmonious palette of blues, reds, and earthy tones, this piece evokes a sense of nostalgia and appreciation for the sport of golf. The lithograph is signed by the artist in pencil in the lower right corner, is dated 88, and numbered 55/150. The piece is professionally matted and presented in a minimalist frame, highlighting the intricate details and craftsmanship. A perfect addition for golf enthusiasts or collectors of sports-themed art. Artwork dimensions with frame: 34.75"L x 27.25"H x 1"W. Artwork can be unframed and rolled for shipment.Issued: 1988Dimensions: See DescriptionCondition: Age related wear.

After Herbert James Williams (British 20th century) coloured lithograph 'Festival of Britain 1951' within a card mount, unframed, 31cm x 47cm & 44cm x 60.5cm overall.

AFTER HENRY YULE (1820-1889) CHARGE OF THE 16TH AT ALIWAL, JANUARY 28TH 1846coloured lithograph with additional hand-colouring on mounted card33 x 44.5cm ; 13 x 17 1/2inPublished by Thomas McLean & Co., London

SAKTI BURMAN (b.1935) Lithograph on paper Signed ‘Sakti Burman’ lower right and inscribed ‘V/XXV’ lower left Edition 5 of 25 framed, image 43 by 56cm.Framed. Areas of water staining, particularly visible around the margins, image colours intact, minor surface undulations, not examined out of frame.

Brenda KING (1934-2011) Still Life with Bird Lithograph, artist's proof, signed, numbered 5/30, image size 40 x 40cm, 56 x 54cm framed.

Brenda KING (1934-2011) Sailor's Purse Lithograph, signed, numbered 112/200, image size 40 x 40cm, 57 x 54.5cm framed.

Anthony FROST (1951) Anthony FROST (1951) Printed on mat paper published by Bodilly Galleries, 71, Lensfield Road, Cambridge, 1994. A lithograph for a Solo exhibition 17th February-18th of March, 1994, signed and dated, 45cm x 59cm.

Barbara TRIBE (1913-2000) King Protea Lithograph with watercolour, signed and numbered 2/60, 35 x 26.5 cm, 54cm x 42cm framed; together with a Stephen FELSTEAD (1957-2023) print, 'Summer Sail, signed in pencil, 52cm x 41cm mounted (2)

Brenda KING (1934-2011) Two Porthmeor Cats Hand-drawn lithograph, artist's proof 4/30, signed, titled and numbered, 23cm x 23cm, 37cm x 37cm framed.

RAOUL DUFY (1877-1953). LE GRAND CONCERT. lithograph, 53cm x 44cm, framed, Provenance: The Redfern Gallery, Cork Street, W1 London.

HENRI MATISSE. CHEVALURE. (d) Signed in the plate, original lithograph from the 1954 edition after Matisse’s cut outs, Suite: The Last works, printed by Mourlot French Montparnasse frame, 35.5cm x 26.5cm. (Subject to ARR - see Buyers Conditions)

GEORGES BRAQUE. PAYSAGE A’ ’ESTAQUE. (d) Signed in the plate, Lithograph on arches paper – edition:1000, Printed by Mourlot 1972, Vintage French frame, 65cm x 50cm.

SERGE POLIAKOFF (RUSSIAN/FRENCH, 1900-1969). In the manner of. ABSTRACT COMPOSITION. (d) lithograph, indistinctly signed, numbered 6/10, 63cm x 83cm, framed.

PIERRE BONNARD. In the manner of. INTERIOR SCENE WITH SEA VIEW. lithograph on silk, 242cm x 117cm, framed.

MARC CHAGALL. THE WEDDING. Numbered edition of 1.992, Off set lithograph - 1948, 31cm x 23cm, French Montparnasse frame.

lithograph printed in colors after the 1963 "La reconnaissance infinie" painting by René Magritte with stamps of ADAGP and the "Magritte Succession" and with a signature of Ch. HerscoviciMAGRITTE RENÉ (1898 - 1967) kleurlitho n° 246/275 naar het werk dd 1963 getiteld "La reconnaissance infinie" - 45 x 60 met droogstempels van ADAGP en van de Succession Magritte en met signatuur van Charly Herscovici

Alechinsky signed "En peinture le mot n'existe pas" lithograph printed in colorsALECHINSKY PIERRE (° 1927) kleurlitho n° 69/90 getiteld "En peinture le mot n'existe pas" - 37 x 28 getekend

Corneille lithograph printed in colors from the portfolio "The 12 provinces" - signed and dated (20)04CORNEILLE (1922 - 2010) (1922 - 2010) kleurlitho n° Epreuve d'Artiste uit de suite "De 12 provincies" dd 2004 : "Provincie Gelderland" - 38 x 53 getekend en gedateerd (20)04

20th Cent. Belgian lithograph printed in colors - signed Fred BervoetsBERVOETS FRED (° 1942) kleurlitho n° 20/35 dd 1980 getiteld "Het gevecht" - 82 x 125 getekend

antique lithograph printed in colors with a view of Ghent by Gustave SimoneauSIMONEAU GUSTAVE (1810 - 1870) antieke kleurlitho met een Gents zicht : "De Graslei" - 17 x 24 wordt verkocht met een andere kleine print

Joan Miro signed lithograph printed in colors, designed for a book and published in an edition of 50 prov : Galeria Botello, Puerto Rico, collection Mrs. M.P., MontrealMIRO JOAN (1893 - 1983) kleurlitho ontworpen voor de omslag van een boek en uitgegeven op 50 exemplaren, getiteld : "Personaje y Pajaro" - 31 x 49 getekend prov : Galeria Botello, Puerto Rico, collectie Mme. M.P., Montreal