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Click here to subscribeOskar KokoschkaRecha1921lithograph on paper; unframed89 x 62 cmsigned on the lower right: Oskar Kokoschkanumbered underneath the depiction on the left: 43/100private property, AustriaHans M. Wingler/Friedrich Welz, Oskar Kokoschka. Das druckgrafische Werk, Salzburg 1975, no. 145, p. 133 (with ill.)
Oskar KokoschkaTilla Durieux1920chalk lithograph on Japan paper; unframed76 x 52.5 cmsigned on the lower right: OKokoschkamonogrammed in the print underneath the depiction on the right: OKnumbered on the lower right: 87/150private property, AustriaHans M. Wingler/Friedrich Welz, Oskar Kokoschka. Das druckgrafische Werk, Salzburg 1975, no. 139, p. 129 (with ill.)
Max OppenheimerDie Schlacht an den Masurischen Seen1914lithograph on paper; framed43 x 59.5 cm (cut-out)monogrammed and dated in pencil by the hand of the artist on the lower left: MOPP 1914numbered on the lower right: 3/20inscribed, dedicated and monogrammed in the plate at the bottom: Die Schlacht an den Masurischen Seen den Anstiftern Grey Jswolski und Delcasse gewidmet von MOPPbooklet, portfolio or book insertcollection Rudolf Schmutz (1933-2017), Vienna
Oskar KokoschkaJerusalem Faces (portfolio of six lithographs)1973lithograph on Japan paper; unframed in original portfolio, with preliminary page71 x 55 cm (portfolio size)each 65 x 50 cm (sheet size)all sheets signed and numbered: OKokoschka 124/150one sheet inscribed on the lower right: OK 19.3.73edition: 150 copies of the standard edition; this copy bears the number 124Printer: J. E. Wolfensberger, Zurich; bookbinding work realised by J. Stemmle & Co., Zurich and AsconaPublisher: Marlborough Graphics Ltd., London and George Weidenfeld & Nicolson Ltd., Londonprivate property, AustriaHans M. Wingler/Friedrich Welz, Oskar Kokoschka. Das druckgrafische Werk, Salzburg 1975, no. 493-498, p. 273-277 (with ill.)
AR * Charles (King of the United Kingdom III, 1948-). Wensleydale, 1992, lithograph on watermarked Somerset paper, printed by Stanley Jones at Curwen Chilford Prints, limit edition 'XXV/XXV', title, initial and date in pencil, with Prince of Wales's feathers blind stamp to lower margin, limitation label from Anna Hunter and Guy Thompson, Art Publishers to verso, image size 26.5 x 38.5 cm (10 1/2 x 15 1/8 ins), mounted, framed and glazed (53 x 63.5 cm)QTY: (1)
* Atherton (John, 1900-1952). New York World's Fair 1939 by Italian Line, 1939, colour lithograph poster, 'Made in U.S.A. by Grinnell Litho. Co., Inc. N.Y.C.' to lower right, in very good condition, upper margin strengthened to verso, sheet size 76.5 x 51.5 cm (30 x 20 1/4 ins)QTY: (1)NOTE:John Atherton was an American painter, magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art, Whitney Museum of American Art and the Smithsonian American Art Museum.The 1939 World Fair was held New York at the Flushing Meadows Corona Park from 30 April 1939 to 31 October 1940. It was the second-most expensive American world's fair of all time, exceeded only by St. Louis's Louisiana Purchase Exposition of 1904. Many countries around the world participated in it, and over 44 million people attended its exhibits in two seasons
* Engels (Robert, 1866-1926). Le Passant, from L'Estampe Moderne, Paris, circa 1898, colour lithograph, plate size 34.5 x 24 cm (13 5/8 x 9 1/2 ins), mounted, framed and glazed (45 x 36 cm), together withBerchmans (Emile, 1867-1947). Satyre et nymphe, colour lithograph, 33 x 12 cm (13 x 4 1/4 ins), framed and glazed (35 x 12 cm), plusArtigue (Albert Emile, 1850-1927). Annabelle, from L'Estampe Moderne, Paris, colour lithograph, L'Estampe Moderne blindstamp to lower right, some mount staining and slight toning, plate size 27 x 31 cm (10 5/8 x 12 1/4 ins), framed and glazed (40.5 x 49.5 cm), and three woodcuts by Emile Bernard from a Vollard edition of the Odyssee, 1930 and an engraving for a title page for Titre du cahier de six eaux-fortes, by Johan Jongkind, 1862, various sizes, largest 38 x 26 cm (15 x 10 1/4 ins)QTY: (6)
* Luce (Molly, 1896-1986). Yosemite Winter Sports, circa 1930, colour lithograph poster, some marks and creases, several closed marginal tears (without loss), restored and laid down on archival tissue, sheet size 100.5 x 65 cm (39 1/2 x 25 5/8 ins), framed and glazed (104.5 x 69 cm)QTY: (1)NOTE:Provenance: Private Collection, Yorkshire, UK.
* Bell (Robert Anning, 1863-1933). Company of Salters bookplate designs, 1910, lithograph, two bookplate designs both depicting three figures: Integrity, Charity, and Hospitality, framed in an arts and crafts style border, the Company of Salters armorial to the top of the design and the monogram CS integrated into the lower border, one design with wording in a banner to the top of the image, the other with wording integrated into the image, both with pencil notes to lower, one reading '2nd Block (proof)' the other with '1st Block (proof) for 200 prints only', largest 18.5 x 18.5 cm (7 1/4 x 7 1/4 ins), both mountedQTY: (2)
Salvador Dalí (1904-1989)Fruits Troués, from FlorDalí (Field 69-11F; M&L 349c)Etching and lithograph printed in colours, 1969, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal & Matthieu, Paris, published by Werbungs- und Commerz Union Anstalt, on BFK Rives paper, with full margins, sheet 738 x 555mm (29 x 21 7/8in)
Pablo Picasso (1881-1973)L'Ecuyère et les Clowns (Bloch 843; Mourlot 304)Lithograph printed in green, 1957, second state of the green plate, signed in pencil, numbered from the edition of 50, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 557 x 760mm (21 7/8 x 29 7/8in)
Pablo Picasso (1881-1973) after.Nu au Faubourg St. Honoré (Czwiklitzer 357)Offset lithograph printed in colours, 1970, signed in red crayon, numbered from the edition of 100, published by Ets. St. Martin Imp., Paris, on glossy wove paper, the full sheet printed to the edges, sheet 1175 x 1560mm (46 1/4 x 59in)
Henri de Toulouse-Lautrec (1864-1901)Réjane et Galipaux, from Madame sans Gêne (Wittrock 44; Delteil 52)Lithograph printed in olive-green, 1893, with the artist's red monogram stamp, numbered from the edition of 100, and with the blindstamp 'Ed. Sagot Éditeur Paris', on wove paper, with full margins, sheet 387 x 280mm (15 1/4 x 11in)
Salvador Dalí (1904-1989)Le Cheval du Printemps, from Dalinean Horses (Field 72-6T; M&L 1263a) Lithograph printed in colours with embossing, 1972, signed and inscribed 'E.A.' in pencil, aside from the edition of 250, printed by Wolfensberger, Zurich, published by Carpentier/Waintrop, Paris, on BFK Rives paper, with full margins, sheet 650 x 500mm (25 5/8 x 19 5/8in) This work was authenticated by Dali Trade on 27/05/22 and bears the authentication signature in pencil verso.
David Hockney (b.1937)Los Angeles 1984 Olympic Games (Baggott 105)Offset lithograph printed in colours, 1982, signed in pencil, from the edition of circa 750, published by Knapp Communications Inc., Los Angeles, on Parsons Diploma Parchment wove paper, with full margins, sheet 914 x 610mm (36 x 24in)
Pablo Picasso (1881-1973)Le Chevalier et le Page (Bloch 684; Mourlot 200)Lithograph, 1951, a strong richly inked impression, signed in multi-coloured crayon, numbered from the edition of 50, printed by Mourlot, published by Galerie Simon, Paris, on Arches paper, with full margins, sheet 493 x 366mm (19 3/8 x 14 3/8in)
Takashi Murakami (b.1962)Beyond the DimensionsOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Takashi Murakami (b.1962)Inside the Rainbow's HeartOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Laurence Stephen Lowry (1887-1976)Lonely HouseOffset lithograph printed in colours, 1942, signed in pencil, numbered with a stamp from the edition of 500, printed by Hind, Hoyle & Light Ltd., Manchester, published by Magnus Prints, New York, with Fine Art Trade Guild blindstamp, on wove paper, with full margins, image 265 x 500mm (10 3/8 x 19 3/4in)
Patrick Hughes (b.1939) Openings 3D lithograph printed in colours with hand-colouring, 1998-99, signed and inscribed 'A/P 4/5' in pencil, aside from the edition of 35, printed by the 107 Workshop, published by Flowers Gallery, London, in the original Perspex box frame, overall 400 x 740 x 19mm (15 3/4 x 29 1/8 x 7 1/2in)
Joan Miro (1893-1983)Cartones (Mourlot 385)Lithograph printed in colours, 1965, signed in pencil, numbered from the edition of 75, printed by Mourlot, published by Pierre Matisse Éditeur, Paris, on the occasion of the artist's exhibition, on Arches wove paper, with full margins, sheet 545 x 705mm (21 1/2 x 27 3/4in)
Henry Moore (1898-1986)The Three Marys (Cramer 627) Lithograph printed in colours, 1981, signed and inscribed 'e.a.' in pencil, aside from the edition of 50, printed by Curwen Prints Ltd., London, published by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadham, on T.H. Saunders wove paper, with full margins, sheet 407 x 445mm (16 x 17 1/2in)
Josef Albers (1888-1976)WLS VII, from White Line Squares (Series I) (Danilowitz 171.7)Lithograph printed in colours, 1966, signed, titled and dated in pencil, numbered from the edition of 125, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp, on Arches paper, with full margins, sheet 529 x 529mm (20 7/8 x 20 7/8in)
Marc Chagall (1887-1985) after.Romeo and Juliet (Mourlot. Charles Sorlier 10)Lithograph printed in colours, 1964, signed in pencil, numbered from the edition of 200, printed by Mourlot, published by the French Tourist Bureau, Paris, on Arches paper, the full sheet printed near to the edges, sheet 653 x 1016mm (25 3/4 x 40in)
Salvador Dalí (1904-1989)Pêcheur Penitant, from FlorDalí (Field 69-11E; M&L 348c)Etching and lithograph printed in colours, 1969, signed and dated in pencil, numbered from the edition of 200, printed by Ateliers Rigal & Matthieu, Paris, published by Werbungs- und Commerz Union Anstalt, on BFK Rives paper, with full margins, sheet 740 x 543mm (29 1/8 x 21 3/8in)
Henry Moore (1898-1986)Eight Reclining Figures (Cramer 97)Lithograph printed in colours, 1967, signed and dated in pencil, aside from the edition of 125, printed by J E Wolfensberger, Zurich, published by Philadelphia Museum of Art, Philadelphia, on Japan paper, with full margins, sheet 765 x 565mm (30 1/8 x 22 1/4in)
Pablo Picasso (1881-1973) after.Le Cavalier (Mousquetaire a la Pipe)Lithograph printed in colours, 1968, signed in pencil, numbered from the edition of 300, printed by Mourlot, Paris, published by Yamet Fine Arts, New York, on Arches wove paper, with full margins, sheet 620 x 478mm (24 3/8 x 18 7/8in)
Pablo Picasso (1881-1973) after.Venus et l'amour voleur de miel (d'après Lucas Cranach l'Ancien)Lithograph printed in colours, circa 1957, signed in red crayon, with lithographed text verso, from the edition of unknown size, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 756 x 560mm (29 3/4 x 22in)
Terry Frost (1915-2003)Colour Rhythm Newlyn (Kemp 158)Lithograph printed in colours, 1997, signed in pencil, numbered from the edition of 40, printed by Zinc Editions, published by Flowers Graphics, London, on Arches paper, the full sheet printed to the edges, sheet 545 x 550mm (21 3/8 x 21 5/8in)
Salvador Dalí (1904-1989)New York, Central Park, Winter, from Currier & Ives as interpreted by Salvador Dalí (Field 71-5A; M&L 1349a) Lithograph printed in colours with collage, 1971, signed in pencil, numbered from the edition of 250, published by Phyillis Lucas, New York, on BFK Rives paper, the full sheet printed to the edges, sheet 547 x 758mm (21 1/2 x 29 3/4in) This work was authenticated by Dali Trade on 15/11/22 and bears the authentication signature in pencil verso.
Pierre Auguste Renoir (1841-1919)Etude de Femme nue, Assise, from L'Album des douze Lithographies (Delteil 42)Lithograph, 1904, with the artist's signature stamp, from the edition of circa 1000, published by Ambroise Vollard, Paris, on wove paper, with full margins, sheet 330 x 250mm (13 x 9 ¾in)
Salvador Dalí (1904-1989)Reverence de Grosillier, from FlorDalí (Field 69-11J; M&L 353c)Etching and lithograph printed in colours, 1969, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal & Matthieu, Paris, published by Werbungs- und Commerz Union Anstalt, on BFK Rives paper, with full margins, sheet 746 x 546mm (29 3/8 x 21 1/2in)
Jadé Fadojutimi (b.1993)A Season's EchoLithograph printed in colours, 2022, signed and dated in pencil verso, numbered from the edition of 50, printed by Red Breast Editions, London, published by The Hepworth Wakefield, Wakefield, on smooth wove paper, the full sheet printed to the edges, sheet 655 x 480mm (25 3/4 x 19in)
Takashi Murakami (b.1962)Burying My Face in the Field of FlowerOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
James Abbott McNeill Whistler (1834-1903) Maunders Fish Shop, Chelsea Lithograph, 1890, a fine lifetime impression of the second state (of 2), signed with butterfly monogram in pencil in the lower margin, on antique laid paper with watermark and deckle edges on three sides, sheet 330 x 195 mm (13 x 7 3/4 in), some faint staining from previous mount, cockling to left edge (unframed) Literature: Levy 42; Spink, Stratis & Tedeschi 37; Way 28 Provenance: Rosalind Birnie Philip (sister-in-law and sole executor of James McNeill Whistler, 1873-1958) [Lugt 406]
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![* Piech (Paul Peter, 1920-1996). Tyger Tyger by William Blake, [1987] & Felis Cattus by Doreen Wallace, Lithograph in two](https://cdn.globalauctionplatform.com/1ba96945-6148-465b-9b80-b10100b32f6a/8ceef051-009f-4957-912c-b12900c9b13a/468x382.jpg)
