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Lot 341
§ Vanessa Bell (British 1879-1961) Girl readinglithograph unnumbered from an edition of 250 published by Millers of Lewes38 x 29cmProvenance:With Christopher Hull Gallery, LondonNot examined out of the frame, edges obscured by mount, so not available for inspection. Perhaps a little fading to the darker tones. Sheet with some minor undulation. Otherwise appears in good order.
Lot 348
§ Ivon Hitchens (British 1893-1979) Three Boats signed 'Ivon Hitchins' (lower right); numbered 19/375lithograph, published by The Adam Cavendish Collection Ltd.42 x 75cm The present lot is one of only a hundred copies, from the edition of 375, that were signed by the artist. Not examined out of the frame, edges obscured by mount so not available for inspection. Surface appears toned overall, most notably to the margins, with a deepening of colour where the surface is touching the mount. Colours a little faded. Otherwise appears in good order. Printed 1978.
Lot 405
§ Laurence Stephen Lowry RA, RBA (British 1887-1976) Dealsigned 'L.S. Lowry' (lower left)offset lithograph bearing the Fine Art Trade Guild blindstampunnumbered from the edition of 850, published by Venture Prints Ltd.17 x 25cmNot examined out of the frame. Edges obscured by mount so not available for inspection. The mount is toned and discoloured overall. There appears to be a very narrow strip of discoloured adhesive attached to the top right hand edge (approx 4cm long). Otherwise appears in good overall condition.
Lot 407
§ Laurence Stephen Lowry RA, RBA (British 1887-1976) Woman with a Beardsigned 'L.S. Lowry' (lower right); numbered 678/750lithographpublished by Adam Collection Ltd. and bearing the Fine Art Trade Guild blindstamp 68.5 x 54cmProvenance:The collection of Joseph Fitton (1925-2009)Not examined out of the frame. Margins are toned throughout with some scattered foxing, most of which is localised to the lower edge. Crease to the top right corner and some other small creases to the right hand margin. The image perhaps slightly faded but overall good. Under raking light there is a handling or impact crease to the top right corner of the image.
Lot 439
§ Ronald William Fordham Searle CBE, RDI (British 1920-2011) The Killsigned 'Ronald Searle' (lower right); numbered 51/99lithograph, printed by Michel Cassé, Paris, published Edition R S, Paris, bearing publisher's and printer's blindstamp50 x 65cmNot examined out of the frame. Surface appears toned overall, with a slight deepening of colour at the outermost edges. There is a dogear crease at the lower left hand corner, colours are possibly slightly faded, otherwise in good condition.
Lot 466
§ David Hockney OM, CH, RA (British 1937-) Exhibition poster for The Metropolitan Museum, New Yorkoffset lithograph, unframed showing Mount Fuji and Flowers, 1972 86.5 x 64cmThe top left hand edge has suffered a knock resulting in two very small horizontal tears. Under raking light, some very shallow and minor handling creases are visible along the top of the image and the lower right hand edge, otherwise in good overall condition
Lot 501
§ André Masson (French 1896-1987) Hommage to Dorothea Tanning, 1977signed 'andré Masson' (lower right); numbered 89/150lithograph, unframed65 x 50cmDeckled lower and right hand edge. Some light overall toning, deepening slightly in colour towards at the outer edges of the sheet. Some negligible foxing, one spot on the lower edge and some very small spots along the right hand edge. The lower right hand edge with a very small knock, Under raking light one or two very shallow handling creases visible, but overall in nice condition.
Lot 544
§ A folio of modern works on paper, to include: Pierre Célice, Orange Oval, signed 'Célice' (lower right), numbered 3/75, lithograph, 54 x 69.5cm; Jacques Monory (French 1924-2018), Le Lac Powell, signed 'MONORY' (lower right), artist's proof, screenprint, 76 x 56cm; Johnny Friedläender (German 1912-1992), Galerie Commeter, signed 'Friedlaender' (centre right), etching and aquatint, 66 x 50cm; Margo Margolis (American 1947-), Untitled, signed 'M. Margolis' (lower right), numbered 17/60, screenprint, 64.5 x 50cm; Judy Rifka (American 1945-), The Greatest Show on Earth, signed and dated 'Rifka 82' (lower left), numbered 67/90, screenprint, 46 x 26cm; T.L. Solien (American 1949-), Untitled, signed and dated 'T.L. Solien 1986' (lower right), gouache, 33 x 25.5cm; together with four further prints (10)
Lot 3012
Vladimir Tretchikoff (1913-2006): green tint colour lithograph, Balinese girl, 50 x 60 cm. Appears to be in its original frame, fram has some marks and wear to edges, otherwise solid. Print appears to be good throughout with no visible damages. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133
Lot 12
JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983)."Quatre colours aparien le mon", 1970.Lithograph on paper, H.C. copy.Signed and justified in pencil.Work published in "Miró engravings vol. 3 (1973-1975)". Jacques Dupin, Ed. Polígrafa S.A., Barcelona 1992. Fig. 826.Size: 90 x 62.5 cm; 108.5 x 81 cm (frame).Miró began to produce graphic work in 1928 and 1929. It was after the Civil War that lithography took pride of place in his production, and he devoted himself to it with the same intensity as if it were a painting or a drawing. The simplification of forms, the strength of colour, the appreciation of the background of the paper and his particular signs and symbols are interwoven in a plastic and poetic whole that takes us back to his particular universe. Black and night blue confront red and yellow, playing with the star, the dot, the moon and the hair, some of his characteristic signs. The beauty of the work lies in its graphic and colourful rhythm, in its visual impact, which is alien to the attempt to understand what the images represent.Joan Miró trained in Barcelona, between the Escola de la Lonja and the Galí Academy. As early as 1918 he held his first exhibition at the Galeries Dalmau in Barcelona. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of the surrealist poets and painters, he gradually matured his style; he tried to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. From this point onwards his style began to evolve, leading him to more ethereal works in which organic forms and figures were reduced to abstract dots, lines and patches of colour. In 1924 he signed the first Surrealist manifesto, although the evolution of his work, which is too complex, makes it impossible to ascribe him to any particular orthodoxy. His third exhibition in Paris in 1928 was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum devoted a retrospective to him which was to be his definitive international consecration. During the 1950s he experimented with other artistic media, such as engraving, lithography and ceramics. From 1956 until his death in 1983, he lived in Palma de Mallorca in a sort of internal exile, while his international fame grew. Throughout his life he received numerous awards, such as the Grand Prizes at the Venice Biennale in 1954 and the Guggenheim Foundation in 1959, the Carnegie Prize for Painting in 1966, the Gold Medals of the Generalitat de Catalunya (1978) and of the Fine Arts (1980), and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. Today his work can be seen at the Joan Miró Foundation in Barcelona, inaugurated in 1975, as well as in major contemporary art museums around the world, such as the Thyssen-Bornemisza, the MoMA in New York, the Museo Reina Sofía in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.
Lot 30
TAKASHI MURAKAMI (Tokyo, 1962)."An Homage to Yves Klein. Multicolour B", 2012.Offset lithograph, copy 110/300.Signed and justified in the lower right corner.Size: 72.5 x 52.5 cm; 87 x 65 cm (frame).One of the most influential artists of the Japanese post-war generation, Takashi Murakami trained at the National University of Fine Arts and Music in Tokyo, where he graduated with a degree in Nihonga (traditional Japanese painting). In 1990 he was introduced to contemporary art by his partner and friend Masato Nakamura, and in 1993 he created his alter ego Mr. DOB. He then began to be recognised both inside and outside Japan for his particular synthesis of traditional Japanese art, the contemporary trends of his country (anime, manga, etc.) and American culture, mainly pop culture. In his work, Murakami conveys a critical vision of current Japanese society, the legacy of the country's cultural tradition, its evolution after the Second World War and its relationship with the Western world, especially with the United States. In his writings he coined the term "Superflat" to define his personal artistic style, a term that fits a work characterised by two-dimensionality and which also criticises the very structure of art, blurring the boundaries between high and low culture. In fact, his output spans multiple art forms, from painting and sculpture to industrial design, anime, fashion and other popular culture media and merchandising objects. His trilogy of exhibitions "Superflat" (2000, 2002 and 2005) has been shown at major art centres around the world, including the Parco Gallery in Tokyo, MOCA in Los Angeles, the Fondation Cartier in Paris and the Serpentine Gallery in London. In addition, between 2008 and 2009, retrospective exhibitions were held at MOCA, the Brooklyn Museum in New York, the Museum für Moderne Kunst in Frankfurt.
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70553 item(s)/page