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Lot 275
Sylvia Harrison: oil on canvas of the view of Blakeney Harbour, measuring approximately 39 by 54 cm, as well as a Victorian black and white photograph of the cattle market in St Ives, measuring approximately 18 by 24 inches, and a 19th century hand coloured lithograph entitled The Game Keeper, measuring approximately 835 by 11 inches. (3)
Lot 500
C W Faulkner & Co Publishers, The Kings Derby (1909), Minoru Wins, black and white lithograph with title, 25 1/2’ x 35 1/2’, oak frame, together with an early 20th Century black and white print entitled ‘His Late Majesty King Edward VII with Minoru - winner of the 2000 Guineas and Derby 1909’ (2)
Lot 110
GLYNN BOYD HARTE (b. 1948) - `Mr. Dodd`s Auricula`, lithograph, pencil signed and numbered 111/125, 23" x 30"; two further by the same hand to include a champagne bottle upon a table and a shop front; an artist proof etching with aquatint, indistinctly signed and dated 1979; and a print after Arnost Paderlik (5).
Lot 5
Kenneth Armitage (1916-2002) Seated Figure, lithograph printed in ochre and black, signed and dated in pencil, numbered 83/300, printed by Curwen Studio, published by Kestner Gesselschaft, Hanover with their stamp verso, on wove paper, with full margins, in good condition apart from minor handling creases at extreme edges of sheet, 395 x 570 mm (151/2 x 221/2 in)
Lot 23
Prunella Clough (1919-1999) Plant in Greenhouse, Lithograph printed in colours, 1949, Signed in pencil , numbered 4/15, formerly in the collection of Addenbrook’s Hospital, Cambridge, with their blindstamp, on wove paper, with full margins, in good condition, 425 x 290 mm (163/4 x 111/2 in)
Lot 25
Elisabeth Frink (1930-1993) Nude (w.127) lithograph printed in colours, 1982, signed in pencil, numbered 6/50, printed and published by the Royal College of Art, London, from the portfolio Thirty-five artist’s printmaking, on wove paper, with full margins, in good condition, 645 x 500 mm (251/4 x 193/4 in)
Lot 35
Henry Moore (1898-1986) Six Reclining Figures (c.579) lithograph printed in colours, 1980, signed in pencil, inscribed E.A aside from the edition of 50, printed by the Curwen Studio, London, published by Raymond Spencer Company for The Henry Moore Foundation, Much Hadam in association with Berggruen & Cie, Paris, on wove paper, with full margins, in good condition, 245 x 260 mm (91/2 x 101/4 in)
Lot 45
* Henry Moore (1898-1986) Seated Mother and Child (C.367) lithograph printed in colours, 1975, signed in pencil, numbered 82/100, published by Gerald Cramer, Geneva, on wove paper, with full margins, in good condition, 298 x 222 mm (113/4 x 83/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Lot 46
* Henry Moore (1898-1986) Six Reclining Figures (C.298) lithograph printed in colours, 1973, signed in pencil, numbered 32/100, on wove paper, with full margins, in good condition, 317 x 381mm (121/2 x 15 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Lot 79
* Christopher Richard Wynne Nevinson (1898-1948) Making the Engine, lithograph, 1917, signed in pencil, numbered 61, the edition was 200, as included in the portfolio Building Aircraft, The Great War: Britain’s Efforts and Ideals, published by the Stationery Office, London, On wove paper, watermarked holbein, with full margins, in good condition, 402 x 302 mm (153/4 x 12in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Lot 98
* Marc Chagall (1887-1985) Bonjour Sur Paris (M.71) the rare, possibly unique lithograph printed in colours, a bright, fresh impression, signed and inscribed Etat, in pencil, a state proof before alterations to the black stone, printed and published by Mourlot, Paris, on wove paper, with full margins, in good condition, 407 x 540 mm (15 7/5 x 21 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Lot 99
* Marc Chagall (1887-1985) Paysage au Coq (M.208) lithograph printed in colours, 1958, signed in pencil, numbered 92/100, on Arches paper, with full margins, in good condition, 482 x 653 mm (183/4 x 251/2 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Lot 117
* Salvador Dali (1904-1989) Papillons de l’anti-mati?re (m.l.641) etching with aquatint, embossing and lithograph printed in colours, 1974, signed and inscribed E.A., an artist’s proof aside from the edition of 195, on wove paper, with full margins, in good condition, 750 x 550 mm (291/2 x 213/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Lot 118
* Salvador Dali (1904-1989) La Conquete du cosmos, de la dernier planete (m.l.645) lithograph printed in colours with embossing, 1974, signed in pencil, numbered 31/150, on wove paper, with full margins, in good condition, 750 x 555 mm (291/2 x 213/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Lot 119
* Salvador Dali (1904-1989) Vision planetaire et Scatolognique, lithograph printed in colours with embossing, 1974, signed in pencil, numbered 30/150, on wove paper, with full margins, in good condition, 750 x 555 mm (291/2 x 213/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
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70555 item(s)/page