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Lot 74
William Scott OBE RA (1913-1989) Composition from Thirty-Five Artist's (1982) limited edition lithograph in colours on wove paper - numbered HC from an edition of 50 signed, dated '82 and numbered HC 50 x 65cm (19.69 x 25.59in) Nicholas Gallery, Belfast (label verso); Private Collection Published by The Royal College of Art, London - Printed to the sheet edges as issued. An impeccable composition of spare clarity from a painter who also took naturally to print. Egyptian art had become a significant influence by the time he made this lithograph, as is evident from the formal, processional arrangement of the kitchen still life forms.
Lot 75
Sean Scully (b.1945) Paris Black (2004) limited edition lithograph - numbered 21 from an edition of 40 signed, dated '04 and numbered 21/40 75 x 106cm (29.53 x 41.73in) Private Collection Based in New York, Sean Scully is a global figure in contemporary art, but retains a particular connection to Ireland. His signature pictorial style, which features colour in bands and blocks, arranged on a right-angled grid, is geometric but emphasises the delicacy and fallibility of the human touch. As it happens, it turned out to be well suited to printmaking, and he has produced many fine series of prints, working with skilled printmakers. The give and take of the process suits him and, it is said, that the decisive moment has arrived when he tells the printmaker that it's time to use black.
Lot 503
GEORGE GROSZ limited edition off-set coloured lithograph - satirical illustration of post-War Berlin with sailor and other figures, 29 x 22cms Provenance: The Estate of Paul Rees FRSA, former Senior Art Conservator at the National Museum of Wales between circa 1972 and 1992. Graduate of Cardiff College of Art
Lot 506
EDWARD ARDIZZONE aka DIZ coloured lithograph - illustration from Curwen Press published 'Back to the Local' 1939, entitled on Goldmark Gallery label verso 'After Hours' with a huddle of figures outside a London pub, 22 x14cms Provenance: The Estate of Paul Rees FRSA, former Senior Art Conservator at the National Museum of Wales between circa 1972 and 1992. Graduate of Cardiff College of Art
Lot 55
λ Léonard Tsuguharu Foujita (French/Japanese 1886-1968)Deux chats Lithograph, signed in pencil, numbered 15/110 and inscribed a Jacqueline amicalement, Foujita, Avril 1956, Paris, on wove paperImage: 34.5 x 43cm (13 1/2 x 17in.)To be sold together with the catalogue L'effet de la Ligne by Sylvie Buisson. (2) λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Lot 396
A collection of watercolours and prints: Keith Money, Landscape with cattle grazing, oil on board, 51 x 62 cm; together with a number of lithographic films inscribed "Jane Reese", and a lithograph signed "Jane Reese Feversham (?)", including an artist's proof signed and dated "Michael Trible 1972" (a quantity)
Lot 443
§ Anthony Deigan (British, b. 1945) Abstract in brown, signed lower right "Deigan", lithograph and collage on hand-made paper, 50 x 76cm (19.5 x 30in); and Night Lights, signed lower right "Deigan '70" and numbered 17/30, lithograph, 51 x 57cm (20 x 22.5in); and Yvonne Skargon (British, 1931-2010), Seagulls, signed lower left "Yvonne Skargon" and numbered 3/50, wood engraving, 15 x 19cm (6 x 7.5in) (3) Provenance: The Newport Gallery, High Street, Newport, Essex. Yvonne Skargon's wood engraving career began in 1948 when she commenced studies at Colchester School of Art. The school had two distinguished wood-engravers on the staff - the Principal, John O'Connor, and her special inspiration, Blair Hughes-Stanton, visiting lecturer. Skargon taught at the Royal College of Art.
Lot 1012
§ Salvador Dali (Spanish, 1904-1989). 'The Crazy Horse Saloon', colour lithograph, c1965, artist's proof of the second state. Signed by the artist lower right, inscribed as 'Epreuve d'artiste, executed in New York in 1965' in another hand. Also with inscription by Peter Moore in French in black ink dated 1970, lower centre (see provenance). Paper size: 76 x 57cm. Provenance: Gifted to the vendor's late husband by Madame Yvonne Vernay, the wife of Monsieur Robert Vernay who was the Director General of the Meurice Group of hotels in Paris during the 1960s and 1970s, also a lifelong friend of the vendor's husband. Madame Vernay was given the picture by Dali’s agent Peter Moore, as the inscription indicates, in recognition of the hospitality given to Dali on frequent visits to The Meurice Hotel, Paris, where he was given a luxury suite together with an extra bathroom for his two pet ocelots that accompanied him and his entourage wherever he went. In September 1974, soon after his wife had died, and as was her bequest, Robert Vernay gave the picture to the vendor's husband. Vernay joined them on their drive back to their home in Spain. As they were passing through Figueras Salvador Dali had invited them to visit him in Cadaques. On the same afternoon was the grand opening of Dali's Museum in Figueras to be attended by all the local dignitaries and the press. They were duly invited to go with him and followed in convoy from Cadaques to Figueras. There was much deliberation over how to get Dali's vintage Cadillac into position in the courtyard of the Museum, the only possible solution, suggested by the vendor's husband, was to lower the car with a crane through the roof. So a crane was immediately called for and after much commotion the car was lowered into its final position to great applause from everyone involved. Much gratitude was shown to the vendor's husband for ‘being so clever’ to suggest this manoeuvre. Included with the lot is a copy of a photograph taken of the car being lowered into position on the crane. Additionally the lot is sold with a note confirming provenance written by the vendor as well as a note expressing the 'opinion' of a Sothebys specialist that the signature is genuinely in Dali's hand. Please note that Artists Resale Right is additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). . § Edges worn and tatty.Discolouration throughout but extremely prominent around edges and this does affect the image. 12cm band at top, 7cm band at bottom, 4cm band on left hand side and 2.5cm band on right hand side.Heavy fold approximately 5-6cm down from top edge all the way across.4cm tear, 16cm down on right hand side.
Lot 102
NO RESERVE Panama canal.- Airiau (Athanase) A proposed canal plan for the Isthmus of Panama, from 'Canal interocéanique par l'isthme du Darien Nouvelle-Grenade (Amérique du Sud)', lithograph printed in colours, on thin tracing paper, sheet 780 x 1110 mm. (30 3/4 x 43 3/4 in), handling creases, folds, some minor nicks and tears, small areas of loss, minor spotting and browning, loose, unframed, [1860].
Lot 398
Raoul Dufy (1877-1953), "Les Drapeaux de Nice", numbered P/25 in pencil in the margin, titled on gallery label - 'The Redfern Gallery Ltd, London' verso, lithograph, 26 x 31cm, 10.25 x 12.25in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The print is in very good, original condition with strong colours. There is one minor spot of foxing in the top margin. The print is framed and glazed. The frame has the odd knock and loss commensurate with age.
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