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Click here to subscribeAn official poster for the Berlin 1936 Olympic Games, by Franz Wurbel (1896-?), signed in the plate, colour lithograph, large format version, English language edition, published by the Reichsbahnzentrale für den Deutschen Reiseverkehr, Berlin, visible image 112 by 62cm., 44 by 24 1/2in., mounted, framed & glazed The design features a victor, the Olympic Rings, and the quadriga atop the Brandenburg Gate
A rare official poster for the cancelled 1940 Helsinki Olympic Games, the primary design by Ilmari Sysimetsa, signed in the plate, colour lithograph, English language edition, published by A.B. F. Tilgmann O.Y., visible image 97 by 62cm., 38 by 24 1/2in., mounted, framed & glazed This winning entry from 72 submissions by Finnish artists depicts the country’s legendary Olympic runner Paavo Nurmi as is in fact after a work by the sculptor Waimo Aaltonen. The 1940 Olympic Games were originally awarded to Tokyo, for which posters had been designed. In 1938 The IOC stripped Japan of its host status due the outbreak of the Second Sino-Japanese War. The Games were then awarded to Helsinki, runners-up in the original bidding process. However, the Olympic Games were then suspended indefinitely following the outbreak of World War II. Sysimetsa’s design was revived when Helsinki were awarded the Games in 1952. The text was re-written and the Finnish borders with the Soviet Union had to be re-drawn on the map.
An official poster for the equestrian events of the 1956 Melbourne Olympic Games that were held in Sweden owing to quarantine regulations in Australia, by John Sjosvord, signed in the plate, offset colour lithograph, published by Esselte, Stockholm, mounted, framed & glazed The design is inspired from sculptures of the Parthenon
An official poster for the 1960 Rome Olympic Games, by Armando Testa, signed in the plate, offset colour lithograph, French language edition, published by I.G.A.P. Milan & Rome, visible image 98 by 68cm., 38 1/2 by 26 3/4in., mounted, framed & glazed, very good condition The design for this poster was fiercely contested with 212 artists submitting 249 designs. The winning artist Armando Testa was from Turin who produced a modern interpretation of the Belvedere Capital including the she-wolf suckling Romulus & Remus, whilst the capital itself portrays the crowning of a victorious athlete.
Thomas Picken, British fl. 1838-d.1870- `Greenwich Hospital`, after Edmund Walker, publ. Lloyd Bros & Co, 1852; hand coloured lithograph, 29.5x39.7cm: William Simpson, Scottish 1823-1899- `London Bridge, From Above Bridge` after Edmund Walker, publ. by Lloyd Bros, 1852; hand coloured lithograph, 30x40cm, (2)
Thomas Sutherland, British c.1785-c.1820- `Southwark Iron Bridge`, after John Gendall, publ. Jan 21 1819, R Ackermann, London; hand coloured aquatint, 37.5x51cm: Charles Riviere, French 1848-1920- `Angleterre- Vue Générale de Londres`, 1860, publ. L Turgis, Paris; hand coloured lithograph, 38.5x53.5cm: Thomas Sutherland, British c.1785-c.1820- `Kew Palace as seen from Brentford` 1819, after John Gendall, publ. Jan 1819, R Ackermann; hand coloured aquatint, 35.5x48cm: J Jourdan, 19th century- `Ports de Mer Europe - Angleterre, Londres`, after Nicolas Chapuy, publ. Vt Turgis, Paris; hand coloured lithograph, 39x51cm: Robert Havell, British 1793-1878- `Staines Church with the City Stone on the Banks of the Thames`, 1818, after William Havell; hand coloured aquatint, in matching frames, 38x51cm, (5)
Thomas Picken, British fl.1838-d.1870- "Trafalgar Square, with the National Gallery and St Martin`s Church", after E Walker, publ. May 1st 1852 by Messrs Lloyd Brothers & Co Ludgate Hill; hand coloured lithograph, 33x43cm: with another hand coloured lithograph after and published by the same hands depicting the "Royal Exchange and the Bank of England", 33x42cm: and a further 19th century hand coloured lithograph depicting a scene of the Thames, 33.5x50cm, (3)
Martin Taylor, British b.1954- "Big Ben from St James` Park"; etching with aquatint printed in colours, signed, titled and numbered 40/150 in pencil, 40x55cm: Albany Wiseman, British b.1930- "Horseguards"; lithograph printed in colours, signed, titled and numbered 231/250 in pencil, 54.5x70.5cm: together with two further lithographs printed in colours by the same artist, "Hatchlands" and "The Royal Institute of Chartered Surveyors", both signed, titled and inscribed `Artist`s Proof` in pencil: Paul Bisson British b.1938- "Rowing Boats, Greenwich"; etching and aquatint printed in colours, signed, titled, numbered 37/250 in pencil, 12.5x14cm: David Bowyer, British late 20th/early 21st century- "Windsor Castle"; etching with aquatint printed in colours, signed, dated `85, titled and numbered 133/150 in pencil, 29.5x42.5cm: together with three other etchings with aquatint in colours by the same artist entitled "Tower of London", "Greenwich" and "Embankment", all signed, titled, dated and numbered, ea. approx 29.5x42.5cm, (9), (unframed), (may be subject to Droit de Suite)
Charles Joseph Hullmandel, British 1789-1850- "True Briton tied up in East India Docks" and the Pool of London and other vessels moored in the docks, after E Patten, 1835; hand coloured lithographs, in matching frames, ea. 39x28cm: Charles Joseph Hullmandel, British 1789-1850- Blackfriars Bridge, and another section of the Thames, from `View of the North Bank of the Thames from Westminster Bridge to London Bridge Sewing the Part of the Improvements suggested by Lt Col Trench`, after T M Baynes, publ. Ackermann 1825; hand coloured lithographs, two, in matching frames, ea. 21.5x57cm: William Parrott, British 1813-1869- "Westminster and Hungerford from Waterloo Bridge"; lithograph, 22.5x41cm: Richard Gilson Reeve, British 1803-1889- "Waterloo Bridge", after W Westall, publ. Ackermann 1828; hand coloured aquatint, 20.5x28cm: together with another hand coloured aquatint by the same hand and publisher, after S Owen, depicting "Greenwich Hospital", in matching frames, 20.5x28cm, (7)
John August Swanson, American b.1938- `Circus Bicyclist`; serigraph in colours, signed and dated 1982, titled & numbered 34/260 in pencil, blindstamp `Aurora Serigraphs`, 68x49cm: John August Swanson, American b.1938- `Rainy Day`; serigraph in colours, signed and dated 1981, titled and numbered 110/150, 69x88cm: John August Swanson, American b.1938- `Circus Horses`; lithograph in colours, signed and dated 1982, titled, numbered 32/100 in pencil, blindstamp, 44x56cm: John August Swanson, American b.1938- `Circus Gallop`; etching in colours, signed, titled and numbered 7/100, blindstamp, 24.5x27cm: John August Swanson, American b.1938- `Flying Trapeze`; etching in colours, signed, titled and numbered 22/150 in pencil, blindstamp, 25x27.5cm: John August Swanson, American b.1938- `Acrobats`; etching in colours, signed, titled and numbered 24/100 in pencil, blindstamp, 27.3x20.4cm., (6) (unframed)
B Ward, British, late 19th/early 20th century- Cattle watering in a highland landscape; oils on board, a pair, in matching glazed gilt composition frames, 48x73cm., ea: Richard Demarco CBE HRSA RSW SSA, Scottish b.1930- "Maria Assumota off the Kent Coast"; lithograph printed in colours, signed, titled, numbered 35/60 and dated 91 in pencil, 44x32cm: Margot Lovejoy, Canadian/American b.1930- "In and Out"; aquatint printed in colours, signed and numbered 207/250 in pencil, 48x47cm: together with one other print by a different hand, (5) (may be subject to Droit de Suite)
British School, late 20th century- Untitled Abstract; monoprint in colours signed indistinctly (twice) within the plate, 38x58cm: After Henri Matisse, French 1869-1954- "Composition Fond Bleu", 1951; lithograph printed in colours, signed and dated 51 within the plate, 68x49cm: Chloe Cheese, British b.1952- "Lino"; lithograph printed in colours, signed, titled, inscribed `AP`, numbered 3/20 and dated 82 in pencil, 61x56cm, Provenance: with LS Graphics, according to label attached to the reverse of the frame: Chloe Cheese, British b.1952- "Goldfish; lithograph printed in colours, signed, titled and numbered 33/200 in pencil 61x56cm, (4) (may be subject to Droit de Suite)
After Sir William Russell Flint RA RE ROI RSW PRWS, British 1880-1969- "Retreat form the Sun"; reproduction, printed in colours, signed in pencil, bears publisher`s blind stamp, 49x63.5cm: Fritz Rudolf Hug, Swiss 1921-1989- Two Lionesses; lithograph printed in colours, signed, dated 67 and numbered 213/250 in pencil, 37.7x54cm: After Pierre-Auguste Renoir, French 1841-1919- Parisian boulevard scene; colour reproduction print, 48x58cm: After Pietro Annigoni, Italian 1910-1988- Portrait of a lady; reproduction print, 47x32cm: Dorothy Sweet, British exh 1925-1929- "St Magnus the Martyr London Bridge"; etching, signed and titled in pencil, 24.5x14cm: Allen Ray, British, early 20th century- "St Paul`s" and "Tower Bridge"; hand-coloured etchings, a pair, both signed and titled in pencil, 9.5x14.5cm., ea: H Melville, British, mid 19th century- "Buckingham Palace: The Yellow Drawing Room" and "St James`s Palace: Birthday Drawing Room", after Gilbert and MacManus; hand-coloured engravings, 15.5x19cm., ea: New Guinea/Aboriginal School, late 20th century- Figures and animals; print in white on black paper, 58.2x70.6cm., (10) (may be subject to Droit de Suite)
Mark Andrews Godwin, British b.1957- `Pageant XXXII`; monoprint, signed, titled, 57.3x75cm: Jack Miller, British 1945-2005- `Bureau P Delalourde et Jacques` & `Bureau Jaques Remi`; serigraph in colours, two, signed & dated 73, titled and numbered 28/30 & Proof, ea. 50x63.5cm: Mike Challenger, British b.1939- `Held on an Island`, `Ok My Side Too`, `In Tooley Street`, & `Dreamcatcher`; serigraph in colours, four, all signed, three dated, 45/60 or artist`s proof, max. 81x61.5cm: Claud Gaveau, French b.1940- `Jardin Bleu`; lithograph in colours, signed and numbered 56/180, 56x72cm: Victor Hasch, Swiss b.1945- Untitled; lithograph in colours, signed and numbered 162/200, 76x56.5cm., (9) (part unframed) (may be subject to Droit de Suite)
Freddy (Alfred) Defossez, French b.1932- Jockey and racehorse; lithograph printed in colours, signed and numbered lvi/lxv in pencil beneath the plate, 63x50.5cm: together with another lithograph in colours depicting a polo match by a similar hand, signed and numbered 147/175 in pencil, in matching glazed frames, 58x47cm, (2), (may be subject to Droit de Suite)
PAUL BERTHON [FRENCH, 1872-1909], LITHOGRAPH, no.10/50, 24" X 10", `MAI`: Predominately in green and yellow tones, the image portrays the personification of the month of May as a female nude holding on to a flowering branch of a tree. Signed and numbered in pencil. Matted, under glass and framed.
AFTER J. GOULD & H.C. RICHTER "Sitta Leucopsis" and "Tesia Castaneocoronata", a pair of coloured lithographs, printed by Hullmandel & Walton, AFTER J. GOULD & W. HART "Pachycare, Flavo-Grisea", coloured lithograph printed by Walter, a further coloured print of birds, and AFTER JAMES POLLARD "The Grand Entrance to Hyde Park", coloured engraving (5)
AFTER J.S. ADAMS "Billing Mill, Northants", black and white drypoint etching, inscribed, signed and dated 1924 in margin, monogrammed "WB", "Black retriever with cock pheasant in mouth", lithograph, monogrammed lower right, BARBARA RINGROSE "Thailand dancers", watercolour, unsigned, inscribed on label verso, together with two further by the same artist,various botanical prints and assorted pictures
Paintings, Prints, Napoleon(Lot of 5) Assorted framed paintings and prints depicting Napoleon including: an oil on canvas by Eldar Kazansky (Russian, b. 1933); an 1802 engraving by Bartolozzi after Appiani; a hand colored lithograph by Carl Gluck; among others, largest overall: 47``h x 35``wStarting Price: $150
Lithograph, Gordon Grant, Churchill Ettinger(Lot of 2) Unframed (matted) lithograph, ``Clear for Action,`` by Gordon Grant (American, 1875-1962), pencil signed ``Gordon Grant`` lower right, and an unframed (matted) etching, ``Whistlers in a Gale`` by Churchill Ettinger (American, 1903-1984), pencil signed ``Churchill Ettinger`` lower right, pencil titled lower left, largest overall: 15``h x 18``wStarting Price: $50
Lithographs, David Lance Goines(Lot of 5) Unframed lithograph advertising posters for Berkeley, California venues, by David Lance Goines (Californian, Contemporary), including International House; The Cine Art Ball; University Art Museum, among others, overall: 24``h x 16``wStarting Price: $100
Print, Painting, signed ``Julien`` ``Russell Lowry``(Lot of 2) Unframed oil on paper, Bathers, French School, 20th century, signed ``Julien`` and an unframed lithograph, Beached Boat, 1978, American School, signed ``Russell Lowry,`` largest overall: 20``h x 15``w Provenance: Unaccessioned item from Honolulu Museum of ArtStarting Price: $20
Lithograph, Donald Roller Wilson, CigarettesUnframed (matted) lithograph, ``And one was going down, butt one was coming up,``, 1984, by Donald Roller Wilson (American, b. 1938), pencil signed and dated ``Donald Roller Wilson, 1984`` lower right, artist`s proof, paper (each): 10``h x 9.25``w, overall: 17``h x 26``wStarting Price: $20
Lithograph, Alexander Samuel MacLeod, Winward OahuUnframed lithograph, ``Windward Oahu,`` 1956, by Alexander Samuel MacLeod (Californian/Hawaiian, 1888-1975), pencil signed lower right, titled lower left, label verso ``Gift of the Honolulu Print Makers to Their Associate Members``, sheet: 13``h x 17.75``w. Provenance: Unaccessioned from the Honolulu Museum of Art (Honoloulu, HI)Starting Price: $100
Print, Bernhard BuffetFramed color lithograph, ``Paris, Point-Du-Jour`, 1962, by Bernard Buffet (French, 1928-1999), pencil signed ``Bernard Buffet`` lower left, inscribed ``E.A`` lowerer right, from the edition of 30 artists proffs, image; 21``h x 26.5``w, overall: 29.5``h x34``w, catalog reference: Mourlot, 35Starting Price: $1000
Lithograph, Salvador Dali, Fashion DesignerFramed lithograph, ``The Ballet of the Flowers (The Fashion Designer),`` by Salvador Dali (Spanish, 1904-1989), pencil signed ``Dali`` lower right, numbered edition ``I 163/350`` lower left, published by Levine and Levine, image: 20.75``h x 18``w, overall: 35``h x 27.5``w. Catalogue Reference: Field, 80-6. Provenance: Purchased at Brana Fine Art, Santa Monica, CaliforniaStarting Price: $400
Lithograph, R.C. Gorman, Star GazerFramed lithograph ``Star Gazer,`` 1990, by R.C. Gorman (American, 1932-2005), pnecil signed ``R.C. Gorman`` lower left, pencil numbered edition of 225 lower right, paper: 31``h x 36``w, overall: 45``h x 49``w. Provenance: Deaccession of the Nevada Museum of ArtStarting Price: $400
Lithograph, R.C. Gorman, Woman in Yellow DressFramed color lithograph ``Lila,`` 1981, by R.C. Gorman (American, 1932-2005), pencil signed and dated ``R.C. Gorman, 1981`` lower left, pencil inscribed artist proof lower right, paper: 17.75``h x 22.25``w, overall: 27.75``h x 32.5``wStarting Price: $300
Portfolio, Frank Lloyd Wright, Wasmuth(Lot of 5) Three Frank Lloyd Wright portfolios, ``Selected Drawings Portfolio,`` one printed in 1982 by A.D.A EDITA, Tokyo, edition of 500, one printed in 1977 by Horizon Press, New York, edition of 500; partial Folio ``Buildings Plans and Designs, Frank Lloyd Wright``; Published by Horizon Press, New York, 1963; Numbered copy 49C; In archival box case; 25 3/4``h x 16``w; a blindstamped Wasmuth lithograph depicting the Herrn Coonley House, Riverside, Illinois; plus an empty portfolio case from a Horizon releaseStarting Price: $400
PELE: (1940-) Brazilian Footballer. A good, large colour 19.5 x 27.5 lithograph by artist C. M. Dudash depicting Pele in a full length action pose during a Brazil vs. Italy match. Limited Edition number 1216 of 1282. Signed by Pele in bold pencil with his name alone to the lower white border and also signed in pencil by the artist. Professionally double matted in white and framed and glazed in a plain green frame to an overall size of 25 x 33.5. EX
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